For its first Pitching Paradiso, to be held at Ventana Sur on Nov. 30, Brazil’s Projeto Paradiso is looking to Brazil’s North-East and a new more diverse generation of filmmakers which is bringing a sense of urgency and excitement to Brazilian cinema.
Projects highlighted at Pitching Paradiso include one from Rio de Janeiro – Leonardo Martinelli’s much anticipated feature expansion of “Neon Phantom.” Otherwise, titles are from Brazil’s North-East: Bahia (“Time, Knifed”); Ceará and Pernambuco.
Two factors are at work. There’s a determination of all levels of government, from president Lula downwards, as well as other institutions, such as Projeto Paradiso, to support titles from fast-emerging regional talent.
“Brazil is indeed a country where the “diversity/inclusion” agenda is multi-faceted: It is not only a question of gender, race and ethnic origin, but also, in a continental country, of region of origin,” says Projeto Paradiso head Joséphine Bourgois,...
Projects highlighted at Pitching Paradiso include one from Rio de Janeiro – Leonardo Martinelli’s much anticipated feature expansion of “Neon Phantom.” Otherwise, titles are from Brazil’s North-East: Bahia (“Time, Knifed”); Ceará and Pernambuco.
Two factors are at work. There’s a determination of all levels of government, from president Lula downwards, as well as other institutions, such as Projeto Paradiso, to support titles from fast-emerging regional talent.
“Brazil is indeed a country where the “diversity/inclusion” agenda is multi-faceted: It is not only a question of gender, race and ethnic origin, but also, in a continental country, of region of origin,” says Projeto Paradiso head Joséphine Bourgois,...
- 11/21/2023
- by John Hopewell
- Variety Film + TV
Brazilian writer-director Felipe Bragança, whose “Don’t Swallow My Heart, Alligator Girl!” played Sundance and Berlin in 2017, has enrolled a team of cutting edge Brazilian indigenous artists to realize movie “Macunaima,” his contemporary reimagining of one of the most important novels in Brazilian literature.
Zahy Guajajara, a poet, actress (“The Brothers”), who formed part of the motorbike gang in “Alligator!,” and indigenous activist, has boarded “Macunaima” as a script collaborator, and the movie’s co-director. Denilson Baniwa, a visual artist and another indigenous activist, will serve as a visual consultant and collaborator.
Anthropologist Hermano Vianna has also joined “Macunaíma” as a script collaborator and conceptual consultant. Set to be presented at International Film Festival Rotterdam’s CineMart co-production market in early February, the insider knowledge and creative talent that these figures bring to the project ensure that it will not be made by an uninformed white outsider, Bragança told Variety in the run-up to CineMart.
Zahy Guajajara, a poet, actress (“The Brothers”), who formed part of the motorbike gang in “Alligator!,” and indigenous activist, has boarded “Macunaima” as a script collaborator, and the movie’s co-director. Denilson Baniwa, a visual artist and another indigenous activist, will serve as a visual consultant and collaborator.
Anthropologist Hermano Vianna has also joined “Macunaíma” as a script collaborator and conceptual consultant. Set to be presented at International Film Festival Rotterdam’s CineMart co-production market in early February, the insider knowledge and creative talent that these figures bring to the project ensure that it will not be made by an uninformed white outsider, Bragança told Variety in the run-up to CineMart.
- 1/8/2021
- by John Hopewell
- Variety Film + TV
Cimarrón, an ambitious pan-Latin American production shingle, is readying new high-profile features by Cannes-prized Agustín Toscano and Sundance best director winner Lucía Garibaldi as it gears up to shoot its first drama series in Mexico and Brazil, backed by two global platforms.
Cimarrón, headquartered in Uruguay’s Montevideo and with offices in Brazil and Argentina and service company operations in Mexico, is working on four international productions to be shot over the next few months.
Apart from Toscano and Garibaldi, the company has projects in development – movies or series – with Israel Adrián Caetano, Anahí Berneri, Marina Meliande, Gustavo Taretto and Manuel Abramovich – some of the most courted of South American directors.
Toscano’s “Perro Feroz,” scheduled to shoot in May 2021 and produced by Argentina’s Rizoma and Cimarrón in co-production with France’s Gloria Films, is set in rural Argentina in 1974 and turns on Sergio, an illiterate rural laborer who...
