A biography on the rise and fall of Steve Wynn, the longtime Las Vegas casino owner and billionaire, is being developed for a small or big screen treatment.
Scott Jay Kaplan and Emmet McDermott’s CoverStory producer banner optioned Christina Binkley’s Winner Takes All book about Wynn’s meteoric rise from scrappy bingo parlor operator to casino billionaire for a film or TV adaptation. Wynn resigned from his corporate empire in 2018 amid sexual misconduct allegations.
CoverStory’s McDermott produced White Hot: The Rise & Fall of Abercrombie & Fitch, Alison Klayman’s documentary for Netflix about the popularity and ruin of the once coveted “all-American” retail brand.
Binkley will co-produce the Winner Takes All adaptation, which will be set mainly in the 1990s as Wynn’s drive for power set up his ultimate corporate demise. That created a vacuum of power filled by his ex-wife Elaine, on whom Wynn blamed his downfall.
Scott Jay Kaplan and Emmet McDermott’s CoverStory producer banner optioned Christina Binkley’s Winner Takes All book about Wynn’s meteoric rise from scrappy bingo parlor operator to casino billionaire for a film or TV adaptation. Wynn resigned from his corporate empire in 2018 amid sexual misconduct allegations.
CoverStory’s McDermott produced White Hot: The Rise & Fall of Abercrombie & Fitch, Alison Klayman’s documentary for Netflix about the popularity and ruin of the once coveted “all-American” retail brand.
Binkley will co-produce the Winner Takes All adaptation, which will be set mainly in the 1990s as Wynn’s drive for power set up his ultimate corporate demise. That created a vacuum of power filled by his ex-wife Elaine, on whom Wynn blamed his downfall.
- 3/4/2024
- by Etan Vlessing
- The Hollywood Reporter - Movie News
There comes a moment in many sports documentaries when viewers find themselves wondering whether they’ve drunk the Gatorade. All the fast cuts and swelling music, the bodily injuries and emotional agony, the triumphant moments and podium tears have a way of pushing our buttons.
In director Sarah Dowland’s “Sue Bird: In the Clutch,” that objectivity-questioning pause comes when the WNBA legend’s agent appears for an on-camera interview (she happens to be one of its executive producers as well). No arguing that agent Lindsay Kagawa Colas knows a great deal about Bird and even more about the changes in marketing strategies that women athletes have faced over the years. She also knows that optics matter, and it’s hard not to be a little frustrated that such an obviously biased cheerleader should appear as a source. (Another red flag: NBA Entertainment had a role in producing the doc.
In director Sarah Dowland’s “Sue Bird: In the Clutch,” that objectivity-questioning pause comes when the WNBA legend’s agent appears for an on-camera interview (she happens to be one of its executive producers as well). No arguing that agent Lindsay Kagawa Colas knows a great deal about Bird and even more about the changes in marketing strategies that women athletes have faced over the years. She also knows that optics matter, and it’s hard not to be a little frustrated that such an obviously biased cheerleader should appear as a source. (Another red flag: NBA Entertainment had a role in producing the doc.
- 2/9/2024
- by Lisa Kennedy
- Variety Film + TV
Exclusive: Sandbox Films (Fire of Love) and Xtr (Ascension) have teamed to produce feature doc A Life Illuminated, exploring the life and legacy of pioneering marine biologist Edie Widder, in association with ocean exploration nonprofit OceanX.
Set to direct the pic is Tasha Van Zandt, the filmmaker behind such award-winning documentaries as After Antarctica, about legendary polar explorer Will Steger, and One Thousand Stories, about renowned artist Jr.
A Life Illuminated watches as Widder undertakes an extraordinary journey into the magical world of bioluminescence, through which she decodes the language of light that allows deep-sea life to communicate in complete darkness. It’s Widder’s unceasing need to understand and communicate with the most enigmatic forms of life on Earth that leads her to dive into the unknown, exploring the profound mysteries hidden beneath the ocean’s surface.
The film will draw upon Widder’s vast archive, from her earliest dives in deep sea submersibles,...
Set to direct the pic is Tasha Van Zandt, the filmmaker behind such award-winning documentaries as After Antarctica, about legendary polar explorer Will Steger, and One Thousand Stories, about renowned artist Jr.
A Life Illuminated watches as Widder undertakes an extraordinary journey into the magical world of bioluminescence, through which she decodes the language of light that allows deep-sea life to communicate in complete darkness. It’s Widder’s unceasing need to understand and communicate with the most enigmatic forms of life on Earth that leads her to dive into the unknown, exploring the profound mysteries hidden beneath the ocean’s surface.
The film will draw upon Widder’s vast archive, from her earliest dives in deep sea submersibles,...
- 12/19/2023
- by Matt Grobar
- Deadline Film + TV
Click here to read the full article.
Multiple Emmy contenders this season are focused on the downfall of or investigations into large corporations and institutions: Hulu’s The Curse of Von Dutch: A Brand to Die For, Netflix’s White Hot: The Rise & Fall of Abercrombie & Fitch, Netflix’s Downfall: The Case Against Boeing and Amazon Prime Video’s LuLaRich.
Here’s what The Hollywood Reporter’s critics had to say about each.
The Curse of Von Dutch: A Brand to Die For (Hulu)
Hulu’s The Curse of Von Dutch: A Brand to Die For is a docuseries about a once-inescapable fad, a show that feels bound by two ubiquitous trends of the moment: 2000s nostalgia and true crime. But it fails to divine what should be the big takeaway of any look back at a what-were-we-thinking craze — that just because something is popular doesn’t mean it’s a good look.
Multiple Emmy contenders this season are focused on the downfall of or investigations into large corporations and institutions: Hulu’s The Curse of Von Dutch: A Brand to Die For, Netflix’s White Hot: The Rise & Fall of Abercrombie & Fitch, Netflix’s Downfall: The Case Against Boeing and Amazon Prime Video’s LuLaRich.
Here’s what The Hollywood Reporter’s critics had to say about each.
The Curse of Von Dutch: A Brand to Die For (Hulu)
Hulu’s The Curse of Von Dutch: A Brand to Die For is a docuseries about a once-inescapable fad, a show that feels bound by two ubiquitous trends of the moment: 2000s nostalgia and true crime. But it fails to divine what should be the big takeaway of any look back at a what-were-we-thinking craze — that just because something is popular doesn’t mean it’s a good look.
- 6/23/2022
- by Beatrice Verhoeven
- The Hollywood Reporter - Movie News
One test of a strong documentary is whether the subject matter could interest everyone or simply aficionados. It’s tough to imagine anybody watching “Unfinished Business” without immediately buying tickets to the next available WNBA game.
Director Alison Klayman (“Ai Weiwei: Never Sorry”) blends two approaches, offering us an introduction to the league itself as well as a closer look at the New York Liberty team. The truth is that both halves of this film deserve their own movie, but since each is equally compelling, Klayman never once loses our attention.
It certainly helps that she’s got such an extraordinary cast of participants. Wonderful interviews with legendary players like Teresa Weatherspoon, Rebecca Lobo, Crystal Robinson and Sue Wicks set the stage for a time — 1995 to be exact — when the idea of a professional women’s league was barely even a dream.
Also Read:
Twitter Unveils Content Partnerships With Fox Sports,...
Director Alison Klayman (“Ai Weiwei: Never Sorry”) blends two approaches, offering us an introduction to the league itself as well as a closer look at the New York Liberty team. The truth is that both halves of this film deserve their own movie, but since each is equally compelling, Klayman never once loses our attention.
It certainly helps that she’s got such an extraordinary cast of participants. Wonderful interviews with legendary players like Teresa Weatherspoon, Rebecca Lobo, Crystal Robinson and Sue Wicks set the stage for a time — 1995 to be exact — when the idea of a professional women’s league was barely even a dream.
Also Read:
Twitter Unveils Content Partnerships With Fox Sports,...
- 6/19/2022
- by Elizabeth Weitzman
- The Wrap
It’s 2005, and as a middle schooler, there are few places to feel seen the way you want to be: an attractive young adult, with agency, value, and 40 to spend on a T-shirt.
Enter a more affordable Ralph Lauren meets less Nsfw sexy Calvin Klein mash-up Abercrombie & Fitch, the rebranding of a safari-wearing, gun-slinging empire where Theodore Roosevelt and Ernest Hemingway once shopped. Retrofit the brand for 1990s mall culture, and it’s as though America itself is reborn, warts and all.
