Yanet, lateish twenties, opens her eyes, looks in the mirror, takes in air, straightens two braids of hair, hold her head in her hands, purses her lips, is called for her stage test.
She begins to sing. “People say I have to change, but I don’t care at all. I feel so free I could sing on the high-velocity train.”
The trouble is her memorised rap has become a screech and, rather than don’t give a damn, she’s hanging on every word which will be delivered by a judge sitting in the theater, who asks her to stop.
“If you had any talent, you wouldn’t be on this stage at all, he tells her…”
Dropped on Amazon’s Prime Video on Oct. 4, “Urban” is produced by Spanish free-to-air broadcaster Mediaset España, in collaboration with Alea Media and Prime Video. Mediaset España will released a first episode...
She begins to sing. “People say I have to change, but I don’t care at all. I feel so free I could sing on the high-velocity train.”
The trouble is her memorised rap has become a screech and, rather than don’t give a damn, she’s hanging on every word which will be delivered by a judge sitting in the theater, who asks her to stop.
“If you had any talent, you wouldn’t be on this stage at all, he tells her…”
Dropped on Amazon’s Prime Video on Oct. 4, “Urban” is produced by Spanish free-to-air broadcaster Mediaset España, in collaboration with Alea Media and Prime Video. Mediaset España will released a first episode...
- 10/6/2023
- by John Hopewell
- Variety Film + TV
Ranging from La Rochelle in France to near Zaragoza in the South, well into Spain, Euroregion Naen – Nouvelle Aquitaine, Basque Country, Navarre – has extraordinary locations and a rich historical heritage.
It has hosted shoots from “The Longest Day” to “Indiana Jones and the Raiders of the Lost Ark” in Nouvelle Aquitaine to “Game of Thrones,” which lensed in both Navarre’s Bardenas Reales and on the Basque isle of San Juan de Gaztelugatxe, its Dragonstone.
In geographic terms and film-tv drive the three members are already considerable powers. “All three members have instruments, which they’re using to support the sector,” says Izaskun Goñi, director general for economic development of the government of Navarre.
All three members are looking to drive into premium drama series production. That said, “each region has its own specificity and strengths,” says Conecta Fiction director Geraldine Gonard.
Briefly, some of the many things each region...
It has hosted shoots from “The Longest Day” to “Indiana Jones and the Raiders of the Lost Ark” in Nouvelle Aquitaine to “Game of Thrones,” which lensed in both Navarre’s Bardenas Reales and on the Basque isle of San Juan de Gaztelugatxe, its Dragonstone.
In geographic terms and film-tv drive the three members are already considerable powers. “All three members have instruments, which they’re using to support the sector,” says Izaskun Goñi, director general for economic development of the government of Navarre.
All three members are looking to drive into premium drama series production. That said, “each region has its own specificity and strengths,” says Conecta Fiction director Geraldine Gonard.
Briefly, some of the many things each region...
- 9/14/2021
- by John Hopewell
- Variety Film + TV
Barcelona production-distribution outfit Filmax is at this year’s L.A. Virtual Screenings with its most recent TV acquisition, Basque drama “Mouths of Sand” (“Hondar ahoak”) from leading regional film production company Txintxua Films, its first foray into TV production.
Originally commissioned by local Basque public TV broadcaster Etb, the series’ global rights were scooped by Filmax after episode one was buzzed up by critics and viewers on social media in its local market. The series fits nicely within the framework of high-end regional content coming from the northern Spanish community, which has had a large success in film production. Representative of that shift, “Mouths of Sand” is directed by Koldo Almandoz, winner of the Best Basque Film award at the San Sebastián Film Festival in 2018 with his debut feature “The Deer.”
In “Deer” and earlier short films, Almandoz developed a personal, poetic universe of ghost ships, wildlife and marshes,...
