The Gotham Marcie Bloom Fellowship in Film has unveiled the names of filmmakers who will participate in the upcoming 14th edition.
The selected fellows are Ahnmin Lee, Anndi Liggett, Jingjing Tian, Joecar Hanna and Maryam Mir. All five New York-based filmmakers will take part in a year-long mentorship. As part of the program, participants will meet regularly with industry guests and leaders of the fellowship.
Created in 2009, the Fellowship has played a key role in helping promising new filmmakers connect with their peers within the community and develop their feature debuts. Alumni include Sarna Lapine, who directed Jake Gyllenhaal in the revival of Stephen Sondheim’s “Sunday in the Park with George” on Broadway, Silka Luisa, creator of the Apple TV+ series “Shining Girls” starring Elizabeth Moss, Wagner Moura and Jamie Bell.
Most recently, Antoneta Alamat Kusijanovic was awarded Cannes’ Camera d’Or for best first film with “Murina” (pictured...
The selected fellows are Ahnmin Lee, Anndi Liggett, Jingjing Tian, Joecar Hanna and Maryam Mir. All five New York-based filmmakers will take part in a year-long mentorship. As part of the program, participants will meet regularly with industry guests and leaders of the fellowship.
Created in 2009, the Fellowship has played a key role in helping promising new filmmakers connect with their peers within the community and develop their feature debuts. Alumni include Sarna Lapine, who directed Jake Gyllenhaal in the revival of Stephen Sondheim’s “Sunday in the Park with George” on Broadway, Silka Luisa, creator of the Apple TV+ series “Shining Girls” starring Elizabeth Moss, Wagner Moura and Jamie Bell.
Most recently, Antoneta Alamat Kusijanovic was awarded Cannes’ Camera d’Or for best first film with “Murina” (pictured...
- 12/16/2022
- by Elsa Keslassy
- Variety Film + TV
If you are looking for some future truly independent films in the coming years (especially future Sundance selections) just keep an eye out for the scribes, producers and film titles mentioned in the eighteen projects advanced here by the Kenneth Rainin Foundation. Sharing coin totalling 450,000, we have some familiar names in Blindspotting‘s Carlos López Estrada, actress Morningstar Angeline (part of our Sundance Trading Cards series), Matthew Puccini and recent 2022 Sundance Institute Directors and Screenwriters Labs folks in Yuan Yuan (Late Spring) and Hasan Hadi (The President’s Cake). you’ll benefit from the Sffilm Rainin Grant coin.…...
- 8/22/2022
- by Eric Lavallée
- IONCINEMA.com
In preparation for a summer return to in-person artist development labs, the Sundance Institute today named those selected as fellows for its 2022 Directors, Screenwriters and Native Labs.
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
Creatives developing original work for the screen as part of the Native Lab include Justin Ducharme (Positions), Taietsarón:sere ‘Tai’ Leclaire (How to Deal with Systemic Racism in the Afterlife), Daniel Pewewardy (Residential), Tiare Ribeaux (Huaka’i) and Tim Worrall (Ka Whawhai Tonu – Struggle Without End).
Those participating in the Directors Lab and/or the Screenwriters Lab include Dina Amer (Cain and Abel), Zandashé Brown (The Matriarch), Caledonia Curry and Meagan Brothers (Sibylant Sisters), Hasan Hadi (The President’s Cake), Michael León and Ashley Alvafez (Crabs in a Barrel), Eliza McNitt (Black Hole), Olive Nwosu (Lady), Neo Sora (Earthquake) and Yuan Yang (Late Spring).
The Native Lab began online from May 2-6 and continues in person from May 9-14, in Santa Fe, Nm, for...
- 5/9/2022
- by Matt Grobar
- Deadline Film + TV
Organisation prepares to return to in-person artist development Labs this summer.
As it prepares to return to in-person artist development Labs this summer Sundance Institute has announced the 2022 Fellows across its signature Directors, Screenwriters, and Native Labs.
Nineteen emerging creators, eight from the Native Lab and 11 from the Directors and Screenwriters Lab will be supported at this year’s Labs as they work to develop original work for the screen, with guidance and mentorship from seasoned creative professionals.
The Native Lab focused on development of storytellers from Native and Indigenous backgrounds ran online from May 2-6 and continues in-person from May 9-14 in Santa Fe,...
As it prepares to return to in-person artist development Labs this summer Sundance Institute has announced the 2022 Fellows across its signature Directors, Screenwriters, and Native Labs.
Nineteen emerging creators, eight from the Native Lab and 11 from the Directors and Screenwriters Lab will be supported at this year’s Labs as they work to develop original work for the screen, with guidance and mentorship from seasoned creative professionals.
The Native Lab focused on development of storytellers from Native and Indigenous backgrounds ran online from May 2-6 and continues in-person from May 9-14 in Santa Fe,...
