By Patrick Shanley
Managing Editor
When it comes to screenwriters most moviegoers would have a hard time naming more than a handful. Yet, Aaron Sorkin, whose latest film, Steve Jobs, is earning stellar reviews and garnering major Oscar buzz, is as much a celebrity as those in front of the camera.
Sorkin, whose career has spanned over 20 years and included work for stage, television, and the big screen, has become synonymous with sharp dialogue and streamlined storytelling and fans of the wordsmith’s recent works have seen him recognized by the Academy (2010’s The Social Network earned a best adapted screenplay Oscar, 2011’s Moneyball earned a best adapted screenplay nom), however, those recent accolades came after years of receiving the cold shoulder.
In 1993, director Rob Reiner‘s adaptation of Sorkin’s play, A Few Good Men, was nominated for four Oscars. Sorkin wrote the screenplay for the film, adapting his own work for the screen,...
Managing Editor
When it comes to screenwriters most moviegoers would have a hard time naming more than a handful. Yet, Aaron Sorkin, whose latest film, Steve Jobs, is earning stellar reviews and garnering major Oscar buzz, is as much a celebrity as those in front of the camera.
Sorkin, whose career has spanned over 20 years and included work for stage, television, and the big screen, has become synonymous with sharp dialogue and streamlined storytelling and fans of the wordsmith’s recent works have seen him recognized by the Academy (2010’s The Social Network earned a best adapted screenplay Oscar, 2011’s Moneyball earned a best adapted screenplay nom), however, those recent accolades came after years of receiving the cold shoulder.
In 1993, director Rob Reiner‘s adaptation of Sorkin’s play, A Few Good Men, was nominated for four Oscars. Sorkin wrote the screenplay for the film, adapting his own work for the screen,...
- 10/14/2015
- by Patrick Shanley
- Scott Feinberg
Tom Hanks stars as the womaniser and cold war hawk in a film that doesn't know if Charlie Wilson is its hero or its villain
Director: Mike Nichols
Entertainment grade: C
History grade: D
Charlie Wilson represented Texas's second district for the Democratic party in the Us House of Representatives. During the 1980s, he campaigned for Congress, Ronald Reagan's administration and the CIA to escalate the war against the Soviets in Afghanistan by aiding Pakistan and the Afghan mujahideen.
Casting
The film opens in Las Vegas, where Congressman Charlie Wilson (Tom Hanks) is partying naked in a jacuzzi with various strippers and conmen. It already looks farfetched, but the reality is more extreme. The scene took place at Caesar's Palace in 1980, and according to the real Wilson involved lashings of cocaine. He remembered being left alone in the hot tub with two showgirls, and that "both of them had ten long,...
Director: Mike Nichols
Entertainment grade: C
History grade: D
Charlie Wilson represented Texas's second district for the Democratic party in the Us House of Representatives. During the 1980s, he campaigned for Congress, Ronald Reagan's administration and the CIA to escalate the war against the Soviets in Afghanistan by aiding Pakistan and the Afghan mujahideen.
Casting
The film opens in Las Vegas, where Congressman Charlie Wilson (Tom Hanks) is partying naked in a jacuzzi with various strippers and conmen. It already looks farfetched, but the reality is more extreme. The scene took place at Caesar's Palace in 1980, and according to the real Wilson involved lashings of cocaine. He remembered being left alone in the hot tub with two showgirls, and that "both of them had ten long,...
- 11/18/2010
- by Alex von Tunzelmann
- The Guardian - Film News
Flamboyant Texan congressman who masterminded covert Us support for the mujahideen during the Soviet-Afghan war
It is rare for one individual seriously to divert the course of history. To have done so virtually unnoticed was the astonishing achievement of the former Texas congressman Charlie Wilson, who has died aged 76 after suffering a cardiopulmonary arrest.
His accomplishment in launching and sustaining America's largest clandestine war – supplying arms to Afghan rebels fighting the Soviets in the 1980s – might have been more understandable had he been a discreet figure sliding greyly through the corridors of power. In reality, he was a loud-voiced, 6ft 4in Texan, addicted to outlandish clothes and notorious for his womanising. He staffed his congressional office with beautiful female assistants (dubbed Charlie's Angels on Capitol Hill) and had well-publicised brushes with the law, including allegations of cocaine use and drunk-driving.
Yet he somehow managed to persuade the Bible belt of...
