Rio De Janeiro — In Brazil, where the majority of the population are of African origin, persons of color are traditionally under-represented on above-the-line TV and film production. This, however, is gradually changing.
For the past years, Poc talents, as well as residents from the impoverished urban areas, LGBTQ and indigenous people, have gained ground in the still white-male dominated production sector.
The diversity drive resisted four years of an extreme-right government and ironically benefited indirectly from it, in the view of director and screenwriter Janaina Oliveira, vice-president of local Association of Black Audiovisual Professionals (Apan).
As the Bolsonaro administration (2019-2022) withheld coin from government incentives, said 42-year-old Oliveira, indie producers resorted to commissions from the large international streaming companies.
“Netflix, Amazon and the other streaming companies have adopted policies that stimulate diversity in their productions, especially after the Black Lives Matter movement, and they enforced them in Brazil. George Floyd had an impact here,...
For the past years, Poc talents, as well as residents from the impoverished urban areas, LGBTQ and indigenous people, have gained ground in the still white-male dominated production sector.
The diversity drive resisted four years of an extreme-right government and ironically benefited indirectly from it, in the view of director and screenwriter Janaina Oliveira, vice-president of local Association of Black Audiovisual Professionals (Apan).
As the Bolsonaro administration (2019-2022) withheld coin from government incentives, said 42-year-old Oliveira, indie producers resorted to commissions from the large international streaming companies.
“Netflix, Amazon and the other streaming companies have adopted policies that stimulate diversity in their productions, especially after the Black Lives Matter movement, and they enforced them in Brazil. George Floyd had an impact here,...
- 4/16/2023
- by Marcelo Cajueiro
- Variety Film + TV
Setting the agenda for much top Brazilian cinema bowing over 2022-25, Globo Filmes has boarded 20 new Brazilian movies, powering up by far the biggest production slate of any company in Brazil.
New titles from many of Brazil’s good and great range from Cinema Novo veteran Zelito Viana to Oscar-shortlisted Cao Hambuger. The production slate features obvious big commercial plays for domestic audiences such as “Tô de Graça, o Filme,” a movie spin-off from the hugely popular sitcom franchise.
The lineup, however, displays a far larger auteurist edge than in the past, with awaited new movies from young female auteurs such as Juliana Rojas and Beatriz Seigner and battling Black filmmakers Jeferson De, Grace Passo and Sabrina Fidalgo.
The slate also features big crossover titles which bid fair to feature at some of the biggest film festivals around the world, such as Hamburger’s “School Without Gates,” “Macunaíma 21,” from Felipe Bragança and Zahi Guajajara,...
New titles from many of Brazil’s good and great range from Cinema Novo veteran Zelito Viana to Oscar-shortlisted Cao Hambuger. The production slate features obvious big commercial plays for domestic audiences such as “Tô de Graça, o Filme,” a movie spin-off from the hugely popular sitcom franchise.
The lineup, however, displays a far larger auteurist edge than in the past, with awaited new movies from young female auteurs such as Juliana Rojas and Beatriz Seigner and battling Black filmmakers Jeferson De, Grace Passo and Sabrina Fidalgo.
The slate also features big crossover titles which bid fair to feature at some of the biggest film festivals around the world, such as Hamburger’s “School Without Gates,” “Macunaíma 21,” from Felipe Bragança and Zahi Guajajara,...
- 5/25/2022
- by John Hopewell
- Variety Film + TV
NATPE Miami would hardly be the same without a splashy, big, packed and convivial Globo showcase, a fixture for buyers. But, held totally online, this year’s NATPE Virtual Miami, whoch kicks off on Jan. 19, is hardly the same. So it’s heartening to see Globo going for broke with its Jan. 15 Upfront, which catches the Brazilian TV giant, as so many large players in Latin America, with new structures, management and content. Following, five quick takes on what to expect from the event.
All Together, Right Now
Already hosting Brazil’s biggest linear TV network, its leading satellite-cable operator and its biggest Brazilian Ott service, Globo has now brought all three under the same roof. “There’s Only One Globo,” its Upfront slogan reads. That has multiple upside as Globo. “With Globo being unified, our [lineup for international licensing gains more structure, more diversity of content to serve partners and audiences from different regions of the world,” says Paulo Marinho, Globo exec director of networks. Globo ’s domestic viewership now spreads over mobile,...
All Together, Right Now
Already hosting Brazil’s biggest linear TV network, its leading satellite-cable operator and its biggest Brazilian Ott service, Globo has now brought all three under the same roof. “There’s Only One Globo,” its Upfront slogan reads. That has multiple upside as Globo. “With Globo being unified, our [lineup for international licensing gains more structure, more diversity of content to serve partners and audiences from different regions of the world,” says Paulo Marinho, Globo exec director of networks. Globo ’s domestic viewership now spreads over mobile,...
- 1/15/2021
- by John Hopewell and Emiliano Granada
- Variety Film + TV
Brazilian TV giant Globo has brought to this year’s Natpe conference in Miami one of its biggest access prime time hits in the last eight years. “A Life Worth Living” underscores that, as Globo and its Svod service Globoplay explore ever more shorter series formats – “Second Call,” “Aruanas,” telenovelas and melodrama are still kings in Latin America.
With a daily audience of 36 million, the show turns on Paloma (Grazi Massafera), a dreamy seamstress and mother of three whose life is turned upside down when she’s diagnosed with a terminal disease. Wrongly, as she later discovers, along with the really terminally ill Alberto (Antonio Fagundes) a wealthy book publisher, on the verge of death. Between them a friendship blossoms inspired by a common love of literature and an awareness of how finite life is.
Variety talked with novela writers Rosane Svartman and Paulo Halm- whose work together has...
With a daily audience of 36 million, the show turns on Paloma (Grazi Massafera), a dreamy seamstress and mother of three whose life is turned upside down when she’s diagnosed with a terminal disease. Wrongly, as she later discovers, along with the really terminally ill Alberto (Antonio Fagundes) a wealthy book publisher, on the verge of death. Between them a friendship blossoms inspired by a common love of literature and an awareness of how finite life is.
Variety talked with novela writers Rosane Svartman and Paulo Halm- whose work together has...
- 1/22/2020
- by Emiliano Granada
- Variety Film + TV
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