Originally commissioned by local Basque public TV broadcaster Etb, the series’ global rights were scooped by Filmax after episode one was buzzed up by critics and viewers on social media in its local market. The series fits nicely within the framework of high-end regional content coming from the northern Spanish community, which has had a large success in film production. Representative of that shift, “Mouths of Sand” is directed by Koldo Almandoz, winner of the Best Basque Film award at the San Sebastián Film Festival in 2018 with his debut feature “The Deer.”
In “Deer” and earlier short films, Almandoz developed a personal, poetic universe of ghost ships, wildlife and marshes,...
- 5/18/2021
- by Jamie Lang
- Variety Film + TV
The streamer has also launched two reality TV projects.
Netflix Spain has unveiled a slate of seven new film and TV projects, including a romantic feature directed by Marçal Fores.
A Través De Mi Ventana (which translates as ‘Through My Window’) is an adaptation of Venezuelan author Ariana Godoy’s novel of the same name.
The novel was written via online story creation website Wattpad, which has previously been home to adaptations including Netflix hit The Kissing Booth and the successful After series.
The story centres on a young woman who is madly in love with her mysterious neighbour and...
Netflix Spain has unveiled a slate of seven new film and TV projects, including a romantic feature directed by Marçal Fores.
A Través De Mi Ventana (which translates as ‘Through My Window’) is an adaptation of Venezuelan author Ariana Godoy’s novel of the same name.
The novel was written via online story creation website Wattpad, which has previously been home to adaptations including Netflix hit The Kissing Booth and the successful After series.
The story centres on a young woman who is madly in love with her mysterious neighbour and...
- 4/15/2021
- by Ben Dalton
- ScreenDaily
Netflix has announced a crop of upcoming projects in Spain, including three new drama series, two original films, and a pair of reality shows.
The series are:
Intimacy (Intimidad), which has been created by Verónica Fernández and Laura Sarmiento, directed by Jorge Torregrossa, Ben Gutteridge, Marta Font, Koldo Almandoz and stars Itziar Ituño, Patricia López Arnaiz, Verónica Echegui, Ana Wagener and Emma Suárez. The show follows four women who are forced to walk the thin line that separates public life from private life after sexual video of a politician with a promising future is released.
Baruca is a six-part action series created by Victor Sierra and Xosé Morais, directed by Óscar Pedraza, and starring Alberto Ammann and Luis Callejo. It is set in the psychiatric prison Monte Baruca on December 24, when a group of armed men surround the complex and cut of all communication with the outside world.
The series are:
Intimacy (Intimidad), which has been created by Verónica Fernández and Laura Sarmiento, directed by Jorge Torregrossa, Ben Gutteridge, Marta Font, Koldo Almandoz and stars Itziar Ituño, Patricia López Arnaiz, Verónica Echegui, Ana Wagener and Emma Suárez. The show follows four women who are forced to walk the thin line that separates public life from private life after sexual video of a politician with a promising future is released.
Baruca is a six-part action series created by Victor Sierra and Xosé Morais, directed by Óscar Pedraza, and starring Alberto Ammann and Luis Callejo. It is set in the psychiatric prison Monte Baruca on December 24, when a group of armed men surround the complex and cut of all communication with the outside world.
- 4/15/2021
- by Tom Grater
- Deadline Film + TV
“Ane Is Missing,” the feature debut of Spain’s David Pérez Sanudo, begins with a fixed shot of a woman security guard sitting in a hut on a construction site. For a full 45 seconds absolutely nothing happens until a firebomb suddenly flares outside the hut. Lide, the security guard, grabs a fire extinguisher. Later, having picked up a far younger man in bar, she returns home and in another extended, two-and-a half-minute shot, the camera creeps round her apartment, building like a horror film as Lide discovers that her teen daughter, Ane, has not spent a night at home.
From there on, Lide sets out with her ex-husband to find Ane, discovering that she knows very little about her daughter, as her life and the public context of increasingly violent protest against a high-speed-train project for which Lide works increasingly collide.
Produced by based Amania Films, developed at the Madrid Film School Ecam Incubator,...
