In a busy weekend at the box office, “Ghostbusters: Frozen Empire,” the Sydney Sweeney horror vehicle “Immaculate,” IFC’s “Late Night with the Devil,” and two animated rereleases (“Luca” and recent Oscar winner “The Boy and the Heron“) will compete for the top spots. Meanwhile, a recent box-office smash is hitting digital platforms.
The contender to watch this week: “Bob Marley: One Love“
Reinaldo Marcus Green‘s biopic about the pioneering reggae singer is still riding its theatrical wave ($170 million worldwide and counting), but “Bob Marley: One Love” is also available to purchase or rent on VOD. Kingsley Ben-Adir shed his Kenergy to play Marley, icon of dorm-room posters and pacifistic chill-out vibes, opposite a supporting cast that includes Lashana Lynch, Tosin Cole, “Happy Valley” breakout James Norton, and Michael Gandolfini. “One Love” is a fairly rote retelling enhanced by its subject’s music, but even the weakest biopic tendencies have a groovy appeal.
The contender to watch this week: “Bob Marley: One Love“
Reinaldo Marcus Green‘s biopic about the pioneering reggae singer is still riding its theatrical wave ($170 million worldwide and counting), but “Bob Marley: One Love” is also available to purchase or rent on VOD. Kingsley Ben-Adir shed his Kenergy to play Marley, icon of dorm-room posters and pacifistic chill-out vibes, opposite a supporting cast that includes Lashana Lynch, Tosin Cole, “Happy Valley” breakout James Norton, and Michael Gandolfini. “One Love” is a fairly rote retelling enhanced by its subject’s music, but even the weakest biopic tendencies have a groovy appeal.
- 3/23/2024
- by Matthew Jacobs
- Gold Derby
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
After Blue (Bertrand Mandico)
In the post-apocalyptic nightmare of After Blue, humanity—or what’s left of it—roams a former paradise turned wasteland. The Armageddon that wrecked the Earth in some undetermined past left no machines behind, no screens, and, perhaps most conspicuously, no men. In the distant planet the human race fled to, and which writer-director Bertrand Mandico’s film is named after, “they were the first to die,” we’re warned early on: “their hairs grew inside them, and killed them.” As it was for its predecessor, The Wild Boys, After Blue is suffused in a feverish ecstasy, that wild excitement that comes from a watching one world crumble and another jutting into being from scratch, a vision of...
After Blue (Bertrand Mandico)
In the post-apocalyptic nightmare of After Blue, humanity—or what’s left of it—roams a former paradise turned wasteland. The Armageddon that wrecked the Earth in some undetermined past left no machines behind, no screens, and, perhaps most conspicuously, no men. In the distant planet the human race fled to, and which writer-director Bertrand Mandico’s film is named after, “they were the first to die,” we’re warned early on: “their hairs grew inside them, and killed them.” As it was for its predecessor, The Wild Boys, After Blue is suffused in a feverish ecstasy, that wild excitement that comes from a watching one world crumble and another jutting into being from scratch, a vision of...
- 3/22/2024
- by Jordan Raup
- The Film Stage
Berlin-based producer/distributor Dcm has taken a sake in Wim Wenders’ production company Road Movies, creating an “equal, strong partnership” between the two firms, Wenders and Dcm said Friday.
Dcm, which has released several of Wenders’ films in Germany, including the Oscar-nominated Perfect Days, will buy into Road Movies in the first quarter of this year. Dcm partners Dario Suter, Christoph Daniel, Marc Schmidheiny and Joel Brandeis described the move as a strategic expansion of the company’s film production business. Schmidheiny will be named Road Movies’ managing director.
Schmidheiny described the partnership as “a dream come true,” saying Dcm would handle the financial and day-to-day management of Road Movies to “to create the space for Wim to bring his seemingly inexhaustible creative power to the screen.”
“It has been on the agenda for years that we would work together with a strong partner,” said Wenders. “As Road Movies, we...
Dcm, which has released several of Wenders’ films in Germany, including the Oscar-nominated Perfect Days, will buy into Road Movies in the first quarter of this year. Dcm partners Dario Suter, Christoph Daniel, Marc Schmidheiny and Joel Brandeis described the move as a strategic expansion of the company’s film production business. Schmidheiny will be named Road Movies’ managing director.
Schmidheiny described the partnership as “a dream come true,” saying Dcm would handle the financial and day-to-day management of Road Movies to “to create the space for Wim to bring his seemingly inexhaustible creative power to the screen.”
“It has been on the agenda for years that we would work together with a strong partner,” said Wenders. “As Road Movies, we...
- 2/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
From Wim Wenders’ recent Anselm Kiefer documentary to Kirk Douglas’s tortured Van Gogh and Derek Jarman’s erotic ode to Caravaggio, cinema loves a brush with genius
Visual art, oddly, doesn’t always translate that naturally to cinema as a subject. Just as you don’t get the full impact of a painting from a coffee table book, the camera can impose a distance from the art at hand – a secondary perspective that isn’t really needed. Wim Wenders bucks that trend, however, in his marvellous Anselm Kiefer documentary Anselm (Curzon Home Cinema), which feels fully alive to the angular, nature-based textures of the German painter and sculptor’s work. It’s especially exciting as a study of process – of the grand-scale action that goes into the art’s own dynamic movement.
A large part of its reward came, on the big screen, from Wenders’ continuingly imaginative embrace of 3D technology.
Visual art, oddly, doesn’t always translate that naturally to cinema as a subject. Just as you don’t get the full impact of a painting from a coffee table book, the camera can impose a distance from the art at hand – a secondary perspective that isn’t really needed. Wim Wenders bucks that trend, however, in his marvellous Anselm Kiefer documentary Anselm (Curzon Home Cinema), which feels fully alive to the angular, nature-based textures of the German painter and sculptor’s work. It’s especially exciting as a study of process – of the grand-scale action that goes into the art’s own dynamic movement.
A large part of its reward came, on the big screen, from Wenders’ continuingly imaginative embrace of 3D technology.
- 2/10/2024
- by Guy Lodge
- The Guardian - Film News
Chicago – Patrick McDonald of HollywoodChicago.com audio film review for “Anselm,” a new documentary by director Wim Wenders highlighting the career of artist Anselm Kiefer … now showing in the latest Digital 3-D tech at Chicago’s Music Box Theatre beginning February 2nd. For additional screenings, see local listings.
Rating: 3.5/5.0
Kevin Interdonato co-wrote, directed and is in the lead role as Vincent Damiano, a powerful New Jersey mobster who deals in the dark arts of drug trafficking. When his father, the head of the family, is brutally murdered, Vincent seeks revenge. His crew includes his brothers, a mix of black and caucasian siblings that his father raised as his own. As a big trafficking score is imminent, Vincent only seeks to protect his long time girlfriend Olivia (Anastasia Ganias) from the potential harm.
“The Bastard Sons” is currently available for digital download, see providers. Featuring Kevin Interdonato, Anastasia Ganias, Al Sapienza,...
Rating: 3.5/5.0
Kevin Interdonato co-wrote, directed and is in the lead role as Vincent Damiano, a powerful New Jersey mobster who deals in the dark arts of drug trafficking. When his father, the head of the family, is brutally murdered, Vincent seeks revenge. His crew includes his brothers, a mix of black and caucasian siblings that his father raised as his own. As a big trafficking score is imminent, Vincent only seeks to protect his long time girlfriend Olivia (Anastasia Ganias) from the potential harm.
“The Bastard Sons” is currently available for digital download, see providers. Featuring Kevin Interdonato, Anastasia Ganias, Al Sapienza,...
- 2/10/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – Patrick McDonald of HollywoodChicago.com audio film review for “Anselm,” a new documentary by director Wim Wenders highlighting the career of artist Anselm Kiefer … now showing in the latest Digital 3-D tech at Chicago’s Music Box Theatre beginning February 2nd. For additional screenings, see local listings.
Rating: 4.0/5.0
Artist Anselm Kiefer is a controversial and dynamic painter, sculptor and provocateur. Emerging from the modern art movement of the late 1960s, the documentary illuminates his work, life journey, inspirations, creative process and his own history of fascination with the myth of humanity. He is depicted in three parts of his life, child (Anton Wenders), Young adult artist (Daniel Kiefer) and contemporary self. His incredible evolution, fraught with controversy and ultimate acceptance, moves forward in his journey to create art in an old, massive silk factory in the South of France. This was his “Gesamkunstverk” … total art in location and form.
Rating: 4.0/5.0
Artist Anselm Kiefer is a controversial and dynamic painter, sculptor and provocateur. Emerging from the modern art movement of the late 1960s, the documentary illuminates his work, life journey, inspirations, creative process and his own history of fascination with the myth of humanity. He is depicted in three parts of his life, child (Anton Wenders), Young adult artist (Daniel Kiefer) and contemporary self. His incredible evolution, fraught with controversy and ultimate acceptance, moves forward in his journey to create art in an old, massive silk factory in the South of France. This was his “Gesamkunstverk” … total art in location and form.
- 2/2/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Wim Wenders, the director of Perfect Days and Anselm with Anne-Katrin Titze on the connection between Hirayama, played by the extraordinary Kôji Yakusho and Anselm Kiefer: “They both love nature.”
In the first instalment with Wim Wenders, the day after he presented Paris, Texas at the Wim Wenders: An American Cinematheque Retrospective in Los Angeles, we discuss the connection between his Oscar shortlisted entry from Japan, Perfect Days, and Anselm (Anselm - Das Rauschen der Zeit), his documentary in 3D on Anselm Kiefer, both shot by Franz Lustig.
Wim Wenders on Hirayama (Kôji Yakusho): “He only reads one book and when he’s finished he puts it on his shelf …” Photo: Master Mind Ltd.
We start out by remembering the conversation I had with Wim at the reception for his 2003 Pictures From The Surface of the Earth photograph exhibition at the James Cohan gallery in New York, where...
In the first instalment with Wim Wenders, the day after he presented Paris, Texas at the Wim Wenders: An American Cinematheque Retrospective in Los Angeles, we discuss the connection between his Oscar shortlisted entry from Japan, Perfect Days, and Anselm (Anselm - Das Rauschen der Zeit), his documentary in 3D on Anselm Kiefer, both shot by Franz Lustig.