Cimarrón, headquartered in Uruguay’s Montevideo and with offices in Brazil and Argentina and service company operations in Mexico, is working on four international productions to be shot over the next few months.
Apart from Toscano and Garibaldi, the company has projects in development – movies or series – with Israel Adrián Caetano, Anahí Berneri, Marina Meliande, Gustavo Taretto and Manuel Abramovich – some of the most courted of South American directors.
Toscano’s “Perro Feroz,” scheduled to shoot in May 2021 and produced by Argentina’s Rizoma and Cimarrón in co-production with France’s Gloria Films, is set in rural Argentina in 1974 and turns on Sergio, an illiterate rural laborer who...
- 6/23/2020
- by John Hopewell
- Variety Film + TV
Pablo Stoll’s “Summer Hit,” Matías Lucchessi’s “Las rojas,” Joaquín Peñagaricano and Pablo Abdala’s “Mateína” are some of the Uruguayan projects at different stages participating in a spotlight at Cannes’ Producers Network on the Marché du Film’s digital platform on Tuesday 23.
Five Uruguayan companies, Tarkiofilm, Cimarrón, Montelona, Nadador and Salado, have been selected by the country’s national film body Icau to pitch their production slates at the new format French market.
Recently appointed general director at Icau, Uruguay’s film-tv agency, Roberto Blatt told Variety that Uruguay shows a “maturity in its cinema, backed by a great diversity of formats, genres and styles, and the high creative and technical levels of our professionals.” He went on to say, “That was made evident by the success of titles made free through Vera TV [Uruguayan broadcaster Antel’s digital platform] during the pandemic.”
Blatt pointed out that the Uruguayan public...
Five Uruguayan companies, Tarkiofilm, Cimarrón, Montelona, Nadador and Salado, have been selected by the country’s national film body Icau to pitch their production slates at the new format French market.
Recently appointed general director at Icau, Uruguay’s film-tv agency, Roberto Blatt told Variety that Uruguay shows a “maturity in its cinema, backed by a great diversity of formats, genres and styles, and the high creative and technical levels of our professionals.” He went on to say, “That was made evident by the success of titles made free through Vera TV [Uruguayan broadcaster Antel’s digital platform] during the pandemic.”
Blatt pointed out that the Uruguayan public...
- 6/22/2020
- by Emilio Mayorga
- Variety Film + TV
By uniting forces, the two co-production platforms of the Holland Film Market and Rotterdam Film Festival’s (Iffr) CineMart have created a new space in which the selected projects can get stronger film industry exposure and support.
The participant projects’ representatives receive advice from film professionals through a series of individual meetings with special attention paid to their festival, sales and marketing strategies. From the first BoostNL program, four films entered the Iffr 2018 program.
The interest now lies in watching BoostNL films as they progress through the international film circuit:
The Reports on Sarah and Selim, Muayad Alayan. After its world premiere at Iffr 2018, it continued winning for Best Actress and Best Picture at Durban Ff and playing at Hamburg and Jeonju Film Festivals. International sales by Heretic Outreach did extremely well, going to Australia/Nz- Hi Gloss, Benelux-Moov, Croatia & Ex-Yugoslavia-Mediterranean Film Festival Split/ Kino Mediteran, Mena-Mad Solutions, France-Bodega, Germany-Missingfilms,...
The participant projects’ representatives receive advice from film professionals through a series of individual meetings with special attention paid to their festival, sales and marketing strategies. From the first BoostNL program, four films entered the Iffr 2018 program.
The interest now lies in watching BoostNL films as they progress through the international film circuit:
The Reports on Sarah and Selim, Muayad Alayan. After its world premiere at Iffr 2018, it continued winning for Best Actress and Best Picture at Durban Ff and playing at Hamburg and Jeonju Film Festivals. International sales by Heretic Outreach did extremely well, going to Australia/Nz- Hi Gloss, Benelux-Moov, Croatia & Ex-Yugoslavia-Mediterranean Film Festival Split/ Kino Mediteran, Mena-Mad Solutions, France-Bodega, Germany-Missingfilms,...
- 10/1/2018
- by Sydney Levine
- Sydney's Buzz
Eight films selected for the festival’s top award.