Selling an aspirational lifestyle for A&f was an understatement — the pulsing club music, dark shuttered windows, shirtless jean-clad male models, and a strong signature cologne packaged the promise of meeting an attainable celebrity crush and walking away with their scent lingering on your skin. Buying something was akin to buying into a new you, but as it turns out, only certain customers were deemed worthy of the brand’s “all-American” message.
Enter a more affordable Ralph Lauren meets less Nsfw sexy Calvin Klein mash-up Abercrombie & Fitch, the rebranding of a safari-wearing, gun-slinging empire where Theodore Roosevelt and Ernest Hemingway once shopped. Retrofit the brand for 1990s mall culture, and it’s as though America itself is reborn, warts and all.
Selling an aspirational lifestyle for A&f was an understatement — the pulsing club music, dark shuttered windows, shirtless jean-clad male models, and a strong signature cologne packaged the promise of meeting an attainable celebrity crush and walking away with their scent lingering on your skin. Buying something was akin to buying into a new you, but as it turns out, only certain customers were deemed worthy of the brand’s “all-American” message.
- 4/19/2022
- by Samantha Bergeson
- Indiewire
A revealing new Netflix documentary looks back on the highs of the fashion brand that dominated a generation before controversies dragged it down
If you’re a millennial or have parented one, you know the look: advertisements with shirtless men, sculpted abs above low-cut jeans, a melange of thin and tan and young white bodies in minimal clothing. A store at the mall mostly obscured by heavy wooden blinders, music pulsing from within. Faded jeans and polo shirts in middle and high school, all featuring the ubiquitous moose.
White Hot: The Rise & Fall of Abercrombie & Fitch, a new Netflix documentary on the ubiquity of a once zeitgeist-y brand’s limited vision of “cool” and its culture of discrimination, is easy catnip for adults re-evaluating the influences of their youth. The brand of barely there denim miniskirts and graphic T-shirts was “part of the landscape of what I thought...
If you’re a millennial or have parented one, you know the look: advertisements with shirtless men, sculpted abs above low-cut jeans, a melange of thin and tan and young white bodies in minimal clothing. A store at the mall mostly obscured by heavy wooden blinders, music pulsing from within. Faded jeans and polo shirts in middle and high school, all featuring the ubiquitous moose.
White Hot: The Rise & Fall of Abercrombie & Fitch, a new Netflix documentary on the ubiquity of a once zeitgeist-y brand’s limited vision of “cool” and its culture of discrimination, is easy catnip for adults re-evaluating the influences of their youth. The brand of barely there denim miniskirts and graphic T-shirts was “part of the landscape of what I thought...
- 4/19/2022
- by Adrian Horton
- The Guardian - Film News
Matching the surface-depth of an Abercrombie advertisement circa 1998, Alison Klayman’s “White Hot: The Rise & Fall of Abercrombie & Fitch” is a standardized and, unfortunately, scattered look at the titular company at the height of its cultural dominance in the 1990s and 2000s. What could’ve been an interestingly short segment on, say, CNN”s “The Nineties” is stretched to the breaking point as Klayman unpacks the moment that A&f went mainstream and the social backlash that ensued from their terrible — and often illegal — work practices.
Continue reading ‘White Hot: The Rise & Fall Of Abercrombie & Fitch’ Review: A Shallow Exposé On The Titular Fashion Brand at The Playlist.
Continue reading ‘White Hot: The Rise & Fall Of Abercrombie & Fitch’ Review: A Shallow Exposé On The Titular Fashion Brand at The Playlist.
- 4/18/2022
- by Christian Gallichio
- The Playlist
Fashion, of course, is rarely just fashion — it tells a story about whoever’s wearing it. And in the ’90s and 2000s, the preppy youthquake mall-fashion outlet Abercrombie & Fitch told a very big story. It was a story of where America — or, at least, a powerful slice of the millennial demo — was at. As recounted in the lively, snarky, horrifying, and irresistible documentary “White Hot: The Rise & Fall of Abercrombie & Fitch” (which drops April 19 on Netflix),
As a company, Abercrombie & Fitch had been around since 1892. It originally catered to elite sportsmen (Teddy Roosevelt and Ernest Hemingway were loyal customers), but after falling on hard times and kicking around as an antiquated brand, the company was reinvented in the early ’90s by the CEO Mike Jeffries, who fused the upscale Wasp fetishism of designers like Ralph Lauren and Tommy Hilfiger with the chiseled-beefcake-in-underwear monochromatic sexiness of the Calvin Klein...
As a company, Abercrombie & Fitch had been around since 1892. It originally catered to elite sportsmen (Teddy Roosevelt and Ernest Hemingway were loyal customers), but after falling on hard times and kicking around as an antiquated brand, the company was reinvented in the early ’90s by the CEO Mike Jeffries, who fused the upscale Wasp fetishism of designers like Ralph Lauren and Tommy Hilfiger with the chiseled-beefcake-in-underwear monochromatic sexiness of the Calvin Klein...
- 4/17/2022
- by Owen Gleiberman
- Variety Film + TV
In the white and WASPy corner of Connecticut where I went to high school during the early 2000s, the whole Abercrombie & Fitch aesthetic wasn’t aspirational so much as it was a baseline for acceptance. If you could wear those clothes without seeming like a poser — if you could rock the retailer’s vaguely colonialist, lacrosse and legacy admissions style of preppy sexuality without looking like a sad parody of the milk-fed Aryan super-teens who stood outside its stores — then you were entitled to a seat at the cafeteria table among the other future kings and queens of the universe.
This exclusionary phenomenon wasn’t subtle, or the kind of thing that kids would only realize with a blush of embarrassment 20 years later. On the contrary, it was Abercrombie’s brand, and it was powerful enough to make a soft-bodied Jewish theater dweeb like me buy some wildly overpriced...
This exclusionary phenomenon wasn’t subtle, or the kind of thing that kids would only realize with a blush of embarrassment 20 years later. On the contrary, it was Abercrombie’s brand, and it was powerful enough to make a soft-bodied Jewish theater dweeb like me buy some wildly overpriced...
- 4/13/2022
- by David Ehrlich
- Indiewire
“White Hot: The Rise and Fall of Abercrombie & Fitch” will debut on Netflix April 19, the streamer has announced.
Directed by Alison Klayman, who helmed the Alanis Morissette documentary “Jagged” last year, “White Hot” explores the rise in popularity of casual wear retail chain Abercrombie & Fitch, which was first founded in the 1800s, during the late ’90s. Under the leadership of CEO Mike Jeffries, the store became known for its sexualized advertising and its emphasis on an “all-American” look –– which, to many, was code for “white.” As the store developed a dominance in the retail world off of its brand, growing criticisms regarding discriminatory hiring and marketing practices eventually engulfed it in scandal.
“Abercrombie & Fitch said, ‘We go after the cool kids’,” One talking head in the documentary narrates. “If they didn’t look a certain way, they didn’t belong on our clothing. Are we exclusionary? Absolutely.”
The trailer...
Directed by Alison Klayman, who helmed the Alanis Morissette documentary “Jagged” last year, “White Hot” explores the rise in popularity of casual wear retail chain Abercrombie & Fitch, which was first founded in the 1800s, during the late ’90s. Under the leadership of CEO Mike Jeffries, the store became known for its sexualized advertising and its emphasis on an “all-American” look –– which, to many, was code for “white.” As the store developed a dominance in the retail world off of its brand, growing criticisms regarding discriminatory hiring and marketing practices eventually engulfed it in scandal.
“Abercrombie & Fitch said, ‘We go after the cool kids’,” One talking head in the documentary narrates. “If they didn’t look a certain way, they didn’t belong on our clothing. Are we exclusionary? Absolutely.”
The trailer...
- 3/31/2022
- by Wilson Chapman
- Variety Film + TV
"We go after the cool kids." Netflix has revealed an official trailer for a documentary titled White Hot: The Rise & Fall of Abercrombie & Fitch, the latest work from acclaimed documentary filmmaker Alison Klayman. As the title indicates, this film is about that "super hot" clothing brand called Abercrombie & Fitch. There have been tons of these "rise & fall" films and series recently, trying to understand what happened with so many companies. "All the cool kids were wearing it." This documentary explores A&f's pop culture reign in the late '90s and early 2000s and how it thrived on exclusion. It is interesting to look back and understand what exactly they were doing that was so bad, when at the time it all just seemed so "cool" and not many people questioned it. But let's be honest - they always sucked. "There's ...