Wim Wenders on Hirayama (Kôji Yakusho): “He only reads one book and when he’s finished he puts it on his shelf …” Photo: Master Mind Ltd.
We start out by remembering the conversation I had with Wim at the reception for his 2003 Pictures From The Surface of the Earth photograph exhibition at the James Cohan gallery in New York, where...
- 1/18/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
We’re happy to report that after five days, all of our New Years Resolutions are still intact. Except for the one about doing 20 minutes of yoga in the morning. Impossible. And the one about not eating the entire bag of potato chips in one sitting. Yeah, nah. Oh! We also didn’t stop doomscrolling, smoking or clipping our toenails at the gym. But other than that? Perfectly on track. And while there are still two long months of awards season left to endure enjoy, the New Year has brought a bountiful crop of Don’t-Miss Indies.
The Lady Bird Diaries
When You Can Watch: Now
Where You Can Watch: Hulu
Director: Dawn Porter
Why We’re Excited: Acclaimed documentarian Dawn Porter’s moving new documentary offers a singular vantage point on of the most important administrations in US history, based on 123 hours of former First Lady Claudia “Lady Bird” Johnson’s own audio diaries.
The Lady Bird Diaries
When You Can Watch: Now
Where You Can Watch: Hulu
Director: Dawn Porter
Why We’re Excited: Acclaimed documentarian Dawn Porter’s moving new documentary offers a singular vantage point on of the most important administrations in US history, based on 123 hours of former First Lady Claudia “Lady Bird” Johnson’s own audio diaries.
- 1/5/2024
- by Su Fang Tham
- Film Independent News & More
Updated 12/22/2023 with details on shortlisted A Still Small Voice. Updated with quotes, 1:37 Pm: American Symphony, the Obamas-executive produced documentary about Grammy-winning musician Jon Batiste, scored a remarkable hat trick today as the Oscar shortlists were revealed, but a couple of documentary icons were left on the bench.
In more headlines from the announcement, a beloved documentary filmmaker who died unexpectedly in August earned a place on the nonfiction feature shortlist. And the film about cherished actor Michael J. Fox, directed by Oscar winner Davis Guggenheim, made the list. Two films earned double recognition – making shortlists for doc feature and International Feature Film. [See full shortlists for doc feature and doc short below].
Suleika Jouad and Jon Batiste in ‘American Symphony’
The most eye-popping takeaway is the recognition for American Symphony, the Netflix film directed by Oscar nominee Matthew Heineman and produced by Higher Ground, the production company of former President Obama and First Lady Michelle Obama. It made the...
In more headlines from the announcement, a beloved documentary filmmaker who died unexpectedly in August earned a place on the nonfiction feature shortlist. And the film about cherished actor Michael J. Fox, directed by Oscar winner Davis Guggenheim, made the list. Two films earned double recognition – making shortlists for doc feature and International Feature Film. [See full shortlists for doc feature and doc short below].
Suleika Jouad and Jon Batiste in ‘American Symphony’
The most eye-popping takeaway is the recognition for American Symphony, the Netflix film directed by Oscar nominee Matthew Heineman and produced by Higher Ground, the production company of former President Obama and First Lady Michelle Obama. It made the...
- 12/21/2023
- by Matthew Carey
- Deadline Film + TV
An observation rather than an analysis; a retrospective rather than a perspective. Wim Wenders' new documentary Anselm, about famed German artist Anselm Kiefer, is not the love letter and celebration of his previous (and superior) artist documentary Pina, but it's still a tribute to an artist who has had a large effect on the art world. As large as the physical dimensions of his work. We begin the fields, the landscape which has been at the heart of Kierfer's work for most of his career: white ball gowns kept upright with metal frames, often with objects where heads would be. Art as a part of the natural world. Wenders then takes us to Kiefer's current atelier - a space so large the artists uses a...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 12/20/2023
- Screen Anarchy
Wim Wenders describes himself as “a man of habits,” which helps to explain the respect he shows the routine-driven lead character of his latest narrative feature, “Perfect Days.” The gentle drama, which takes place in Japan (it was selected as the country’s official Oscar submission this year), focuses on a Tokyo craftsman who spends his days cleaning the city’s public toilets.
Routine is central to Wenders’ life as well, and it’s thanks to one of Wenders’ rituals that he found the subject for a second feature film he premiered at Cannes last May: “Anselm,” a 3D portrait of the controversial German artist Anselm Kiefer more than 30 years in the making.
Wenders first met Kiefer back in 1991, as the unconventional sculptor was preparing his biggest exhibition to date at the National Gallery in Berlin. The show appears in the film: It’s the one featuring giant jet planes made of lead.
Routine is central to Wenders’ life as well, and it’s thanks to one of Wenders’ rituals that he found the subject for a second feature film he premiered at Cannes last May: “Anselm,” a 3D portrait of the controversial German artist Anselm Kiefer more than 30 years in the making.
Wenders first met Kiefer back in 1991, as the unconventional sculptor was preparing his biggest exhibition to date at the National Gallery in Berlin. The show appears in the film: It’s the one featuring giant jet planes made of lead.
- 12/19/2023
- by Peter Debruge
- Variety Film + TV
The Oscar-contending documentary Anselm marks an encounter between two of the world’s great artists – one renowned for cinema, the other for painting, installations, and sculpture.
The filmmaker, Wim Wenders, began his career more than 50 years ago, with credits that include Paris, Texas, Wings of Desire, Buena Vista Social Club, The Salt of the Earth, and Pina, and two this year alone – Anselm and the narrative feature Perfect Days. His protagonist in Anselm – the German-born artist Anselm Kiefer, may not be as well known among the public as Wenders, but his work stuns in its power, erudition, and scale. Simply put, Kiefer makes art of monumental dimensions.
Anselm Kiefer in ‘Anselm’
“We were in the landscape of his own studio [outside Paris],” Wenders tells Deadline, “this huge depot, bigger than airplane hangars — and several of them.”
Capturing the size of the workspace and the individual artworks, Wenders concluded, called for something different than a standard 2D approach.
The filmmaker, Wim Wenders, began his career more than 50 years ago, with credits that include Paris, Texas, Wings of Desire, Buena Vista Social Club, The Salt of the Earth, and Pina, and two this year alone – Anselm and the narrative feature Perfect Days. His protagonist in Anselm – the German-born artist Anselm Kiefer, may not be as well known among the public as Wenders, but his work stuns in its power, erudition, and scale. Simply put, Kiefer makes art of monumental dimensions.
Anselm Kiefer in ‘Anselm’
“We were in the landscape of his own studio [outside Paris],” Wenders tells Deadline, “this huge depot, bigger than airplane hangars — and several of them.”
Capturing the size of the workspace and the individual artworks, Wenders concluded, called for something different than a standard 2D approach.
- 12/18/2023
- by Matthew Carey
- Deadline Film + TV
Updated with quotes from winners and IDA’s incoming executive director. Bobi Wine: The People’s President earned the top award at the 39th IDA Documentary Awards, presented in a virtual ceremony tonight.
The film directed by Moses Bwayo and Christopher Sharp was named Best Feature Documentary, winning over nine other Oscar-contending documentaries, a list that included Going to Mars: The Nikki Giovanni Project, In the Rearview, The Mother of All Lies, and Apolonia, Apolonia. Scroll for the complete winners list.
Bobi Wine: The People’s President tells the story of the titular Ugandan pop singer-turned politician, who dared to challenge his country’s dictator for leadership of Uganda.
Ugandan opposition politician Bobi Wine.
“The awareness this film has brought to world audiences has arguably kept Bobi Wine alive and out of prison for now,” Bwayo commented in his acceptance speech. “This film is a testament to the courage and determination of Bobi Wine,...
The film directed by Moses Bwayo and Christopher Sharp was named Best Feature Documentary, winning over nine other Oscar-contending documentaries, a list that included Going to Mars: The Nikki Giovanni Project, In the Rearview, The Mother of All Lies, and Apolonia, Apolonia. Scroll for the complete winners list.
Bobi Wine: The People’s President tells the story of the titular Ugandan pop singer-turned politician, who dared to challenge his country’s dictator for leadership of Uganda.
Ugandan opposition politician Bobi Wine.
“The awareness this film has brought to world audiences has arguably kept Bobi Wine alive and out of prison for now,” Bwayo commented in his acceptance speech. “This film is a testament to the courage and determination of Bobi Wine,...
- 12/13/2023
- by Matthew Carey
- Deadline Film + TV
The best documentaries about artists exploit the visual powers of the storytelling medium to give us a tactile appreciation of what their work looks and feels, while also mining the depths of their souls and their relationships to history. Last year’s “All the Beauty and the Bloodshed,” Laura Poitras’ film about the life and work of activist/artist Nan Goldin, and 2011’s “Pina,” Wim Wenders’ portrait of choreographer Pina Bausch, come to mind, both straying far from the parameters of a talking-heads-driven nonfiction film to put us straight inside the work itself. These movies, too, stand as powerful cinematic and artistic exercises on their own terms.
Wenders now returns to the realm of 3D documentary he inhabited so gorgeously with “Pina” to explore the works of 78-year-old painter and sculptor Anselm Kiefer. Explicitly non-biographical, “Anselm” is instead a philosophical rendering of an artist in working mode, where he actively...
Wenders now returns to the realm of 3D documentary he inhabited so gorgeously with “Pina” to explore the works of 78-year-old painter and sculptor Anselm Kiefer. Explicitly non-biographical, “Anselm” is instead a philosophical rendering of an artist in working mode, where he actively...
- 12/8/2023
- by Ryan Lattanzio
- Indiewire
For over half a century, Wim Wenders has captivated audiences with both his fiction and documentary work. Twenty twenty-three marks a rare year in which he’s released films in both formats, and the ways in which they overlap highlight the director’s versatile skillset and unified humanistic spirit. The nonfictional Anselm and narrative Perfect Days make for a cinematic yin and yang, utilizing different techniques as part of a larger exploration into the elusive nature of finding expression and ecstasy through one’s work.
But the main topic of my conversation with Wenders was Anselm, his latest in a series of portraits of great artists. Subject Anselm Kiefer—not unlike Wenders himself—provides a captivating lens through which to view the changes undergone by their native Germany since World War II. The film’s survey of his life and art, from early controversial photography involving Nazi salutes to contemporary installations of sweeping scale,...