It is rare for one individual seriously to divert the course of history. To have done so virtually unnoticed was the astonishing achievement of the former Texas congressman Charlie Wilson, who has died aged 76 after suffering a cardiopulmonary arrest.
His accomplishment in launching and sustaining America's largest clandestine war – supplying arms to Afghan rebels fighting the Soviets in the 1980s – might have been more understandable had he been a discreet figure sliding greyly through the corridors of power. In reality, he was a loud-voiced, 6ft 4in Texan, addicted to outlandish clothes and notorious for his womanising. He staffed his congressional office with beautiful female assistants (dubbed Charlie's Angels on Capitol Hill) and had well-publicised brushes with the law, including allegations of cocaine use and drunk-driving.
Yet he somehow managed to persuade the Bible belt of...
- 2/11/2010
- by Harold Jackson
- The Guardian - Film News
Charlie Wilson's War is the anti-Mr. Smith Goes to Washington. In Frank Capra's political fable, a naive and idealistic man gets appointed to fill a Senate seat, runs into corruption and hardball politics but perseveres through sheer goodness. In this film, directed by Mike Nichols in one of his most satirical moods and scripted by Hollywood's most politically astute writer Aaron Sorkin, a womanizing, alcoholic, easily tempted bachelor gets elected in a Texas district that doesn't care what he does as long as he brings home the bacon. He parties through several terms but uses his influence-peddling skills to fund a clandestine overseas operation that, the movie insists, helps bring down the Evil Empire of the Soviet Union.
This outrageous tale of 1980s-era good corruption, apparently largely true and all the more outrageous for that, might be the perfect antidote to today's shrill political scene with Republicans and Democrats staking out intractable positions and accomplishing little. Viewers of nearly all political stripes can get behind Charlie Wilson of Texas' 2nd District, who solves problems with the common sense and sweet talking absent from today's Beltway scene. The film's demographics skew over 25, but the boxoffice reception looks promising.
Tom Hanks, the star and producer, doesn't suggest a big, booming Texan with larger-than-life appetites, but he nails the wit and political savvy of this sheep in wolves' clothing. Julia Roberts, as Joanne Herring -- one of the wealthiest woman in Texas, Charlie's occasional lover and avid anti-communist -- has always known how to play Southern women who can snatch apples away from snakes. It's actually a small role but a red-hot coil from which all the action springs. As the third member of a intrepid triumvirate, Philip Seymour Hoffman makes a striking contrast to the loquacious Southerners as a hot-tempered, blue-collar CIA agent on the Afghanistan desk who knows all the shady international characters who can help get the Soviets out of that country.
"Charlie Wilson's War" is political drama played as comedy and true life as satire. Sorkin's script comes loaded with computable comic lines. One of the best happens when Charlie departs an audience with Pakistani President Zia ul-Haq (Om Puri) and mutters to exec assistant Bonnie (a sweetly savvy Amy Adams), "I was told I had character flaws by a guy who hung his predecessor in a military coup."
It seems that back in 1980, the congressman, on the verge of a drug investigation, is summoned by Joanne to a fundraiser back home, where she implores him to join her cause: ridding Afghanistan from the cruel Soviet occupation, a cause Official Washington can't embrace because funding the insurgents, the Mujahideen, would bring international scrutiny. Washington in those days preferred their wars to be cold rather than hot.
A few whiskeys and her sexual charm more than win Charlie's promise to visit President Zia. And Zia shames him into visiting the refugee camps and hospitals on the Pakistan border, which overwhelm his sense of compassion and desire to help the underdog. He hooks up with Greek-American CIA spook Gust Avrakotos (Hoffman), whose long years overseas means he knows the best arms advisor in the Pentagon -- who happens to be a 29-year-old chess champion -- the bests dealer in Russian arms -- who happens to be Israeli -- and can get the Israeli to sit down with Arab middlemen in Cairo, where Charlie can supply the best American bellydancer. Everyone has his talent.
Because of his appointment to the House's Defense Appropriations Subcommittee, Charlie eventually increases spending on covert operations in Afghanistan from $5 million to $1 billion annually and the Red Army after nine years decamps. All this is told with the lightning speed of a sitcom, which breezes by the tedious chores of arm-twisting, horse-trading, endless phone calls and the like. The film undoubtedly gives too much credit to Charlie and ignores all other geopolitical factors, but the heart of the story, based on a book by the late, award-winning journalist George Crile, rings true. The real world often operates like fiction, and in this case it's a comedy.
