‘No Visible Trauma’.
The Australian International Documentary Conference (Aidc) has announced 18 feature documentary and factual series projects that take part in its revamped FACTory pitching forum in March.
This year the FACTory will feature separate Forum pitches divided by genre categories, alongside a New Talent pitch, and a Rough Cut pitch.
The restructure has resulted in the largest ever number of FACTory projects accepted for pitching, with 18 projects spanning 12 different countries of production, including Canada, China, and India.
Producer and director teams in each Forum category and the New Talent pitch will present their projects in open forum sessions to curated groups of buyers, commissioners and distributors during Aidc 2020. Forum and New Talent pitches will be open to all Aidc pass-holders, while Rough Cut sessions will be accessible by decision makers only.
All projects in FACTory 2020 will also be eligible to win pitch prizes, including:
● A complete opening titles...
The Australian International Documentary Conference (Aidc) has announced 18 feature documentary and factual series projects that take part in its revamped FACTory pitching forum in March.
This year the FACTory will feature separate Forum pitches divided by genre categories, alongside a New Talent pitch, and a Rough Cut pitch.
The restructure has resulted in the largest ever number of FACTory projects accepted for pitching, with 18 projects spanning 12 different countries of production, including Canada, China, and India.
Producer and director teams in each Forum category and the New Talent pitch will present their projects in open forum sessions to curated groups of buyers, commissioners and distributors during Aidc 2020. Forum and New Talent pitches will be open to all Aidc pass-holders, while Rough Cut sessions will be accessible by decision makers only.
All projects in FACTory 2020 will also be eligible to win pitch prizes, including:
● A complete opening titles...
- 1/22/2020
- by jkeast
- IF.com.au
‘From Prison to Prime Minister’.
The Australian International Documentary Conference (Aidc) has unveiled the 10 feature documentary and factual series finalists that will present at its FACTory International Pitching Forum.
Producer and director teams will pitch each project to an assembled group of top-level buyers, commissioners, and distributors at Federation Square’s Deakin Edge Auditorium, receiving expert industry feedback and potentially sealing financing deals on the spot. The live forum, to be held March 5, is open to all Aidc delegates and the public.
The full list of finalists:
29 Years Eight Days
An intimate portrait of internationally renowned Australian artist Matt Doust, who died suddenly from an epileptic fit in 2013.
Director: Matt de Koning
Producer, Co-Director: Brooke Silcox
Executive Producer: Ian Hale
(Australia)
A Place To Stand
A deeply personal journey investigating how violence manifests in relationships, families, and communities, by seeking to uncover the secrets surrounding a horrific tragedy.
Director: Tess Hutson...
The Australian International Documentary Conference (Aidc) has unveiled the 10 feature documentary and factual series finalists that will present at its FACTory International Pitching Forum.
Producer and director teams will pitch each project to an assembled group of top-level buyers, commissioners, and distributors at Federation Square’s Deakin Edge Auditorium, receiving expert industry feedback and potentially sealing financing deals on the spot. The live forum, to be held March 5, is open to all Aidc delegates and the public.
The full list of finalists:
29 Years Eight Days
An intimate portrait of internationally renowned Australian artist Matt Doust, who died suddenly from an epileptic fit in 2013.
Director: Matt de Koning
Producer, Co-Director: Brooke Silcox
Executive Producer: Ian Hale
(Australia)
A Place To Stand
A deeply personal journey investigating how violence manifests in relationships, families, and communities, by seeking to uncover the secrets surrounding a horrific tragedy.
Director: Tess Hutson...
- 1/29/2019
- by jkeast
- IF.com.au
‘Gurrumul’
While Australian feature documentaries are punching above their weight at home and internationally, leading filmmakers say the sector is facing several daunting challenges.
Some are critical of Screen Australia’s continued funding of TV programs based on overseas formats. Others lament the lack of support for one-off docs from Sbs and the ABC.
And there is widespread dissatisfaction with the federal government’s inaction over imposing local content quota obligations on streaming services.
“Despite the digital era presenting new opportunities, most of us working in the sector are facing a grim and uncertain future,” veteran filmmaker Tom Zubrycki tells If.
“Fashioning a career from making documentaries has never been easy. As one colleague commented: ‘We are awaiting the new dawn, it’s not there yet.’”
Australian Directors Guild CEO Kingston Anderson observes: “Australian documentary directors are producing world class documentaries in cinemas and on television. But the continued increase...
While Australian feature documentaries are punching above their weight at home and internationally, leading filmmakers say the sector is facing several daunting challenges.
Some are critical of Screen Australia’s continued funding of TV programs based on overseas formats. Others lament the lack of support for one-off docs from Sbs and the ABC.
And there is widespread dissatisfaction with the federal government’s inaction over imposing local content quota obligations on streaming services.
“Despite the digital era presenting new opportunities, most of us working in the sector are facing a grim and uncertain future,” veteran filmmaker Tom Zubrycki tells If.
“Fashioning a career from making documentaries has never been easy. As one colleague commented: ‘We are awaiting the new dawn, it’s not there yet.’”
Australian Directors Guild CEO Kingston Anderson observes: “Australian documentary directors are producing world class documentaries in cinemas and on television. But the continued increase...
- 1/10/2019
- by The IF Team
- IF.com.au
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