But the main topic of my conversation with Wenders was Anselm, his latest in a series of portraits of great artists. Subject Anselm Kiefer—not unlike Wenders himself—provides a captivating lens through which to view the changes undergone by their native Germany since World War II. The film’s survey of his life and art, from early controversial photography involving Nazi salutes to contemporary installations of sweeping scale,...
- 12/8/2023
- by Marshall Shaffer
- Slant Magazine
Aka Mr. Chow
(HBO Documentary Films)
This portrait directed by Nick Hooker follows the life and career of painter turned restaurateur Michael Chow, the owner of the Mr Chow restaurant chain, as he returns to the art world with his first solo show in nearly 60 years.
American Symphony
(Netflix)
Matthew Heineman switches gears from following the front lines of the Mexican drug war (the Oscar-nominated Cartel Land) and the early days of the Covid crisis in New York City (The First Wave), this time helming an intimate profile of Late Night With Stephen Colbert bandleader Jon Batiste as he balances an incredible year of professional success while aiding his wife, writer Suleika Jaouad, through her battle with a rare form of cancer.
Anonymous Sister
(Long Shot Factory/Gravitas Ventures)
Emmy Award-winning director Jamie Boyle chronicles her family’s collision with the opioid epidemic. The film, currently holding a 100 percent score on Rotten Tomatoes,...
(HBO Documentary Films)
This portrait directed by Nick Hooker follows the life and career of painter turned restaurateur Michael Chow, the owner of the Mr Chow restaurant chain, as he returns to the art world with his first solo show in nearly 60 years.
American Symphony
(Netflix)
Matthew Heineman switches gears from following the front lines of the Mexican drug war (the Oscar-nominated Cartel Land) and the early days of the Covid crisis in New York City (The First Wave), this time helming an intimate profile of Late Night With Stephen Colbert bandleader Jon Batiste as he balances an incredible year of professional success while aiding his wife, writer Suleika Jaouad, through her battle with a rare form of cancer.
Anonymous Sister
(Long Shot Factory/Gravitas Ventures)
Emmy Award-winning director Jamie Boyle chronicles her family’s collision with the opioid epidemic. The film, currently holding a 100 percent score on Rotten Tomatoes,...
- 12/8/2023
- by Tyler Coates and Beatrice Verhoeven
- The Hollywood Reporter - Movie News
Paul King’s festive musical, starring Timothee Chalamet, is one of the widest openings of the year
Warner Bros’ Wonka is hoping to tantalise UK and Ireland cinemagoers this weekend as Paul King’s festive musical opens in 701 locations.
It is one of the widest openings of the year, just behind Disney’s Guardians Of The Galaxy Vol. 3 which debuted in 705 locations and Warner Bros’ fellow title Barbie in 706. Disney’s Indiana Jones & The Dial Of Destiny is still the 2023 record holder with its 746 venue opening, followed by The Little Mermaid (732), Super Mario Bros: The Movie (720) and Mission: Impossible - Dead Reckoning Part One...
Warner Bros’ Wonka is hoping to tantalise UK and Ireland cinemagoers this weekend as Paul King’s festive musical opens in 701 locations.
It is one of the widest openings of the year, just behind Disney’s Guardians Of The Galaxy Vol. 3 which debuted in 705 locations and Warner Bros’ fellow title Barbie in 706. Disney’s Indiana Jones & The Dial Of Destiny is still the 2023 record holder with its 746 venue opening, followed by The Little Mermaid (732), Super Mario Bros: The Movie (720) and Mission: Impossible - Dead Reckoning Part One...
- 12/8/2023
- by Ellie Calnan
- ScreenDaily
A meditation on the work of German painter and sculptor Anselm Kiefer, Wim Wenders’ concise, spare 3D documentary Anselm allows us to spend time in the presence of the artist and man. Both born in 1945, Wenders and Kiefer share much of the same DNA as creators who tackle the history of a divided country traumatized and silenced. For Wenders, a global filmmaker whose other new picture this year, the fantastic Perfect Days, was made in Japan, Anselm is a thoughtful, contemplative return to some of the themes explored in his seminal Wings of Desire.
Anselm gravitates between past and present, the result splitting the difference between the kind of experimental film one might find at TIFF Wavelengths––a slow meditation on landscape, surfaces, space, and performative moments––and a quick biographical sketch produced for an art museum retrospective. Shot by Franz Lustig in 6K 3D, the film deserves to be...
Anselm gravitates between past and present, the result splitting the difference between the kind of experimental film one might find at TIFF Wavelengths––a slow meditation on landscape, surfaces, space, and performative moments––and a quick biographical sketch produced for an art museum retrospective. Shot by Franz Lustig in 6K 3D, the film deserves to be...
- 12/7/2023
- by John Fink
- The Film Stage
How do you define a perfect day?
For auteur Wim Wenders, the ideal day is spent capturing the subtleties of life. Wenders’ “Perfect Days” follows public toilet cleaner Hirayama (Koji Yakusho) as he unexpectedly meets new characters who awaken a deeper sense of contentment in him. Hirayama’s routine of listening to music on cassette tapes, reading, and taking photos of trees is endearingly upended as he confronts his past and finds happiness in the present, especially with his niece.
As IndieWire’s review wrote, “Who he is remains cinematically intriguing, as the film spends its latter half slowly unraveling what lies beneath his veneer of contentment. However, Wenders approach to this dichotomy is devoid of cynicism; he presents Hirayama not as a walking falsehood, but as a truthful depiction of the way life should, in theory, be lived. His routine, his care and his kindness don’t exist as...
For auteur Wim Wenders, the ideal day is spent capturing the subtleties of life. Wenders’ “Perfect Days” follows public toilet cleaner Hirayama (Koji Yakusho) as he unexpectedly meets new characters who awaken a deeper sense of contentment in him. Hirayama’s routine of listening to music on cassette tapes, reading, and taking photos of trees is endearingly upended as he confronts his past and finds happiness in the present, especially with his niece.
As IndieWire’s review wrote, “Who he is remains cinematically intriguing, as the film spends its latter half slowly unraveling what lies beneath his veneer of contentment. However, Wenders approach to this dichotomy is devoid of cynicism; he presents Hirayama not as a walking falsehood, but as a truthful depiction of the way life should, in theory, be lived. His routine, his care and his kindness don’t exist as...
- 11/9/2023
- by Samantha Bergeson
- Indiewire
Sffilm’s 9th Annual Doc Stories festival is getting underway, featuring a distinguished lineup of Oscar-contending nonfiction films.
Little Richard: I Am Everything, directed by Lisa Cortés, screens this afternoon, while the opening night slot goes to another music-driven documentary, Matthew Heineman’s American Symphony, an intimate look at Grammy Award winner Jon Batiste [scroll for full Doc Stories schedule].
Sffilm Doc Stories runs November 2-5 in the City by the Bay, with several of the films available for streaming Nov. 6-7. By design, it’s a tightly curated program.
Sffilm Director of Programming Jessie Fairbanks
“It’s incredibly competitive and we only have two shorts blocks and the rest are features,” notes Sffilm Director of Programming Jessie Fairbanks. “It’s really an opportunity for us to showcase what we consider to be the best of documentary filmmaking at this point in the season. We require a Bay Area premiere, so we’re...
Little Richard: I Am Everything, directed by Lisa Cortés, screens this afternoon, while the opening night slot goes to another music-driven documentary, Matthew Heineman’s American Symphony, an intimate look at Grammy Award winner Jon Batiste [scroll for full Doc Stories schedule].
Sffilm Doc Stories runs November 2-5 in the City by the Bay, with several of the films available for streaming Nov. 6-7. By design, it’s a tightly curated program.
Sffilm Director of Programming Jessie Fairbanks
“It’s incredibly competitive and we only have two shorts blocks and the rest are features,” notes Sffilm Director of Programming Jessie Fairbanks. “It’s really an opportunity for us to showcase what we consider to be the best of documentary filmmaking at this point in the season. We require a Bay Area premiere, so we’re...
- 11/2/2023
- by Matthew Carey
- Deadline Film + TV
The first sculpture seen in Wim Wenders’s documentary Anselm is a wedding dress, its long train strewn over a massive bed of fallen leaves, perched in a lush forest on a cliff’s edge. All the while, the film cuts between intimate close-ups and long shots that take in the totality of the piece. More sculptures emerge across an expansive outdoor atelier in Croissy, on the outskirts of Paris, each subsequent wedding dress overflowing with harsh textures due to the various hard materials used within them. As if mimicking the experience of an in-person encounter with Anselm Kiefer’s confrontational work, the 3D camera glides past them all.
First glimpsed in the film cycling in his vast warehouse in Barjac, France, the seventysomething Kiefer appears as if he’s sprung from one of his enormous paintings. As Wenders’s mesmerizing portrait of the Austrian-German multimedia artist progresses, the experience...
First glimpsed in the film cycling in his vast warehouse in Barjac, France, the seventysomething Kiefer appears as if he’s sprung from one of his enormous paintings. As Wenders’s mesmerizing portrait of the Austrian-German multimedia artist progresses, the experience...
- 10/25/2023
- by Greg Nussen
- Slant Magazine
The 2023 Doc NYC lineup has officially been announced.
The program for the 14th annual festival includes opening night selection “The Contestant,” a real-life “Truman Show”-esque story of a Japanese comedian who was trapped alone and naked in an apartment for 15 months as part of a reality TV show. The only twist? The comedian had no idea he was being filmed. Clair Titley directs the stranger-than-fiction documentary which premiered at TIFF.
Doc NYC runs from November 8 through 26, featuring 30 world premieres and 26 U.S. premieres with more than 200 films programmed. New films from Wim Wenders, Penny Lane, Dawn Porter, and Jeff Zimbalist are among the lineup for America’s largest documentary festival, with screenings at New York City’s IFC Center, Sva Theatre, and Village East by Angelika. In-person screenings take place November 8 through 16, with online selections available through November 26.
The centerpiece screening is the world premiere of D.W. Young’s...
