Amongst a slate of auspicious Brazilian films and series featuring in Berlin, “Cidade; Campo”– the latest from arthouse helmer Juliana Rojas – saw its world premiere on Monday, screening as part of the Encounters strand that aims “to foster aesthetically and structurally daring works from independent, innovative filmmakers,” according to the fest.
Backed by Brazil’s Dezenove Som e Imagem and Globo Filmes in tandem with France’s Good Fortune Films and Germany’s Sutor Kolonko, the loosely mystical narrative tells two disparate relocation stories fused by longing, grief and a rousing aesthetic. Italy’s The Open Reel handles international sales.
“At Globo Filmes, it’s a delight to be engaged in the co-production of ‘Cidade; Campo.’ Juliana Rojas stands out as an innovative filmmaker, offering a crucial perspective on contemporary Brazil. Juliana intricately explores the woman’s role in a society laden with oppression,” Simone Oliveira, head of Globo Filmes,...
Backed by Brazil’s Dezenove Som e Imagem and Globo Filmes in tandem with France’s Good Fortune Films and Germany’s Sutor Kolonko, the loosely mystical narrative tells two disparate relocation stories fused by longing, grief and a rousing aesthetic. Italy’s The Open Reel handles international sales.
“At Globo Filmes, it’s a delight to be engaged in the co-production of ‘Cidade; Campo.’ Juliana Rojas stands out as an innovative filmmaker, offering a crucial perspective on contemporary Brazil. Juliana intricately explores the woman’s role in a society laden with oppression,” Simone Oliveira, head of Globo Filmes,...
- 2/20/2024
- by Holly Jones
- Variety Film + TV
If any part of you has been curious as to how French filmmaker Olivier Assayas spent the early days of the global pandemic, along comes “Suspended Time” to answer your question, with very much the answer you might expect: pretty comfortably, thanks for asking. Alternating a thinly fictionalised portrait of the artist isolating at his family’s country home with fully autobiographical narration by the director himself, this mildly amusing but vastly indulgent bagatelle feels a tardy entry in the first wave of lockdown cinema — too late to feel fresh, but still too soon to have accumulated much meaningful perspective on an experience we all remember too well. Assayas devotees will take some pleasure in its formal fillips and self-references. Others need not apply.
At its most interesting — and quietly gossipy, if you are so minded — “Suspended Time” could be read as a reply work of sorts to “Bergman Island,...
At its most interesting — and quietly gossipy, if you are so minded — “Suspended Time” could be read as a reply work of sorts to “Bergman Island,...
- 2/17/2024
- by Guy Lodge
- Variety Film + TV
By virtue of the shared experiences it speaks to, Suspended Time may be writer-director Olivier Assayas’s most universally relatable film to date. Sure, few people own homes in charming villages in rural France, but almost everyone on the planet went through some version of lockdown during the Covid-19 pandemic. People variably learned recipes, thought up new projects, sought out online therapy, went on long, unusually silent walks, contemplated their pasts, grandstanded about the dangers of a virus, treated said grandstanding as excessive hysteria, and got frustrated with the people they were in insolation with.
Those are the events of Suspended Time in a nutshell—a window into the strange life we all lived, the memory of which we largely seem to have discarded like a spoiled sourdough starter. Missing from the above description, though, is the way Assayas augments the ethereal quality of life in isolation with a sophisticated...
Those are the events of Suspended Time in a nutshell—a window into the strange life we all lived, the memory of which we largely seem to have discarded like a spoiled sourdough starter. Missing from the above description, though, is the way Assayas augments the ethereal quality of life in isolation with a sophisticated...
- 2/17/2024
- by Pat Brown
- Slant Magazine
Top Brazilian titles at the Berlin Festival and EFM:
“Betânia,” (Marcelo Botta)
Botta’s feature debut, produced by Salvatore Filmes, associate produced by Ventre Studio, selected for Berlin’s Panorama. Set in stunning but barren Brazilian sand dunes, Betânia, 65, rebuilds amid global collapse. After losing her husband to a salty diet common in electricity-deprived areas, she seeks solace in a new village, cherishing its traditions. Sales: MPM Premium
“The Best Friend,” (Allan Deberton)
By Deberton, director of award-winning “Pacarrete,” co-produced by Ceara-based Deberton Filmes and Telecine. During a quiet beach trip to Canoa Quebrada, Lucas reunites with his old college friend Felipe, whose free-spirited nature sparks feelings of nostalgia. Sales: Deberton Filmes
“Carnival is Over,” (Fernando Coimbra)
A much awaited title from helmer-scribe, now in post. Winner of a Sundance Institute global filmmaking award, the thriller centers on Regina and Valerio who live an opulent lifestyle in Rio as heirs...