Source: Iffr
‘Piercing’, ‘Sultry’, ‘I Have A Date With Spring’, ‘Left The Reports On Sarah And Saleem’
The 47th International Film Festival Rotterdam (24 Jan – 4 Feb) has revealed the eight films that will compete in its 2018 Hivos Tiger Competition.
Scroll down for the full line-up
The award includes a cash prize of €40,000, to be divided between filmmaker and producer. There is also a special jury award worth €10,000. Both will handed out on 2 February.
This year’s selection includes new feature films by directors including Baek Seungbin, Marina Meliande, Shireen Seno and Nicolas Pesce. There are seven world premieres and one international premiere.
This year’s jury will comprise of Anthea Kennedy, Paula Astorga, Job ter Burg Valeska Grisebach and Kim Kyung-Mook.
Festival director Bero Beyer commented: “This year’s Tiger line-up features daring filmmakers who boldly venture into new territories. All of them combine relevant stories and themes – like Israeli...
Source: Iffr
‘Piercing’, ‘Sultry’, ‘I Have A Date With Spring’, ‘Left The Reports On Sarah And Saleem’
The 47th International Film Festival Rotterdam (24 Jan – 4 Feb) has revealed the eight films that will compete in its 2018 Hivos Tiger Competition.
Scroll down for the full line-up
The award includes a cash prize of €40,000, to be divided between filmmaker and producer. There is also a special jury award worth €10,000. Both will handed out on 2 February.
This year’s selection includes new feature films by directors including Baek Seungbin, Marina Meliande, Shireen Seno and Nicolas Pesce. There are seven world premieres and one international premiere.
This year’s jury will comprise of Anthea Kennedy, Paula Astorga, Job ter Burg Valeska Grisebach and Kim Kyung-Mook.
Festival director Bero Beyer commented: “This year’s Tiger line-up features daring filmmakers who boldly venture into new territories. All of them combine relevant stories and themes – like Israeli...
- 1/9/2018
- by Orlando Parfitt
- ScreenDaily
Films and projects travel from Sundance to Rotterdam and Rotterdam’s love affair with Latin America becomes apparent.
Making their way from Sundance to Rotterdam, “Lemon” was Opening Night in the International Film Festival Rotterdam, Sloan Prize Winner “Marjorie Prime” played in Voices while director Michael Almereyda was on the Jury of the Hivos Tiger Competition. His documentary, “Escapes” also played in the Regained section of the festival.
“Marjorie Prime”: Director Michael Almereyda, Lois Smith and Jon Hamm
“Chile’s “Family Life” by Alicia Scherson and Cristian Jimenez, Singapore’s “Pop Aye”, “Lady Macbeth” and “Sami Blood” all screened here after premiering in Sundance as well.
Pop Aye director Kirsten Tan won the Big Screen Competition and in addition to the cash prize may also count on a guaranteed release in Dutch cinemas and on TV.
“The Wound” by John Trengove has even longer legs, reaching from Sundance World...
Making their way from Sundance to Rotterdam, “Lemon” was Opening Night in the International Film Festival Rotterdam, Sloan Prize Winner “Marjorie Prime” played in Voices while director Michael Almereyda was on the Jury of the Hivos Tiger Competition. His documentary, “Escapes” also played in the Regained section of the festival.
“Marjorie Prime”: Director Michael Almereyda, Lois Smith and Jon Hamm
“Chile’s “Family Life” by Alicia Scherson and Cristian Jimenez, Singapore’s “Pop Aye”, “Lady Macbeth” and “Sami Blood” all screened here after premiering in Sundance as well.
Pop Aye director Kirsten Tan won the Big Screen Competition and in addition to the cash prize may also count on a guaranteed release in Dutch cinemas and on TV.
“The Wound” by John Trengove has even longer legs, reaching from Sundance World...
- 2/8/2017
- by Sydney Levine
- Sydney's Buzz
Service, called ‘Unleashed’, will launch later this year.
Iffr’s video-on-demand platform Unleashed is set to officially launch in the spring. It will include films from this year’s line-up as well as previous editions.
The service was soft-launched at last year’s festival, and is currently operating with a selection of Iffr films available for purchase via iTunes and Google Play.