From there on, Lide sets out with her ex-husband to find Ane, discovering that she knows very little about her daughter, as her life and the public context of increasingly violent protest against a high-speed-train project for which Lide works increasingly collide.
Produced by based Amania Films, developed at the Madrid Film School Ecam Incubator,...
- 11/12/2020
- by John Hopewell
- Variety Film + TV
An emerging generation of new Basque filmmakers is making its mark in the San Sebastian Festival, building on the foundations of now consolidated creative and industrial infrastructures.
Only time will tell if the Basque Country can follow in the footsteps of Catalonia, another richer region of Spain, and launch a modern day new wave. Expectations however, remain high.
The new generation is widely represented at this year’s San Sebastian.
A prominent member of the group is David Pérez Sañudo, whose highly anticipated feature debut, mother-daughter social drama “Ane,” plays at the festival’s New Directors sidebar. Handled by Latido Films, “Ane” was developed at the Madrid Film School Ecam Incubator, then won three prizes at Málaga’s Wip in April.
Imanol Rayo, winner of the Zinemira Award with “Bi anai” in 2011, presents in New Directors his rural tale “Hil Kanpaiak” (“Death Knell”), produced by Bilbao-based Abra Prod.
Six of the 11 features at Zinemira,...
Only time will tell if the Basque Country can follow in the footsteps of Catalonia, another richer region of Spain, and launch a modern day new wave. Expectations however, remain high.
The new generation is widely represented at this year’s San Sebastian.
A prominent member of the group is David Pérez Sañudo, whose highly anticipated feature debut, mother-daughter social drama “Ane,” plays at the festival’s New Directors sidebar. Handled by Latido Films, “Ane” was developed at the Madrid Film School Ecam Incubator, then won three prizes at Málaga’s Wip in April.
Imanol Rayo, winner of the Zinemira Award with “Bi anai” in 2011, presents in New Directors his rural tale “Hil Kanpaiak” (“Death Knell”), produced by Bilbao-based Abra Prod.
Six of the 11 features at Zinemira,...
- 9/22/2020
- by Emiliano De Pablos
- Variety Film + TV
Benjamín Naishtat wins best director Silver Shell for Rojo.
Spanish production Between Two Waters (Entre Dos Aguas) by Isaki Lacuesta has won the top award at the San Sebastián Film Festival, marking a second Golden Shell for the Spanish director who after claiming the top prize in 2011 for The Double Steps.
Between Two Waters tells the story of two Roman brothers who meet again after years apart, one having spent some time in prison, the other in the army.
The title is a Spanish expression that translates to “neither here nor there”, and is also the title of a classic...
Spanish production Between Two Waters (Entre Dos Aguas) by Isaki Lacuesta has won the top award at the San Sebastián Film Festival, marking a second Golden Shell for the Spanish director who after claiming the top prize in 2011 for The Double Steps.
Between Two Waters tells the story of two Roman brothers who meet again after years apart, one having spent some time in prison, the other in the army.
The title is a Spanish expression that translates to “neither here nor there”, and is also the title of a classic...
- 9/29/2018
- by Elisabet Cabeza
- ScreenDaily
San Sebastian — Isaki Lacuesta’s “Between Two Waters” won big at San Sebastian Saturday night, taking its top Golden Shell, the second time the Catalan director has won the award, after 2011’s “The Double Steps.”
Otherwise, the big winner of the night was Benjamin Naishtat’s covert violence thriller “Rojo,” which took director, actor (Dario Grandinetti) and cinematography (Pedro Sotero).
This year’s edition saw a a hugely-raised Hollywood star quotient, a half score or more of A-list talent hailing into town to tub-thump titles: Bradley Cooper (“A Star is Born”), Ryan Gosling (“First Man”), Alfonso Cuarón (“Roma”), Robert Pattinson (“High Life”), Chris Hemsworth (“Bad Times at the El Royale”), John C. Reilly (“The Sisters Brothers”).