Nichols presides over top Hollywood professionals who produce a slick version of the '80s political landscape as Charlie globe-trots from one action zone to another. There isn't a lot of depth beneath the surface with this approach, but just enough to convey that Charlie possesses a better foreign policy mind than just about anyone in the State Department or Pentagon. Even when he is first seen in a Las Vegas hot tub sipping whiskey with strippers and a Hollywood "producer," Charlie is more interested in what Dan Rather is saying on TV.
CHARLIE WILSON'S WAR
Universal Pictures
Universal Pictures presents in association with Relativity Media and Participant Prods. a Playtone production
Credits:
Director: Mike Nichols
Screenwriter: Aaron Sorkin
Based on the book by: George Crile
Producers: Gary Goetzman, Tom Hanks
Executive producer: Celia Costas, Ryan Kavanaugh, Jeff Skoll
Director of photography: Stephen Goldblatt
Production designer: Victor Kempster
Music: James Newton Howard
Costume designer: Albert Wolsky
Editors: John Bloom, Antonia Van Drimmelen
Cast:
Charlie Wilson: Tom Hanks
Joanne Herring: Julia Roberts
Gust Avrakotos: Philip Seymour Hoffman
Bonnie Bach: Amy Adams
Doc Long
Ned Beatty
President Zia: Om Puri
Running time -- 101 minutes
No MPAA rating...
This outrageous tale of 1980s-era good corruption, apparently largely true and all the more outrageous for that, might be the perfect antidote to today's shrill political scene with Republicans and Democrats staking out intractable positions and accomplishing little. Viewers of nearly all political stripes can get behind Charlie Wilson of Texas' 2nd District, who solves problems with the common sense and sweet talking absent from today's Beltway scene. The film's demographics skew over 25, but the boxoffice reception looks promising.
Tom Hanks, the star and producer, doesn't suggest a big, booming Texan with larger-than-life appetites, but he nails the wit and political savvy of this sheep in wolves' clothing. Julia Roberts, as Joanne Herring -- one of the wealthiest woman in Texas, Charlie's occasional lover and avid anti-communist -- has always known how to play Southern women who can snatch apples away from snakes. It's actually a small role but a red-hot coil from which all the action springs. As the third member of a intrepid triumvirate, Philip Seymour Hoffman makes a striking contrast to the loquacious Southerners as a hot-tempered, blue-collar CIA agent on the Afghanistan desk who knows all the shady international characters who can help get the Soviets out of that country.
"Charlie Wilson's War" is political drama played as comedy and true life as satire. Sorkin's script comes loaded with computable comic lines. One of the best happens when Charlie departs an audience with Pakistani President Zia ul-Haq (Om Puri) and mutters to exec assistant Bonnie (a sweetly savvy Amy Adams), "I was told I had character flaws by a guy who hung his predecessor in a military coup."
It seems that back in 1980, the congressman, on the verge of a drug investigation, is summoned by Joanne to a fundraiser back home, where she implores him to join her cause: ridding Afghanistan from the cruel Soviet occupation, a cause Official Washington can't embrace because funding the insurgents, the Mujahideen, would bring international scrutiny. Washington in those days preferred their wars to be cold rather than hot.
A few whiskeys and her sexual charm more than win Charlie's promise to visit President Zia. And Zia shames him into visiting the refugee camps and hospitals on the Pakistan border, which overwhelm his sense of compassion and desire to help the underdog. He hooks up with Greek-American CIA spook Gust Avrakotos (Hoffman), whose long years overseas means he knows the best arms advisor in the Pentagon -- who happens to be a 29-year-old chess champion -- the bests dealer in Russian arms -- who happens to be Israeli -- and can get the Israeli to sit down with Arab middlemen in Cairo, where Charlie can supply the best American bellydancer. Everyone has his talent.
Because of his appointment to the House's Defense Appropriations Subcommittee, Charlie eventually increases spending on covert operations in Afghanistan from $5 million to $1 billion annually and the Red Army after nine years decamps. All this is told with the lightning speed of a sitcom, which breezes by the tedious chores of arm-twisting, horse-trading, endless phone calls and the like. The film undoubtedly gives too much credit to Charlie and ignores all other geopolitical factors, but the heart of the story, based on a book by the late, award-winning journalist George Crile, rings true. The real world often operates like fiction, and in this case it's a comedy.