“Betânia,” (Marcelo Botta)
Botta’s feature debut, produced by Salvatore Filmes, associate produced by Ventre Studio, selected for Berlin’s Panorama. Set in stunning but barren Brazilian sand dunes, Betânia, 65, rebuilds amid global collapse. After losing her husband to a salty diet common in electricity-deprived areas, she seeks solace in a new village, cherishing its traditions. Sales: MPM Premium
“The Best Friend,” (Allan Deberton)
By Deberton, director of award-winning “Pacarrete,” co-produced by Ceara-based Deberton Filmes and Telecine. During a quiet beach trip to Canoa Quebrada, Lucas reunites with his old college friend Felipe, whose free-spirited nature sparks feelings of nostalgia. Sales: Deberton Filmes
“Carnival is Over,” (Fernando Coimbra)
A much awaited title from helmer-scribe, now in post. Winner of a Sundance Institute global filmmaking award, the thriller centers on Regina and Valerio who live an opulent lifestyle in Rio as heirs...
- 2/16/2024
- by Anna Marie de la Fuente
- Variety Film + TV
London, May 19 (Ians) Oscar-nominated actor Jonathan Pryce (‘The Two Popes’), Meera Syal (‘Yesterday’) and Toby Jones (‘Tinker Tailor Soldier Spy’) are joining the cast of ‘Flavia de Luce’, a family adventure drama directed by the Andhra Pradesh-born British director Bharat Nalluri, reports ‘Variety’.
As revealed earlier by ‘Variety’, Isla Gie will star alongside Martin Freeman in the upcoming feature film, which is an adaptation of the New York Times bestselling novel ‘The Sweetness at the Bottom of the Pie: A Flavia de Luce Mystery’.
The film will follow the adventures of 11-year-old Flavia de Luce (Gie), who is both an amateur detective and a master poisoner, adds ‘Variety’. When she discovers a dead body in her family’s decaying British manor house and her father is accused of the murder, Flavia launches her own investigation to uncover family secrets and bring the true murderer to justice.
The film’s Emmy...
As revealed earlier by ‘Variety’, Isla Gie will star alongside Martin Freeman in the upcoming feature film, which is an adaptation of the New York Times bestselling novel ‘The Sweetness at the Bottom of the Pie: A Flavia de Luce Mystery’.
The film will follow the adventures of 11-year-old Flavia de Luce (Gie), who is both an amateur detective and a master poisoner, adds ‘Variety’. When she discovers a dead body in her family’s decaying British manor house and her father is accused of the murder, Flavia launches her own investigation to uncover family secrets and bring the true murderer to justice.
The film’s Emmy...
- 5/19/2023
- by Agency News Desk
- GlamSham
Jonathan Pryce (“The Two Popes”), Meera Syal (“Yesterday”) and Toby Jones (“Tinker Tailor Soldier Spy”) are joining the cast of “Flavia de Luce.”
As revealed by Variety, Isla Gie will star alongside Martin Freeman in the upcoming feature film, which is an adaptation of the New York Times bestselling novel “The Sweetness at the Bottom of the Pie: A Flavia de Luce Mystery.”
Protagonist Pictures has launched international sales on the family adventure and is introducing to buyers at the ongoing Cannes film market. CAA Media Finance are handling North America.
Adapted by Susan Coyne (“Daisy Jones and the Six”), the film will follow the adventures of 11-year-old Flavia de Luce (Gie), who is both an amateur detective and a master poisoner. When she discovers a dead body in her family’s decaying British manor house and her father is accused of the murder, Flavia launches her own investigation to...
As revealed by Variety, Isla Gie will star alongside Martin Freeman in the upcoming feature film, which is an adaptation of the New York Times bestselling novel “The Sweetness at the Bottom of the Pie: A Flavia de Luce Mystery.”
Protagonist Pictures has launched international sales on the family adventure and is introducing to buyers at the ongoing Cannes film market. CAA Media Finance are handling North America.
Adapted by Susan Coyne (“Daisy Jones and the Six”), the film will follow the adventures of 11-year-old Flavia de Luce (Gie), who is both an amateur detective and a master poisoner. When she discovers a dead body in her family’s decaying British manor house and her father is accused of the murder, Flavia launches her own investigation to...
- 5/19/2023
- by Naman Ramachandran
- Variety Film + TV
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