The program for the 14th annual festival includes opening night selection “The Contestant,” a real-life “Truman Show”-esque story of a Japanese comedian who was trapped alone and naked in an apartment for 15 months as part of a reality TV show. The only twist? The comedian had no idea he was being filmed. Clair Titley directs the stranger-than-fiction documentary which premiered at TIFF.
Doc NYC runs from November 8 through 26, featuring 30 world premieres and 26 U.S. premieres with more than 200 films programmed. New films from Wim Wenders, Penny Lane, Dawn Porter, and Jeff Zimbalist are among the lineup for America’s largest documentary festival, with screenings at New York City’s IFC Center, Sva Theatre, and Village East by Angelika. In-person screenings take place November 8 through 16, with online selections available through November 26.
The centerpiece screening is the world premiere of D.W. Young’s...
- 10/12/2023
- by Samantha Bergeson
- Indiewire
The Sffilm Doc Stories lineup has officially been unveiled for 2023.
The ninth annual program runs November 2 through 5 in San Francisco, California, screening 10 features, and two shorts programs, while hosting a tribute to late filmmaker Julia Reichert, the beloved “American Factory” co-director who died last year. While screenings are taking place in person, a limited streaming window from November 6 to 7 will be available to ticket buyers online.
Matthew Heineman’s “American Symphony” opens the festival for an intimate portrait of Grammy-winning musician Jon Batiste. The Sffilm Doc Stories centerpiece screening is “Copa 71,” which debuted at TIFF and tells the lost story of the first Women’s World Cup for soccer. The film features 50-plus-year-old footage from the World Cup that took place in Mexico in 1971. Wim Wenders’ “Anselm” closes the festival with a 3D presentation of Anselm Kiefer’s life’s work.
“This year’s lineup explores the powerful effects...
The ninth annual program runs November 2 through 5 in San Francisco, California, screening 10 features, and two shorts programs, while hosting a tribute to late filmmaker Julia Reichert, the beloved “American Factory” co-director who died last year. While screenings are taking place in person, a limited streaming window from November 6 to 7 will be available to ticket buyers online.
Matthew Heineman’s “American Symphony” opens the festival for an intimate portrait of Grammy-winning musician Jon Batiste. The Sffilm Doc Stories centerpiece screening is “Copa 71,” which debuted at TIFF and tells the lost story of the first Women’s World Cup for soccer. The film features 50-plus-year-old footage from the World Cup that took place in Mexico in 1971. Wim Wenders’ “Anselm” closes the festival with a 3D presentation of Anselm Kiefer’s life’s work.
“This year’s lineup explores the powerful effects...
- 10/11/2023
- by Samantha Bergeson
- Indiewire
The Tokyo International Film Festival undertook a series of bold changes in 2020 to enhance its international reach, including a location change and major shakeups across staffing and programming. For the global film community, however, much of the overhaul went unfelt due to the travel restrictions of the pandemic. The Tokyo festival’s chairman, Hiroyasu Ando, emphasized at a press conference in the Japanese capital Wednesday that the event “aims to take a bigger leap” this year with its upcoming 36th edition, making good on its ambitions for a transformation.
“We’re really focussing on international interaction,” Ando said, noting that the festival would welcome some 600 overseas guests this year, including filmmakers, jury members and industry professionals, a major uptick from the 104 international industry VIPs who attended in 2022.
The Tokyo International Film Festival will open Oct. 23 with a gala screening of acclaimed German auteur Wim Wenders’ Tokyo-set drama Perfect Days, which...
“We’re really focussing on international interaction,” Ando said, noting that the festival would welcome some 600 overseas guests this year, including filmmakers, jury members and industry professionals, a major uptick from the 104 international industry VIPs who attended in 2022.
The Tokyo International Film Festival will open Oct. 23 with a gala screening of acclaimed German auteur Wim Wenders’ Tokyo-set drama Perfect Days, which...
- 9/27/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
One of the pleasures of Telluride is watching a master auteur accept the Silver Medallion. Telluride Executive Director Julie Huntsinger was shocked to discover that in the 50 years of the festival, no Silver Medallion was ever awarded to German filmmaker Wim Wenders. So this year, he brought his two Cannes selections, 3D documentary “Anselm” (Sideshow and Janus) and Competition title “Perfect Days” (Neon), whose star Koji Yakusho (“Shall We Dance?”) won Best Actor at Cannes. Despite its German director, Japan has chosen to submit the film for the Oscar.
At Thursday night’s first tribute, Werner Herzog dug into his pocket to fish out the Silver Medallion, and placed it around his old friend’s neck. “The same time several years ago Tom Luddy put this on my neck,” said Herzog. “I kept thinking, ‘this is an injustice if you hadn’t received this medallion in 1978, and 1981, and 1995, and 2015.’ Because...
At Thursday night’s first tribute, Werner Herzog dug into his pocket to fish out the Silver Medallion, and placed it around his old friend’s neck. “The same time several years ago Tom Luddy put this on my neck,” said Herzog. “I kept thinking, ‘this is an injustice if you hadn’t received this medallion in 1978, and 1981, and 1995, and 2015.’ Because...
- 9/3/2023
- by Anne Thompson
- Indiewire
‘Anselm’ Trailer: Wim Wenders Uses 3D & 6K Resolution To Bring The Iconic Artist’s Work To Audiences
While documentaries come in all shapes and sizes, rarely are they made in the hopes of being visually astounding. In fact, with many documentaries, it’s the subject matter that is pushed to the forefront and the filmmaking is almost secondary. However, that’s definitely not the case for Wim Wenders’ “Anselm.”
Read More: Fall Film Preview: 60+ Most Anticipated Movies To Watch
As seen in the trailer for “Anselm,” the documentary shines a light on the artist Anselm Kiefer, an innovative sculptor and painter.
Continue reading ‘Anselm’ Trailer: Wim Wenders Uses 3D & 6K Resolution To Bring The Iconic Artist’s Work To Audiences at The Playlist.
Read More: Fall Film Preview: 60+ Most Anticipated Movies To Watch
As seen in the trailer for “Anselm,” the documentary shines a light on the artist Anselm Kiefer, an innovative sculptor and painter.
Continue reading ‘Anselm’ Trailer: Wim Wenders Uses 3D & 6K Resolution To Bring The Iconic Artist’s Work To Audiences at The Playlist.
- 8/30/2023
- by Charles Barfield
- The Playlist
Check out the trailer for Wim Wenders’s Cannes-premiering 3D documentary Anselm, which follows German painter and sculptor Anselm Kiefer. His fourth feature shot in the format (with a fifth already in the works), Anselm will have its North American premiere at Telluride tomorrow. An official synopsis reads: In Anselm, Wim Wenders creates a portrait of Anselm Kiefer, one of the most innovative and important painters and sculptors of our time. Shot in 3D and 6K-resolution, the film presents a cinematic experience of the artist’s work which explores human existence and the cyclical nature of history, inspired by literature, poetry, philosophy, […]
The post Trailer Watch: Wim Wenders’s Anselm first appeared on Filmmaker Magazine.
The post Trailer Watch: Wim Wenders’s Anselm first appeared on Filmmaker Magazine.
- 8/30/2023
- by Natalia Keogan
- Filmmaker Magazine - Blog
Check out the trailer for Wim Wenders’s Cannes-premiering 3D documentary Anselm, which follows German painter and sculptor Anselm Kiefer. His fourth feature shot in the format (with a fifth already in the works), Anselm will have its North American premiere at Telluride tomorrow. An official synopsis reads: In Anselm, Wim Wenders creates a portrait of Anselm Kiefer, one of the most innovative and important painters and sculptors of our time. Shot in 3D and 6K-resolution, the film presents a cinematic experience of the artist’s work which explores human existence and the cyclical nature of history, inspired by literature, poetry, philosophy, […]
The post Trailer Watch: Wim Wenders’s Anselm first appeared on Filmmaker Magazine.
The post Trailer Watch: Wim Wenders’s Anselm first appeared on Filmmaker Magazine.
- 8/30/2023
- by Natalia Keogan
- Filmmaker Magazine-Director Interviews
Word on Wim Wenders’ Perfect Days is strong––stronger than any fiction feature he’s made since, God, who can even count. But though its Cannes premiere nabbed Koji Yakusho a Best Actor prize and U.S. acquisition, the festival screened another film I find far more intriguing: Anselm, his 3D- and 6K-shot docufiction concerning painter and sculptor Anselm Kiefer. Sideshow and Janus will release it on December 8, and ahead of its North American premiere at Telluride there is a trailer.
One in meager 2D and 1080p, but even under such conditions you can surmise the extents Wenders and Dp Franz Lustig went to create an immersive experience. This preview just moves in odd angles and high resolution, objects jutting towards the screen at an already-dizzying rate––seeing it big with four eyes has suddenly become a mandatory experience.
Find the preview below, and for more on the film read...
One in meager 2D and 1080p, but even under such conditions you can surmise the extents Wenders and Dp Franz Lustig went to create an immersive experience. This preview just moves in odd angles and high resolution, objects jutting towards the screen at an already-dizzying rate––seeing it big with four eyes has suddenly become a mandatory experience.
Find the preview below, and for more on the film read...
- 8/30/2023
- by Leonard Pearce
- The Film Stage
Alexander Payne’s “The Holdovers,” Elizabeth Chai Vasarhelyi and Jimmy Chin’s “Nyad,” Emerald Fennell’s “Saltburn” and George C. Wolfe’s “Rustin” are among the films that will screen at the 2023 Telluride Film Festival, Telluride organizers announced on Wednesday.
The festival begins on Thursday, only one day after the announcement of the lineup. The late notice is a tradition at Telluride, which sells out its passes every year without revealing what films will be playing in the Colorado mountain town — although as the Toronto International Film Festival has gotten more detailed in announcing the premiere status of its bookings, it’s been increasingly easy to read between the lines of Toronto releases to figure out what’s headed to Telluride.
(This year, for example, Payne’s “The Holdovers,” which reunites the director with his “Sideways” star Paul Giamatti, was listed as an international premiere by TIFF, which meant that...
The festival begins on Thursday, only one day after the announcement of the lineup. The late notice is a tradition at Telluride, which sells out its passes every year without revealing what films will be playing in the Colorado mountain town — although as the Toronto International Film Festival has gotten more detailed in announcing the premiere status of its bookings, it’s been increasingly easy to read between the lines of Toronto releases to figure out what’s headed to Telluride.
