‘Utama’ won the World Cinema grand jury prize at Sundance earlier this year.
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
- 6/27/2022
- by Martin Blaney
- ScreenDaily
‘Utama’ won the World Cinema grand jury prize at Sundance earlier this year.
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
- 6/27/2022
- by Martin Blaney
- ScreenDaily
Alejandro Loayza Grisi’s “Utama,” which won the grand jury prize in the World Cinema Dramatic competition at Sundance this year, took home top honors at the closing ceremony of the Transilvania Film Festival on Saturday night.
Grisi’s feature debut tells the story of an elderly couple in the Bolivian highlands who refuse to relocate to the city despite the constant threat of drought. In a glowing review, Variety’s Peter Debruge described the film as a “sublime, quietly elegiac” character study that “looks quite unlike anything else.”
“By relying on the simplicity, purity and poetry of his cinematic approach, the director takes the audience on a universal journey, talking about the essence of life, death and everything in between,” said the Transilvania jury, praising a film that “gives the audience a deep, multilayered feeling of how fragile our future is.” “Utama” was also feted with the festival’s Audience Award.
Grisi’s feature debut tells the story of an elderly couple in the Bolivian highlands who refuse to relocate to the city despite the constant threat of drought. In a glowing review, Variety’s Peter Debruge described the film as a “sublime, quietly elegiac” character study that “looks quite unlike anything else.”
“By relying on the simplicity, purity and poetry of his cinematic approach, the director takes the audience on a universal journey, talking about the essence of life, death and everything in between,” said the Transilvania jury, praising a film that “gives the audience a deep, multilayered feeling of how fragile our future is.” “Utama” was also feted with the festival’s Audience Award.
- 6/26/2022
- by Christopher Vourlias
- Variety Film + TV
What defines bodybuilding, rather than a general fitness regime or the physical conditioning required for contact sports, is how it sees strength as an end to itself. In terms of how competitions are usually conducted, the measure of time for participants to pose for judges is over imminently: as shown in films such as Pumping Iron, and now the somber Hungarian drama Gentle, it can resemble fashion catwalk more than gladiatorial arena. Also relevant is the post-human aspect: what is bodybuilding if not a way to augment what we know as human features, kneading muscle and physical posture into a heightened form of themselves. David Cronenberg would’ve surely concocted an interesting film set in this milieu, at least in his Dead Ringers or Crash mode.
Anna Nemes (one half of the director team responsible for Gentle) and László Csuja made a straight documentary in tandem with this feature, using...
Anna Nemes (one half of the director team responsible for Gentle) and László Csuja made a straight documentary in tandem with this feature, using...
- 1/28/2022
- by David Katz
- The Film Stage
You might assume the title is ironic, given that Anna Eszter Nemes and László Csuja’s film is set in the strange, cloistered world of grit, muscle and sinew that is elite women’s bodybuilding. But “Gentle” proves as good as its word, though this quiet, sympathetic portrait of Hungarian competitor Edina (real-life bodybuilder Eszter Csonka) does display significant core strength as a patient critique of the pursuit of an impossible body, and how much it might cost the soul living inside.
Edina is waiting in the wings, being primed and last-minute coached by her partner and trainer Ádám. She has her few minutes in the spotlight, running through a series of practised poses in a pink sequinned bikini for a sparse audience in a small hall, and wins. This means she will go on to compete in the world championships, which seems to mean nearly as much to Ádám as it does to her.
Edina is waiting in the wings, being primed and last-minute coached by her partner and trainer Ádám. She has her few minutes in the spotlight, running through a series of practised poses in a pink sequinned bikini for a sparse audience in a small hall, and wins. This means she will go on to compete in the world championships, which seems to mean nearly as much to Ádám as it does to her.
- 1/22/2022
- by Jessica Kiang
- Variety Film + TV
The female bodybuilding drama is co-directed by two rising Hungarian talents.
Berlin-based sales outfit Films Boutique has snapped up world sales rights to László Csuja and Anna Nemes’ Gentle which will premiere at Sundance in the World Cinema dramatic competition.
Csuja and Nemes are fast-rising Hungarian talents to watch. Their female body-building drama is produced by András Muhi and Gábor Ferenczy from Focusfox Kft, who were behind Golden Bear-winner On Body And Soul, and co-produced by German production company Komplizen Film, whose recent credits include Spencer, Toni Erdmann and The Story Of My Wife.
Muhi and Ferenczy also previously produced...
Berlin-based sales outfit Films Boutique has snapped up world sales rights to László Csuja and Anna Nemes’ Gentle which will premiere at Sundance in the World Cinema dramatic competition.
Csuja and Nemes are fast-rising Hungarian talents to watch. Their female body-building drama is produced by András Muhi and Gábor Ferenczy from Focusfox Kft, who were behind Golden Bear-winner On Body And Soul, and co-produced by German production company Komplizen Film, whose recent credits include Spencer, Toni Erdmann and The Story Of My Wife.
Muhi and Ferenczy also previously produced...
- 12/10/2021
- by Geoffrey Macnab
- ScreenDaily
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