The London Action Festival continued at the Royal Geographical Society for its second night “Action’s Big Night Out”, with an evening of comedy, live music, quizzes and surprise guests.
Host/comedian Bennett Arron introduced the McBain quartet to kick off the evening with a classical rendition of the Mission: Impossible theme before magician Nick Einhorn performed film related tricks involving audience participation, mobile phones and the power of deduction.
Main festival guest, director John McTiernan was then re-introduced for a session entitled “Anatomy of a scene” during which he discussed, with Ian Nathan and director Corin Hardy, the sequence from Dr. Strangelove which sees Slim Pickens’ Major “King” Kong repair a malfunctioned missile before it’s accidentally dispatched with him straddling it.
Surprise guest Edgar Wright then turned up to dissect the bar fight sequence from The World’s End where Simon Pegg tries to salvage his pint while fighting aliens.
Host/comedian Bennett Arron introduced the McBain quartet to kick off the evening with a classical rendition of the Mission: Impossible theme before magician Nick Einhorn performed film related tricks involving audience participation, mobile phones and the power of deduction.
Main festival guest, director John McTiernan was then re-introduced for a session entitled “Anatomy of a scene” during which he discussed, with Ian Nathan and director Corin Hardy, the sequence from Dr. Strangelove which sees Slim Pickens’ Major “King” Kong repair a malfunctioned missile before it’s accidentally dispatched with him straddling it.
Surprise guest Edgar Wright then turned up to dissect the bar fight sequence from The World’s End where Simon Pegg tries to salvage his pint while fighting aliens.
- 8/1/2022
- by Daniel Goodwin
- HeyUGuys.co.uk
The writer of the scores for Quantum of Solace, Hot Fuzz and more how he tackles his work – and what John Barry told him
David Arnold, the James Bond composer and musical director of the London Olympics closing ceremony, is talking ghosts. The north London studios where we meet, he tells me, are haunted. Doors slam shut and footsteps are heard in studios that he knows to be empty.
In one part of the building – a former school and church – electrical equipment never works and people report sightings of two spectral schoolchildren dressed in Victorian clothing. "I'm halfway between being a real cynic and totally convinced by it," says Arnold. Our conversation is made more disconcerting by the lights switching off every 15 minutes (an eco-friendly device, not an otherwordly one).
If it sounds like a case for BBC1's Sherlock then that would be entirely appropriate – Arnold is currently working,...
David Arnold, the James Bond composer and musical director of the London Olympics closing ceremony, is talking ghosts. The north London studios where we meet, he tells me, are haunted. Doors slam shut and footsteps are heard in studios that he knows to be empty.
In one part of the building – a former school and church – electrical equipment never works and people report sightings of two spectral schoolchildren dressed in Victorian clothing. "I'm halfway between being a real cynic and totally convinced by it," says Arnold. Our conversation is made more disconcerting by the lights switching off every 15 minutes (an eco-friendly device, not an otherwordly one).
If it sounds like a case for BBC1's Sherlock then that would be entirely appropriate – Arnold is currently working,...
- 8/5/2013
- by John Plunkett
- The Guardian - Film News
Programme for May's three-week arts celebration – released today – will feature Emil and the Detectives, Judith Kerr and Michael Rosen's orchestral work for kids, The Great Enormo
Emil and the Detectives – Erich Kästner's 1929 classic story about a boy who enlists the help of friends to foil a bank robber – is the book at the heart of this year's Brighton festival, which is guest-directed by author, broadcaster and former children's laureate Michael Rosen.
Rosen, who was read the book in weekly instalments by his class teacher when he was nine – and who remembers elaborating and acting out episodes of it with his friends – said the book was "very special in a variety of ways. It was the first of its kind: the first book in which children are detectives and solve a crime. And it was completely new in its attitude to the city. There's a tradition in literature of...
Emil and the Detectives – Erich Kästner's 1929 classic story about a boy who enlists the help of friends to foil a bank robber – is the book at the heart of this year's Brighton festival, which is guest-directed by author, broadcaster and former children's laureate Michael Rosen.
Rosen, who was read the book in weekly instalments by his class teacher when he was nine – and who remembers elaborating and acting out episodes of it with his friends – said the book was "very special in a variety of ways. It was the first of its kind: the first book in which children are detectives and solve a crime. And it was completely new in its attitude to the city. There's a tradition in literature of...
- 2/27/2013
- by Charlotte Higgins
- The Guardian - Film News
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