“Memoir of a Snail,” directed by locally-born, Oscar-winning director Adam Elliot, has been set as the opening title of the Melbourne International Film Festival.
The festival runs Aug. 8-25 and is expected to comprise more than 250 titles. An early sneak peek, revealed Thursday, confirmed a high quality international and local selection.
These include Cannes Critics’ Week award winner “Blue Sun Palace”; double Sundance-winning semi biographical directorial debut “Didi,” by Sean Wang; Aaron Schimberg’s “A Different Man,” which earned Sebastian Stan the acting prize in Berlin; Australian-produced Imax presentation “Fungi: Web of Life”; Rooney Mara-starring “La Cocina”; Frederick Wiseman’s restaurant documentary “Menus Plaisirs – Les Troisgros”; Berlin prize-winner “My Favourite Cake”; Steve McQueen’s “Occupied City”; and Jodi Wille’s “Welcome Space Brothers.”
The lineup also includes “We Were Dangerous,” a feminist and comic directorial debut from Maori filmmaker Josephine Stewart-Te Whiu, that is executive produced by Taika Waititi.
The festival runs Aug. 8-25 and is expected to comprise more than 250 titles. An early sneak peek, revealed Thursday, confirmed a high quality international and local selection.
These include Cannes Critics’ Week award winner “Blue Sun Palace”; double Sundance-winning semi biographical directorial debut “Didi,” by Sean Wang; Aaron Schimberg’s “A Different Man,” which earned Sebastian Stan the acting prize in Berlin; Australian-produced Imax presentation “Fungi: Web of Life”; Rooney Mara-starring “La Cocina”; Frederick Wiseman’s restaurant documentary “Menus Plaisirs – Les Troisgros”; Berlin prize-winner “My Favourite Cake”; Steve McQueen’s “Occupied City”; and Jodi Wille’s “Welcome Space Brothers.”
The lineup also includes “We Were Dangerous,” a feminist and comic directorial debut from Maori filmmaker Josephine Stewart-Te Whiu, that is executive produced by Taika Waititi.
- 6/6/2024
- by Patrick Frater
- Variety Film + TV
Beyond Fest returns with an eclectic mix of films that will have you racing to pick up tickets! With over 55 films, there's something for everyone, including early screenings of The Toxic Avenger, a 10th anniversary screening of Pacific Rim with Guillermo del Toro in attendence, a screening of The Wicker Man with Britt Ekland in attendance, and more. Here are all of the details from the press release:
Beyond Fest, the highest-attended genre film festival in the US, is excited to announce its complete slate of 2023 programming comprising 55 features, including 5 world premieres, 3 North American Premieres, 7 US premieres, and 18 West Coast Premieres. After entertaining over 19,000 guests in 2022, Beyond Fest returns for its 11th edition from September 26th - October 10th. Built in partnership with the American Cinematheque and presented exclusively by Neon, Beyond Fest will screen at the Aero Theatre, Los Feliz 3 and Regency Village Theatre with all ticket sales going...
Beyond Fest, the highest-attended genre film festival in the US, is excited to announce its complete slate of 2023 programming comprising 55 features, including 5 world premieres, 3 North American Premieres, 7 US premieres, and 18 West Coast Premieres. After entertaining over 19,000 guests in 2022, Beyond Fest returns for its 11th edition from September 26th - October 10th. Built in partnership with the American Cinematheque and presented exclusively by Neon, Beyond Fest will screen at the Aero Theatre, Los Feliz 3 and Regency Village Theatre with all ticket sales going...
- 9/14/2023
- by Jonathan James
- DailyDead
It was hot and cramped inside the small two-story building where the cast and crew shot “Documentary Now” last June. Despite the Oregon humidity, there was a lightness on the set where they were midway through shooting fictional cult documentary “Batshit Valley.” And despite the presence of Oscar nominees Owen Wilson and Michael Keaton, it felt more like an ultra-low-budget indie.
“Batshit Valley” serves as the two-part season premiere for IFC’s fiercely authentic parody of iconic non-fiction narratives, and also is the beginning for a show that must reinvent itself. Co-creator and star Bill Hader was unavailable as an actor in Season 3 due to his commitment to HBO’s “Barry,” and the show used this as an opportunity to bring in a brand-new assortment of talent.
“There are so many stories to tell about documentaries that are wonderful, and frankly, we can’t cast Bill and Fred in all of them,...
“Batshit Valley” serves as the two-part season premiere for IFC’s fiercely authentic parody of iconic non-fiction narratives, and also is the beginning for a show that must reinvent itself. Co-creator and star Bill Hader was unavailable as an actor in Season 3 due to his commitment to HBO’s “Barry,” and the show used this as an opportunity to bring in a brand-new assortment of talent.
