Omar Apollo is pouring his experiences with heartbreak into his sophomore album. On Wednesday, the Mexican American musician announced that he’ll release his album God Said No, featuring appearances from Mustafa and actor Pedro Pascal, on June 28.
“This album is a reflection of my life for the past 2 years and I’m happy to finally present it to you,” Apollo wrote on Instagram, also revealing that he’ll drop the album’s next single, “Dispose of Me,” on Thursday.
Apollo wrote most of the album in London, spending a...
“This album is a reflection of my life for the past 2 years and I’m happy to finally present it to you,” Apollo wrote on Instagram, also revealing that he’ll drop the album’s next single, “Dispose of Me,” on Thursday.
Apollo wrote most of the album in London, spending a...
- 5/15/2024
- by Tomás Mier
- Rollingstone.com
Omar Apollo is looking at himself through Zoom as he tries on the beige Sherpa jacket he just bought. “You fuck with it?” he asks.
It’s hard not to fuck with everything the Mexican American alt-r&b star does. Apollo dropped his debut album, Ivory, in April 2022, then blew up with the ultra-sentimental song “Evergreen,” and followed that success by touring with Sza last year. Recently, he’s been dipping into fashion. (A massive billboard of him dripped in the luxury designer Loewe looms over Sunset Boulevard in L.
It’s hard not to fuck with everything the Mexican American alt-r&b star does. Apollo dropped his debut album, Ivory, in April 2022, then blew up with the ultra-sentimental song “Evergreen,” and followed that success by touring with Sza last year. Recently, he’s been dipping into fashion. (A massive billboard of him dripped in the luxury designer Loewe looms over Sunset Boulevard in L.
- 4/11/2024
- by Tomás Mier
- Rollingstone.com
Alexander Payne's story of a cantankerous teacher holed up for Christmas with a wayward teen and the school cook is expertly told with gentle, grownup comedy
The year’s best Christmas movie arrives in the UK a bit late for Christmas: it is a genial, gentle, redemptive dramedy from Alexander Payne which hits the happy/sad sweet spot with Payne’s sure aim. It is taken from TV writer David Hemingson’s impeccably crafted screenplay, a masterclass in incremental, indirect character revelations and plot transitions. The Holdovers is set in 1970, consciously (or maybe self-consciously) crafted to look like a film which its characters could have gone to see at the time, with the funny, rueful dialogue and melancholy sense of place that you might find in something by Hal Ashby or Bob Rafelson, and a madeleine soundtrack from Cat Stevens, Labi Siffre and more.
But of course it also...
The year’s best Christmas movie arrives in the UK a bit late for Christmas: it is a genial, gentle, redemptive dramedy from Alexander Payne which hits the happy/sad sweet spot with Payne’s sure aim. It is taken from TV writer David Hemingson’s impeccably crafted screenplay, a masterclass in incremental, indirect character revelations and plot transitions. The Holdovers is set in 1970, consciously (or maybe self-consciously) crafted to look like a film which its characters could have gone to see at the time, with the funny, rueful dialogue and melancholy sense of place that you might find in something by Hal Ashby or Bob Rafelson, and a madeleine soundtrack from Cat Stevens, Labi Siffre and more.
But of course it also...
- 1/17/2024
- by Peter Bradshaw
- The Guardian - Film News
At his home in Catalonia, Spain, last year, Labi Siffre received the latest in a series of requests to use one of his songs in a soundtrack. Based on a synopsis of the movie, set in a boarding school in New England, the singer-songwriter signed off. “The storyline was quite nice, and I thought, ‘Yeah, Ok,’” he says. “And that’s all I remembered of it. You move on with the rest of the work you are doing.”
But a few weeks ago, the British musician heard from one of...
But a few weeks ago, the British musician heard from one of...
- 1/10/2024
- by David Browne
- Rollingstone.com
[Note: The following review contains spoilers for “Better Call Saul” Season 5, Episode 8, “Bagman.”]
