“Just start shooting.” That was the advice the legendary A.C. Lyles delivered to young filmmakers when they asked him how he managed to produce five films every year. “Don’t waste your time waiting for some nameless executive to give you the green light,” Lyles told them.
His approach was problematic, but in today’s stalled pandemic economy, it makes perverse sense. Two young female filmmakers successfully pursued his tactic this year with festival-winning results that might inspire others to follow suit. So did a distinguished 87-year-old director who has finished shooting his new film built around two veteran stars, ages 82 and 90.
In both cases, the filmmakers knew the odds were stacked against them – too much experience on one side, too little on the other. They thus decided not to wait in vain for a studio green light, instead scratching together their resources until they could finally shout, “Action!”
The films,...
His approach was problematic, but in today’s stalled pandemic economy, it makes perverse sense. Two young female filmmakers successfully pursued his tactic this year with festival-winning results that might inspire others to follow suit. So did a distinguished 87-year-old director who has finished shooting his new film built around two veteran stars, ages 82 and 90.
In both cases, the filmmakers knew the odds were stacked against them – too much experience on one side, too little on the other. They thus decided not to wait in vain for a studio green light, instead scratching together their resources until they could finally shout, “Action!”
The films,...
- 10/29/2020
- by Peter Bart
- Deadline Film + TV
Alt-rock musician Phil Danyew spent the last six years touring and playing keys with Foster the People. “Now, I’m off in a cave making my own music again,” the multi-instrumentalist said on March 2nd. About a month later, he released “Cool to Be Unhappy,” the debut single from his new project, Elephant Castle.
The mid-tempo track is a stoner’s delight — a breezy, bright, and woozy take on a go-to breakup song. Mellifluous melodies reminiscent of Tame Impala and retro synth sounds leave the listener floating. For a song...
The mid-tempo track is a stoner’s delight — a breezy, bright, and woozy take on a go-to breakup song. Mellifluous melodies reminiscent of Tame Impala and retro synth sounds leave the listener floating. For a song...
- 4/17/2020
- by Samantha Hissong
- Rollingstone.com
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