As Venice becomes ever more an Oscar platform, movies will now hit San Sebastian three weeks later, often off Toronto, their stars in tow, to capitalize on and push their potential Academy Award glory.
Otherwise, the big winner of the night was Benjamin Naishtat’s covert violence thriller “Rojo,” which took director, actor (Dario Grandinetti) and cinematography (Pedro Sotero).
This year’s edition saw a a hugely-raised Hollywood star quotient, a half score or more of A-list talent hailing into town to tub-thump titles: Bradley Cooper (“A Star is Born”), Ryan Gosling (“First Man”), Alfonso Cuarón (“Roma”), Robert Pattinson (“High Life”), Chris Hemsworth (“Bad Times at the El Royale”), John C. Reilly (“The Sisters Brothers”).
As Venice becomes ever more an Oscar platform, movies will now hit San Sebastian three weeks later, often off Toronto, their stars in tow, to capitalize on and push their potential Academy Award glory.
- 9/29/2018
- by John Hopewell and Jamie Lang
- Variety Film + TV
San Sebastian — Carving out a reputation in Basque cinema as a regarded left-of-field short filmmaker over 20 years moving into features with “Ghost Ship,” essay on fiction and commoditization of pleasure, Koldo Almandoz takes a partial step towards the mainstream in his fiction feature debut, “Oreina” (Deer), which world premiered Tuesday at San Sebastian. Starring newcomer Laulad Ahmed, Patxi Bisquert and Ramon Agirre – immortalized in Alex de la Iglesia’s “El Dia de la Bestia,” a Basque cinema Zinemira Prize winner for career achievement this year at San Sebastian – “Deer” brings a documentarian’s eye and sense of revealing gesture and larger social trends to the tale of a second-generation Maghreb immigrant, Khali, who befriends a grizzled poacher living in a house beside some marshes with his estranged brother. Boasting scenes of extraordinary beauty, “Deer” is not for audiences who want on-the-nose explanation. It boasts scenes of extraordinary beauty, and a...
- 9/27/2018
- by John Hopewell
- Variety Film + TV
A selection of Basque pictures, projects and productions in 2018:
70 Big Ones
Sayaka Producciones, Pokeepsie Films, La Panda Producciones and Setenta Invisibles L.P. Aie produce the next thriller from Basque genre specialist Koldo Serra (“The Backwoods”), starring Emma Suárez, Nathalie Poza and Hugo Silva. It features a desperate woman in need of $41,000, with two muggers in her way. Filmax handles world sales.
Above 592 Metres
Maddi Barber’s latest explores the life chances left when a territory is completely altered by the construction of the Itoiz dam in the Navarrese Pyrenees. Selected by prestigious shorts program Kimuak, “Above” screens at the 9th Zinemira Basque film showcase and competes for the Zabaltegi-Tabakalera Award.
Advantages Of Traveling By Train
Acquired by Entertainment One’s Seville International and produced by San Sebastian-based Sr. y Sra. and Madrid’s Morena Films, this film, starring Luis Tosar and Pilar Castro, marks Aritz Moreno’s feature debut,...
70 Big Ones
Sayaka Producciones, Pokeepsie Films, La Panda Producciones and Setenta Invisibles L.P. Aie produce the next thriller from Basque genre specialist Koldo Serra (“The Backwoods”), starring Emma Suárez, Nathalie Poza and Hugo Silva. It features a desperate woman in need of $41,000, with two muggers in her way. Filmax handles world sales.
Above 592 Metres
Maddi Barber’s latest explores the life chances left when a territory is completely altered by the construction of the Itoiz dam in the Navarrese Pyrenees. Selected by prestigious shorts program Kimuak, “Above” screens at the 9th Zinemira Basque film showcase and competes for the Zabaltegi-Tabakalera Award.
Advantages Of Traveling By Train
Acquired by Entertainment One’s Seville International and produced by San Sebastian-based Sr. y Sra. and Madrid’s Morena Films, this film, starring Luis Tosar and Pilar Castro, marks Aritz Moreno’s feature debut,...