Add this to the list of “Better Call Saul” moments as profound as they are small: Jimmy McGill, waiting on a delivery of two massive bagfuls of cash, whispering to himself, “Yo soy abogado.” It’s a bilingual spin on the psych-up sessions we’ve seen Jimmy give himself plenty of times before. He’s a pro at rehearsing his own casualness. Here, though, he’s not just readying to tell The Cousins that he’s a lawyer. He’s telling himself.
More from IndieWire'Better Call Saul': Vince Gilligan on Filming the Toughest Scene of His Career and This Week's 'Breaking Bad' Nods'Killing Eve' Review: A Suitable Season 3 Settles Into an Edgeless Groove
Watching Jimmy establish that line in his own conscience is made all the more poignant by the fact that the remainder of “Bagman” asks him to stray so far...
Add this to the list of “Better Call Saul” moments as profound as they are small: Jimmy McGill, waiting on a delivery of two massive bagfuls of cash, whispering to himself, “Yo soy abogado.” It’s a bilingual spin on the psych-up sessions we’ve seen Jimmy give himself plenty of times before. He’s a pro at rehearsing his own casualness. Here, though, he’s not just readying to tell The Cousins that he’s a lawyer. He’s telling himself.
More from IndieWire'Better Call Saul': Vince Gilligan on Filming the Toughest Scene of His Career and This Week's 'Breaking Bad' Nods'Killing Eve' Review: A Suitable Season 3 Settles Into an Edgeless Groove
Watching Jimmy establish that line in his own conscience is made all the more poignant by the fact that the remainder of “Bagman” asks him to stray so far...
- 4/7/2020
- by Steve Greene
- Indiewire
Look/If you had/One shot/Or one opportunity/to totally make up for that 2003 thing/Would you capture it/Or just let it slip? Eminem chose “capture” for his surprise make-good Oscars moment, and that decision made “Lose Yourself” skyrocket all the way to No. 1 on the iTunes charts — 18 years after the song’s initial release.
Marshall Mathers rocked the 92nd Academy Awards on Sunday, 17 years after the emcee skipped the event where he was awarded Best Original Song for the “8 Mile” hit. Find out why Eminem no-showed those Oscars here.
This morning, the hit song from 2002 is looking down at Justin Bieber, Nicki Minaj, Meek Mill, Post Malone and everyone else on the Apple music-buying service’s “Top Songs” Top 10.
Slim Shady’s Sunday performance on ABC was not just well-received on iTunes — it was met with a standing ovation from the Dolby Theatre crowd. Find some of the best reactions here.
Marshall Mathers rocked the 92nd Academy Awards on Sunday, 17 years after the emcee skipped the event where he was awarded Best Original Song for the “8 Mile” hit. Find out why Eminem no-showed those Oscars here.
This morning, the hit song from 2002 is looking down at Justin Bieber, Nicki Minaj, Meek Mill, Post Malone and everyone else on the Apple music-buying service’s “Top Songs” Top 10.
Slim Shady’s Sunday performance on ABC was not just well-received on iTunes — it was met with a standing ovation from the Dolby Theatre crowd. Find some of the best reactions here.
- 2/10/2020
- by Tony Maglio
- The Wrap
The Oscars audience lost themselves briefly Sunday night when Eminem dropped by for a surprise performance of “Lose Yourself,” 17 years after he won an Academy Award for the “8 Mile” track at the 2003 awards show — which he skipped.
Following the stunt and a standing ovation from the audience, Eminem (real name Marshall Mathers) took to Twitter to thank the Academy for letting him do his thing tonight, since he did not attend their 75th ceremony, at which he was awarded the statuette for Best Original Song for “Lose Yourself” — the first-ever hip-hop track to win in that category.
“Look, if you had another shot, another opportunity… Thanks for having me @TheAcademy,” Slim Shady tweeted, alongside a clip of him missing the 2003 Oscars. “Sorry it took me 18 years to get here.”
Also Read: Oscars 2020 Winners and Nominees: The Complete List (Updating Live)
“8 Mile” was released in 2002 at the height of Eminem’s powers.