- 5/9/2022
- by Jeremy Kay
- ScreenDaily
This year’s Sundance Film Festival featured 84 feature films, 59 short films, and 26 jury-awarded prizes — with at least 7 of them distributed to Asian productions. Unsurprisingly, most of the Asian award winners revolved around tales of precarity. Shaunak Sen’s Delhi-based ecology-conscious film “All That Breathes” won a Grand Jury Prize in the World Cinema Documentary category. Snow Hnin Ei Hlaing’s on-the-ground documentary about Rohingya discrimination in the Rakhine State, “Midwives” won the World Cinema Documentary Special Jury Award: Excellence in Verite Filmmaking. Maryna Er Gorbach’s Ukraine-Turkey co-production about a family living along the precarious Ukraine-Russian border, “Klondike”, took home the Directing Award: World Cinema Dramatic.
Several dramatic films took their pickings, too. Philippines-based Martika Ramirez Escobar’s love letter to cinema, “Leonor Will Never Die,” also was selected for the World Cinema Dramatic Special Jury Award: Innovative Spirit. Shorts “Night Bus” (Joe Hsieh) and “Warsha” (Dania Bdeir) likewise swept the shorts fiction awards,...
Several dramatic films took their pickings, too. Philippines-based Martika Ramirez Escobar’s love letter to cinema, “Leonor Will Never Die,” also was selected for the World Cinema Dramatic Special Jury Award: Innovative Spirit. Shorts “Night Bus” (Joe Hsieh) and “Warsha” (Dania Bdeir) likewise swept the shorts fiction awards,...
- 1/30/2022
- by Grace Han
- AsianMoviePulse
The virtual Sundance Film Festival concluded with a virtual awards show — no host this year, just a series of statements and videos parceled out across two hours by Twitter. It was a strangely anti-climactic way of wrapping a low-key festival, while giving winners a chance to prep polite, crew-inclusive acceptance speeches.
Among the audience prizes, U.S. Dramatic winner “Cha Cha Real Smooth” represents the biggest sale of the festival so far, scooped up by Apple for $15 million — 1,000 times the budget of writer-director-star Cooper Raiff’s shoestring-budgeted debut, “Shithouse.”
The Festival Favorite award went to “Navalny.” This prize, selected by audiences from across all sections of the festival, recognizes a late addition to the lineup (“Navalny” was not announced until this past Monday), protected on account of its political sensitivity, as the documentary tracks Russian opposition leader Alexei Navalny while he was recovering from an assassination attempt in Berlin. Accepting the honor,...
Among the audience prizes, U.S. Dramatic winner “Cha Cha Real Smooth” represents the biggest sale of the festival so far, scooped up by Apple for $15 million — 1,000 times the budget of writer-director-star Cooper Raiff’s shoestring-budgeted debut, “Shithouse.”
The Festival Favorite award went to “Navalny.” This prize, selected by audiences from across all sections of the festival, recognizes a late addition to the lineup (“Navalny” was not announced until this past Monday), protected on account of its political sensitivity, as the documentary tracks Russian opposition leader Alexei Navalny while he was recovering from an assassination attempt in Berlin. Accepting the honor,...
- 1/28/2022
- by Peter Debruge
- Variety Film + TV
Exclusive: 7th & Union, the drama directed by Anthony Nardolilloa that follows a Mexican boxer looking to save his family, has won the Best Narrative Feature (U.S. Cinema) prize at the 25th annual Urbanworld Film Festival.
The New York City-set festival, which highlights the work of Black, Indigenous, Latino and other people of color, revealed this year’s winners Monday out of nearly 90 official selections chosen for being inclusive and representative across cultures, themes and stories.
Other winners included Damien D. Smith’s Target: St. Louis Vol. 1 as Best Documentary Feature; Sonja Perryman for Best Screenplay for The 84; and Lissette Feliciano (Women Is Losers) and Talia Lugacy (This Is Not A War Story) both winning for Best Female Director, U.S. Narrative Feature.
The jury for the narrative feature competition included Michele Arteaga, Executive Director, Program Acquisitions, Starz; Mercedes Cooper, VP Public Programming, Array; and Ryan Jones, SVP Production Development at Universal Pictures.
The New York City-set festival, which highlights the work of Black, Indigenous, Latino and other people of color, revealed this year’s winners Monday out of nearly 90 official selections chosen for being inclusive and representative across cultures, themes and stories.
Other winners included Damien D. Smith’s Target: St. Louis Vol. 1 as Best Documentary Feature; Sonja Perryman for Best Screenplay for The 84; and Lissette Feliciano (Women Is Losers) and Talia Lugacy (This Is Not A War Story) both winning for Best Female Director, U.S. Narrative Feature.
The jury for the narrative feature competition included Michele Arteaga, Executive Director, Program Acquisitions, Starz; Mercedes Cooper, VP Public Programming, Array; and Ryan Jones, SVP Production Development at Universal Pictures.
- 10/5/2021
- by Valerie Complex
- Deadline Film + TV
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