This year’s six Iffr Live films are also available for viewing for the duration of the festival, with the Q&As available as bonus material.
Funding
From spring, viewers will be able to see the films direct from the Iffr Unleashed site for a set monthly rate, without the requirement of iTunes or Google Play.
“Established platforms like iTunes and Google Play can pose technical restrictions,” explained Iffr Live and Unleashed programmer Melissa van der Schoor. “It will be easier for us to broaden a film’s online release to more territories with Iffr...
Iffr’s video-on-demand platform Unleashed is set to officially launch in the spring. It will include films from this year’s line-up as well as previous editions.
The service was soft-launched at last year’s festival, and is currently operating with a selection of Iffr films available for purchase via iTunes and Google Play.
This year’s six Iffr Live films are also available for viewing for the duration of the festival, with the Q&As available as bonus material.
Funding
From spring, viewers will be able to see the films direct from the Iffr Unleashed site for a set monthly rate, without the requirement of iTunes or Google Play.
“Established platforms like iTunes and Google Play can pose technical restrictions,” explained Iffr Live and Unleashed programmer Melissa van der Schoor. “It will be easier for us to broaden a film’s online release to more territories with Iffr...
- 2/1/2017
- ScreenDaily
As the fund restructures, several previous grantees spoke on a Rotterdam panel about their struggles in local markets.
After the recent announcement that International Film Festival Rotterdam’s Hubert Bals Fund is restructuring, the scheme’s outgoing manager Iwana Chronis was at Iffr on Monday (Jan 30) with several fund recipients to discuss their distribution experiences.
Filmmakers Michel Lipkes (Mexico), John Torres (Philippines) and Marina Meliande (Brazil) praised the development and production fund for supporting independent films in less financially-able countries, but also took the opportunity to highlight the constant struggle of releasing their films in their respective home territories.
Lipkes, whose feature Malaventura screened at Iffr in 2012, said the fund enabled his film to also receive support from the Mexican Institute of Cinematography, a grant he may not have received if he had not had the backing of the Hbf fund.
However, his inability to screen the film for more than one week in Mexico’s multiplexes...
After the recent announcement that International Film Festival Rotterdam’s Hubert Bals Fund is restructuring, the scheme’s outgoing manager Iwana Chronis was at Iffr on Monday (Jan 30) with several fund recipients to discuss their distribution experiences.
Filmmakers Michel Lipkes (Mexico), John Torres (Philippines) and Marina Meliande (Brazil) praised the development and production fund for supporting independent films in less financially-able countries, but also took the opportunity to highlight the constant struggle of releasing their films in their respective home territories.
Lipkes, whose feature Malaventura screened at Iffr in 2012, said the fund enabled his film to also receive support from the Mexican Institute of Cinematography, a grant he may not have received if he had not had the backing of the Hbf fund.
However, his inability to screen the film for more than one week in Mexico’s multiplexes...
- 2/1/2017
- ScreenDaily
Though the International Film Festival Rotterdam (Iffr) is going on its 46th year and its Cinemart on its 35th, 2017 marks only the third year since festival director Bero Beyer, a former producer, continues to reshape the event into a more focused selection of film projects whose life on the film circuit will have an impact beyond the festival scene itself, a field that is becoming increasingly crowded for many reasons which would take another article to explain.
But there will be quite a discussion about this very issue.The Rotterdam Cinemart, the first co-production market ever, started in 1982 and brought the then-small international film community together in a uniquely egalitarian and intimate way that only the Dutch could offer. In many ways it became a victim of its own success, mentoring similar events in Hong Kong and So. Korea and then copied by numerous others, but without the care and warmth of the original event.
But there will be quite a discussion about this very issue.The Rotterdam Cinemart, the first co-production market ever, started in 1982 and brought the then-small international film community together in a uniquely egalitarian and intimate way that only the Dutch could offer. In many ways it became a victim of its own success, mentoring similar events in Hong Kong and So. Korea and then copied by numerous others, but without the care and warmth of the original event.
- 1/28/2017
- by Sydney Levine
- Sydney's Buzz
Exclusive: The Latino film sales subsidiary of Im Global heads to Park City this week with worldwide rights to Don’t Swallow My Heart Alligator Girl! and I Dream In Another Language.