Following the stunt and a standing ovation from the audience, Eminem (real name Marshall Mathers) took to Twitter to thank the Academy for letting him do his thing tonight, since he did not attend their 75th ceremony, at which he was awarded the statuette for Best Original Song for “Lose Yourself” — the first-ever hip-hop track to win in that category.
“Look, if you had another shot, another opportunity… Thanks for having me @TheAcademy,” Slim Shady tweeted, alongside a clip of him missing the 2003 Oscars. “Sorry it took me 18 years to get here.”
Also Read: Oscars 2020 Winners and Nominees: The Complete List (Updating Live)
“8 Mile” was released in 2002 at the height of Eminem’s powers.
- 2/10/2020
- by Jennifer Maas and Tony Maglio
- The Wrap
When Linda Perry was looking for a way to promote 13-year-old singer/songwriter Willa Amai, her guiding principle was, “You have to think a little left field.”
Perry was one of five participants in the “Commercial Synchs of the Year” panel at Variety’s inaugural Music for Screens Summit, in which executives, producers and talent reps presented case studies exploring the most successful commercial synchs in the last year. Her singer/songwriter/producer’s company We Are Hear earned top honors for its Quickbooks spot, which featured Amai’s cover of Daft Punk’s “Harder, Better, Faster, Stronger” along with a backstory supporting small independent businesses. The award was voted on by attendees at the daylong conference.
Others represented on the panel included Portugal. The Man manager Rich Holtzman (Vitaminwater’s use of “Feel It Still”), Seventeenfifty/Capitol Music Group Svp Brian Nolan (Migos’ “Stir Fry” NBA spot), Good Ear...
Perry was one of five participants in the “Commercial Synchs of the Year” panel at Variety’s inaugural Music for Screens Summit, in which executives, producers and talent reps presented case studies exploring the most successful commercial synchs in the last year. Her singer/songwriter/producer’s company We Are Hear earned top honors for its Quickbooks spot, which featured Amai’s cover of Daft Punk’s “Harder, Better, Faster, Stronger” along with a backstory supporting small independent businesses. The award was voted on by attendees at the daylong conference.
Others represented on the panel included Portugal. The Man manager Rich Holtzman (Vitaminwater’s use of “Feel It Still”), Seventeenfifty/Capitol Music Group Svp Brian Nolan (Migos’ “Stir Fry” NBA spot), Good Ear...
- 10/31/2018
- by Roy Trakin
- Variety Film + TV
Dr. Dre and Eminem recall their first meeting and the origins of their first hit together in a clip from the new HBO documentary, The Defiant Ones. Both remember a sense of awe permeating that initial encounter: For Eminem, it was meeting one of his idols. For Dre, it was seeing his new protégé show up in a bright yellow sweatsuit.
"I'm looking at Dre like, 'Dude I see you on TV all the time – you one of my biggest influences in life,'" Eminem said.
The pair eventually hit the studio together,...
"I'm looking at Dre like, 'Dude I see you on TV all the time – you one of my biggest influences in life,'" Eminem said.
The pair eventually hit the studio together,...
- 7/11/2017
- Rollingstone.com
For the first time ever, the 2017 Primetime Emmys will hand out an award for Outstanding Music Supervision, acknowledging the creative contributions made by the music supervisors on TV series. It’s an award that’s long overdue; music supervision is an often misunderstood art form thought to be as simple as pulling songs off an iPod. “There’s so much work that goes into it that you don’t see on the screen,” says Amanda Krieg Thomas,...
- 6/23/2017
- Entertainment Tonight
Standin’ at the station, don’t know what to say? Starin’ out the window as you’re rollin’ away? Don’t worry — we can always come back to TVLine Mixtape: This Is Us edition.
RelatedThis Is Us @ PaleyFest: The Cast on That Finale Fight and Jack’s Death
In a single season, NBC’s hit drama managed to deliver a wide range of heart-wrenching, gut-punching emotions. We laughed, we cried, we obsessively searched for fan theories. And the show’s music played an integral role in warming our hearts (and exhausting our Kleenex reserves).