“There are so many stories to tell about documentaries that are wonderful, and frankly, we can’t cast Bill and Fred in all of them,...
- 2/21/2019
- by Liz Shannon Miller
- Indiewire
As more revelations emerge about former Smallville actress-turned-sex-cult member Allison Mack, including her role in allegedly recruiting female sex slaves for the bizarre Nxvim (pronounced Nex-ee-um) cult leader Keith Raniere, bigger questions are raised concerning how the popular actress got involved with a cult at all. After her arrest, it was reported that the 35-year-old actress not only recruited members for Raniere to have sex with, but she also blackmailed them with compromising pictures, and helped hold them down and brand them with a symbol that was a mix of Mack's and Raniere's initials. Raniere and Mack's trial is set to begin October 1, and if they're convicted, they will face 15 years in prison, according to The Hollywood Reporter. Why do celebrities get involved in cults? Mack is certainly not the only Hollywood celeb who is a cult member, but she is among those who joined cults voluntarily as adults. "I...
- 5/28/2018
- by Editorial Staff
- Life and Style
As more revelations emerge about former Smallville actress-turned-sex-cult member Allison Mack, including her role in allegedly recruiting female sex slaves for the bizarre Nxvim (pronounced Nex-ee-um) cult leader Keith Raniere, bigger questions are raised concerning how the popular actress got involved with a cult at all. After her arrest, it was reported that the 35-year-old actress not only recruited members for Raniere to have sex with, but she also blackmailed them with compromising pictures, and helped hold them down and brand them with a symbol that was a mix of Mack's and Raniere's initials. Raniere and Mack's trial is set to begin October 1, and if they're convicted, they will face 15 years in prison, according to The Hollywood Reporter. Why do celebrities get involved in cults? Mack is certainly not the only Hollywood celeb who is a cult member, but she is among those who joined cults voluntarily as adults. "I...
- 5/18/2018
- by Barbara Herman
- In Touch Weekly
Adam Parfrey, whose Feral House publishing company was a resource for underground, extreme and what some may consider “forbidden” knowledge, has died. His death at age 61 was announced on the official Feral House Facebook page.
Born in Los Angeles into a show business family – his father was actor Woody Parfrey, whose extensive film and television career was often chronicled by his son via Facebook – Parfrey grew up in the punk culture of the ’70s and ’80s.
His edgy works for Amok Publishing soon gave way to his own imprint, Feral House, which was the source and authority for many Hollywood films that explored the underground, including the Tim Burton film Ed Wood, the American Hardcore feature documentary, and Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, for which he also co-wrote the screenplay.
Parfrey was on the cutting edge of subjects that other publishers did not have...
Born in Los Angeles into a show business family – his father was actor Woody Parfrey, whose extensive film and television career was often chronicled by his son via Facebook – Parfrey grew up in the punk culture of the ’70s and ’80s.
His edgy works for Amok Publishing soon gave way to his own imprint, Feral House, which was the source and authority for many Hollywood films that explored the underground, including the Tim Burton film Ed Wood, the American Hardcore feature documentary, and Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, for which he also co-wrote the screenplay.
Parfrey was on the cutting edge of subjects that other publishers did not have...
- 5/11/2018
- by Bruce Haring
- Deadline Film + TV
Editor’s note: The Source Family is now in limited release, so go ahead and get hip to Kate’s SXSW review of the film, originally published on March 14, 2012. While some people might chuckle at being informed that they are a part of a group of “specially chosen people,” there will always be a few that perk up with such words, whose eyes go wide, and who are eager to get on board with like-minded people. You know, like cult members. Co-directors Jodi Wille and Maria Demopoulos chronicle just such a cult and just such a people in The Source Family, a documentary about the group of people known as the Source Family who, thanks to their leader Jim Baker, “transformed sex, drugs, and rock n roll” into a genuine movement (at least in their eyes). The film documents Baker and the Source’s rise to (relative) power and prominence in seventies-era Los Angeles. Baker...
- 5/4/2013
- by Kate Erbland
- FilmSchoolRejects.com
Say what you will about Jim Baker, also known as Yod, Yahowha, Father, and then just plain God to his tribe of hippie acolytes in Los Angeles's so-called Source Family, but the man had the hair for the job. Zeus himself might envy the pillowy, platinum coils that Baker grew out in the late 1960s while reinventing himself as a spiritual cult leader with a sideline in the restaurant business. It wasn't just the hair that drew in the kids, as we learn in The Source Family, Maria Demopoulos and Jodi Wille's largely sympathetic history of the Baker-led phenomenon. Baker knew his market so well that he advertised meditation classes for "all the confused, lost children of the new age" in the local paper. Offering himself as a father, protector, and—if you were a teenage girl&mdas...