(This year, for example, Payne’s “The Holdovers,” which reunites the director with his “Sideways” star Paul Giamatti, was listed as an international premiere by TIFF, which meant that...
- 8/30/2023
- by Steve Pond
- The Wrap
Germany has announced its shortlist for the 2024 Oscars, naming the pool of 12 films from which it will select its official contender in the best international film category for the 96th Academy Awards.
The selection, unveiled by the national promotional body German Films on Monday, includes several critical darlings from this year’s Berlinale, among them the Christian Petzold romantic feature Afire, which won the Silver Bear Grand Jury prize; Ilker Çatak’s school drama The Teachers’ Lounge, the big winner at Germany’s national film awards, where it won six trophies, including for best film and best actress for star Leonie Benesch; Milena Aboyan’s Elaha, winner of Berlin’s Perspektive Deutsches Kino sidebar; and Frauke Finsterwalder’s Sisi & I, a feminist-look at an iconic Austrian Empress and her toxic relationship with her lady-in-waiting.
Perfect Days, the Japan-set drama from three-time German Oscar nominee Wim Wenders — an audience favorite in Cannes,...
The selection, unveiled by the national promotional body German Films on Monday, includes several critical darlings from this year’s Berlinale, among them the Christian Petzold romantic feature Afire, which won the Silver Bear Grand Jury prize; Ilker Çatak’s school drama The Teachers’ Lounge, the big winner at Germany’s national film awards, where it won six trophies, including for best film and best actress for star Leonie Benesch; Milena Aboyan’s Elaha, winner of Berlin’s Perspektive Deutsches Kino sidebar; and Frauke Finsterwalder’s Sisi & I, a feminist-look at an iconic Austrian Empress and her toxic relationship with her lady-in-waiting.
Perfect Days, the Japan-set drama from three-time German Oscar nominee Wim Wenders — an audience favorite in Cannes,...
- 8/14/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
One is Wim Wenders’ 3D doc ‘Anselm’.
Curzon has bolstered its UK and Ireland distribution slate with three pick-ups from Cannes including Wim Wenders’ 3D documentary Anselm from HanWay Films.
The film world premiered in Cannes’ Special Screenings, in addition to Wenders competition entry Perfect Days. The documentary explores the work of German artist Anselm Kiefer and was shot in 6K resolution over the course of two years.
Germany’s Road Movie produced the title.
‘Anselm’: Cannes Review
Anselm has also been picked up in the US by Sideshow and Janus Films and scored various international deals including France...
Curzon has bolstered its UK and Ireland distribution slate with three pick-ups from Cannes including Wim Wenders’ 3D documentary Anselm from HanWay Films.
The film world premiered in Cannes’ Special Screenings, in addition to Wenders competition entry Perfect Days. The documentary explores the work of German artist Anselm Kiefer and was shot in 6K resolution over the course of two years.
Germany’s Road Movie produced the title.
‘Anselm’: Cannes Review
Anselm has also been picked up in the US by Sideshow and Janus Films and scored various international deals including France...
- 6/29/2023
- by Ellie Calnan
- ScreenDaily
The 2023 Cannes Market is behind us, and like clockwork, Neon managed to buy the winner of the Palme d’Or for the fourth straight year, Justine Triet’s “Anatomy of a Fall.”
But that wasn’t the only major sale. This year’s Marché du Film netted major domestic deals for some of the buzziest competition titles such as Todd Haynes’ “May December” and Aki Kaurismäki’s “Fallen Leaves,” as well as hot packages like “Paddington 3.” But uncertainty over the writers strike still loomed large, and distributors favored completed projects over packages.
Below are some of the deals we’ve tracked out of Cannes so far, and we’ll be updating this space with more sales as they come in.
Title: “Anselm”
Section: Special Screenings
Distributor: Sideshow and Janus Films
Wim Wenders had not one but two separate films play at this year’s Cannes, and now each have found a home.
But that wasn’t the only major sale. This year’s Marché du Film netted major domestic deals for some of the buzziest competition titles such as Todd Haynes’ “May December” and Aki Kaurismäki’s “Fallen Leaves,” as well as hot packages like “Paddington 3.” But uncertainty over the writers strike still loomed large, and distributors favored completed projects over packages.
Below are some of the deals we’ve tracked out of Cannes so far, and we’ll be updating this space with more sales as they come in.
Title: “Anselm”
Section: Special Screenings
Distributor: Sideshow and Janus Films
Wim Wenders had not one but two separate films play at this year’s Cannes, and now each have found a home.
- 6/28/2023
- by Brian Welk
- Indiewire
HanWay Films closes raft of deals led by France, Germany, Australia, Benelux, China.
Sideshow and Janus Films have acquired all US rights to Wim Wenders’ documentary Anselm following its recent world premiere as a Special Screening in Cannes.
The partners plan a theatrical release on the feature, which chronicles the work of contemporary German artist Anselm Kiefer and was shot in 6K resolution and in 3D over the course of two years.
In addition to the US deal HanWay has closed a raft of international deals in: France (Films Du Losange), Germany (Dcm), Benelux (Cherry Pickers), Australia and New Zealand...
Sideshow and Janus Films have acquired all US rights to Wim Wenders’ documentary Anselm following its recent world premiere as a Special Screening in Cannes.
The partners plan a theatrical release on the feature, which chronicles the work of contemporary German artist Anselm Kiefer and was shot in 6K resolution and in 3D over the course of two years.
In addition to the US deal HanWay has closed a raft of international deals in: France (Films Du Losange), Germany (Dcm), Benelux (Cherry Pickers), Australia and New Zealand...
- 6/28/2023
- by Jeremy Kay
- ScreenDaily
Anselm, Wim Wenders’ doc on contemporary artist Anselm Kiefer that premiered this year at Cannes (one of two films the auteur had at the festival, alongside Perfect Days), has found a home in the U.S.
Sideshow and Janus Films have acquired the critically acclaimed feature, which Wenders shot at 6K resolution and in the 3D format he utilized in his Oscar-nominated Pina. The film — which bowed as a special screening in Cannes — is produced by Karsten Brünig for Road Movies and executive produced by Jeremy Thomas.
Sideshow and Janus Films are planning a theatrical release following fall festivals.
Anselm, which Wenders shot over the course of two years, dives deep into Kiefer’s work and reveals his life path, inspiration and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be...
Sideshow and Janus Films have acquired the critically acclaimed feature, which Wenders shot at 6K resolution and in the 3D format he utilized in his Oscar-nominated Pina. The film — which bowed as a special screening in Cannes — is produced by Karsten Brünig for Road Movies and executive produced by Jeremy Thomas.
Sideshow and Janus Films are planning a theatrical release following fall festivals.
Anselm, which Wenders shot over the course of two years, dives deep into Kiefer’s work and reveals his life path, inspiration and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be...
- 6/28/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Sideshow and Janus Films have snapped up all US rights to Wim Wenders’ Cannes title Anselm, a 3D documentary about the celebrated contemporary artist Anselm Kiefer.
Anselm debuted as a Special Screening at this year’s Cannes Film Festival. It was produced by Karsten Brünig for Road Movies and executive produced by Jeremy Thomas. HanWay repped on sales. Sideshow and Janus Films have said they are planning a theatrical release following fall festivals.
The acquisition re-teams HanWay and Jeremy Thomas with Sideshow and Janus Films after they collaborated on Jerzy Skolimowskli’s Eo, which was nominated for the Best International Feature Film Oscar. Attending their third Cannes since launching their partnership in 2021, Wenders’ Anselm is Sideshow and Janus Films’ third pick-up from this year’s festival. Past acquisitions include Ryusuke Hamaguchi’s Oscar-winning Drive My Car. Sideshow and Janus Films previously announced deals on Nuri Bilge Ceylan’s About Dy Grasses,...
Anselm debuted as a Special Screening at this year’s Cannes Film Festival. It was produced by Karsten Brünig for Road Movies and executive produced by Jeremy Thomas. HanWay repped on sales. Sideshow and Janus Films have said they are planning a theatrical release following fall festivals.
The acquisition re-teams HanWay and Jeremy Thomas with Sideshow and Janus Films after they collaborated on Jerzy Skolimowskli’s Eo, which was nominated for the Best International Feature Film Oscar. Attending their third Cannes since launching their partnership in 2021, Wenders’ Anselm is Sideshow and Janus Films’ third pick-up from this year’s festival. Past acquisitions include Ryusuke Hamaguchi’s Oscar-winning Drive My Car. Sideshow and Janus Films previously announced deals on Nuri Bilge Ceylan’s About Dy Grasses,...
- 6/28/2023
- by Zac Ntim
- Deadline Film + TV
German filmmaking legend Wim Wenders will head up this year’s competition jury for the Tokyo International Film Festival, organizers announced on Monday.
Wenders is currently riding high — and his long-running artistic connections to Japan are more apparent than ever. The director’s most recent feature, Perfect Days, recently premiered at Cannes in competition and was widely hailed as his finest fiction film in years. An intimate character study following a middle-aged Tokyo man who has pared his life down to a routine of service and small pleasures, it won Cannes best actor prize for its inimitable lead, veteran Japanese character actor Koji Yakusho. The Hollywood Reporter‘s critic summed the film up as simply, “ineffably lovely.”
Over a 55-year career in film, Wenders, now 77, has won many of world cinema’s highest honors, including the Golden Lion for The State of Things at the Venice Film Festival (1982); the Palme...
Wenders is currently riding high — and his long-running artistic connections to Japan are more apparent than ever. The director’s most recent feature, Perfect Days, recently premiered at Cannes in competition and was widely hailed as his finest fiction film in years. An intimate character study following a middle-aged Tokyo man who has pared his life down to a routine of service and small pleasures, it won Cannes best actor prize for its inimitable lead, veteran Japanese character actor Koji Yakusho. The Hollywood Reporter‘s critic summed the film up as simply, “ineffably lovely.”
Over a 55-year career in film, Wenders, now 77, has won many of world cinema’s highest honors, including the Golden Lion for The State of Things at the Venice Film Festival (1982); the Palme...
