“Segregation is a ridiculous institution and it makes decent people do ridiculous things,” playwright, actor-director, and activist Ossie Davis told the New York Times on September 24, 1961, four days before his play Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch opened on Broadway, co-starring himself and his wife, Ruby Dee. “Maybe if they can be made to laugh at it they can see how absurd it is.”
Especially on a Great White Way where actors played predominantly to white audiences that had seen few comedies by Black playwrights, let alone satires on segregation, Purlie Victorious must have been a jolting event. Though the play, which ran for nearly eight months on Broadway, begat a film adaptation in 1963 (Gone Are the Days!) and the successful musical Purlie in 1970, Davis’s comedy about an aggrieved “self-made minister” righteously “disembezzling” a racist plantation owner has largely faded from popular memory.
Opening one day...
Especially on a Great White Way where actors played predominantly to white audiences that had seen few comedies by Black playwrights, let alone satires on segregation, Purlie Victorious must have been a jolting event. Though the play, which ran for nearly eight months on Broadway, begat a film adaptation in 1963 (Gone Are the Days!) and the successful musical Purlie in 1970, Davis’s comedy about an aggrieved “self-made minister” righteously “disembezzling” a racist plantation owner has largely faded from popular memory.
Opening one day...
- 9/28/2023
- by Dan Rubins
- Slant Magazine
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