- 3/31/2022
- by Alex Billington
- firstshowing.net
Remember that iconic Abercrombie & Fitch fragrance, the one that permeated your local mall? Well, lately the brand has been hiding a lawsuit-ridden stench, as an inside look at the reigning 2000s teen clothing brand uncovered.
Netflix’s “White Hot: The Rise and Fall of Abercrombie & Fitch” premieres on the streamer April 19. The documentary unstitches the clothing company’s rise in the late 1990s and early 2000s, and its surrounding discriminatory marketing campaigns and hiring practices that continued an “all-American” look for teenagers everywhere.
Director-producer Alison Klayman told People that the Abercrombie & Fitch brand is intrinsic to adolescence for some shoppers.
“While I was working on this film, I learned that whenever I mentioned Abercrombie & Fitch to someone, I was going to hear something personal: about first kisses and teenage insecurities, about where they grew up and how much money their family had, about their relationship to beauty standards, race and sexuality,...
Netflix’s “White Hot: The Rise and Fall of Abercrombie & Fitch” premieres on the streamer April 19. The documentary unstitches the clothing company’s rise in the late 1990s and early 2000s, and its surrounding discriminatory marketing campaigns and hiring practices that continued an “all-American” look for teenagers everywhere.
Director-producer Alison Klayman told People that the Abercrombie & Fitch brand is intrinsic to adolescence for some shoppers.
“While I was working on this film, I learned that whenever I mentioned Abercrombie & Fitch to someone, I was going to hear something personal: about first kisses and teenage insecurities, about where they grew up and how much money their family had, about their relationship to beauty standards, race and sexuality,...
- 3/31/2022
- by Samantha Bergeson
- Indiewire
When HBO renewed Bill Simmons’ “Music Box” documentary series for a second season in December, it wasn’t exactly surprising. Critics, film festival programmers and audiences were immediately taken with the series of six docs, which launched in July.
But the road to success was a long one. Simmons conceived the series back in 2018. His idea was to make the music version of the wildly successful sports docuseries “30 for 30,” which he co-created for ESPN more than a decade ago. Like “30 for 30,” installments of “Music Box” wouldn’t tell the entire trajectory of an artist’s career, but instead spotlight pivotal moments, creations and creators within the music sector. Also like “30 for 30,” Simmons would enlist A-list documentary filmmakers to make his vision come to light.
Three and a half years later in July, Garret Price’s “Woodstock 99: Peace, Love, and Rage” became the first...
But the road to success was a long one. Simmons conceived the series back in 2018. His idea was to make the music version of the wildly successful sports docuseries “30 for 30,” which he co-created for ESPN more than a decade ago. Like “30 for 30,” installments of “Music Box” wouldn’t tell the entire trajectory of an artist’s career, but instead spotlight pivotal moments, creations and creators within the music sector. Also like “30 for 30,” Simmons would enlist A-list documentary filmmakers to make his vision come to light.
Three and a half years later in July, Garret Price’s “Woodstock 99: Peace, Love, and Rage” became the first...
- 1/21/2022
- by Addie Morfoot
- Variety Film + TV
Exclusive: HBO is turning up the volume of its music documentary slate. The network has renewed Music Box, its Bill Simmons-led collection of feature docs, for a second season.
It comes as the last of its initial six film collection – Juice Wrld: Into The Abyss – is set to air on December 16.
Simmons and HBO will now search for a new selection of films for the sophomore run with each film helmed by a different direction. Each will continue to explore essential moments in music for an artist or band, an iconic album, or the music industry as a whole.
The six films in the first slate were Woodstock 99: Peace, Love, and Rage, directed by Garret Price, which premiered in July, Alanis Morissette documentary Jagged, directed by Alison Klayman, Dmx: Don’t Try to Understand, directed by Christopher Frierson, Listening to Kenny G, directed by Penny Lane, Mr. Saturday Night,...
It comes as the last of its initial six film collection – Juice Wrld: Into The Abyss – is set to air on December 16.
Simmons and HBO will now search for a new selection of films for the sophomore run with each film helmed by a different direction. Each will continue to explore essential moments in music for an artist or band, an iconic album, or the music industry as a whole.
The six films in the first slate were Woodstock 99: Peace, Love, and Rage, directed by Garret Price, which premiered in July, Alanis Morissette documentary Jagged, directed by Alison Klayman, Dmx: Don’t Try to Understand, directed by Christopher Frierson, Listening to Kenny G, directed by Penny Lane, Mr. Saturday Night,...
- 12/15/2021
- by Peter White
- Deadline Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Boiling Point (Philip Barantini)
More often than not, one-take films struggle to justify their gimmick. Whether shot in one go or utilizing an intensive editing process to appear like so, the technique almost always threatens to overshadow whatever story is at the center rather than emphasizing it. Used correctly, it can prove immersive in the exact same way as a theatrical production—breaking down barriers between performer and audience, who can see their work unfold in real-time. Unfortunately, the impracticality of telling a story this way is usually highlighted via several scenes of actors slowly walking between filming locations. – Alistair R. (full review)
Where to Stream: VOD
The Feast (Lee Haven Jones)
Lee Haven Jones’ slow-burn eco-horror The Feast may feature extended...
Boiling Point (Philip Barantini)
More often than not, one-take films struggle to justify their gimmick. Whether shot in one go or utilizing an intensive editing process to appear like so, the technique almost always threatens to overshadow whatever story is at the center rather than emphasizing it. Used correctly, it can prove immersive in the exact same way as a theatrical production—breaking down barriers between performer and audience, who can see their work unfold in real-time. Unfortunately, the impracticality of telling a story this way is usually highlighted via several scenes of actors slowly walking between filming locations. – Alistair R. (full review)
Where to Stream: VOD
The Feast (Lee Haven Jones)
Lee Haven Jones’ slow-burn eco-horror The Feast may feature extended...
- 11/19/2021
- by Jordan Raup
- The Film Stage
Do you remember Alanis Morissette? Not the Buddhism-practicing, essential-oil-mixing, Earth-mother figure we know today. The first Alanis Morissette. The one who threw on Adidas low-tops and an oversized T-shirt and thrashed her hip-length, un-straightened, un-blonde hair around any stage she could find while absolutely destroying a hook about how her whole purpose in life is to never let some guy forget what a prick bastard he is. That Alanis Morissette.
That’s the one Jagged is concerned with, and man, is it nice to re-meet her. Focused first on Morissette...
That’s the one Jagged is concerned with, and man, is it nice to re-meet her. Focused first on Morissette...
- 11/18/2021
- by Maria Fontoura
- Rollingstone.com
As perhaps one of the few people on the planet who managed to nightclub through the ’90s without any awareness of shooting star Alanis Morissette (her music just didn’t penetrate my punk/goth/new wave bubble) I came to Alison Klayman’s latest doc Jagged, part of HBO’s new Music Box series, with a positively clean slate. The film is an in-depth look at the Canadian-American musician-singer-songwriter-actress through an exhaustive amount of archival material, juxtaposed with straightforward interviews with the mercurial Morissette herself. (For those also in a Morissette-defying bubble, this would be a good time to state that the musician is not […]
The post “While I Knew the Music Inside Out There Was So Much I Didn’t Know About the Story Behind the Album”: Alison Klayman on Jagged first appeared on Filmmaker Magazine.
The post “While I Knew the Music Inside Out There Was So Much I Didn’t Know About the Story Behind the Album”: Alison Klayman on Jagged first appeared on Filmmaker Magazine.
- 11/18/2021
- by Lauren Wissot
- Filmmaker Magazine - Blog
The latest 007 adventure, No Time to Die, opens today, but the Bond film is not the only tentpole-scaled entertainment happening of the weekend. The Amazon Prime Video release of the concert documentary Justin Bieber: Our World also qualifies, from the perspective of director Michael D. Ratner.
“We’re living in a time when it’s not just Marvel movies and franchises that are the big tentpole, Hollywood world-changing events, it’s these mega-music projects,” Ratner tells Deadline. “Amazon’s been phenomenal and they’ve had a history of making tentpole, event-ized projects like this.”
The project began with an ambitious idea: as 2020 neared an end, the music superstar and his team dreamed of a way to “close out a year unlike any other.” They put together a one-time New Years Eve concert to be staged on the roof of the Beverly Hilton Hotel, marking Bieber’s first live performance in three years.