- 9/25/2018
- by Emilio Mayorga
- Variety Film + TV
San Sebastian — Kicking off with a kinetic, slinking tracking-shot capturing the energy and Scorsese-ish voiceover of a young but caustic Ryszard Kapuściński during Angola’s 1975 Civil War, Basque animation movie “Another Day of Life” screens at San Sebastian in its best-of-the-fests Perlak section, rubbing shoulders with Alfonso Cuaron’s “Roma” and Damien Chazelle’s “First Man.”
Dazzling March’s Cartoon Movie and scoring a Cannes Festival Special Screening, “Another Day of Life” is a work of the highest artistic ambition, yoking the documentary passion of co-director Raul de la Fuente and multifold film means: Animation action, nightmares, flashbacks; and live-action cutaways, archive footage, and contemporary interview.
Yet “Another Day of Life” is also a mark of the Basque cinema’s drive into international co-production, in one of the most intricate and demanding pan-European partnerships of recent years, spanning a decade, with San Sebastian’s Kanaki Films involving partners from Poland...
Dazzling March’s Cartoon Movie and scoring a Cannes Festival Special Screening, “Another Day of Life” is a work of the highest artistic ambition, yoking the documentary passion of co-director Raul de la Fuente and multifold film means: Animation action, nightmares, flashbacks; and live-action cutaways, archive footage, and contemporary interview.
Yet “Another Day of Life” is also a mark of the Basque cinema’s drive into international co-production, in one of the most intricate and demanding pan-European partnerships of recent years, spanning a decade, with San Sebastian’s Kanaki Films involving partners from Poland...
- 9/25/2018
- by John Hopewell
- Variety Film + TV
The winning director and Spanish distributor in the section will receive €50,000.
Update: French Production Meteorites directed by Romain Laguna and China’s Breeze by Kun Yang have been added to the line-up.
Meteorites focusses on a 16 year-old girl who is spending the summer in a town in the South of France and works in a theme park. Breeze revolves around a man’s homecoming journey from Yunnan to the town of his birth.
Original story: The 2018 San Sebastian Film Festival (Sept 21-29) has revealed 13 of the first and second films by European, Asian and Latin American filmmakers set to compete for the Kutxabank-New Directors Award.
Update: French Production Meteorites directed by Romain Laguna and China’s Breeze by Kun Yang have been added to the line-up.
Meteorites focusses on a 16 year-old girl who is spending the summer in a town in the South of France and works in a theme park. Breeze revolves around a man’s homecoming journey from Yunnan to the town of his birth.
Original story: The 2018 San Sebastian Film Festival (Sept 21-29) has revealed 13 of the first and second films by European, Asian and Latin American filmmakers set to compete for the Kutxabank-New Directors Award.
- 8/23/2018
- by Orlando Parfitt
- ScreenDaily
Icíar Bollaín, Isaki Lacuesta and Carlos Vermut to return.
The Spanish films that will be showcased at the 2018 San Sebastian Festival (21-29 September) have been revealed.
The competition titles includeYuli, directed by Icíar Bollaín, who has twice previously competed for the Golden Shellwith Take My Eyes (2003) and Mataharis (2007).
Isaki Lacuesta is also in competition with Between Two Waters. Lacuester’s The Double Steps won the Golden Shell in 2011. The new film stars the two Roma brothers who appeared as teenages in one of the his first films, La Leyenda Del Tiempo.
A further Golden Shell winner (for Magical Girl in...
The Spanish films that will be showcased at the 2018 San Sebastian Festival (21-29 September) have been revealed.
The competition titles includeYuli, directed by Icíar Bollaín, who has twice previously competed for the Golden Shellwith Take My Eyes (2003) and Mataharis (2007).
Isaki Lacuesta is also in competition with Between Two Waters. Lacuester’s The Double Steps won the Golden Shell in 2011. The new film stars the two Roma brothers who appeared as teenages in one of the his first films, La Leyenda Del Tiempo.
