Porcupine Tree have announced a new live album, Closure/Continuation.Live, arriving December 8th on various physical formats including CD, Blu-Ray, DVD, and vinyl.
The massive 21-song, three-hour set was recorded and filmed on November 7th at the 17,000-capacity Ziggo Dome in Amsterdam during the the UK prog rock band’s 2022 tour supporting its comeback album, Closure/Continuation. A live video of “Harridan” from the performance can be streamed now.
Overall, the set is appropriately heavy on material from Closure/Continuation, but also sees the Steven Wilson-led outfit playing career staples such as “Trains,” “Fear of a Blank Planet,” and “Anesthetize.” For more on Porcupine Tree’s 2022 tour, check out our recap of their concert at Radio City Music Hall in New York City last September.
Fans will have multiple configurations to choose from for the physical release of the live album: a 2-cd/2-Blu-Ray Deluxe Version (with 60-page...
The massive 21-song, three-hour set was recorded and filmed on November 7th at the 17,000-capacity Ziggo Dome in Amsterdam during the the UK prog rock band’s 2022 tour supporting its comeback album, Closure/Continuation. A live video of “Harridan” from the performance can be streamed now.
Overall, the set is appropriately heavy on material from Closure/Continuation, but also sees the Steven Wilson-led outfit playing career staples such as “Trains,” “Fear of a Blank Planet,” and “Anesthetize.” For more on Porcupine Tree’s 2022 tour, check out our recap of their concert at Radio City Music Hall in New York City last September.
Fans will have multiple configurations to choose from for the physical release of the live album: a 2-cd/2-Blu-Ray Deluxe Version (with 60-page...
- 11/7/2023
- by Jon Hadusek
- Consequence - Music
Steven Wilson of Porcupine Tree has announced a new solo album, The Harmony Codex, and has shared the lead single “Economies of Scale” ahead of the LP’s September 29th release date.
The song lets Wilson — a renowned producer in his own right — explore his soulful side, as he builds layers of vocal harmonies around a pitter-pattering electronic rhythm that casts an early-aughts Radiohead vibe.
“I’m happy to announce my seventh album The Harmony Codex,” wrote Wilson on his website. “This one is a real trip, a beautiful and experimental 65-minute labyrinth of a record, with almost every one of its 10 tracks taking a different musical approach.”
Wilson also teased the follow-up single, “Impossible Tightrope,” which will be released next week. Wilson described the song as “completely different” than “Economies of Scale”: a “mostly instrumental 11-minute hybrid of progressive rock, spiritual jazz, and electronica.”
“More songs from the...
The song lets Wilson — a renowned producer in his own right — explore his soulful side, as he builds layers of vocal harmonies around a pitter-pattering electronic rhythm that casts an early-aughts Radiohead vibe.
“I’m happy to announce my seventh album The Harmony Codex,” wrote Wilson on his website. “This one is a real trip, a beautiful and experimental 65-minute labyrinth of a record, with almost every one of its 10 tracks taking a different musical approach.”
Wilson also teased the follow-up single, “Impossible Tightrope,” which will be released next week. Wilson described the song as “completely different” than “Economies of Scale”: a “mostly instrumental 11-minute hybrid of progressive rock, spiritual jazz, and electronica.”
“More songs from the...
- 8/29/2023
- by Jon Hadusek
- Consequence - Music
Tears for Fears will celebrate the 40th anniversary of their debut album, The Hurting, with a new reissue. Out May 12th, it will be available as a half-speed vinyl remaster and a newly created Dolby Atmos mix.
The half-speed remaster was done at Abbey Road Studios by audio engineer Miles Showell. Meanwhile, the new Atmos mix was created by Steven Wilson, who previously remixed the Tear for Fears albums Songs from the Big Chair, The Seeds of Love, and The Tipping Point into spatial audio formats.
Pre-orders are ongoing. The Dolby Atmos mix will be released as part of a limited edition Blu-ray disc exclusively available via SuperDeluxeEdition also featuring two previously unheard tracks, a 5.1 mix, an instrumental mix, and the original album master.
The Hurting was released on March 7th, 1983, and topped the UK albums chart. It spawned three classic Top 5 hits: “Mad World,” “Change,” and “Pale Shelter.” Written...
The half-speed remaster was done at Abbey Road Studios by audio engineer Miles Showell. Meanwhile, the new Atmos mix was created by Steven Wilson, who previously remixed the Tear for Fears albums Songs from the Big Chair, The Seeds of Love, and The Tipping Point into spatial audio formats.
Pre-orders are ongoing. The Dolby Atmos mix will be released as part of a limited edition Blu-ray disc exclusively available via SuperDeluxeEdition also featuring two previously unheard tracks, a 5.1 mix, an instrumental mix, and the original album master.
The Hurting was released on March 7th, 1983, and topped the UK albums chart. It spawned three classic Top 5 hits: “Mad World,” “Change,” and “Pale Shelter.” Written...
- 3/7/2023
- by Eddie Fu
- Consequence - Music
Yesterday, Universal’s troubles suddenly weren’t so far away, at least when it comes to Ana de Armas’ absence from the 2019 Danny Boyle-directed flick Yesterday.
“Universal is correct that trailers involve some creativity and editorial discretion, but this creativity does not outweigh the commercial nature of a trailer,” wrote U.S. District Judge Steven Wilson in a December 20 ruling on the studio’s mainly failed motion to dismiss a potential class action first filed back in January by Paul Michael Rosza and Conor Woulfe.
“At its core, a trailer is an advertisement designed to sell a movie by providing consumers with a preview of the movie,” the federal judge went on to say in the ruling (read it here).
Trailer version of the 5 million suit: In July and October of 2021, Maryland-based Woulfe and California-based Rosza saw a trailer for the Himesh Patel-lead rom-com that featured de Armas as a love interest.
“Universal is correct that trailers involve some creativity and editorial discretion, but this creativity does not outweigh the commercial nature of a trailer,” wrote U.S. District Judge Steven Wilson in a December 20 ruling on the studio’s mainly failed motion to dismiss a potential class action first filed back in January by Paul Michael Rosza and Conor Woulfe.
“At its core, a trailer is an advertisement designed to sell a movie by providing consumers with a preview of the movie,” the federal judge went on to say in the ruling (read it here).
Trailer version of the 5 million suit: In July and October of 2021, Maryland-based Woulfe and California-based Rosza saw a trailer for the Himesh Patel-lead rom-com that featured de Armas as a love interest.
- 12/22/2022
- by Dominic Patten
- Deadline Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.