“We’re living in a time when it’s not just Marvel movies and franchises that are the big tentpole, Hollywood world-changing events, it’s these mega-music projects,” Ratner tells Deadline. “Amazon’s been phenomenal and they’ve had a history of making tentpole, event-ized projects like this.”
The project began with an ambitious idea: as 2020 neared an end, the music superstar and his team dreamed of a way to “close out a year unlike any other.” They put together a one-time New Years Eve concert to be staged on the roof of the Beverly Hilton Hotel, marking Bieber’s first live performance in three years.
- 10/9/2021
- by Matthew Carey
- Deadline Film + TV
The International Documentary Film Festival Amsterdam (IDFA) added 65 titles to its lineup Tuesday, unveiling the non-competitive program sections Best of Fests, Masters and Paradocs. The 34th edition of IDFA takes place from Nov. 17-28 in Amsterdam.
Best of Fests honors award winners, critics’ picks and audience favorites from the year’s festivals. The 46 strong selection includes India-set story about estranged lovers “A Night of Knowing Nothing” by Payal Kapadia, documentary award winner at Cannes, wildlife film “The Velvet Queen,” by debut director Marie Amiguet, “Users,” an exploration of humanity’s future by Natalia Almada, and “Taming the Garden,” the slow-cinema feature by Salomé Jashi.
These are joined by buzzy audience films such as Alison Klayman’s Alanis Morissette biopic “Jagged,” and Bing Liu and Joshua Altman’s “All These Sons,” from the filmmaking team behind “Minding the Gap.” The section also pays tribute to the surprise gems from the festival circuit,...
Best of Fests honors award winners, critics’ picks and audience favorites from the year’s festivals. The 46 strong selection includes India-set story about estranged lovers “A Night of Knowing Nothing” by Payal Kapadia, documentary award winner at Cannes, wildlife film “The Velvet Queen,” by debut director Marie Amiguet, “Users,” an exploration of humanity’s future by Natalia Almada, and “Taming the Garden,” the slow-cinema feature by Salomé Jashi.
These are joined by buzzy audience films such as Alison Klayman’s Alanis Morissette biopic “Jagged,” and Bing Liu and Joshua Altman’s “All These Sons,” from the filmmaking team behind “Minding the Gap.” The section also pays tribute to the surprise gems from the festival circuit,...
- 10/5/2021
- by Leo Barraclough
- Variety Film + TV
In 1995, it was impossible to escape Alanis Morrisette. The singer/songwriter appeared to explode on the music scene, going from former pop near-icon to mega superstar seemingly overnight.
As she toppled records and took over music charts, two distinct groups emerged: those who appreciated the singer's raw, sometimes angry anthems that spoke both men and women (but largely women) and those who simply saw her as an angry young woman with no reason to be so pissed at the world.
In her new documentary Jagged, filmmaker Alison Klayman unpacks the legacy of both Morrisette and "Jagged Little Pill," an album that empowered an entire generation of young girls and women and which paved the way for other female artists to take center stage.
With unprecedented acce...
As she toppled records and took over music charts, two distinct groups emerged: those who appreciated the singer's raw, sometimes angry anthems that spoke both men and women (but largely women) and those who simply saw her as an angry young woman with no reason to be so pissed at the world.
In her new documentary Jagged, filmmaker Alison Klayman unpacks the legacy of both Morrisette and "Jagged Little Pill," an album that empowered an entire generation of young girls and women and which paved the way for other female artists to take center stage.
With unprecedented acce...
- 9/29/2021
- QuietEarth.us
It tells the story of Alanis Morissette’s rise, and of how she took over (and changed) the pop music landscape, in 1995, with the release of “Jagged Little Pill.” The album went on to sell 33 million copies; it remains the second biggest-selling album of the ’90s, and the 12th biggest album of all time. But even before those stats piled up, you could feel the revolutionary fervor of it.
Early in the documentary, there’s a nicely edited sequence of Morissette running out onto the stage at the start of a number of the concerts she did on that tour (which lasted for 18 months). That sounds like a standard way to kick off a music doc, but I was stunned by the shudder of electricity that went through me as I saw her take the stage. The crowds are screaming, and Alanis, in her long straight hair and T-shirts and loose-fitting dark pants,...
Early in the documentary, there’s a nicely edited sequence of Morissette running out onto the stage at the start of a number of the concerts she did on that tour (which lasted for 18 months). That sounds like a standard way to kick off a music doc, but I was stunned by the shudder of electricity that went through me as I saw her take the stage. The crowds are screaming, and Alanis, in her long straight hair and T-shirts and loose-fitting dark pants,...
- 9/18/2021
- by Owen Gleiberman
- Variety Film + TV
In the months following the release of Alanis Morissette’s breakout album “Jagged Little Pill,” one question persisted throughout the glowing coverage of the singer-songwriter’s debut: Why was this gal so angry? It’s a question that director Alison Klayman (“Ai Weiwei: Never Sorry”) thoroughly answers in her “Jagged,” but it’s refreshing to see the not-quite fawning profile engage with something a bit more substantive. That’s not to say the film’s subject isn’t substantive — she is — but this focused look at Morissette’s early years seems hellbent on offering up a glossier-than-necessary veneer on a complex story. When it veers away from a predictable timeline and expected beats, “Jagged” hits its high notes.
As was the case with Morissette’s big break, these moments come care of heightened emotion, like a series of magazine headlines that juxtapose “angry” with “hot” with a startling, queasy regularity.
As was the case with Morissette’s big break, these moments come care of heightened emotion, like a series of magazine headlines that juxtapose “angry” with “hot” with a startling, queasy regularity.
- 9/15/2021
- by Kate Erbland
- Indiewire
Alanis Morissette has condemned the documentary “Jagged” about her life story, slamming its “salacious agenda” and saying many of the film’s details are “simply not true.”
Alison Klayman directed “Jagged,” which is making its premiere at the Toronto International Film Festival on Tuesday. In the documentary, Morissette said she was raped by multiple men when she was a 15-year-old pop star in Canada. The Washington Post first reported Morissette’s accusations and added that the singer was upset with the film and would not be attending its premiere.
In a statement provided to TheWrap — which you can read in its entirety below — Morissette said she was approached for the film in conjunction with the 25th anniversary of her seminal album “Jagged Little Pill,” but was interviewed during a “very vulnerable time.” She also said her vision “painfully diverged” from the filmmakers when she saw the first cut of the movie.
Alison Klayman directed “Jagged,” which is making its premiere at the Toronto International Film Festival on Tuesday. In the documentary, Morissette said she was raped by multiple men when she was a 15-year-old pop star in Canada. The Washington Post first reported Morissette’s accusations and added that the singer was upset with the film and would not be attending its premiere.
In a statement provided to TheWrap — which you can read in its entirety below — Morissette said she was approached for the film in conjunction with the 25th anniversary of her seminal album “Jagged Little Pill,” but was interviewed during a “very vulnerable time.” She also said her vision “painfully diverged” from the filmmakers when she saw the first cut of the movie.
- 9/14/2021
- by Brian Welk
- The Wrap
Alanis Morissette is distancing herself from “Jagged,” Alison Klayman’s forthcoming documentary of her, claiming it includes information that is “simply not true” and accusing the filmmakers, had a “salacious agenda.”
“I agreed to participate in a piece about the celebration of ‘Jagged Little Pill’’s 25th anniversary, and was interviewed during a very vulnerable time (while in the midst of my third postpartum depression during lockdown),” she said in a statement to Variety. “I was lulled into a false sense of security and their salacious agenda became apparent immediately upon my seeing the first cut of the film. This is when I knew our visions were in fact painfully diverged. This was not the story I agreed to tell. I sit here now experiencing the full impact of having trusted someone who did not warrant being trusted. I have chosen not to attend any event around this movie for...
“I agreed to participate in a piece about the celebration of ‘Jagged Little Pill’’s 25th anniversary, and was interviewed during a very vulnerable time (while in the midst of my third postpartum depression during lockdown),” she said in a statement to Variety. “I was lulled into a false sense of security and their salacious agenda became apparent immediately upon my seeing the first cut of the film. This is when I knew our visions were in fact painfully diverged. This was not the story I agreed to tell. I sit here now experiencing the full impact of having trusted someone who did not warrant being trusted. I have chosen not to attend any event around this movie for...