Nichols presides over top Hollywood professionals who produce a slick version of the '80s political landscape as Charlie globe-trots from one action zone to another. There isn't a lot of depth beneath the surface with this approach, but just enough to convey that Charlie possesses a better foreign policy mind than just about anyone in the State Department or Pentagon. Even when he is first seen in a Las Vegas hot tub sipping whiskey with strippers and a Hollywood "producer," Charlie is more interested in what Dan Rather is saying on TV.
CHARLIE WILSON'S WAR
Universal Pictures
Universal Pictures presents in association with Relativity Media and Participant Prods. a Playtone production
Credits:
Director: Mike Nichols
Screenwriter: Aaron Sorkin
Based on the book by: George Crile
Producers: Gary Goetzman, Tom Hanks
Executive producer: Celia Costas, Ryan Kavanaugh, Jeff Skoll
Director of photography: Stephen Goldblatt
Production designer: Victor Kempster
Music: James Newton Howard
Costume designer: Albert Wolsky
Editors: John Bloom, Antonia Van Drimmelen
Cast:
Charlie Wilson: Tom Hanks
Joanne Herring: Julia Roberts
Gust Avrakotos: Philip Seymour Hoffman
Bonnie Bach: Amy Adams
Doc Long
Ned Beatty
President Zia: Om Puri
Running time -- 101 minutes
No MPAA rating...
- 11/28/2007
- The Hollywood Reporter - Movie News
This review was written for the theatrical release of "Charlie Wilson's War.""Charlie Wilson's War" is the anti-"Mr. Smith Goes to Washington". In Frank Capra's political fable, a naive and idealistic man gets appointed to fill a Senate seat, runs into corruption and hardball politics but perseveres through sheer goodness. In this film, directed by Mike Nichols in one of his most satirical moods and scripted by Hollywood's most politically astute writer Aaron Sorkin, a womanizing, alcoholic, easily tempted bachelor gets elected in a Texas district that doesn't care what he does as long as he brings home the bacon. He parties through several terms but uses his influence-peddling skills to fund a clandestine overseas operation that, the movie insists, helps bring down the Evil Empire of the Soviet Union.
This outrageous tale of 1980s-era good corruption, apparently largely true and all the more outrageous for that, might be the perfect antidote to today's shrill political scene with Republicans and Democrats staking out intractable positions and accomplishing little. Viewers of nearly all political stripes can get behind Charlie Wilson of Texas' 2nd District, who solves problems with the common sense and sweet talking absent from today's Beltway scene. The film's demographics skew over 25, but the boxoffice reception looks promising.
Tom Hanks, the star and producer, doesn't suggest a big, booming Texan with larger-than-life appetites, but he nails the wit and political savvy of this sheep in wolves' clothing. Julia Roberts, as Joanne Herring -- one of the wealthiest woman in Texas, Charlie's occasional lover and avid anti-communist -- has always known how to play Southern women who can snatch apples away from snakes. It's actually a small role but a red-hot coil from which all the action springs. As the third member of a intrepid triumvirate, Philip Seymour Hoffman makes a striking contrast to the loquacious Southerners as a hot-tempered, blue-collar CIA agent on the Afghanistan desk who knows all the shady international characters who can help get the Soviets out of that country.
"Charlie Wilson's War" is political drama played as comedy and true life as satire. Sorkin's script comes loaded with computable comic lines. One of the best happens when Charlie departs an audience with Pakistani President Zia ul-Haq (Om Puri) and mutters to exec assistant Bonnie (a sweetly savvy Amy Adams), "I was told I had character flaws by a guy who hung his predecessor in a military coup."
It seems that back in 1980, the congressman, on the verge of a drug investigation, is summoned by Joanne to a fundraiser back home, where she implores him to join her cause: ridding Afghanistan from the cruel Soviet occupation, a cause Official Washington can't embrace because funding the insurgents, the Mujahideen, would bring international scrutiny. Washington in those days preferred their wars to be cold rather than hot.
A few whiskeys and her sexual charm more than win Charlie's promise to visit President Zia. And Zia shames him into visiting the refugee camps and hospitals on the Pakistan border, which overwhelm his sense of compassion and desire to help the underdog. He hooks up with Greek-American CIA spook Gust Avrakotos (Hoffman), whose long years overseas means he knows the best arms advisor in the Pentagon -- who happens to be a 29-year-old chess champion -- the bests dealer in Russian arms -- who happens to be Israeli -- and can get the Israeli to sit down with Arab middlemen in Cairo, where Charlie can supply the best American bellydancer. Everyone has his talent.