- 6/12/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
A few weeks back, Mubi Podcast host Rico Gagliano traveled to the Cannes Film Festival, camera crew in tow, to chat it up with a cross-section of filmmakers debuting their movies there.Our mini-season of Cannes conversations kicks off this week with legendary director Wim Wenders, talking about one of two films he premiered at the fest—the 3D documentary Anselm, which plunges the audience into the work of German fine artist Anselm Kiefer. Wenders explains why he loves making art about artists, and how Kiefer’s dark, often confrontational pieces are actually childlike.Watch all our upcoming Cannes interviews on YouTube or Spotify, or listen wherever you get your podcasts.SpotifyApple PodcastsStitcherGoogle PodcastsMore...
- 6/7/2023
- MUBI
The films were Ok but lacked some luster on the whole. The list of winners of the festival(s) follows. Women filmmakers swept most of the top awards from Competition to Un Certain Regard and Critics’ Week. The market was also Ok, but not great. Rights sold before the festival and during the festival are listed with the winning titles.
The disrupters, the big streamers, were in the background and theatrical rights were being acquired by indie distributors. France’s theatrical exhibition has sprung back to its pre-covid levels while others’ like Germany, Italy and the U.S. remain 30% below.
Read The Film Verdict Summation and Reviews of Cannes Ff 2003 here. Their summation in part:
The most common line heard on the Croisette was that the main section was stuffed with minor films from major directors, which does no one any favors. But there were happy exceptions, which included 83-year-old Marco Bellocchio’s dramatically exciting and thought-provoking Kidnapped, a summing-up of his many films dealing with the Catholic religion and how a child’s cultural identity is created beginning at a young age. Disappointingly, the jury led by two-time Palme d’Or winner Ruben Ostlund overlooked the film entirely when they awarded their prizes.Another classic director who returned in top form was 77-year-old Wim Wenders with two masterful films: Anselm, a ravishing 3D documentary portrait of artist Anselm Kiefer, and Perfect Days, a lyrical Japanese-language character study of a Tokyo toilet attendant. Justly winning the Best Actor prize for his Zen-like performance in the latter title was Koji Yakusho.Cannes Film Festival Winners:
Palme d’Or
Anatomy of a Fall, Directed by Justine Triet
Isa: MK2 rights sold pre-Cannes to France-Le Pacte; Hong Kong — Golden Scene; Italy-Teodora; Russia, Cis, Baltics-Provzglyad; Spain-Elastica, Filmin; Taiwan-Hooray; Turkey-Mars. Cannes: No. America-Neon; Brazil-Diamond; Switzerland-Cineworx; U.K./Ireland-Picturehouse
Grand Prix
The Zone of Interest, Directed by Jonathan Glazer
Isa: A24. No. America: A24.
Jury Prize
Fallen Leaves, Directed by Aki Kaurismaki
Isa: The Match Factory sold pre-Cannes rights to Austria/ Germany-Pandora; Baltics-a-One; Benelux-September; ex-Yugo-mcf; Finland-BPlan; France-Diaphana; Greece-Cinobo; Hungary-Cirko; Israel-Lev; Italy-Lucky Red; Japan-Eurospace; Norway-Arthause; Portugal-Midas; Sweden-Folkets Bio; Switzerland-Filmcoopi. Cannes sales to Latvia/ Lithuania-a One
Best Director
Tran Anh Hung for The Pot au Feu
Isa: Gaumont sold to Australia/ N.Z.-Rialto; Belgium-Athena; Brazil-Diamond; Canada-Mongrel; France-Gaumont; Germany-Weltkino; Hong Kong-First Distributors; Israel-Lev/ Shani; Italy-Lucky Red; Japan-Gaga; Portugal-Sun; Spain-a Contracorriente; Switzerland-Frenetic; Taiwan-Swallow Wings; U.K./ Ireland-Picturehouse; U.S.-Sun
Best Screenplay
Yuji Sakamoto for Monster directed by Kore-eda Hirokazu
Isa: Goodfellas and Gaga sold pre-Cannes to Australia/ N.Z.-Madman; Benelux, Surinam, Dutch Antilles-September; Finland-Cinema Mondo; Hungary-Cirko; Japan-Gaga. Cannes to Bulgaria-Beta; Ex-Yugo-mcf Megacom; Germany-Wild Bunch; Greece-Spentzos; India-Impact; Indonesia-Falcon; Israel-Lev/ Shani; Italy-Bim; Hong Kong-Edko; Japan-Toho; Poland-Best; Portugal-Midas; Singapore-Clover/ Golden Village; So. Korea-Media Castle; Spain-Vertigo; Sweden-Triart; Switzerland-Cineworx, Taiwan-Movie Cloud; Thailand-Sahamongkolfilm; Turkiye-Filmarti; U.K./ Ireland-Picturehouse; U.S.-Well Go/ Relativity
Best Actress
Merve Dizdar for About Dry Grasses directed by Nuri Bilge Ceylan
Isa Playtime sold pre-Cannes rights to Austria-Filmladen; Benelux, Surinam, Dutch Antilles-September; France-Memento; Italy-Movies Inspired, Taiwan-Swallow Wings. Cannes: Canada-Sphere; Turkey-Bir; U.K./ Ireland-Picturehouse; U.S.-Janus/ Criterion/ Sideshow
Best Actor
Kôji Yakusho for Perfect Days directed by Wim Wenders
Isa The Match Factory sold rights to Madman-Australia/ N.Z.; Artfest-Bulgaria; DDDream-China; Aerofilms-Czech & Slovakia; Haut et Court-France; Feelgood-Greece; Edko-Hong Kong; Cirko-Hungary; Lev-Israel; Lucky Red-Italy; Gutek-Poland; Alambique-Portugal; Bad Unicorn-Romania; A Contracorriente-Spain; Dcm-Switzerland; Applause-Taiwan; Mubi-Ireland, Turkiye, U.K., U.S.; Neon-u.S.
Palme d’Or for Best Short Film: 27, Directed by Flora Anna Buda
Special Mention to a Short Film: Far, Directed by Gunnur Martinsdottir Schluter
Un Certain Regard
Un Certain Regard Prize
How to Have Sex, Directed by Molly Manning Walker
Isa MK2 sold rights to Imagine-Benelux; Greece-Cinobo; N.Z.-Ahi; Russian World Vision-Russia; Turkiye, U.K./ Ireland, Italy, U.S.-Mubi
Jury Prize
Hounds, Directed by Kamal Lazraq
Isa Charades sold to Ad Vitam-France; Zabriskie-Spain
Best Director
Asmae El Moudir For The Mother of All Lies
Isa Autlook
New Voice Prize
Augure (Omen), Directed by Baloji Tshiani
Isa Memento
Ensemble Prize
The Buriti Flower, Directed by Joao Salaviza and Renée Nader Messora
Freedom Prize
Goodbye Julia, Directed by Mohamed Kordofani
Camera D’Or
Inside the Yellow Cocoon Shell, Directed by Thien An Pham
The Golden Eye Documentary Prize
Awarded ex aequo to: Four Daughters, Directed by Kaouther Ben Hania
and The Mother of All Lies, Directed by Asmae El Moudir
62nd LA Semaine De LA Critique
Grand Prize
Tiger Stripes, Directed by Amanda Nell Eu
French Touch Jury Prize to It’s Raining in the House, Directed by Paloma Sermon-Dai
Louis Roederer Foundation Rising Star Award to Jovan Ginic For Lost Country
Leitz Cine Discovery Prize for a Short Film to Bolero, Directed by Nans Laborde-Jourdàa
Gan Foundation Award for Distribution to Pyramide Films for Inshallah a Boy
Sacd Award to Iris Kaltenback, Writer of The Rapture
Canal+ Award for a Short Film to Bolero, Directed by Nans Laborde-Jourdàa
Fipresci International Competition: The Zone of Interest
Fipresci Un Certain Regard: The Settlers (Los Colonos)
Fipresci Directors’ Fortnight & Critics’ Week: Power Alley (Levante)
Ecumenical Jury Prize to Perfect Days, Directed by Wim Wenders
Queer Palm Award to Monster, Directed by Hirokazu Kore-Eda
Palme Dog to border collie Messie in Anatomy of a Fall...
The disrupters, the big streamers, were in the background and theatrical rights were being acquired by indie distributors. France’s theatrical exhibition has sprung back to its pre-covid levels while others’ like Germany, Italy and the U.S. remain 30% below.
Read The Film Verdict Summation and Reviews of Cannes Ff 2003 here. Their summation in part:
The most common line heard on the Croisette was that the main section was stuffed with minor films from major directors, which does no one any favors. But there were happy exceptions, which included 83-year-old Marco Bellocchio’s dramatically exciting and thought-provoking Kidnapped, a summing-up of his many films dealing with the Catholic religion and how a child’s cultural identity is created beginning at a young age. Disappointingly, the jury led by two-time Palme d’Or winner Ruben Ostlund overlooked the film entirely when they awarded their prizes.Another classic director who returned in top form was 77-year-old Wim Wenders with two masterful films: Anselm, a ravishing 3D documentary portrait of artist Anselm Kiefer, and Perfect Days, a lyrical Japanese-language character study of a Tokyo toilet attendant. Justly winning the Best Actor prize for his Zen-like performance in the latter title was Koji Yakusho.Cannes Film Festival Winners:
Palme d’Or
Anatomy of a Fall, Directed by Justine Triet
Isa: MK2 rights sold pre-Cannes to France-Le Pacte; Hong Kong — Golden Scene; Italy-Teodora; Russia, Cis, Baltics-Provzglyad; Spain-Elastica, Filmin; Taiwan-Hooray; Turkey-Mars. Cannes: No. America-Neon; Brazil-Diamond; Switzerland-Cineworx; U.K./Ireland-Picturehouse
Grand Prix
The Zone of Interest, Directed by Jonathan Glazer
Isa: A24. No. America: A24.