Don’t Swallow My Heart Alligator Girl! marks the solo directorial debut of Brazil’s Felipe Bragança and premieres in World Cinema Dramatic Competition on Sunday ahead of its European premiere in Berlin next month.
Cauã Reymond, Eduardo Macedo, Adeli Gonzales and Zahy Guajajara star in the story of a Brazilian boy who must fight for the love of a Paraguayan girl as war brews between rival gangs on opposite sides of the border.
Producers on the Brazil-Netherlands-France-Paraguay drama are Marina Meliande, Marcos Prado, Dijana Olcay-Hot, Yohann Cornu and Raymond van der Kaaij on behalf of Revolver.
Bragança previously co-directed A Alegria (The Joy) with Meliande, which screened in Cannes Directors Fortnight in 2010.
Mexican filmmaker Ernesto Contreras wrote and directed I Dream In Another Language (Sueño...
Don’t Swallow My Heart Alligator Girl! marks the solo directorial debut of Brazil’s Felipe Bragança and premieres in World Cinema Dramatic Competition on Sunday ahead of its European premiere in Berlin next month.
Cauã Reymond, Eduardo Macedo, Adeli Gonzales and Zahy Guajajara star in the story of a Brazilian boy who must fight for the love of a Paraguayan girl as war brews between rival gangs on opposite sides of the border.
Producers on the Brazil-Netherlands-France-Paraguay drama are Marina Meliande, Marcos Prado, Dijana Olcay-Hot, Yohann Cornu and Raymond van der Kaaij on behalf of Revolver.
Bragança previously co-directed A Alegria (The Joy) with Meliande, which screened in Cannes Directors Fortnight in 2010.
Mexican filmmaker Ernesto Contreras wrote and directed I Dream In Another Language (Sueño...
- 1/17/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Ali Jaberansari’s Tehran, City Of Love also received an award at the industry event.
This year’s Holland Film Meeting in Utrecht awarded The Religion Of Night Walks from Serbian director Nikola Ležaić with the Cam-a-lot & Filmmore Cinema Emerging Talent Prize for Best Project (valued at €10,000 in camera and post-production facilities). Already backed by Film Center Serbia and Propeler Film (Croatia), the film is about a Yugoslavian engineer working on the construction of the first wind farm in Iran in the early 1980s.
Ali Jaberansari’s Tehran, City Of Love - a BoostNL 2016 selection - picked up the WarnierPosta Prize (€5,000 towards use of audio post-production facilities). The story follows three characters, a religious singer, an office singer and a personal trainer, looking for love in Tehran. Babak Jalali is producer of the film, which is being made through Here & There Productions (UK), Viking Film (Netherlands) and Mandra Films (France.)
Meanwhile, the Hfm...
This year’s Holland Film Meeting in Utrecht awarded The Religion Of Night Walks from Serbian director Nikola Ležaić with the Cam-a-lot & Filmmore Cinema Emerging Talent Prize for Best Project (valued at €10,000 in camera and post-production facilities). Already backed by Film Center Serbia and Propeler Film (Croatia), the film is about a Yugoslavian engineer working on the construction of the first wind farm in Iran in the early 1980s.
Ali Jaberansari’s Tehran, City Of Love - a BoostNL 2016 selection - picked up the WarnierPosta Prize (€5,000 towards use of audio post-production facilities). The story follows three characters, a religious singer, an office singer and a personal trainer, looking for love in Tehran. Babak Jalali is producer of the film, which is being made through Here & There Productions (UK), Viking Film (Netherlands) and Mandra Films (France.)
Meanwhile, the Hfm...
- 9/26/2016
- by geoffrey@macnab.demon.co.uk (Geoffrey Macnab)
- ScreenDaily
First projects announced for initiative aimed at boosting Dutch features and international co-productions.
Six international and five Dutch projects in development, as well as three works-in-progress, have been selected for the first BoostNL programme that kicks off at the Netherlands Film Festival’s Holland Film Meeting in Utrecht (Sept 22-25) and continues through to International Film Festival Rotterdam’s CineMart 2017 (Jan 29-Feb 1).
The initiative, first reported in May, is designed to strengthen market assistance for international projects that have already received support from the Hubert Bals Fund or have previously been presented at CineMart, as well as Dutch projects in development.
