The migrant dream slips slowly into a nightmare Matteo Garrone’s drama, which takes us on a Continent-crossing odyssey. Although sometimes the tone veers widely from one extreme to another, this is nevertheless a compelling addition to a burgeoning library of dramas concerning the migrant/refugee experience, including Brandt Anderson’s The Strangers Case and Agnieszka Holland’s searing Green Border, in the past 12 months alone.
It begins full of the hopefulness of cousins Seydou (Seydou Sarr) and Moussa (Moustapha Fall) as they prepare to leave Senegal for what they firmly believe will be a better life in Europe. Shot with colour and verve by cinematographer Paolo Carnera the optimism of the boys is contagious, even as warnings from Seydou’s mother (Khady Sy) will come to echo through the rest of the film. The mood is, initially, that of a road trip - which, of course, to the boys it is.
It begins full of the hopefulness of cousins Seydou (Seydou Sarr) and Moussa (Moustapha Fall) as they prepare to leave Senegal for what they firmly believe will be a better life in Europe. Shot with colour and verve by cinematographer Paolo Carnera the optimism of the boys is contagious, even as warnings from Seydou’s mother (Khady Sy) will come to echo through the rest of the film. The mood is, initially, that of a road trip - which, of course, to the boys it is.
- 3/9/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
The countdown is in its final days. No, we’re not talking about the arrival of Spring, but rather Hollywood’s biggest night, the Academy Awards ceremony this Sunday. So, it’s a big surprise, and a big aid to those vieing in several offices’ “Oscar pools”, that a nominee is getting a wider release this Friday. The category in question is Best International Feature Film, and this “pulls a hat trick’ as it’s co-production of Italy, France, and Belgium. Fitting, as the subject matter affects those and many countries, even ours, the US, even factoring into the big political campaigns. And somehow this film is a personal story at the center of the debate with its focus on a young man, still a teenager, who assumes the title Io Capitano.
That lad is a Senegalese sixteen-year-old Seydou (Seydou Sarr) who spends his days with Bff/cousin Moussa (Moustapha Fall...
That lad is a Senegalese sixteen-year-old Seydou (Seydou Sarr) who spends his days with Bff/cousin Moussa (Moustapha Fall...
- 3/8/2024
- by Jim Batts
- WeAreMovieGeeks.com
Given the challenges that many migrants face when traveling to a new land, it makes sense to assume that they’re fleeing harrowingly nightmarish realities. But the scenes that director Matteo Garrone uses to open his heartrending Io Capitano are far from nightmarish. Garrone’s big-dreaming migrant characters aren’t running away from something so much as they’re running toward it. The possibility that their goal is little more than a mirage makes this epic tale’s often horrendous journey even more wrenching.
The Dakar neighborhood where teenaged Seydou (Seydou Sarr) lives with his mother (Ndeye Khady Sy) and siblings is a chaotic sprawl of ramshackle buildings and bustling markets. A street party practically explodes as a spectacle of drumming, dancing, and colorful homemade couture. Though the Dakar of the film is clearly poor, with few modern conveniences and not much of a job market, it hardly seems the...
The Dakar neighborhood where teenaged Seydou (Seydou Sarr) lives with his mother (Ndeye Khady Sy) and siblings is a chaotic sprawl of ramshackle buildings and bustling markets. A street party practically explodes as a spectacle of drumming, dancing, and colorful homemade couture. Though the Dakar of the film is clearly poor, with few modern conveniences and not much of a job market, it hardly seems the...
- 2/11/2024
- by Chris Barsanti
- Slant Magazine
Io Capitano, Pinocchio, Tale Of Tales director Matteo Garrone with Anne-Katrin Titze: “I would say that fairy tales, as Italo Calvino used to say, fairy tales are true. It’s a different way to talk about the human condition.”
Italy’s Oscar submission and Venice Film Festival Unesco and Best Director Silver Lion winner Matteo Garrone’s suspenseful and fleet Io Capitano (Me Captain), co-written with Massimo Ceccherini (Garrone’s Pinocchio), Massimo Gaudioso, and Andrea Tagliaferri, shot by Paolo Carnera stars the naturalistic duo of Seydou Sarr (Marcello Mastroianni Award Best Young Actor) and Moustapha Fall with Ndeye Khady Sy, Oumar Diaw, Issaka Sawadogo.
Matteo Garrone on Io Capitano shot by Paolo Carnera: “Paolo put himself in the service of the story and he worked carefully on the light, but tried always to be natural, …”
Garrone’s Tale of Tales, based on Giambattista Basile’s early 17th century fairy tales,...
Italy’s Oscar submission and Venice Film Festival Unesco and Best Director Silver Lion winner Matteo Garrone’s suspenseful and fleet Io Capitano (Me Captain), co-written with Massimo Ceccherini (Garrone’s Pinocchio), Massimo Gaudioso, and Andrea Tagliaferri, shot by Paolo Carnera stars the naturalistic duo of Seydou Sarr (Marcello Mastroianni Award Best Young Actor) and Moustapha Fall with Ndeye Khady Sy, Oumar Diaw, Issaka Sawadogo.
Matteo Garrone on Io Capitano shot by Paolo Carnera: “Paolo put himself in the service of the story and he worked carefully on the light, but tried always to be natural, …”
Garrone’s Tale of Tales, based on Giambattista Basile’s early 17th century fairy tales,...
- 11/28/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Though it’s become a convenient catch-all term for journalists covering the subject, the phrase “European migrant crisis” can’t help but leave a sour taste in the mouth — implying as it does that Europe, the destination for so many hard-up voyagers from variously ailing or hostile countries, is the disadvantaged party in all this. That bias carries through to the bulk of well-intended films on the matter, which tend to pick up migrants’ stories, however sympathetically, on European turf. Breaking from such Italian titles as Jonas Carpignano’s “Mediterranea,” Emmanuele Crialese’s “Terraferma” and Gianfranco Rosi’s “Fire at Sea,” Matteo Garrone’s stirring “Io Capitano” instead takes Europe not as its setting but as a near-mythic objective, tracing one Senegalese teen’s vast journey from Dakar to Tripoli to overloaded migrant boat in gripping, sometimes agonizing detail.
For Garrone, this proves an energizing shift in focus, yielding his most robust,...
For Garrone, this proves an energizing shift in focus, yielding his most robust,...
- 9/6/2023
- by Guy Lodge
- Variety Film + TV
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