Because of his appointment to the House's Defense Appropriations Subcommittee, Charlie eventually increases spending on covert operations in Afghanistan from $5 million to $1 billion annually and the Red Army after nine years decamps. All this is told with the lightning speed of a sitcom, which breezes by the tedious chores of arm-twisting, horse-trading, endless phone calls and the like. The film undoubtedly gives too much credit to Charlie and ignores all other geopolitical factors, but the heart of the story, based on a book by the late, award-winning journalist George Crile, rings true. The real world often operates like fiction, and in this case it's a comedy.
Nichols presides over top Hollywood professionals who produce a slick version of the '80s political landscape as Charlie globe-trots from one action zone to another. There isn't a lot of depth beneath the surface with this approach, but just enough to convey that Charlie possesses a better foreign policy mind than just about anyone in the State Department or Pentagon. Even when he is first seen in a Las Vegas hot tub sipping whiskey with strippers and a Hollywood "producer," Charlie is more interested in what Dan Rather is saying on TV.
CHARLIE WILSON'S WAR
Universal Pictures
Universal Pictures presents in association with Relativity Media and Participant Prods. a Playtone production
Credits:
Director: Mike Nichols
Screenwriter: Aaron Sorkin
Based on the book by: George Crile
Producers: Gary Goetzman, Tom Hanks
Executive producer: Celia Costas, Ryan Kavanaugh, Jeff Skoll
Director of photography: Stephen Goldblatt
Production designer: Victor Kempster
Music: James Newton Howard
Costume designer: Albert Wolsky
Editors: John Bloom, Antonia Van Drimmelen
Cast:
Charlie Wilson: Tom Hanks
Joanne Herring: Julia Roberts
Gust Avrakotos: Philip Seymour Hoffman
Bonnie Bach: Amy Adams
Doc Long
Ned Beatty
President Zia: Om Puri
Running time -- 101 minutes
No MPAA rating...
This outrageous tale of 1980s-era good corruption, apparently largely true and all the more outrageous for that, might be the perfect antidote to today's shrill political scene with Republicans and Democrats staking out intractable positions and accomplishing little. Viewers of nearly all political stripes can get behind Charlie Wilson of Texas' 2nd District, who solves problems with the common sense and sweet talking absent from today's Beltway scene. The film's demographics skew over 25, but the boxoffice reception looks promising.
Tom Hanks, the star and producer, doesn't suggest a big, booming Texan with larger-than-life appetites, but he nails the wit and political savvy of this sheep in wolves' clothing. Julia Roberts, as Joanne Herring -- one of the wealthiest woman in Texas, Charlie's occasional lover and avid anti-communist -- has always known how to play Southern women who can snatch apples away from snakes. It's actually a small role but a red-hot coil from which all the action springs. As the third member of a intrepid triumvirate, Philip Seymour Hoffman makes a striking contrast to the loquacious Southerners as a hot-tempered, blue-collar CIA agent on the Afghanistan desk who knows all the shady international characters who can help get the Soviets out of that country.
"Charlie Wilson's War" is political drama played as comedy and true life as satire. Sorkin's script comes loaded with computable comic lines. One of the best happens when Charlie departs an audience with Pakistani President Zia ul-Haq (Om Puri) and mutters to exec assistant Bonnie (a sweetly savvy Amy Adams), "I was told I had character flaws by a guy who hung his predecessor in a military coup."
It seems that back in 1980, the congressman, on the verge of a drug investigation, is summoned by Joanne to a fundraiser back home, where she implores him to join her cause: ridding Afghanistan from the cruel Soviet occupation, a cause Official Washington can't embrace because funding the insurgents, the Mujahideen, would bring international scrutiny. Washington in those days preferred their wars to be cold rather than hot.
A few whiskeys and her sexual charm more than win Charlie's promise to visit President Zia. And Zia shames him into visiting the refugee camps and hospitals on the Pakistan border, which overwhelm his sense of compassion and desire to help the underdog. He hooks up with Greek-American CIA spook Gust Avrakotos (Hoffman), whose long years overseas means he knows the best arms advisor in the Pentagon -- who happens to be a 29-year-old chess champion -- the bests dealer in Russian arms -- who happens to be Israeli -- and can get the Israeli to sit down with Arab middlemen in Cairo, where Charlie can supply the best American bellydancer. Everyone has his talent.