- 9/14/2021
- by Jem Aswad
- Variety Film + TV
Alanis Morissette has torn into the documentary about her landmark Jagged Little Pill album that’s set to world premiere Tuesday night at the Toronto Film Festival.
On a short break in her tour with Garbage and Cat Power, the Canadian-born Morissette shed more light on her absence from today’s Roy Thomson Hall debut of the Alison Klayman-directed HBO feature documentary. Sent to Deadline after my colleague Matthew Carey’s interview on Monday with an rather oblique Klayman at the Canadian festival, Morissette now accuses the film of having a “salacious agenda” and “includes implications and facts that are simply not true.”
Read Morissette’s full statement here:
“i agreed to participate in a piece about the celebration of jagged little pill’s 25th anniversary, and was interviewed during a very vulnerable time (while in the midst of my third postpartum depression during lockdown). i was lulled into...
On a short break in her tour with Garbage and Cat Power, the Canadian-born Morissette shed more light on her absence from today’s Roy Thomson Hall debut of the Alison Klayman-directed HBO feature documentary. Sent to Deadline after my colleague Matthew Carey’s interview on Monday with an rather oblique Klayman at the Canadian festival, Morissette now accuses the film of having a “salacious agenda” and “includes implications and facts that are simply not true.”
Read Morissette’s full statement here:
“i agreed to participate in a piece about the celebration of jagged little pill’s 25th anniversary, and was interviewed during a very vulnerable time (while in the midst of my third postpartum depression during lockdown). i was lulled into...
- 9/14/2021
- by Dominic Patten
- Deadline Film + TV
“This is the first CD I ever bought,” says Alison Klayman holding up a worn copy of Alanis Morissette’s Jagged Little Pill, an album she has had since her pre-teens. “I have a vivid, visceral, emotional memory of lying on my twin bed with the album on the boombox and just pouring over the lyrics in the CD insert.”
It’s with this deep-seeded passion that the filmmaker, whose prior work includes docs on a variety of cultural and political figures that include Steve Bannon and flower artist Azuma Makoto, embarked on the making of ...
It’s with this deep-seeded passion that the filmmaker, whose prior work includes docs on a variety of cultural and political figures that include Steve Bannon and flower artist Azuma Makoto, embarked on the making of ...
- 9/12/2021
- The Hollywood Reporter - Movie News
“This is the first CD I ever bought,” says Alison Klayman holding up a worn copy of Alanis Morissette’s Jagged Little Pill, an album she has had since her pre-teens. “I have a vivid, visceral, emotional memory of lying on my twin bed with the album on the boombox and just pouring over the lyrics in the CD insert.”
It’s with this deep-seeded passion that the filmmaker, whose prior work includes docs on a variety of cultural and political figures that include Steve Bannon and flower artist Azuma Makoto, embarked on the making of ...
It’s with this deep-seeded passion that the filmmaker, whose prior work includes docs on a variety of cultural and political figures that include Steve Bannon and flower artist Azuma Makoto, embarked on the making of ...
- 9/12/2021
- The Hollywood Reporter - Film + TV
This year’s scaled-down Toronto Intl. Film Festival gets underway Sept. 9 with 14 non-fiction films in the lineup – a sizable reduction from the average of 22 in non-covid outings.
Thom Powers, lead TIFF documentary programmer, winnowed down the list from 800 submissions, looking for films that “took him by surprise,” as he always does. But with fewer slots to work with, Powers admits that “the bar was set higher” for selections this year.
So, what bowled him over? Stories about the devastating fires in Australia (Eva Orner’s “Burning”); the largest prison uprising in U.S. history (Stanley Nelson’s “Attica”); and New York City’s longest hostage siege.
Several of his choices have screened at other major film festivals: Jonas Poher Rasmussen’s “Flee,” about a refugee who fled Afghanistan as a boy, will screen at TIFF after being an official selection of Cannes 2020 and having a world premiere at Sundance in January.
Thom Powers, lead TIFF documentary programmer, winnowed down the list from 800 submissions, looking for films that “took him by surprise,” as he always does. But with fewer slots to work with, Powers admits that “the bar was set higher” for selections this year.
So, what bowled him over? Stories about the devastating fires in Australia (Eva Orner’s “Burning”); the largest prison uprising in U.S. history (Stanley Nelson’s “Attica”); and New York City’s longest hostage siege.
Several of his choices have screened at other major film festivals: Jonas Poher Rasmussen’s “Flee,” about a refugee who fled Afghanistan as a boy, will screen at TIFF after being an official selection of Cannes 2020 and having a world premiere at Sundance in January.
- 9/8/2021
- by Addie Morfoot
- Variety Film + TV
The Woodstock Film Festival has announced the slate for its 22nd edition, with 11 world premieres among the 43 features on the bill.
The festival will take place September 29 to October 3 in three Hudson Valley communities about two hours north of New York City. In-person screenings and events will be featured throughout the fest’s five days, but online options will also enable attendees to connect amid the ongoing challenges of Covid-19.
Panels, concerts and comedy sets along with film screenings are planned in Woodstock, Kingston and Saugerties. Neon chief Tom Quinn is slated to receive the festival’s Honorary Trailblazer Award, an honor announced in 2020 but postponed due to the pandemic.
The festival will kick off with Fanny: The Right to Rock, a documentary about a pathbreaking Filipina-American garage band, with a performance by some of the band’s members following the screening. Music is an annual touchstone for Woodstock’s lineup,...
The festival will take place September 29 to October 3 in three Hudson Valley communities about two hours north of New York City. In-person screenings and events will be featured throughout the fest’s five days, but online options will also enable attendees to connect amid the ongoing challenges of Covid-19.
Panels, concerts and comedy sets along with film screenings are planned in Woodstock, Kingston and Saugerties. Neon chief Tom Quinn is slated to receive the festival’s Honorary Trailblazer Award, an honor announced in 2020 but postponed due to the pandemic.
The festival will kick off with Fanny: The Right to Rock, a documentary about a pathbreaking Filipina-American garage band, with a performance by some of the band’s members following the screening. Music is an annual touchstone for Woodstock’s lineup,...
- 9/1/2021
- by Dade Hayes
- Deadline Film + TV
TIFF 2021 Lineup: ‘Dear Evan Hansen,’ ‘Tammy Faye,’ ‘Titane,’ ‘Last Night in Soho,’ ‘Flee,’ and More
Updated August 11 With New Additions Below.
This year’s Toronto International Film Festival has an opener: Stephen Chbosky’s feature-film adaptation of the Tony Award–winning musical “Dear Evan Hansen” will serve as the Opening Night Gala Presentation at the 46th Toronto International Film Festival and will screen Thursday September 9 at Roy Thomson Hall. Starring Tony winner Ben Platt as Evan, along with Amy Adams, Julianne Moore, Kaitlyn Dever, Amandla Stenberg, and Nik Dodani, “Dear Evan Hansen” features songs from the original Broadway sensation.
The festival has also announced its closer, Zhang Yimou’s “One Second,” billed as “a love letter to movies and a reminder of how they can unite people, regardless of our differences,” along with a robust series of additions to both the Galas and Special Presentations slates, joining a list of already-announced titles. Standout films include the world premiere of Michael Showalter’s Jessica Chastain-...
This year’s Toronto International Film Festival has an opener: Stephen Chbosky’s feature-film adaptation of the Tony Award–winning musical “Dear Evan Hansen” will serve as the Opening Night Gala Presentation at the 46th Toronto International Film Festival and will screen Thursday September 9 at Roy Thomson Hall. Starring Tony winner Ben Platt as Evan, along with Amy Adams, Julianne Moore, Kaitlyn Dever, Amandla Stenberg, and Nik Dodani, “Dear Evan Hansen” features songs from the original Broadway sensation.
The festival has also announced its closer, Zhang Yimou’s “One Second,” billed as “a love letter to movies and a reminder of how they can unite people, regardless of our differences,” along with a robust series of additions to both the Galas and Special Presentations slates, joining a list of already-announced titles. Standout films include the world premiere of Michael Showalter’s Jessica Chastain-...
- 8/11/2021
- by Kate Erbland
- Indiewire
The documentary awards race always begins at Sundance, where “Flee” (Neon) and “Summer of Soul” (Searchlight) broke out as Oscar frontrunners; Tribeca debuted high-profile “The Lost Leonardo” (Sony Pictures Classics) and “Roadrunner: A Film About Anthony Bourdain” (Focus), while Todd Haynes’ “Velvet Underground” (AppleTV+) and “Val” (A24/Amazon) played well at Cannes.
