If you thought Maïwenn’s Johnny Depp movie Jeanne du Barry arrived at Cannes with a lot of baggage, Catherine Corsini’s Homecoming didn’t spare in its ruffling of French media feathers with stories about harassment of workers on the pic’s set and a masturbation scene involving minors.
Corsini and her producer Elisabeth Perez already addressed and defended themselves against several of these allegations in a published open letter in April, specifically that the masturbation scene in question between the film’s 15-year old and 17-year-old actors saw them “both dressed, and the scene filmed their faces” with “no touching or inappropriate contact between the two.”
On Thursday at a press conference after last night’s world premiere, Corsini reflected on what she’d do differently when shooting future sex scenes, while many of the actors from the film also at the conference defended their cinematic maestra as well.
Corsini and her producer Elisabeth Perez already addressed and defended themselves against several of these allegations in a published open letter in April, specifically that the masturbation scene in question between the film’s 15-year old and 17-year-old actors saw them “both dressed, and the scene filmed their faces” with “no touching or inappropriate contact between the two.”
On Thursday at a press conference after last night’s world premiere, Corsini reflected on what she’d do differently when shooting future sex scenes, while many of the actors from the film also at the conference defended their cinematic maestra as well.
- 5/18/2023
- by Anthony D'Alessandro
- Deadline Film + TV
The story template of “Homecoming” is a standard one: Years after an unexplained trauma, a family returns to the place they once called home, where hidden truths come to light and bitter conflicts arise over the course of one seemingly idyllic summer. Yet for all the secrets and lies that shape the narrative of Catherine Corsini’s straightforwardly told but consistently intriguing new film, its most interesting tensions often emerge from things its characters already know, even if they haven’t acknowledged them out loud. For Black single parent Khédidja (Aïssatou Diallo Sagna), arriving at the Corsican birthplace of her children after 15 years away, disinterring a buried past throws her maternal insecurities into sharp relief; for her teenage daughters Jessica (Suzy Bemba) and Farah (Esther Gohourou), what revelations the trip yields only underline their respective senses of not-belonging in their own small family.
This is complex, delicate material, simmering with...
This is complex, delicate material, simmering with...
- 5/17/2023
- by Guy Lodge
- Variety Film + TV
Paris-based Playtime has unveiled a strong Cannes film market sales slate, which includes competition titles “About Dry Grasses” and “Homecoming.”
“About Dry Grasses” is by Turkish auteur Nuri Bilge Ceylan, who won the Palme d’Or in 2014 for “Winter Sleep.” The film follows Samet, a young art teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in, and hopes that his encounter with fellow teacher Nuray will help him overcome his angst. Deniz Celiloğlu, Merve Dizdar and Musab Ekici are among the cast.
“Homecoming,” by French director Catherine Corsini who won the 2021 Queer Palm for “The Divide,” follows Khédidja, who minds a wealthy Parisian family’s children for a summer in Corsica. She brings along her own two...
“About Dry Grasses” is by Turkish auteur Nuri Bilge Ceylan, who won the Palme d’Or in 2014 for “Winter Sleep.” The film follows Samet, a young art teacher, who is finishing his fourth year of compulsory service in a remote village in Anatolia. After a turn of events he can hardly make sense of, he loses his hopes of escaping the grim life he seems to be stuck in, and hopes that his encounter with fellow teacher Nuray will help him overcome his angst. Deniz Celiloğlu, Merve Dizdar and Musab Ekici are among the cast.
“Homecoming,” by French director Catherine Corsini who won the 2021 Queer Palm for “The Divide,” follows Khédidja, who minds a wealthy Parisian family’s children for a summer in Corsica. She brings along her own two...
- 5/2/2023
- by Naman Ramachandran and Elsa Keslassy
- Variety Film + TV
Casting is complete and cameras are currently rolling on Catherine Corsini‘s Le retour. We recently reported that Aïssatou Diallo Sagna was the first to join the project, and now we learned that Esther Gohourou (breakout in Maïmouna Doucouré’s Cuties) and Suzy Bemba will also topline the film and they’ll be supported by Lomane de Dietrich, Cédric Appietto, Marie-Ange Géronimi, Harold Orsoni, Jean Michelangeli, Virginie Ledoyen and Denis Podalydès. Cineuropa reports that Chaz Productions’ Élisabeth Perez will produce. Corsini reteams with cinematographer Jeanne Lapoirie (who has Robin Campillo’s Vazaha to be released next year). Production will last close to two months and a Cannes premiere is entirely possible.…...
- 10/2/2022
- by Eric Lavallée
- IONCINEMA.com
Brussels-based company Best Friend Forever has acquired two debut features, Camilo Restrepo’s Berlinale-bound “Los Conductos” and Pascal Tagnati’s “Corsican Summer.” Both films are produced by up-and-coming outfit 5à7 films.
Set to premiere at the Berlinale’s new competitive section Encounters, “Los Conductos” is a Spanish-language film set in Medellin, Colombia, and loosely based on the true story of Pinky, who freed himself from the grip of a religious sect and gets a job in a t-shirt factory. Misled by his own faith, he tries to to get his life back on track, but is haunted by the violent memories of his past.
Restrepo has shot several shorts such as “La Bouche,” which played at Cannes in Directors’ Fortnight. The French banner 5à7 films produced the film with Mutokino in Colombia, in co-production with the outfits If You Hold a Stone and Montanero Cine. Mutokino will release “Los Conductos...
Set to premiere at the Berlinale’s new competitive section Encounters, “Los Conductos” is a Spanish-language film set in Medellin, Colombia, and loosely based on the true story of Pinky, who freed himself from the grip of a religious sect and gets a job in a t-shirt factory. Misled by his own faith, he tries to to get his life back on track, but is haunted by the violent memories of his past.
Restrepo has shot several shorts such as “La Bouche,” which played at Cannes in Directors’ Fortnight. The French banner 5à7 films produced the film with Mutokino in Colombia, in co-production with the outfits If You Hold a Stone and Montanero Cine. Mutokino will release “Los Conductos...
- 1/17/2020
- by Elsa Keslassy
- Variety Film + TV
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