Throughout BoostNL, project participants will benefit from ongoing guidance, whether in terms of business planning or creative decision-making, and participants will be encouraged to incorporate inspired feedback into their project.
One-on-one sessions with key international mentors will deliver bespoke festival, sales and marketing strategies that will support the project through all stages of development, from advanced...
Six international and five Dutch projects in development, as well as three works-in-progress, have been selected for the first BoostNL programme that kicks off at the Netherlands Film Festival’s Holland Film Meeting in Utrecht (Sept 22-25) and continues through to International Film Festival Rotterdam’s CineMart 2017 (Jan 29-Feb 1).
The initiative, first reported in May, is designed to strengthen market assistance for international projects that have already received support from the Hubert Bals Fund or have previously been presented at CineMart, as well as Dutch projects in development.
Throughout BoostNL, project participants will benefit from ongoing guidance, whether in terms of business planning or creative decision-making, and participants will be encouraged to incorporate inspired feedback into their project.
One-on-one sessions with key international mentors will deliver bespoke festival, sales and marketing strategies that will support the project through all stages of development, from advanced...
- 8/19/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Harmony Lessons director Emir Baigazin and Uncle Boomee… director Apichatpong Weerasethakul among those selected by the Hubert Bals Fund of International Film Festival Rotterdam (Iffr) to receive grants for post production and for script and project development.Scroll down for full list
In its Fall 2013 selection round, the Fund allocated €161,700 to projects from nine Asian, Eastern European, Latin-American and African countries.
The selection was made out of 464 applications, the highest number of funding applications to date.
Five Hbf-supported projects get the opportunity to further develop their project as part of the Boost! programme.
Two of the 11 projects selected in the script and project development category are from Thailand. Cemetery of Kings by Golden Palm winner Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives), and By the Time it Gets Dark by Anocha Suwichakornpong, who won a Tiger Award for her feature debut Mundane History in 2010.
Emir Baigazin (Kazakhstan) also receives funding in this category for his...
In its Fall 2013 selection round, the Fund allocated €161,700 to projects from nine Asian, Eastern European, Latin-American and African countries.
The selection was made out of 464 applications, the highest number of funding applications to date.
Five Hbf-supported projects get the opportunity to further develop their project as part of the Boost! programme.
Two of the 11 projects selected in the script and project development category are from Thailand. Cemetery of Kings by Golden Palm winner Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives), and By the Time it Gets Dark by Anocha Suwichakornpong, who won a Tiger Award for her feature debut Mundane History in 2010.
Emir Baigazin (Kazakhstan) also receives funding in this category for his...
- 12/13/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The group of leading role actors is mostly non-actors chosen after one year of research and auditions with teenagers in Rio de Janeiro. Tainá Medina, who is 16 years old, plays the leading character Luiza and she has never acted in her life. Junior Moura, that plays João, the missing cousin of Luiza, is Felipe Bragança’s cousin in real life and only worked as an amateur actor. - A Alegria (The Joy) tells the story of 16 year-old Luiza. In Rio de Janeiro’s summer, she is assigned to take care of her cousin, João, whose foot gets shot. The movie deals with the modern culture, politics, friendship, utopia and the pursuit of happiness. A Alegria (The Joy) preems in the 42nd Directors’ Fortnight at the Cannes Film Festival this year. Anny Gomes: How did the initial idea come about and how did this become a story...
- 5/18/2010
- IONCINEMA.com
A Alegria (The Joy) tells the story of 16 year-old Luiza. In Rio de Janeiro’s summer, she is assigned to take care of her cousin, João, whose foot gets shot. The movie deals with the modern culture, politics, friendship, utopia and the pursuit of happiness. A Alegria (The Joy) preems in the 42nd Directors’ Fortnight at the Cannes Film Festival this year. Anny Gomes: How did the initial idea come about and how did this become a story relevant for you to share with an audience? Felipe Bragança: The movie is a dream about utopia and the courage from the juvenile imaginary of the leading character, Luiza, a 16 year-old girl. To us, the movie is a form of expressing through images an enthusiastic reshaped look of the reality, turning against the melancholy and the nostalgia of the artsy cinema of the 90’s and still common in the beginning of Xxi century.
- 5/18/2010
- IONCINEMA.com
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