A further Golden Shell winner (for Magical Girl in...
- 7/20/2018
- by Orlando Parfitt
- ScreenDaily
The winning director and Spanish distributor in the section will receive €50,000.
The 2018 San Sebastian Film Festival (Sept 21-29) has revealed 13 of the first and second films by European, Asian and Latin American filmmakers set to compete for the Kutxabank-New Directors Award.
Among the films are Notes For A Heist Film directed by León Siminiani - Goya nominated for documentary Mapa (Map) in 2013 - and Core Of The World from Natalia Meschaninova, who competed in Rotterdam with her first feature The Hope Factory in 2014.
Further titles includeThe Third Wife, from Vietnamese director Ash Mayfair whose screenplay won the Spike Lee Film...
The 2018 San Sebastian Film Festival (Sept 21-29) has revealed 13 of the first and second films by European, Asian and Latin American filmmakers set to compete for the Kutxabank-New Directors Award.
Among the films are Notes For A Heist Film directed by León Siminiani - Goya nominated for documentary Mapa (Map) in 2013 - and Core Of The World from Natalia Meschaninova, who competed in Rotterdam with her first feature The Hope Factory in 2014.
Further titles includeThe Third Wife, from Vietnamese director Ash Mayfair whose screenplay won the Spike Lee Film...
- 7/12/2018
- by Orlando Parfitt
- ScreenDaily
Madrid — Lila Avilés’ “The Chambermaid,” Natalia Meschaninova’s “Core of the World” and Celia Rico’s “Journey To a Mother’s Room” have been selected for San Sebastián’s Kutxabank New Directors’ competition, which has consolidated over the years as one of the festival’s most exciting sections.
Also one of Europe’s strongest new talent showcases, offering a €50,000 cash prize for the winning film, the New Directors’ showcase is the biggest sidebar at the highest-profile festival in the Spanish-speaking world, a constant fount of firm fest favorites and select titles which break out to world sales, as well as a snap-shot of major contemporary trends in world cinema.
This year, the selection runs a broad gamut. There is a brace of female directors who bring a woman’s sensibility to films, tracing growing sorority, (“Journey To a Mother’s Room) the contemporary inhibition of masculinity (“Core of the World...
Also one of Europe’s strongest new talent showcases, offering a €50,000 cash prize for the winning film, the New Directors’ showcase is the biggest sidebar at the highest-profile festival in the Spanish-speaking world, a constant fount of firm fest favorites and select titles which break out to world sales, as well as a snap-shot of major contemporary trends in world cinema.
This year, the selection runs a broad gamut. There is a brace of female directors who bring a woman’s sensibility to films, tracing growing sorority, (“Journey To a Mother’s Room) the contemporary inhibition of masculinity (“Core of the World...
- 7/12/2018
- by John Hopewell
- Variety Film + TV
The festival’s Zabaltegi strand is introducing a competition for the first time.
The 64th San Sebastian Film Festival (Sept 16-24) has completed the line-up for its Zabaltegi-Tabakalera strand, which will be competitive for the first time.
New additions include sci-fi Midnight Special from Us filmmaker Jeff Nichols (Take Shelter, Mud), which premiered at the Berlinale in February.
Todd Solondz comedy-drama Wiener-Dog, first seen at Sundance in January, has also been selected for the strand. It marks the third time the Us writer/director has been chosen for Zabaltegi, after presenting Happiness in 1998 and Storytelling in 2001.
As previously announced, Bertrand Tavernier’s Voyage A Travers Le Cinema Francais (A Journey Through French Cinema) will open the strand.
Other highlights include Gimme Danger, Jim Jarmusch’s documentary about Iggy Pop and The Stooges, which premired at Cannes in May.
Also in the line-up is Portuguese director João Pedro Rodrigues’s fifth feature O Ornitólogo (L’Ornithologue), playing in competition...
The 64th San Sebastian Film Festival (Sept 16-24) has completed the line-up for its Zabaltegi-Tabakalera strand, which will be competitive for the first time.
