Given the challenges that many migrants face when traveling to a new land, it makes sense to assume that they’re fleeing harrowingly nightmarish realities. But the scenes that director Matteo Garrone uses to open his heartrending Io Capitano are far from nightmarish. Garrone’s big-dreaming migrant characters aren’t running away from something so much as they’re running toward it. The possibility that their goal is little more than a mirage makes this epic tale’s often horrendous journey even more wrenching.
The Dakar neighborhood where teenaged Seydou (Seydou Sarr) lives with his mother (Ndeye Khady Sy) and siblings is a chaotic sprawl of ramshackle buildings and bustling markets. A street party practically explodes as a spectacle of drumming, dancing, and colorful homemade couture. Though the Dakar of the film is clearly poor, with few modern conveniences and not much of a job market, it hardly seems the...
The Dakar neighborhood where teenaged Seydou (Seydou Sarr) lives with his mother (Ndeye Khady Sy) and siblings is a chaotic sprawl of ramshackle buildings and bustling markets. A street party practically explodes as a spectacle of drumming, dancing, and colorful homemade couture. Though the Dakar of the film is clearly poor, with few modern conveniences and not much of a job market, it hardly seems the...
- 2/11/2024
- by Chris Barsanti
- Slant Magazine
Film programming, like history, doesn’t repeat itself but does rhyme. This is proven by the fact that two highly complementary, equally excellent films about immigration, Me Captain (Io Capitano) and Green Border, both landed in competition at this year’s Venice Film Festival.
Agnieszka Holland’s meticulous Green Border offers a polyphonic examination of the plight of refugees trying to enter the EU through Belarus, but also encompasses the views of local Poles to create a panoramic, intellectually rigorous view of the situation. Italian director Matteo Garrone’s emotionally searing but ultimately uplifting epic, on the other hand, confines itself to the experience of Seydou, a 16-year-old boy from Senegal.
Indelibly played by non-professional Seydou Sarr, offering a remarkably mature performance, he makes his way with his cousin (Moustapha Fall) from their home in West Africa across thousands of miles on a quest to reach Europe. Taking viewers with...
Agnieszka Holland’s meticulous Green Border offers a polyphonic examination of the plight of refugees trying to enter the EU through Belarus, but also encompasses the views of local Poles to create a panoramic, intellectually rigorous view of the situation. Italian director Matteo Garrone’s emotionally searing but ultimately uplifting epic, on the other hand, confines itself to the experience of Seydou, a 16-year-old boy from Senegal.
Indelibly played by non-professional Seydou Sarr, offering a remarkably mature performance, he makes his way with his cousin (Moustapha Fall) from their home in West Africa across thousands of miles on a quest to reach Europe. Taking viewers with...
- 9/7/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
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