Every September, the Toronto International Film Festival documentary lineup introduces more top non-fiction titles to the list of Oscar contenders — and this year, without many clear frontrunners, TIFF’s influence will be greater than ever. In the good old days when the TIFF selection was a sprawling smorgasbord, Thom Powers lead the TIFF documentary programmers through an enormous number of submissions to cull 22 selections. In the slimmed-down pandemic era, his team had to winnow TIFF Docs down to 13 features (announced so far)..
“Every year it’s a painful part of the process,” Powers told IndieWire, who is able...
Every September, the Toronto International Film Festival documentary lineup introduces more top non-fiction titles to the list of Oscar contenders — and this year, without many clear frontrunners, TIFF’s influence will be greater than ever. In the good old days when the TIFF selection was a sprawling smorgasbord, Thom Powers lead the TIFF documentary programmers through an enormous number of submissions to cull 22 selections. In the slimmed-down pandemic era, his team had to winnow TIFF Docs down to 13 features (announced so far)..
“Every year it’s a painful part of the process,” Powers told IndieWire, who is able...
- 8/5/2021
- by Anne Thompson
- Thompson on Hollywood
The documentary awards race always begins at Sundance, where “Flee” (Neon) and “Summer of Soul” (Searchlight) broke out as Oscar frontrunners; Tribeca debuted high-profile “The Lost Leonardo” (Sony Pictures Classics) and “Roadrunner: A Film About Anthony Bourdain” (Focus), while Todd Haynes’ “Velvet Underground” (AppleTV+) and “Val” (A24/Amazon) played well at Cannes.
Every September, the Toronto International Film Festival documentary lineup introduces more top non-fiction titles to the list of Oscar contenders — and this year, without many clear frontrunners, TIFF’s influence will be greater than ever. In the good old days when the TIFF selection was a sprawling smorgasbord, Thom Powers lead the TIFF documentary programmers through an enormous number of submissions to cull 22 selections. In the slimmed-down pandemic era, his team had to winnow TIFF Docs down to 13 features (announced so far)..
“Every year it’s a painful part of the process,” Powers told IndieWire, who is able...
Every September, the Toronto International Film Festival documentary lineup introduces more top non-fiction titles to the list of Oscar contenders — and this year, without many clear frontrunners, TIFF’s influence will be greater than ever. In the good old days when the TIFF selection was a sprawling smorgasbord, Thom Powers lead the TIFF documentary programmers through an enormous number of submissions to cull 22 selections. In the slimmed-down pandemic era, his team had to winnow TIFF Docs down to 13 features (announced so far)..
“Every year it’s a painful part of the process,” Powers told IndieWire, who is able...
- 8/5/2021
- by Anne Thompson
- Indiewire
BenedictionThe lineup has been unveiled for the 2021 edition of the Toronto International Film Festival, which will take place over 10 days (September 9-18) both in-person and physically in Toronto, and digitally across Canada. Wavelengths - FEATURESFutura (Pietro Marcello, Francesco Munzi, Alice Rohrwacher)The Girl and the Spider (Ramon Zürcher, Silvan Zürcher)Neptune Frost (Saul Williams, Anisia Uzeyman)A Night of Knowing Nothing (Payal Kapadia)Ste. Anne (Rhayne Vermette)The Tsugua Diaries (Maureen Fazendeiro, Miguel Gomes)Wavelengths - SHORTSThe Capacity for Adequate Anger (Vika Kirchenbauer)Dear Chantal (Querida Chantal) (Nicolás Pereda)earthearthearth (Daïchi Saïto)Inner Outer Space (Laida Lertxundi)Polycephaly in D (Michael Robinson)“The red filter is withdrawn.” (Minjung Kim)Train Again (Peter Tscherkassky)Midnight Madness After Blue (Dirty Paradise) (Bertrand Mandico)Dashcam (Rob Savage)Saloum (Jean Luc Herbulot)Titane (Julia Ducournau)You Are Not My Mother (Kate Dolan)Zalava (Arsalan Amiri)TIFF DOCSAttica (Stanley Nelson)Beba (Rebeca Huntt)Becoming Cousteau...
- 8/4/2021
- MUBI
HBO is pressing play on “Music Box,” a documentary feature showcase series from Bill Simmons that examines historic and pivotal moments in music.
The movies in the series began airing this past weekend with the debut of “Woodstock 99: Peace, Love, and Rage.”
Each of the films are helmed by a different director and will run under the “Music Box” banner through late fall. Simmons, longtime sports writer and pop culture commentator, is executive producer through his role as head of The Ringer content banner, which has an overall deal at HBO.
Other titles set for the “Music Box” series include:
“Jagged”: An intimate exploration of Alanis Morissette and her groundbreaking 1995 album Jagged Little Pill; directed by Alison Klayman “Untitled Dmx”: A film with rare access to the late rapper after his release from prison – a portrait of a man struggling with addiction, fame, and his inner demons...
The movies in the series began airing this past weekend with the debut of “Woodstock 99: Peace, Love, and Rage.”
Each of the films are helmed by a different director and will run under the “Music Box” banner through late fall. Simmons, longtime sports writer and pop culture commentator, is executive producer through his role as head of The Ringer content banner, which has an overall deal at HBO.
Other titles set for the “Music Box” series include:
“Jagged”: An intimate exploration of Alanis Morissette and her groundbreaking 1995 album Jagged Little Pill; directed by Alison Klayman “Untitled Dmx”: A film with rare access to the late rapper after his release from prison – a portrait of a man struggling with addiction, fame, and his inner demons...
- 7/26/2021
- by Jennifer Yuma
- Variety Film + TV
If you enjoyed HBO’s Woodstock 99: Peace, Love, and Rage — which premiered on July 23rd — Bill Simmons (The Ringer) is announcing even more films under the banner of Music Box, a docuseries that highlights pivotal moments in music. Woodstock was the first in the series, with five more coming this fall.
Next up is Jagged, a doc about Alanis Morissette and her 1995 album Jagged Little Pill directed by Alison Klayman — and a continuation of that record’s long-running anniversary celebration, which also included a Broadway musical and an upcoming tour.
Next up is Jagged, a doc about Alanis Morissette and her 1995 album Jagged Little Pill directed by Alison Klayman — and a continuation of that record’s long-running anniversary celebration, which also included a Broadway musical and an upcoming tour.
- 7/26/2021
- by Brenna Ehrlich
- Rollingstone.com
Bill Simmons, co-creator of ESPN’s documentary strand 30 for 30, is turning his attention to music documentaries for his latest project.
Music Box is a 30 for 30-style strand for HBO that encompasses a number of movies about bands and artists. It kicks off tonight with Woodstock 99: Peace, Love & Rage, a film about the chaotic festival.
The film, directed by Love, Antosha helmer Garret Price, looks at what went wrong with the 1999 event that took place 30 years on from the classic hippie fest, including the destruction of the festival’s airbase site and the deaths and sexual assaults that occurred during the weekend. It also looks at the angst of a generation encapsulated by bands such as Limp Bizkit, with its hit “Break Stuff,” and Red Hot Chili Peppers, who played a cover of Jimi Hendrix’s “Fire” as the site burned.
Featuring interviews with artists such as The Roots, Korn,...
Music Box is a 30 for 30-style strand for HBO that encompasses a number of movies about bands and artists. It kicks off tonight with Woodstock 99: Peace, Love & Rage, a film about the chaotic festival.
The film, directed by Love, Antosha helmer Garret Price, looks at what went wrong with the 1999 event that took place 30 years on from the classic hippie fest, including the destruction of the festival’s airbase site and the deaths and sexual assaults that occurred during the weekend. It also looks at the angst of a generation encapsulated by bands such as Limp Bizkit, with its hit “Break Stuff,” and Red Hot Chili Peppers, who played a cover of Jimi Hendrix’s “Fire” as the site burned.
Featuring interviews with artists such as The Roots, Korn,...
- 7/23/2021
- by Peter White
- Deadline Film + TV
Festival will open with Stephen Chbosky’s ‘Dear Evan Hansen’.
The world premiere of Stephen Chbosky’s musical adaptation Dear Evan Hansen will open 2021 Toronto International film Festival, which runs from September 9-18.
Playing as a Gala Presentation, the film is one of 20 additions to the programme, alongside the North American premiere of Zhang Yimou’s One Second as the closing night film. Shortly after the line-up announcement, Neon said it had acquired the film for North America.
