"Thunderball" co-stars Martine Beswick and Luciana Paluzzi.
Hammer and "Live and Let Die" actress Madeleine Smith.
By Mark Mawston
The London Film Convention, organized by Thomas Bowington was quite literally a Who’s Who of heroes and villains from the small and silver screen. The actual Who came in the shape of a Dr. himself in the guise of Sylvester McCoy, along with Who assistants Katy Manning who played Jo and Bernard Cribbins from both the Amicus film version and the TV version. There was also a rare appearance from Garial Woolf. The other key cult British film genres-the Carry On films, James Bond and Hammer horror- were all represented too, with many of the star guests appearing in all three: from the Carry On Films we had Fenella Fielding, Anita Harris and Amanda Barrie, from Hammer and Bond we had Maddie Smith, Valerie Leon, Martine Beswick, Eunice Gayson, John Wyman,...
Hammer and "Live and Let Die" actress Madeleine Smith.
By Mark Mawston
The London Film Convention, organized by Thomas Bowington was quite literally a Who’s Who of heroes and villains from the small and silver screen. The actual Who came in the shape of a Dr. himself in the guise of Sylvester McCoy, along with Who assistants Katy Manning who played Jo and Bernard Cribbins from both the Amicus film version and the TV version. There was also a rare appearance from Garial Woolf. The other key cult British film genres-the Carry On films, James Bond and Hammer horror- were all represented too, with many of the star guests appearing in all three: from the Carry On Films we had Fenella Fielding, Anita Harris and Amanda Barrie, from Hammer and Bond we had Maddie Smith, Valerie Leon, Martine Beswick, Eunice Gayson, John Wyman,...
- 9/20/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Following James Bond’s out of this world experience in the financially successful (665 million, adjusted for inflation) if artistically vapid Moonraker, the series’ sole producer, Albert Broccoli, thought it best to venture in a different direction, one that would feel slightly more grounded, all the while still playing on the strengths of his star: cool wit, affable mannerism and charm. A new director in John Glenn was now on board, who would go on to direct every single entry from the 80s, including Timothy Dalton’s two adventures. A new production designer in Peter Lamont was also now in charge of sets. Both had worked their way up in the ‘Bond family business’ so to speak, and, along with the leftover story elements from the far grittier Ian Fleming novels, the 007 films of the early 80s would take on a different tone and feel from the voodoo, space travel and...
- 11/5/2015
- by Edgar Chaput
- SoundOnSight
Following James Bond’s out of this world experience in the financially successful (665 million, adjusted for inflation) if artistically vapid Moonraker, the series’ sole producer, Albert Broccoli, thought it best to venture in a different direction, one that would feel slightly more grounded, all the while still playing on the strengths of his star: cool wit, affable mannerism and charm. A new director in John Glenn was now on board, who would go on to direct every single entry from the 80s, including Timothy Dalton’s two adventures. A new production designer in Peter Lamont was also now in charge of sets. Both had worked their way up in the ‘Bond family business’ so to speak, and, along with the leftover story elements from the far grittier Ian Fleming novels, the 007 films of the early 80s would take on a different tone and feel from the voodoo, space travel and...
- 11/16/2012
- by Edgar Chaput
- SoundOnSight
To mark the 50th Anniversary of one of the most successful movie franchises of all time and with filming almost complete on James Bond’s 23rd official outing in Skyfall due for release later this year, I have been tasked with taking a retrospective look at the films that turned author Ian Fleming’s creation into one of the most recognised and iconic characters in film history.
Following on from Bond’s previous mission into outer space for Moonraker, which although it was a huge success at the box office provided some of the worst excesses of the series so far preferring a more humorous approach over the serious spy thrills of the early days in the character’s long history. The film had also proved to be a costly exercise requiring co-financing from the French wing of United Artists to cover the budget. Series producer Albert R. Broccoli wisely...
Following on from Bond’s previous mission into outer space for Moonraker, which although it was a huge success at the box office provided some of the worst excesses of the series so far preferring a more humorous approach over the serious spy thrills of the early days in the character’s long history. The film had also proved to be a costly exercise requiring co-financing from the French wing of United Artists to cover the budget. Series producer Albert R. Broccoli wisely...
- 5/1/2012
- by Chris Wright
- Obsessed with Film
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.