Every couple of months, at a venue somewhere in Michigan – the Old Town Playhouse in Traverse City, say, or the State Theater in Bay City, the singer Judy Harrison will head backstage to her dressing room, and begin her transformation.
She fixes her make-up. She puts on a black fringed top, a black skirt, big belt and cowboy boots. Over her own long, light hair, she places the short, black wig she bought from a professional wig store in town, and runs her fingers through its faint waves.
“The wig is truly the thing that takes you there,” Harrison says via video call. “The very first time I did this, I walked out with the wig on, and I don’t know if the band knew who I was. I was so different to them, it was like they weren’t even looking at Judy.”
For four years now, Harrison...
She fixes her make-up. She puts on a black fringed top, a black skirt, big belt and cowboy boots. Over her own long, light hair, she places the short, black wig she bought from a professional wig store in town, and runs her fingers through its faint waves.
“The wig is truly the thing that takes you there,” Harrison says via video call. “The very first time I did this, I walked out with the wig on, and I don’t know if the band knew who I was. I was so different to them, it was like they weren’t even looking at Judy.”
For four years now, Harrison...
- 3/4/2023
- by Laura Barton
- The Independent - Music
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