- 5/3/2013
- Village Voice
If you had an inside connection to a true-life tale in which sex, drugs, and rock & roll were part of the path to spiritual salvation for a ‘70s L.A. hippie cult group, wouldn’t you want to make a movie about it? Jodi Wille and Maria Demopoulos’s documentary, The Source Family, offers up an intimate history of the group led by Father Yod, A.K.A. Jim Baker. A successful, charismatic businessman, Baker had a late-1960s spiritual awakening leading to his establishment of a religious commune whose initial hub was his popular Sunset Strip health-food restaurant, The Source. After adopting his newly …...
- 4/30/2013
- by Jim Allen
- Filmmaker Magazine-Director Interviews
Contemporary music has its fare share of massive group ensembles, whether it's the extended Wu-Tang family, the robe-wearing The Polyphonic Spree, the numerous branches of the Elephant 6 Collective, or the various members of the Broken Social Scene club. But we'd wager few could touch the sprawl of The Source Family. The '70s group combined the trappings of a celebrity, eccentric lifestyle that included a popular health food restaurant (a rarity at the time), scores of women, and popularity with the ideals of their leader, Father Yod. And oh yeah, they played music too, in the band Ya Ho Wa 13. Investigations into the family and its practices ultimately led to their demise, but their story has been captured in Jodi Wille and Maria Demopoulos' documentary "The Source Family." Featuring extensive interviews, home movies, photographs, and original music created by The Source Family themselves, the film is an eye-opening look...
- 3/5/2013
- by Kevin Jagernauth
- The Playlist
Wow, the 21st Annual Whitaker St. Louis International Film Festival already has been amazing!
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Thursday, November 15th
Shorts Program 8: Quirky Relationships
Shorts Program 8: Quirky Relationships plays at 5:00pm at the Tivoli Theatre
Shorts that give romance a twist.
Boo! (Rupert Reid, Australia, 2012, 5 min.): An aging married couple keep their love alive by staying one step ahead of each other. Coffees (Alex Beh, U.S., 2012, 11 min.): As a last-ditch effort, Mikey decides to go to his ex...
Sliff’s main venues are the the Hi-Pointe Theatre, Tivoli Theatre, Plaza Frontenac Cinema, Webster University’s Winifred Moore Auditorium, Washington University’s Brown Hall Auditorium and the Wildey Theatre in Edwardsville, Il
The entire schedule for the 21st Annual Whitaker St. Louis International Film Festival be found Here.
http://cinemastlouis.org/sliff-2012
Here is what will be screening at The 21st Whitaker St. Louis International Film Festival today, Thursday, November 15th
Shorts Program 8: Quirky Relationships
Shorts Program 8: Quirky Relationships plays at 5:00pm at the Tivoli Theatre
Shorts that give romance a twist.
Boo! (Rupert Reid, Australia, 2012, 5 min.): An aging married couple keep their love alive by staying one step ahead of each other. Coffees (Alex Beh, U.S., 2012, 11 min.): As a last-ditch effort, Mikey decides to go to his ex...
- 11/15/2012
- by Tom Stockman
- WeAreMovieGeeks.com
I can't remember a time I went to the Seattle International Film Festival (Siff) press launch and looked over the list of films and saw so many I was interested in seeing. The claim to fame for over the years is to call it the largest and most-highly attended festival in the United States. This is a fact I've often taken issue with as I don't equate quantity with quality. Granted, there has been a large number of quality features to play the fest over the years, including Golden Space Needle (Best Film) winners such as Kiss of the Spider Woman (1985), My Life as a Dog (1987), Trainspotting (1996), Run Lola Run (1999), Whale Rider (2003) and even recent Best Director winner, Michel Hazanavicius's Oss 117: Nest of Spies in 2006. That said, looking over this year's crop of films I see a lot of films I will be doing my absolute best to see.
- 4/27/2012
- by Brad Brevet
- Rope of Silicon
As I mentioned when rounding up the Narrative Feature Competition, wrapping SXSW 2012 could take a while. That batch opened with comments from one of the jurors, J Hoberman, and this one will as well. First, though, let's mention that we already have roundups going on the award-winners, Beware of Mr Baker and Bay of All Saints.
So the Guardian's Catherine Shoard, jury member, found Jeffrey Kimball's The Central Park Effect to be "a sweet study of the birders who flock to Manhattan's thick strip of parkland each spring. It was pretty gentle, generic, even, but felt from a different planet from the rest in that it wasn't wholly human-focused. Sure, the warblers and the robins are red herrings, and it's really all about the cast of eccentrics who eyeball them – including celeb twitcher Jonathan Franzen, who pitches in with some unusually self-deprecating soundbites."