New additions include sci-fi Midnight Special from Us filmmaker Jeff Nichols (Take Shelter, Mud), which premiered at the Berlinale in February.
Todd Solondz comedy-drama Wiener-Dog, first seen at Sundance in January, has also been selected for the strand. It marks the third time the Us writer/director has been chosen for Zabaltegi, after presenting Happiness in 1998 and Storytelling in 2001.
As previously announced, Bertrand Tavernier’s Voyage A Travers Le Cinema Francais (A Journey Through French Cinema) will open the strand.
Other highlights include Gimme Danger, Jim Jarmusch’s documentary about Iggy Pop and The Stooges, which premired at Cannes in May.
Also in the line-up is Portuguese director João Pedro Rodrigues’s fifth feature O Ornitólogo (L’Ornithologue), playing in competition...
- 8/11/2016
- ScreenDaily
Three Spanish titles will compete for this year’s Golden Shell.Scroll down for full line-up
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
- 7/28/2016
- ScreenDaily
Three Spanish titles will compete for this year’s Golden Shell.Scroll down for full line-up
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
This 64th San Sebastian Film Festival (Sept 16-24) has revealed the line-up of Spanish titles that will play across its sections.
There will be a total of 15 Spanish-produced films on show, including four shorts.
Competing for the Golden Shell – the festival’s top prize – will be Alberto Rodríguez’s El Hombre De Las Mil Caras (Smoke And Mirrors), Rodrigo Sorogoyen’s Que Dios Nos Perdone (May God Save Us) and Jonás Trueba’s La Reconquista (The Reconquest), all of which are world premieres.
Goya Award-winning director Alberto Rodríguez is nominated for his third Golden Shell following 2014’s Marshland and 2005’s 7 Virgins. El Hombre De Las Mil Caras (Smoke And Mirrors) [pictured top] tells the story of spy Fransisco Paesa.
Rodrigo Sorogoyen presents his third feature Que Dios Nos Perdone (May God Save Us) – following 2013’s Goya-nominated Stockholm – which tells the story of a detective...
- 7/28/2016
- ScreenDaily
As 19 titles are revealed for the Zabaltegi section, Danis Tanovic’s Tigers is added to the official competition and The Disappearance of Eleanor Rigby has entered the Pearls section.
The 62nd San Sebastian Festival has unveiled the titles for its Zabaltegi section, a non-competitive strand featuring a variety of films, documentaries, shorts and television.
This year’s line-up will include world premieres of four features made in Spain: Virginia García del Pino’s Basilio Martín Patino. The Tenth Letter; Borja Cobeaga’s Negotiator; Francisco Sánchez Varela’s Paco De Lucía: La Búsqueda; and Pedro González Bermúdez’s documentary When Bette Davis Bids Farewell.
The strand will also include the Spanish premieres of the latest works by Ulrich Seidl and Kazuyoshi Kumakiri as well as a screening of Bruno Dumont’s TV series Lil´Quinquin.
In addition, Danis Tanovic’s Tigers will compete in the Official Selection, while the Pearls section has added Ned Benson’s relationship...
The 62nd San Sebastian Festival has unveiled the titles for its Zabaltegi section, a non-competitive strand featuring a variety of films, documentaries, shorts and television.
This year’s line-up will include world premieres of four features made in Spain: Virginia García del Pino’s Basilio Martín Patino. The Tenth Letter; Borja Cobeaga’s Negotiator; Francisco Sánchez Varela’s Paco De Lucía: La Búsqueda; and Pedro González Bermúdez’s documentary When Bette Davis Bids Farewell.
The strand will also include the Spanish premieres of the latest works by Ulrich Seidl and Kazuyoshi Kumakiri as well as a screening of Bruno Dumont’s TV series Lil´Quinquin.
In addition, Danis Tanovic’s Tigers will compete in the Official Selection, while the Pearls section has added Ned Benson’s relationship...
- 8/25/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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