Other newly-announced Gala Presentation world premieres include Walt Becker’s Clifford The Big Red Dog; and Barry Levinson’s The Survivor starring Ben Foster.
The world premiere of Stephen Chbosky’s musical adaptation Dear Evan Hansen will open 2021 Toronto International film Festival, which runs from September 9-18.
Playing as a Gala Presentation, the film is one of 20 additions to the programme, alongside the North American premiere of Zhang Yimou’s One Second as the closing night film. Shortly after the line-up announcement, Neon said it had acquired the film for North America.
Other newly-announced Gala Presentation world premieres include Walt Becker’s Clifford The Big Red Dog; and Barry Levinson’s The Survivor starring Ben Foster.
- 7/20/2021
- by Ben Dalton
- ScreenDaily
Festival will open with Stephen Chbosky’s ‘Dear Evan Hansen’.
The world premiere of Stephen Chbosky’s musical adaptation Dear Evan Hansen will open 2021 Toronto International film Festival, which runs from September 9-18.
Playing as a Gala Presentation, the film is one of 20 additions to the programme, alongside the North American premiere of Zhang Yimou’s One Second as the closing night film. Shortly after the line-up announcement, Neon said it had acquired the film for North America.
Other newly-announced Gala Presentation world premieres include Walt Becker’s Clifford The Big Red Dog; and Barry Levinson’s The Survivor starring Ben Foster.
The world premiere of Stephen Chbosky’s musical adaptation Dear Evan Hansen will open 2021 Toronto International film Festival, which runs from September 9-18.
Playing as a Gala Presentation, the film is one of 20 additions to the programme, alongside the North American premiere of Zhang Yimou’s One Second as the closing night film. Shortly after the line-up announcement, Neon said it had acquired the film for North America.
Other newly-announced Gala Presentation world premieres include Walt Becker’s Clifford The Big Red Dog; and Barry Levinson’s The Survivor starring Ben Foster.
- 7/20/2021
- by Ben Dalton
- ScreenDaily
“Dear Evan Hansen,” a movie version of the hit Broadway show, will open the 2021 edition of the Toronto International Film Festival.
In addition, the festival’s organizers announced that Chinese director Zhang Yimou’s latest feature “One Second” will close the festival. Described as a “love letter to cinema,” the film stars Wei Fan and Xiaochuan Li and follows a man who escapes a labour camp for a glimpse of his daughter. Other titles that have been slated to play at this year’s TIFF include the kids movie “Clifford the Big Red Dog,” Jessica Chastain’s “The Eyes of Tammy Faye” and director Will Sharpe’s “The Electrical Life of Louis Wain”
As previously announced, Kenneth Branagh’s coming-of-age story “Belfast,” Edgar Wright psychological thriller “Last Night in Soho,” Céline Sciamma’s “Petite Maman” and HBO’s Alanis Morissette documentary “Jagged” have been scheduled to screen at the 46th annual film festival.
In addition, the festival’s organizers announced that Chinese director Zhang Yimou’s latest feature “One Second” will close the festival. Described as a “love letter to cinema,” the film stars Wei Fan and Xiaochuan Li and follows a man who escapes a labour camp for a glimpse of his daughter. Other titles that have been slated to play at this year’s TIFF include the kids movie “Clifford the Big Red Dog,” Jessica Chastain’s “The Eyes of Tammy Faye” and director Will Sharpe’s “The Electrical Life of Louis Wain”
As previously announced, Kenneth Branagh’s coming-of-age story “Belfast,” Edgar Wright psychological thriller “Last Night in Soho,” Céline Sciamma’s “Petite Maman” and HBO’s Alanis Morissette documentary “Jagged” have been scheduled to screen at the 46th annual film festival.
- 7/20/2021
- by Rebecca Rubin
- Variety Film + TV
Toronto Film Festival organizers declared two weeks ago they will be welcoming back in-person audiences for a fest that will run from September 9-18. This after Canada made an exemption to allow for the National Hockey League playoffs to happen in country, and more recently that the Toronto Blue Jays will resume playing in the ballpark on Blue Jay Way by the end of the month. The fest also allowed fans to wet their beaks with a few films that were set.
On Tuesday morning, Tff unveiled its first big batch of premieres and galas. Co-heads Joana Vicente and Cameron Bailey have set Dear Evan Hansen at the Opening Night Gala Presentation, with the Stephen Chbosky-directed adaptation of the Broadway hit to premiere September 9 at Roy Thomson Hall.
The festival will close with the Zhang Yimou-directed One Second. That film was originally due to play in 2019 Berlinale, but was...
On Tuesday morning, Tff unveiled its first big batch of premieres and galas. Co-heads Joana Vicente and Cameron Bailey have set Dear Evan Hansen at the Opening Night Gala Presentation, with the Stephen Chbosky-directed adaptation of the Broadway hit to premiere September 9 at Roy Thomson Hall.
The festival will close with the Zhang Yimou-directed One Second. That film was originally due to play in 2019 Berlinale, but was...
- 7/20/2021
- by Mike Fleming Jr
- Deadline Film + TV
Starting on Aug. 9, American citizens who are fully vaccinated may freely enter Canada. This news comes after a restriction on all non-essential travel that has been in place since March 2020.
This will make travelling to the Toronto International Film Festival much easier for festgoers from the U.S. This year’s TIFF will be a hybrid online and in-person festival running from Sept. 9 to 18 after last year’s fully online event.
“Thanks to the rising vaccination rates and declining Covid-19 cases, we are able to move forward with adjusted border measures,” said Canadian prime minister Justin Trudeau in a statement. The United States is the first country for which Canada will adjust travel restrictions. Trudeau noted this as a “recognition of our unique bond, especially between border communities.”
The Canadian government plans to lift restrictions for vaccinated individuals from other countries to enter starting Sept. 7.
TIFF artistic director Cameron Bailey...
This will make travelling to the Toronto International Film Festival much easier for festgoers from the U.S. This year’s TIFF will be a hybrid online and in-person festival running from Sept. 9 to 18 after last year’s fully online event.
“Thanks to the rising vaccination rates and declining Covid-19 cases, we are able to move forward with adjusted border measures,” said Canadian prime minister Justin Trudeau in a statement. The United States is the first country for which Canada will adjust travel restrictions. Trudeau noted this as a “recognition of our unique bond, especially between border communities.”
The Canadian government plans to lift restrictions for vaccinated individuals from other countries to enter starting Sept. 7.
TIFF artistic director Cameron Bailey...
- 7/19/2021
- by Selome Hailu
- Variety Film + TV
HBO Max has released a new trailer for Woodstock 99: Peace, Love, and Rage, its upcoming documentary about the infamous three-day music festival. The film will arrive on the streaming service July 23rd.
Thrown 30 years after the original Woodstock, Woodstock 99 was completely unlike the counter-cultural celebration of peace, love, and music. The trailer distills the chaos that ensued, from scorching heat and $4 bottles of water, to malfunctioning porta-potties and a whole lot of pent-up white male rage that was unleashed in the form of fights, fires, and multiple reports of sexual assault.
Thrown 30 years after the original Woodstock, Woodstock 99 was completely unlike the counter-cultural celebration of peace, love, and music. The trailer distills the chaos that ensued, from scorching heat and $4 bottles of water, to malfunctioning porta-potties and a whole lot of pent-up white male rage that was unleashed in the form of fights, fires, and multiple reports of sexual assault.
- 7/7/2021
- by Jon Blistein
- Rollingstone.com
The Toronto International Film Festival is ready to welcome audiences back to in-person premieres and screenings after Covid-19 forced the 2020 edition of the annual celebration of movies to unfold largely online.
This week, TIFF announced that while it still plans to show films virtually for press and film executives who can’t travel to Canada because of travel restrictions or other concerns, it will return to showcasing movies at some of its most storied venues. Once again, the Princess of Wales Theatre, TIFF Bell Lightbox, Roy Thomson Hall, and other Toronto theaters will host glitzy premieres, giving audiences the first glimpse at many of the films that are expected to dominate awards season.
TIFF also took the unusual step of announcing a few of the films that will screen in competition. They include Kenneth Branagh’s coming-of-age drama “Belfast”, Edgar Wright’s horror-thriller “Last Night In Soho,” and Alison Klayman’s Alanis Morissette documentary “Jagged.