Jury Prize
Fallen Leaves, Directed by Aki Kaurismaki
Isa: The Match Factory sold pre-Cannes rights to Austria/ Germany-Pandora; Baltics-a-One; Benelux-September; ex-Yugo-mcf; Finland-BPlan; France-Diaphana; Greece-Cinobo; Hungary-Cirko; Israel-Lev; Italy-Lucky Red; Japan-Eurospace; Norway-Arthause; Portugal-Midas; Sweden-Folkets Bio; Switzerland-Filmcoopi. Cannes sales to Latvia/ Lithuania-a One
Best Director
Tran Anh Hung for The Pot au Feu
Isa: Gaumont sold to Australia/ N.Z.-Rialto; Belgium-Athena; Brazil-Diamond; Canada-Mongrel; France-Gaumont; Germany-Weltkino; Hong Kong-First Distributors; Israel-Lev/ Shani; Italy-Lucky Red; Japan-Gaga; Portugal-Sun; Spain-a Contracorriente; Switzerland-Frenetic; Taiwan-Swallow Wings; U.K./ Ireland-Picturehouse; U.S.-Sun
Best Screenplay
Yuji Sakamoto for Monster directed by Kore-eda Hirokazu
Isa: Goodfellas and Gaga sold pre-Cannes to Australia/ N.Z.-Madman; Benelux, Surinam, Dutch Antilles-September; Finland-Cinema Mondo; Hungary-Cirko; Japan-Gaga. Cannes to Bulgaria-Beta; Ex-Yugo-mcf Megacom; Germany-Wild Bunch; Greece-Spentzos; India-Impact; Indonesia-Falcon; Israel-Lev/ Shani; Italy-Bim; Hong Kong-Edko; Japan-Toho; Poland-Best; Portugal-Midas; Singapore-Clover/ Golden Village; So. Korea-Media Castle; Spain-Vertigo; Sweden-Triart; Switzerland-Cineworx, Taiwan-Movie Cloud; Thailand-Sahamongkolfilm; Turkiye-Filmarti; U.K./ Ireland-Picturehouse; U.S.-Well Go/ Relativity
Best Actress
Merve Dizdar for About Dry Grasses directed by Nuri Bilge Ceylan
Isa Playtime sold pre-Cannes rights to Austria-Filmladen; Benelux, Surinam, Dutch Antilles-September; France-Memento; Italy-Movies Inspired, Taiwan-Swallow Wings. Cannes: Canada-Sphere; Turkey-Bir; U.K./ Ireland-Picturehouse; U.S.-Janus/ Criterion/ Sideshow
Best Actor
Kôji Yakusho for Perfect Days directed by Wim Wenders
Isa The Match Factory sold rights to Madman-Australia/ N.Z.; Artfest-Bulgaria; DDDream-China; Aerofilms-Czech & Slovakia; Haut et Court-France; Feelgood-Greece; Edko-Hong Kong; Cirko-Hungary; Lev-Israel; Lucky Red-Italy; Gutek-Poland; Alambique-Portugal; Bad Unicorn-Romania; A Contracorriente-Spain; Dcm-Switzerland; Applause-Taiwan; Mubi-Ireland, Turkiye, U.K., U.S.; Neon-u.S.
Palme d’Or for Best Short Film: 27, Directed by Flora Anna Buda
Special Mention to a Short Film: Far, Directed by Gunnur Martinsdottir Schluter
Un Certain Regard
Un Certain Regard Prize
How to Have Sex, Directed by Molly Manning Walker
Isa MK2 sold rights to Imagine-Benelux; Greece-Cinobo; N.Z.-Ahi; Russian World Vision-Russia; Turkiye, U.K./ Ireland, Italy, U.S.-Mubi
Jury Prize
Hounds, Directed by Kamal Lazraq
Isa Charades sold to Ad Vitam-France; Zabriskie-Spain
Best Director
Asmae El Moudir For The Mother of All Lies
Isa Autlook
New Voice Prize
Augure (Omen), Directed by Baloji Tshiani
Isa Memento
Ensemble Prize
The Buriti Flower, Directed by Joao Salaviza and Renée Nader Messora
Freedom Prize
Goodbye Julia, Directed by Mohamed Kordofani
Camera D’Or
Inside the Yellow Cocoon Shell, Directed by Thien An Pham
The Golden Eye Documentary Prize
Awarded ex aequo to: Four Daughters, Directed by Kaouther Ben Hania
and The Mother of All Lies, Directed by Asmae El Moudir
62nd LA Semaine De LA Critique
Grand Prize
Tiger Stripes, Directed by Amanda Nell Eu
French Touch Jury Prize to It’s Raining in the House, Directed by Paloma Sermon-Dai
Louis Roederer Foundation Rising Star Award to Jovan Ginic For Lost Country
Leitz Cine Discovery Prize for a Short Film to Bolero, Directed by Nans Laborde-Jourdàa
Gan Foundation Award for Distribution to Pyramide Films for Inshallah a Boy
Sacd Award to Iris Kaltenback, Writer of The Rapture
Canal+ Award for a Short Film to Bolero, Directed by Nans Laborde-Jourdàa
Fipresci International Competition: The Zone of Interest
Fipresci Un Certain Regard: The Settlers (Los Colonos)
Fipresci Directors’ Fortnight & Critics’ Week: Power Alley (Levante)
Ecumenical Jury Prize to Perfect Days, Directed by Wim Wenders
Queer Palm Award to Monster, Directed by Hirokazu Kore-Eda
Palme Dog to border collie Messie in Anatomy of a Fall...
- 6/3/2023
- by Sydney
- Sydney's Buzz
The 2023 Cannes Film Festival’s documentary slate featured probes into human rights abuses and profiles of unsung visionaries. At least one movie falls into both categories. This year marks the second time that the L’Œil d’or, first presented in 2015, has gone to two films. It’s also the first time in 19 years that nonfiction has competed for the Palme d’Or. Do you think any of the following titles 10 should be on our radar come Oscar season?
See Cannes 2023 round-up: Top 25 movies to emerge from this year’s festival [Photos]
“Anita”
Anita Pallenberg is known by a small group, and still only as a muse rather than an actress, fashion icon and writer. Laird Borrelli-Persson (Vogue) describes her as a “troubled woman who has come close to being mythologized out of existence and sidelined by the juggernaut that is The Rolling Stones.” Alexis Bloom and Svetlana Zill made “Anita...
See Cannes 2023 round-up: Top 25 movies to emerge from this year’s festival [Photos]
“Anita”
Anita Pallenberg is known by a small group, and still only as a muse rather than an actress, fashion icon and writer. Laird Borrelli-Persson (Vogue) describes her as a “troubled woman who has come close to being mythologized out of existence and sidelined by the juggernaut that is The Rolling Stones.” Alexis Bloom and Svetlana Zill made “Anita...
- 6/2/2023
- by Ronald Meyer
- Gold Derby
Wim Wenders’ Tokyo-based Cannes Competition title Perfect Days has clocked a series of international deals for The Match Factory.
Deals reported include UK/Ireland/Latam/Turkey (Mubi), Australia/New Zealand (Madman), Benelux (Paradiso), China (DDDream), Italy (Lucky Red), Spain (A Contracorriente), Switzerland (Dcm), Baltics (A-One Baltics), Bulgaria (Art Fest), Cis (A-One), Czech Republic and Slovakia (Aerofilms), Former Yugoslavia (McF), Greece (Feelgood Entertainment), Hong Kong (Edko Films), Hungary (Cirko), Israel (Lev Cinemas), Poland (Gutek), Portugal (Alambique), Romania (Bad Unicorn), Scandinavia (Future Film) and Taiwan (Applause).
North American rights were previously sold to Neon, while France went to Haut et Court.
The official synopsis for the movie reads: Hirayama seems utterly content with his simple life as a cleaner of toilets in Tokyo. Outside of his very structured everyday routine he enjoys his passion for music and for books. And he loves trees and takes photos of them. A series of unexpected...
Deals reported include UK/Ireland/Latam/Turkey (Mubi), Australia/New Zealand (Madman), Benelux (Paradiso), China (DDDream), Italy (Lucky Red), Spain (A Contracorriente), Switzerland (Dcm), Baltics (A-One Baltics), Bulgaria (Art Fest), Cis (A-One), Czech Republic and Slovakia (Aerofilms), Former Yugoslavia (McF), Greece (Feelgood Entertainment), Hong Kong (Edko Films), Hungary (Cirko), Israel (Lev Cinemas), Poland (Gutek), Portugal (Alambique), Romania (Bad Unicorn), Scandinavia (Future Film) and Taiwan (Applause).
North American rights were previously sold to Neon, while France went to Haut et Court.
The official synopsis for the movie reads: Hirayama seems utterly content with his simple life as a cleaner of toilets in Tokyo. Outside of his very structured everyday routine he enjoys his passion for music and for books. And he loves trees and takes photos of them. A series of unexpected...
- 5/31/2023
- by Zac Ntim
- Deadline Film + TV
Documentary fans might be forgiven for nurturing a dream – that Cannes would follow the recent example of Venice and Berlin and award its top prize to a nonfiction film. Complete the documentary Triple Crown – the Golden Lion, the Golden Bear and the Palme d’or.
Alas, it wasn’t to be. On Saturday night, Cannes gave the gilded frond to a narrative-fiction film, as it generally does, Anatomy of a Fall. But perhaps the important thing is, the jury could have made the trifecta happen. Two documentaries appeared in main competition – Wang Bing’s Jeunesse (Youth) and Kaouther Ben Hania’s Four Daughters (Les Filles d’Olfa) – ending a nearly 20-year span in which no nonfiction film had been accorded the prestige of a competition slot. As they say about the lottery,...
Alas, it wasn’t to be. On Saturday night, Cannes gave the gilded frond to a narrative-fiction film, as it generally does, Anatomy of a Fall. But perhaps the important thing is, the jury could have made the trifecta happen. Two documentaries appeared in main competition – Wang Bing’s Jeunesse (Youth) and Kaouther Ben Hania’s Four Daughters (Les Filles d’Olfa) – ending a nearly 20-year span in which no nonfiction film had been accorded the prestige of a competition slot. As they say about the lottery,...
- 5/30/2023
- by Matthew Carey
- Deadline Film + TV
Wim Wenders, whose immersive 3D portrait of artist Anselm Kiefer, “Anselm,” had its world premiere at the Cannes Film Festival as a Special Screening, is a passionate advocate of the 3D format, which he believes engages the human brain in ways that 2D fails to do.
“You could just as well be brain dead in some movies, because the amount of brain activity is minimal. In 3D, however, your whole brain is aflame,” he tells Variety. “Parts of your brain are working to establish the space – which is something you’re doing yourself: you get two separate images on the screen and your brain is putting them together, just like you do in life with your two eyes. So, your brain is enormously active, but other parts of your brain are active as well – you are emotionally more involved as you are more ‘there’.
