Oscar-winning French actress Juliette Binoche is the new president of the European Film Academy.
The Efa board on Thursday said they voted unanimously to name The English Patient and The Taste of Things star to succeed Polish director Agnieszka Holland (The Green Border) as president.
Binoche’s appointment will be put to a vote by Efa members and, assuming she receives majority support, she will take over as president on May 1, 2024.
The French star will be only the second female head of the Efa, after Holland, who took over the role in 2021, succeeding German director Wim Wenders.
“I am not a person to easily step aside, but I have come to the conclusion that I am a filmmaker first and foremost. And this is what I want to focus on in the years to come,” said Holland. “For me, it is time to step aside now. Knowing that Juliette Binoche...
The Efa board on Thursday said they voted unanimously to name The English Patient and The Taste of Things star to succeed Polish director Agnieszka Holland (The Green Border) as president.
Binoche’s appointment will be put to a vote by Efa members and, assuming she receives majority support, she will take over as president on May 1, 2024.
The French star will be only the second female head of the Efa, after Holland, who took over the role in 2021, succeeding German director Wim Wenders.
“I am not a person to easily step aside, but I have come to the conclusion that I am a filmmaker first and foremost. And this is what I want to focus on in the years to come,” said Holland. “For me, it is time to step aside now. Knowing that Juliette Binoche...
- 3/14/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSHard Truths.Mike Leigh’s forthcoming Hard Truths will reunite him with Marianne Jean-Baptiste, star of Secrets and Lies (1996). It will be the British director’s first film set in the present day since Another Year (2010).Jia Zhangke has divulged some details of We Shall Be All, now in the early stages of post-production. In production off and on since 2001, the film will be his first feature since Ash Is Purest White (2018). “I travelled with actors and a cameraman to shoot, without a script, without any obvious story,” the director told Variety. “This is a work of fiction, but I have applied many documentary methods.”Robert Bresson’s rarely seen Four Nights of a Dreamer is being restored by MK2 Films, set for a spring release.
- 2/28/2024
- MUBI
Editor’s note: This review was originally published at the 2023 Cannes Film Festival. IFC Films releases the film in select theaters on Friday, February 9, with expansion to follow.
There is something to be said for a simple dish made with the best ingredients by a trusted hand. Just as a perfect omelet made by a lover is more satisfying than an eight-hour feast laid on by a Prince, so it follows that a film like “The Pot-au-Feu” (later retitled for American audiences as “The Taste of Things”) works, not in spite of, but because it focuses on executing its basic premise with enrapturing attention to detail. This is a story about love and food, which it presents as the same thing.
Sight unseen, it was always a mouth-watering prospect: two delicious French actors – Juliette Binoche and Benoît Magimel – feeding each other in Tran Anh Hung’s adaptation of a 2014 graphic...
There is something to be said for a simple dish made with the best ingredients by a trusted hand. Just as a perfect omelet made by a lover is more satisfying than an eight-hour feast laid on by a Prince, so it follows that a film like “The Pot-au-Feu” (later retitled for American audiences as “The Taste of Things”) works, not in spite of, but because it focuses on executing its basic premise with enrapturing attention to detail. This is a story about love and food, which it presents as the same thing.
Sight unseen, it was always a mouth-watering prospect: two delicious French actors – Juliette Binoche and Benoît Magimel – feeding each other in Tran Anh Hung’s adaptation of a 2014 graphic...
- 5/24/2023
- by Sophie Monks Kaufman
- Indiewire
There’s food porn, which shows like Chef’s Table and Top Chef, not to mention last year’s horror hit movie The Menu, have turned into widely popular entertainment. And then there’s art house food porn, a subgenre that possibly dates back to Marco Ferreri’s 1973 satire La Grande Bouffe, and whose other examples include Babette’s Feast, The Cook, The Thief, His Wife & Her Lover, Tampopo, Chocolat and Like Water for Chocolate. The latter films tend to be made in a language other than English, and they’re less about chefs competing for Michelin stars, or glowing reviews from Pete Wells, than about food as a way of life.
Where else but France, then, as the setting for the latest, and certainly one of the most appetizing, art house food porn flicks to come along in a while? Tràn Anh Hùng’s The Pot-au-Feu (La Passion du Dodin-Bouffant) is...
Where else but France, then, as the setting for the latest, and certainly one of the most appetizing, art house food porn flicks to come along in a while? Tràn Anh Hùng’s The Pot-au-Feu (La Passion du Dodin-Bouffant) is...
- 5/24/2023
- by Jordan Mintzer
- The Hollywood Reporter - Movie News
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