If you’re ready to...
RelatedThis Is Us @ PaleyFest: The Cast on That Finale Fight and Jack’s Death
In a single season, NBC’s hit drama managed to deliver a wide range of heart-wrenching, gut-punching emotions. We laughed, we cried, we obsessively searched for fan theories. And the show’s music played an integral role in warming our hearts (and exhausting our Kleenex reserves).
If you’re ready to...
- 4/8/2017
- TVLine.com
Hospice champion Princess Kate was touched by the emotional sounds of a community choir singing at a sumptuous dinner on Wednesday night. Kate is royal patron of the evening's charitable cause, East Anglia's Children's Hospices. She and Prince William watched along with 80 other guests from around the world as the charity's Treehouse choir sang "Something Inside So Strong" by Labi Siffre, "Somewhere Only We Know" by Keane and "Don’t Worry About Me" by Frances. "She was clearly very moved by their singing," patron Emma Deterding, who helped organize the fundraiser at the magnificent Houghton Hall, tells People. Among the singers was Charlotte Markham,...
- 6/23/2016
- by Simon Perry, @SPerryPeoplemag
- PEOPLE.com
Frank
Written by Jon Ronson and Peter Straughan
Directed by Lenny Abrahamson (as Leonard Abrahamson)
UK/Ireland, 2014
The look of Frank’s title character is based on English musician and comedian Chris Sievey’s guise Frank Sidebottom, very much a cult figure in the UK during the 1980s and 90s but virtually unknown outside of the island. (International audiences may recently have got a glimpse of the late Sievey’s material as Sidebottom in one memorable sequence of Filth.) Lenny Abrahamson’s film, however, is not the story of Frank Sidebottom, with co-writer Jon Ronson instead taking inspiration from his own time as a keyboardist for Sievey in order to explore fictional territory.
Ronson’s fictional stand-in in Frank is, appropriately enough, named Jon, and is played by Domnhall Gleeson. He is a small-town office stooge who dreams of escaping his humdrum life with musical pursuits, despite an apparent lack...
Written by Jon Ronson and Peter Straughan
Directed by Lenny Abrahamson (as Leonard Abrahamson)
UK/Ireland, 2014
The look of Frank’s title character is based on English musician and comedian Chris Sievey’s guise Frank Sidebottom, very much a cult figure in the UK during the 1980s and 90s but virtually unknown outside of the island. (International audiences may recently have got a glimpse of the late Sievey’s material as Sidebottom in one memorable sequence of Filth.) Lenny Abrahamson’s film, however, is not the story of Frank Sidebottom, with co-writer Jon Ronson instead taking inspiration from his own time as a keyboardist for Sievey in order to explore fictional territory.
Ronson’s fictional stand-in in Frank is, appropriately enough, named Jon, and is played by Domnhall Gleeson. He is a small-town office stooge who dreams of escaping his humdrum life with musical pursuits, despite an apparent lack...
- 8/15/2014
- by Josh Slater-Williams
- SoundOnSight
The Voice UK was visited by none other than Gavin & Stacey's Nessa - well, an impersonator named Tara Lewis - when it launched its third series on the weekend.
And although Tara unfortunately couldn't impress Kylie Minogue, her idol Tom Jones or any of the other coaches at the Blind Auditions, the sight of 'Nessa' singing has stuck with us and got us thinking about all the great musical interludes that cropped up during James Corden and Ruth Jones's classic BBC sitcom.
And with news today that Gavin & Stacey could be returning, we can't think of a better time to revisit the show's greatest vocal performances...
'Barry Islands in the Stream'
It's Gwen's (Melanie Walters) birthday and amid nearly having a mental breakdown trying to secretly organise a line dance party for her, Bryn (Rob Brydon) also needs to practise a show-stopping duet with Nessa (Ruth Jones) in her honour.
And although Tara unfortunately couldn't impress Kylie Minogue, her idol Tom Jones or any of the other coaches at the Blind Auditions, the sight of 'Nessa' singing has stuck with us and got us thinking about all the great musical interludes that cropped up during James Corden and Ruth Jones's classic BBC sitcom.
