Green Lantern’s out this Friday, and to mark the occasion, Glen takes another look at the work of its composer, James Newton Howard…
Having looked at James Newton Howard’s collaborations with M Night Shyamalan, and a couple of his other notable efforts last year, it was always my intention to dig in to the rest of his back catalogue at some point.
So, with his score set to accompany DC’s blockbuster adaptation of the Green Lantern, I thought that now would be the ideal opportunity.
The Fugitive
The Fugitive is a film I really need to revisit, if only to see if it’s still as enjoyable as I remember. If anything, at least I know that Howard’s percussion heavy score certainly holds up well nearly 20 years down the line. The score adds to the levels of tension, as it alternates between time signatures, with orchestral passages underpinning the score,...
Having looked at James Newton Howard’s collaborations with M Night Shyamalan, and a couple of his other notable efforts last year, it was always my intention to dig in to the rest of his back catalogue at some point.
So, with his score set to accompany DC’s blockbuster adaptation of the Green Lantern, I thought that now would be the ideal opportunity.
The Fugitive
The Fugitive is a film I really need to revisit, if only to see if it’s still as enjoyable as I remember. If anything, at least I know that Howard’s percussion heavy score certainly holds up well nearly 20 years down the line. The score adds to the levels of tension, as it alternates between time signatures, with orchestral passages underpinning the score,...
- 6/13/2011
- Den of Geek
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