Because of his appointment to the House's Defense Appropriations Subcommittee, Charlie eventually increases spending on covert operations in Afghanistan from $5 million to $1 billion annually and the Red Army after nine years decamps. All this is told with the lightning speed of a sitcom, which breezes by the tedious chores of arm-twisting, horse-trading, endless phone calls and the like. The film undoubtedly gives too much credit to Charlie and ignores all other geopolitical factors, but the heart of the story, based on a book by the late, award-winning journalist George Crile, rings true. The real world often operates like fiction, and in this case it's a comedy.
Nichols presides over top Hollywood professionals who produce a slick version of the '80s political landscape as Charlie globe-trots from one action zone to another. There isn't a lot of depth beneath the surface with this approach, but just enough to convey that Charlie possesses a better foreign policy mind than just about anyone in the State Department or Pentagon. Even when he is first seen in a Las Vegas hot tub sipping whiskey with strippers and a Hollywood "producer," Charlie is more interested in what Dan Rather is saying on TV.
CHARLIE WILSON'S WAR
Universal Pictures
Universal Pictures presents in association with Relativity Media and Participant Prods. a Playtone production
Credits:
Director: Mike Nichols
Screenwriter: Aaron Sorkin
Based on the book by: George Crile
Producers: Gary Goetzman, Tom Hanks
Executive producer: Celia Costas, Ryan Kavanaugh, Jeff Skoll
Director of photography: Stephen Goldblatt
Production designer: Victor Kempster
Music: James Newton Howard
Costume designer: Albert Wolsky
Editors: John Bloom, Antonia Van Drimmelen
Cast:
Charlie Wilson: Tom Hanks
Joanne Herring: Julia Roberts
Gust Avrakotos: Philip Seymour Hoffman
Bonnie Bach: Amy Adams
Doc Long
Ned Beatty
President Zia: Om Puri
Running time -- 101 minutes
No MPAA rating...
- 11/27/2007
- The Hollywood Reporter - Movie News
- Quick Links > Charlie Wilson's War > Purchase Novel > Mike Nichols > Amy Adams > Junebug For those of us who can't wait to see Amy Adams (the adorably naïve gal in Junebug) in another Oscar worthy role can stop holding our breath. It has been announced that Adams is set to appear in Mike Nichols' exposé on American Intelligence, Charlie Wilson's War. The film also stars Tom Hanks, indie-fav Philip Seymour Hoffman, and Julia Roberts. Adams, who is currently playing a purebred and a princess in two other upcoming projects - the family friendly films Underdog and Enchanted, should feel right at home having previously worked with Hanks' production team in Catch Me If You Can. Uber Director Mike Nichols and crew will head out to Morocco this coming September to begin shooting Charlie Wilson's War based on the book by 60 Minutes producer George Crile and written by Aaron Sorkin.
- 7/28/2006
- IONCINEMA.com
Julia Roberts is set to make her movie comeback in a new film opposite fellow Oscar winner Tom Hanks. The Pretty Woman star took a hiatus when she became a mum in 2004, but now she has been lured back to the big screen by her Closer director Mike Nichols. Roberts is in negotiations to play Texas socialite Joanne Herring in the real-life story of US congressman Charlie Wilson, who fought to fund the Afghan rebels' battle against the Russians. Charlie Wilson's War, based on George Crile's book of the same name, will be Roberts' first movie role since 2004's Ocean's Twelve. The actress is also in negotiations to star in the second sequel of Ocean's Eleven.
- 1/12/2006
- WENN
Mike Nichols is in discussions to direct Charlie Wilson's War for Universal Pictures. Tom Hanks is attached to star and is producing with Gary Goetzman via the duo's Playtone banner. Aaron Sorkin, creator of The West Wing, wrote a screenplay adaptation of War -- based on the book written by George Crile, who had been a longtime 60 Minutes producer -- for Universal Pictures and Playtone. War centers on the CIA's covert operation in Afghanistan to arm the mujahideen. The covert ops were engineered by Charlie Wilson, a charismatic, wheeler-dealer, liberal Texas congressman who teamed with a rogue CIA operative. The two manipulated Congress, the CIA and a host of foreign governments in order to assist the Afghan rebels in their fight against the Soviets in the 1980s. Many of the men armed by the CIA went on to become the Taliban's enforcers and Osama bin Laden's protectors.
- 1/11/2006
- The Hollywood Reporter - Movie News
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