And with news today that Gavin & Stacey could be returning, we can't think of a better time to revisit the show's greatest vocal performances...
'Barry Islands in the Stream'
It's Gwen's (Melanie Walters) birthday and amid nearly having a mental breakdown trying to secretly organise a line dance party for her, Bryn (Rob Brydon) also needs to practise a show-stopping duet with Nessa (Ruth Jones) in her honour.
- 1/14/2014
- Digital Spy
BBC One has revealed the song choices and dance styles for this weekend's Strictly Come Dancing.
The third week of the current series will see the 14 remaining celebrities battle it out to remain in the competition, following Tony Jacklin's departure last week.
Sophie Ellis-Bextor and Brendan Cole were the runaway winners in Digital Spy's poll last Saturday with over 51% of the vote.
Meat Loaf, Rihanna, The Beatles and Abba are among the artists whose songs will be used in this week's show.
The song and dance list in full, in no particular order, is as follows:
Sophie & Brendan - Salsa - 'All Night Long' by Lionel Richie
Ben & Kristina - Rumba - 'Make You Feel My Love' by Adele (originally Bob Dylan)
Patrick & Anya - Foxtrot - 'Let There Be Love' by Nat King Cole
Dave & Karen - Paso Doble - 'I Would Do Anything For Love...
The third week of the current series will see the 14 remaining celebrities battle it out to remain in the competition, following Tony Jacklin's departure last week.
Sophie Ellis-Bextor and Brendan Cole were the runaway winners in Digital Spy's poll last Saturday with over 51% of the vote.
Meat Loaf, Rihanna, The Beatles and Abba are among the artists whose songs will be used in this week's show.
The song and dance list in full, in no particular order, is as follows:
Sophie & Brendan - Salsa - 'All Night Long' by Lionel Richie
Ben & Kristina - Rumba - 'Make You Feel My Love' by Adele (originally Bob Dylan)
Patrick & Anya - Foxtrot - 'Let There Be Love' by Nat King Cole
Dave & Karen - Paso Doble - 'I Would Do Anything For Love...
- 10/10/2013
- Digital Spy
Rating: 4 out of 5 stars
Copywrite is an underground hip-hop artist from Columbus, Ohio. Copywrite emerged onto the independent hip-hop scene in 1998 along with his group “MHz” with a debut single on the legendary Fondle ‘em Records, entitled “World Premier”. Since then he has worked with the High and Mighty, Royce Da 59, Dilated Peoples, Inspecta Deck, Sean Price as well a heavyweight producers like Jay Dee (J Dilla), RJD2, Jake One and J-Zone. He is a talented emcee who has worked with a cadre of UK artists including Mystro, Rhyme Asylum, Loudmouth Melvin, Skillit, Sarah Love and Sam Khan.
This is his first full length since his 2010 release The Life and Times of Peter Nelson and is released on Man Bites Dog records on the 13th of June. Its seventeen tracks long with only one interlude and a whole host of emcees and producers on board. In fact every track...
Copywrite is an underground hip-hop artist from Columbus, Ohio. Copywrite emerged onto the independent hip-hop scene in 1998 along with his group “MHz” with a debut single on the legendary Fondle ‘em Records, entitled “World Premier”. Since then he has worked with the High and Mighty, Royce Da 59, Dilated Peoples, Inspecta Deck, Sean Price as well a heavyweight producers like Jay Dee (J Dilla), RJD2, Jake One and J-Zone. He is a talented emcee who has worked with a cadre of UK artists including Mystro, Rhyme Asylum, Loudmouth Melvin, Skillit, Sarah Love and Sam Khan.
This is his first full length since his 2010 release The Life and Times of Peter Nelson and is released on Man Bites Dog records on the 13th of June. Its seventeen tracks long with only one interlude and a whole host of emcees and producers on board. In fact every track...
- 6/12/2012
- by Matt Holmes
- Obsessed with Film
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