This week, TIFF announced that while it still plans to show films virtually for press and film executives who can’t travel to Canada because of travel restrictions or other concerns, it will return to showcasing movies at some of its most storied venues. Once again, the Princess of Wales Theatre, TIFF Bell Lightbox, Roy Thomson Hall, and other Toronto theaters will host glitzy premieres, giving audiences the first glimpse at many of the films that are expected to dominate awards season.
TIFF also took the unusual step of announcing a few of the films that will screen in competition. They include Kenneth Branagh’s coming-of-age drama “Belfast”, Edgar Wright’s horror-thriller “Last Night In Soho,” and Alison Klayman’s Alanis Morissette documentary “Jagged.
- 6/27/2021
- by Brent Lang
- Variety Film + TV
With Theodore Melfi’s The Starling and Antoine Fuqua’s The Guilty among the thirteen titles that the Toronto International Film Festival have unveiled today we can confirm that Netflix are back on the film festival circuit curriculum. Another hybrid event, the 46th Edition will be a one hundred title edition with a return to some sort of industry component as they’ve programmed acquisition items such as Philip Noyce’s Lakewood and Terence Davies’ Benediction. Among the world preem offerings (to be confirmed once Telluride and Venice finalizes their picks) they’ve included Mélanie Laurent’s Le Bal des Folles, Edgar Wright’s Last Night in Soho, Kenneth Branagh’s Belfast, Eric Warin and Tahir Rana’s Charlotte and a pair of musician based docus in Dave Wooley & David Heilbroner’s Dionne Warwick: Don’t Make Me Over and Alison Klayman’s Jagged.…...
- 6/23/2021
- by Eric Lavallée
- IONCINEMA.com
While all sights are focused on Cannes Film Festival over the next month, the fall festival corner is right around the corner. Toronto International Film Festival is now first out of the gate with their initial selections and details on the festival. Taking place September 9-18, they’ve unveiled several ticket options are available to audiences, from single film tickets for in-person screenings to packages for digital film screenings that allow access for up to 20 digital films. They’ll also hold screenings across cities in Canada, with more details to be announced.
As for the films, they’ve unveiled that Denis Villeneuve’s Dune, after premiering at Venice, will come to TIFF. Also in the lineup is Le Bal des Folles directed by Mélanie Laurent (France) from Amazon Studios, Benediction, directed by Terence Davies (United Kingdom) from Bankside Films, Belfast, from director Kenneth Branagh (United Kingdom) from Focus Features, Charlotte,...
As for the films, they’ve unveiled that Denis Villeneuve’s Dune, after premiering at Venice, will come to TIFF. Also in the lineup is Le Bal des Folles directed by Mélanie Laurent (France) from Amazon Studios, Benediction, directed by Terence Davies (United Kingdom) from Bankside Films, Belfast, from director Kenneth Branagh (United Kingdom) from Focus Features, Charlotte,...
- 6/23/2021
- by Leonard Pearce
- The Film Stage
New works by Kenneth Branagh, Edgar Wright, and Céline Sciamma will screen at the 2021 edition of the Toronto International Film Festival. In addition, the festival will also host a special presentation of “Dune,” the big-budget adaptation of Frank Herbert’s science-fiction novel that is set to have its world premiere at this summer’s Venice Film Festival.
Branagh’s “Belfast,” a coming-of-age story that follows a young boy in Northern Ireland growing up amidst the political tumult of the 1960s; Wright’s twisty horror film “Last Night in Soho”; and Sciamma’s “Petite Maman,” her follow-up to 2019’s “Portrait of a Lady on Fire,” are among the films tapped for the festival’s official selection. Other notable features that will make the trip to Canada include HBO’s Alanis Morissette documentary “Jagged,” which is directed by Alison Klayman, and “The Starling,” an off-beat comedy-drama directed by Theodore Melfi that stars...
Branagh’s “Belfast,” a coming-of-age story that follows a young boy in Northern Ireland growing up amidst the political tumult of the 1960s; Wright’s twisty horror film “Last Night in Soho”; and Sciamma’s “Petite Maman,” her follow-up to 2019’s “Portrait of a Lady on Fire,” are among the films tapped for the festival’s official selection. Other notable features that will make the trip to Canada include HBO’s Alanis Morissette documentary “Jagged,” which is directed by Alison Klayman, and “The Starling,” an off-beat comedy-drama directed by Theodore Melfi that stars...
- 6/23/2021
- by Brent Lang
- Variety Film + TV
Kenneth Branagh’s Belfast, Edgar Wright’s Last Night In Soho, Celine Sciamma’s Petite Maman and Theodore Melfi’s Netflix dramedy The Starling starring Melissa McCarthy and Kevin Kline are among the first announced official selections of the 46th edition of the Toronto Film Festival, which is taking place September 9-18. TIFF is getting a jump on its usual programming announcement (beginning with the fest’s Gala and Special Presentations on July 20) with this “sampling” of what is in store as the festival attempts to go back to some in-person screenings at its key venues after being largely digital in 2020 due to the coronavirus pandemic, which still is causing problems for Canada.
In addition to emphasizing the availability of the live screenings, the fest is touting the return of the digital TIFF Bell Lightbox and TIFF Bell Digital Talks platforms that worked so well last year with trips to...
In addition to emphasizing the availability of the live screenings, the fest is touting the return of the digital TIFF Bell Lightbox and TIFF Bell Digital Talks platforms that worked so well last year with trips to...
- 6/23/2021
- by Pete Hammond
- Deadline Film + TV
Special IMAX screening event for Dune.
The 46th edition of Toronto International Film Festival (TIFF) will return from September 9-18 with in-person screenings at indoor and outdoor venues, as it emerged this week that Ontario is ahead of schedule to enter the final stage of economic reopening.
The festival says it has programmed more than 100 films and that they will be unveiled in the next three weeks. It teased 12 selections including Edgar Wright’s Last Night In Soho (UK) from Focus Features Danis Goulet’s Night Riders (Canada-New Zealand) from Elevation Pictures and Samuel Goldwyn Films, and Kenneth Branagh’s Belfast (UK), also from Focus.
The 46th edition of Toronto International Film Festival (TIFF) will return from September 9-18 with in-person screenings at indoor and outdoor venues, as it emerged this week that Ontario is ahead of schedule to enter the final stage of economic reopening.
The festival says it has programmed more than 100 films and that they will be unveiled in the next three weeks. It teased 12 selections including Edgar Wright’s Last Night In Soho (UK) from Focus Features Danis Goulet’s Night Riders (Canada-New Zealand) from Elevation Pictures and Samuel Goldwyn Films, and Kenneth Branagh’s Belfast (UK), also from Focus.
- 6/23/2021
- by Jeremy Kay
- ScreenDaily
The Toronto International Film Festival has announced its first wave of films for its 2021 lineup, and new movies by Kenneth Branagh, Céline Sciamma, Ted Melfi and Edgar Wright are among the nine films announced on Wednesday.
Among those films as part of the festival’s official selection are Branagh’s “Belfast,” “Charlotte,” directed by Eric Warin and Tahir Rana, Wright’s “Last Night in Soho,” Sciamma’s “Petite Maman,” “Night Raiders,” directed by Danis Goulet, “Lakewood” directed by Philip Noyce and “The Starling” directed by Melfi.
Also included are two new music documentaries, “Dionne Warwick: Don’t Make Me Over” as directed by Dave Wooley and David Heilbroner, and “Jagged,” a documentary about Alanis Morissette that’s directed by Alison Klayman and headed to HBO.
Denis Villeneuve’s epic “Dune” will also premiere at the festival as part of a special event on an IMAX screen at the Cinesphere Theatre at Ontario Place.
Among those films as part of the festival’s official selection are Branagh’s “Belfast,” “Charlotte,” directed by Eric Warin and Tahir Rana, Wright’s “Last Night in Soho,” Sciamma’s “Petite Maman,” “Night Raiders,” directed by Danis Goulet, “Lakewood” directed by Philip Noyce and “The Starling” directed by Melfi.
Also included are two new music documentaries, “Dionne Warwick: Don’t Make Me Over” as directed by Dave Wooley and David Heilbroner, and “Jagged,” a documentary about Alanis Morissette that’s directed by Alison Klayman and headed to HBO.
Denis Villeneuve’s epic “Dune” will also premiere at the festival as part of a special event on an IMAX screen at the Cinesphere Theatre at Ontario Place.
- 6/23/2021
- by Brian Welk
- The Wrap
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