“In theaters, we get used to...
“You could just as well be brain dead in some movies, because the amount of brain activity is minimal. In 3D, however, your whole brain is aflame,” he tells Variety. “Parts of your brain are working to establish the space – which is something you’re doing yourself: you get two separate images on the screen and your brain is putting them together, just like you do in life with your two eyes. So, your brain is enormously active, but other parts of your brain are active as well – you are emotionally more involved as you are more ‘there’.
“In theaters, we get used to...
- 5/28/2023
- by Leo Barraclough
- Variety Film + TV
Anatomy of a Fall
Competition
Starring a sensational Sandra Hüller as a German novelist on trial for the murder of her husband, French director Justine Triet’s Palme d’Or winner is gripping and gratifyingly rich: part legal procedural, part portrait of a complicated woman, part snapshot of a marriage on the brink and part coming-of-age narrative. Above all, Anatomy of a Fall is about the essential unknowability of a person, of a relationship, and the perilous impossibility of trying to understand — whether it’s a child puzzling over his parents or a courtroom straining to make sense of an inscrutable suspect. — Jon Frosch
Anselm
Special Screenings
Wim Wenders’ latest 3D documentary offers a mesmerizing cinematic catalog of German painter-sculptor Anselm Kiefer’s deeply tactile, maximalist oeuvre. As in Pina, Wenders’ luminous 2011 tribute to the late dancer-choreographer Pina Bausch, the director makes the best possible case for art house theaters...
Competition
Starring a sensational Sandra Hüller as a German novelist on trial for the murder of her husband, French director Justine Triet’s Palme d’Or winner is gripping and gratifyingly rich: part legal procedural, part portrait of a complicated woman, part snapshot of a marriage on the brink and part coming-of-age narrative. Above all, Anatomy of a Fall is about the essential unknowability of a person, of a relationship, and the perilous impossibility of trying to understand — whether it’s a child puzzling over his parents or a courtroom straining to make sense of an inscrutable suspect. — Jon Frosch
Anselm
Special Screenings
Wim Wenders’ latest 3D documentary offers a mesmerizing cinematic catalog of German painter-sculptor Anselm Kiefer’s deeply tactile, maximalist oeuvre. As in Pina, Wenders’ luminous 2011 tribute to the late dancer-choreographer Pina Bausch, the director makes the best possible case for art house theaters...
- 5/28/2023
- by David Rooney, Jon Frosch, Sheri Linden, Lovia Gyarkye, Leslie Felperin and Jordan Mintzer
- The Hollywood Reporter - Movie News
Updated with latest: The Cannes Film Festival kicked off this year with opening-night movie Jeanne du Barry, and concluded Saturday evening with Justine Triet’s Anatomy of a Fall scooping the Palme d’Or. Deadline was on the ground to watch all the key films. Here is a compilation of our reviews from the fest, which last year saw Ruben Östlund’s Triangle of Sadness win the coveted top prize on its way to an Oscar Best Picture nomination.
Check out the reviews below, click on the titles to read them in full, and keep checking back as we add more.
About Dry Grasses ‘About Dry Grasses’
Section: Competition
Director: Nuri Bilge Ceylan
Cast: Deniz Celiloglu, Ece Bagci, Merve Dizdar, Musab Ekici
Deadline’s takeaway: For Nuri Bilge Ceylan’s many fans, this is another opportunity to slip into his world, spot his sly political references and subside for a...
Check out the reviews below, click on the titles to read them in full, and keep checking back as we add more.
About Dry Grasses ‘About Dry Grasses’
Section: Competition
Director: Nuri Bilge Ceylan
Cast: Deniz Celiloglu, Ece Bagci, Merve Dizdar, Musab Ekici
Deadline’s takeaway: For Nuri Bilge Ceylan’s many fans, this is another opportunity to slip into his world, spot his sly political references and subside for a...
- 5/27/2023
- by Pete Hammond, Damon Wise, Matthew Carey, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Exclusive: Neon is nearing a deal for North American rights to Cannes competition entry Perfect Days from The Match Factory in a deal pegged in the mid-to-high six figures.
The parties declined to comment.
Wim Wenders’ well-received Japan-set movie debuted today on the Croisette. The official synopsis for the movie reads: Hirayama seems utterly content with his simple life as a cleaner of toilets in Tokyo. Outside of his very structured everyday routine he enjoys his passion for music and for books. And he loves trees and takes photos of them. A series of unexpected encounters gradually reveal more of his past.
Starring are Koji Yakusho (Babel), newcomer Arisa Nakano, Tokio Emoto (Norwegian Wood), Yumi Aso (Carnation), Sayuri Ishikawa, Tomokazu Miura (Adrift in Tokyo), Aoi Yamada (Netflix series First Love) and veteran actor and dancer Min Tanaka (The Twilight Samurai).
Related: Cannes Film Festival 2023: All...
The parties declined to comment.
Wim Wenders’ well-received Japan-set movie debuted today on the Croisette. The official synopsis for the movie reads: Hirayama seems utterly content with his simple life as a cleaner of toilets in Tokyo. Outside of his very structured everyday routine he enjoys his passion for music and for books. And he loves trees and takes photos of them. A series of unexpected encounters gradually reveal more of his past.
Starring are Koji Yakusho (Babel), newcomer Arisa Nakano, Tokio Emoto (Norwegian Wood), Yumi Aso (Carnation), Sayuri Ishikawa, Tomokazu Miura (Adrift in Tokyo), Aoi Yamada (Netflix series First Love) and veteran actor and dancer Min Tanaka (The Twilight Samurai).
Related: Cannes Film Festival 2023: All...
- 5/25/2023
- by Andreas Wiseman and Mike Fleming Jr
- Deadline Film + TV
Volker Schlöndorff, director of the Oscar and Palme d’Or winning The Tin Drum (adapted from Günter Grass’s novel Die Blechtrommel) with Anne-Katrin Titze on Jonathan Coe’s research on a Billy Wilder film for Mr. Wilder And Me: “I told him everything I knew about Fedora and the shooting of Fedora in Munich.” Photo: Anne-Katrin Titze
Jonathan Coe’s imaginative and savvy novel, Mr. Wilder & Me, which centres on the making of Billy Wilder’s penultimate movie, Fedora, seen through the lens of a fictional Greek composer named Calista, credits Volker Schlöndorff as an important source.
Jonathan Coe’s Mr. Wilder And Me (Europa Editions), collection Anne-Katrin Titze Photo: Anne-Katrin Titze
I met Volker at the Austrian Cultural Forum’s Hedy Lamarr: Actress. Inventor. Viennese exhibition to discuss his role in the research for the novel, which led us into a wide-ranging conversation that included his documentary series Billy,...
Jonathan Coe’s imaginative and savvy novel, Mr. Wilder & Me, which centres on the making of Billy Wilder’s penultimate movie, Fedora, seen through the lens of a fictional Greek composer named Calista, credits Volker Schlöndorff as an important source.
Jonathan Coe’s Mr. Wilder And Me (Europa Editions), collection Anne-Katrin Titze Photo: Anne-Katrin Titze
I met Volker at the Austrian Cultural Forum’s Hedy Lamarr: Actress. Inventor. Viennese exhibition to discuss his role in the research for the novel, which led us into a wide-ranging conversation that included his documentary series Billy,...
- 5/25/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The 2023 Cannes Film Festival is jam-packed with buzzy world premieres, from Martin Scorsese’s “Killers of the Flower Moon” to Wes Anderson’s “Asteroid City.” Todd Haynes is also back to unveil “May December,” featuring the A-list pairing of Natalie Portman and Julianne Moore, while Disney is bringing Harrison Ford to the Croisette for “Indiana Jones and the Dial of Destiny.” New films from Pedro Almodovar, Jessica Hautner, Jonathan Glazer, Catherine Corsini, Hirokazu Kore-eda and more are also set to make their debuts at Cannes this year.
Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees,...
Cannes is often seen as a launching pad for Oscar season. Warner Bros. in 2022 kicked off its lengthy awards run for Baz Luhrmann’s “Elvis” on the French Riviera, with the film going on to land eight Academy Award nominations, including best picture. Palme d’Or winner “Triangle of Sadness” also picked up Oscar nods for best picture, director and original screenplay. Two international film nominees,...
- 5/24/2023
- by Zack Sharf
- Variety Film + TV
German filmmaker Wim Wenders has two new features in Cannes this year, one of which, Anselm, is a documentary portrait of German artist Anselm Kiefer. Like Pina (2011)—his filmed portrait of the late Tanztheater dancer and choreographer Pina Bausch—Anselm was shot and projected in 3D, reasserting Wenders’ dedication to the format at a time when few filmmakers in the industry not named James Cameron or Ang Lee continue to explore it. Kiefer’s work, like Bausch’s, is naturally accommodating to 3D photography. Filmed at various […]
The post “The Lumières Dreamt of 3D”: Wim Wenders on Anselm at Cannes 2023 first appeared on Filmmaker Magazine.
The post “The Lumières Dreamt of 3D”: Wim Wenders on Anselm at Cannes 2023 first appeared on Filmmaker Magazine.
- 5/24/2023
- by Blake Williams
- Filmmaker Magazine - Blog
German filmmaker Wim Wenders has two new features in Cannes this year, one of which, Anselm, is a documentary portrait of German artist Anselm Kiefer. Like Pina (2011)—his filmed portrait of the late Tanztheater dancer and choreographer Pina Bausch—Anselm was shot and projected in 3D, reasserting Wenders’ dedication to the format at a time when few filmmakers in the industry not named James Cameron or Ang Lee continue to explore it. Kiefer’s work, like Bausch’s, is naturally accommodating to 3D photography. Filmed at various […]
The post “The Lumières Dreamt of 3D”: Wim Wenders on Anselm at Cannes 2023 first appeared on Filmmaker Magazine.
The post “The Lumières Dreamt of 3D”: Wim Wenders on Anselm at Cannes 2023 first appeared on Filmmaker Magazine.
- 5/24/2023
- by Blake Williams
- Filmmaker Magazine-Director Interviews
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