Not so many years ago, acting classes were fairly uncomplicated affairs. You needed a spacious, well-lit studio. You would add perhaps a few chairs and tables or movable blocks for scene study work. Top that with a teacher who knew what he or she was about, plus students eager to master the craft, and you were set. In some cases, that model still holds. But many, if not most, acting classes have become decidedly more complex.Consider the catalogue of equipment that Los Angeles acting teacher Brad Greenquist (www.bradgreenquist.com) uses in his acting-for-the-camera classes. "I have a Panasonic DVX100A camera that I shoot with, usually on a tripod but sometimes hand-held or with a dolly," he reports. "I have a boom and a boom pole and a Røde mike, and also an Audio-Technica lavaliere system with a portable receiver-mixer, which allows me to use two lavs to...
- 6/16/2010
- backstage.com
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