Mark Olsen in the Los Angeles...
So the Guardian's Catherine Shoard, jury member, found Jeffrey Kimball's The Central Park Effect to be "a sweet study of the birders who flock to Manhattan's thick strip of parkland each spring. It was pretty gentle, generic, even, but felt from a different planet from the rest in that it wasn't wholly human-focused. Sure, the warblers and the robins are red herrings, and it's really all about the cast of eccentrics who eyeball them – including celeb twitcher Jonathan Franzen, who pitches in with some unusually self-deprecating soundbites."
Mark Olsen in the Los Angeles...
- 3/27/2012
- MUBI
Black Pond
Directed by Tom Kingsley & Will Sharpe
Black Pond heralds an incredibly original, startlingly mature, and completely inscrutable new film-making duo. It’s unclear what exactly they have made with Black Pond; suffice it to say it is equal parts profound and hilarious while refusing classification… (read the full review)
Cabin In The Woods
Directed by Drew Goddard
If you’re familiar with the writing style and general playfulness of Joss Whedon, you already know whether you will like this film. Not to discredit the game, fantastic cast, but fans of Whedon and co-writer/director Drew Goddard know who the real stars here are, and this movie is fantastic precisely because of its script.
Cabin In The Woods is a horror movie like Buffy The Vampire Slayer was a horror TV show. It is a horror movie, but that doesn’t even begin to describe it. This film is delightful.
Directed by Tom Kingsley & Will Sharpe
Black Pond heralds an incredibly original, startlingly mature, and completely inscrutable new film-making duo. It’s unclear what exactly they have made with Black Pond; suffice it to say it is equal parts profound and hilarious while refusing classification… (read the full review)
Cabin In The Woods
Directed by Drew Goddard
If you’re familiar with the writing style and general playfulness of Joss Whedon, you already know whether you will like this film. Not to discredit the game, fantastic cast, but fans of Whedon and co-writer/director Drew Goddard know who the real stars here are, and this movie is fantastic precisely because of its script.
Cabin In The Woods is a horror movie like Buffy The Vampire Slayer was a horror TV show. It is a horror movie, but that doesn’t even begin to describe it. This film is delightful.
- 3/22/2012
- by Ricky
- SoundOnSight
The Source
Directed by Jodi Wille and Maria Demopoulos
USA, 2012
The Source family was a commune which developed out of a natural food restaurant off of the Sunset Strip in the 70s. Led by the enigmatic Father Yod, the Source family developed from a rag-tag group of young hippies to a cultish spiritual group with inclinations toward Psychedelic rock to nearly 150 members living in one mansion together. Straddling the era between hippie fanaticism and hippie disenchantment, the Source family was short-lived, but it went through an astounding level of growth and development. And it was all documented by the Source historian.
The archival footage is outstanding, and is enough to heartily recommend this film. In fact, the scenes capturing the birth of the first Source child and a High School Source band performance are reason enough to seek the movie out. But what really makes this documentary a special endeavour...
Directed by Jodi Wille and Maria Demopoulos
USA, 2012
The Source family was a commune which developed out of a natural food restaurant off of the Sunset Strip in the 70s. Led by the enigmatic Father Yod, the Source family developed from a rag-tag group of young hippies to a cultish spiritual group with inclinations toward Psychedelic rock to nearly 150 members living in one mansion together. Straddling the era between hippie fanaticism and hippie disenchantment, the Source family was short-lived, but it went through an astounding level of growth and development. And it was all documented by the Source historian.
The archival footage is outstanding, and is enough to heartily recommend this film. In fact, the scenes capturing the birth of the first Source child and a High School Source band performance are reason enough to seek the movie out. But what really makes this documentary a special endeavour...
- 3/19/2012
- by Emmet Duff
- SoundOnSight
Documentaries done right serve a number of purposes for cinephiles – to educate, to inspire, to reflect, to synthesize – but my favorite brand of documentary has always been the kind that chronicles a people and a lifestyle that are diametrically opposed to the sort of person I am and the lifestyle I lead. And thus, enter The Source, which looks to fit perfectly into my preferred type of doc. World premiering at SXSW, Jodi Wille and Maria Demopoulos’s film chronicles “The Source Family,” an “Aquarian tribe” that embodied just about everything people think of when they think of hippies, the 70s, and what it meant to be groovy. The Family was “a radical experiment in ’70s utopian living. Their outlandish lifestyle, popular health food restaurant, rock band, and beautiful women made them the darlings of Hollywood’s Sunset Strip; but their outsider ideals and spiritual leader, Father Yod, caused controversy with local authorities.” You...
- 3/7/2012
- by Kate Erbland
- FilmSchoolRejects.com
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