Exclusive: Writer-director Mark Gill is set to bring the life of legendary Japanese photographer Masahisa Fukase to the big screen with Ravens (The Many Deaths of Masahisa Fukase). Filming is set to begin in Japan in the spring of 2022.
Ravens marks the sophomore feature for the Oscar and BAFTA-nominated Gill and will star Tadanobu Asano in the role of the iconic photographer. Asano can be seen in the forthcoming Mortal Kombat feature as Raiden. He also appeared in Marvel Studios’ Thor franchise as Hogun and in Japanese classics such as Ichi the Killer and The Blind Swordsman: Zatoichi.
Ravens centers on the tragic love story between Fukase and his charismatic then-wife Yoko, who will be played by up and comer Kumi Takiuchi. The actress has also appeared in Berlinale’s Panorama-selected A Balance. In addition, Toby Kebbell joins the cast...
Ravens marks the sophomore feature for the Oscar and BAFTA-nominated Gill and will star Tadanobu Asano in the role of the iconic photographer. Asano can be seen in the forthcoming Mortal Kombat feature as Raiden. He also appeared in Marvel Studios’ Thor franchise as Hogun and in Japanese classics such as Ichi the Killer and The Blind Swordsman: Zatoichi.
Ravens centers on the tragic love story between Fukase and his charismatic then-wife Yoko, who will be played by up and comer Kumi Takiuchi. The actress has also appeared in Berlinale’s Panorama-selected A Balance. In addition, Toby Kebbell joins the cast...
- 3/30/2021
- by Dino-Ray Ramos
- Deadline Film + TV
Garry Winogrand hated being called “a street photographer,” even if he was regarded as the most essential of them all. The great success of Sasha Waters Freyer’s straightforward but evocative documentary “Garry Winogrand: All Things Are Photographable,” is how well it explains why someone could have such a strong aversion to a term that was practically invented to describe them.
Winogrand, for better or worse, was allergic to bullshit. A hyper-masculine Bronx Jew who many of Freyer’s interviewees graciously refer to as “a man of his times” (perhaps because “misogynist” would end the inquiry they’re hoping to deepen), the late artist is often likened to the Norman Mailer of the visual world, a comparison that grows more fraught — and less flattering — by the day. “A photograph is a literal description of how a camera saw a time and space,” we hear Winogrand say in his thick Cassavetes...
Winogrand, for better or worse, was allergic to bullshit. A hyper-masculine Bronx Jew who many of Freyer’s interviewees graciously refer to as “a man of his times” (perhaps because “misogynist” would end the inquiry they’re hoping to deepen), the late artist is often likened to the Norman Mailer of the visual world, a comparison that grows more fraught — and less flattering — by the day. “A photograph is a literal description of how a camera saw a time and space,” we hear Winogrand say in his thick Cassavetes...
- 9/19/2018
- by David Ehrlich
- Indiewire
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