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Released on Netflix in 2020 after premiering at Cannes the year before, An Easy Girl was an under-the-radar treat — a South-of-France-set coming-of-age film so lusciously tactile and perceptive it felt like a classic as soon as the closing credits began to roll. The writer-director, Rebecca Zlotowski, is back with a more conventional but equally winning work in Venice competition entry Other People’s Children (Les enfants des autres), confirming her gift for investing familiar formulas with freshness and charm, smarts and sexiness.
Anchored by a superb Virginie Efira (Benedetta) as a 40ish high-school teacher whose bond with her boyfriend’s daughter awakens a complicated mix of maternal yearning and midlife frustration, the movie has the typical contours of contemporary Parisian romantic dramedy: Good-looking people embrace, talk, smoke, sip wine, attend casually chic soirees, and embrace some more against the backdrop of a glittering Eiffel Tower...
Released on Netflix in 2020 after premiering at Cannes the year before, An Easy Girl was an under-the-radar treat — a South-of-France-set coming-of-age film so lusciously tactile and perceptive it felt like a classic as soon as the closing credits began to roll. The writer-director, Rebecca Zlotowski, is back with a more conventional but equally winning work in Venice competition entry Other People’s Children (Les enfants des autres), confirming her gift for investing familiar formulas with freshness and charm, smarts and sexiness.
Anchored by a superb Virginie Efira (Benedetta) as a 40ish high-school teacher whose bond with her boyfriend’s daughter awakens a complicated mix of maternal yearning and midlife frustration, the movie has the typical contours of contemporary Parisian romantic dramedy: Good-looking people embrace, talk, smoke, sip wine, attend casually chic soirees, and embrace some more against the backdrop of a glittering Eiffel Tower...
- 9/4/2022
- by Jon Frosch
- The Hollywood Reporter - Movie News
Some films spring from abundance, while others are born of a need. Premiering in competition in Venice, Rebecca Zlotowski’s “Other People’s Children” clearly falls into the latter camp. “I’ve often used cinema as a guide for living, only aspects of my own life hadn’t been told,” Zlotowski tells Variety. “I imagined a 40-year-old woman, nearing the end of her fertility, who is a stepmother to others, and thought, why hadn’t we seen that character before?”
Filling in the missing pieces, Zlotowski’s romantic drama follows Rachel (Virginie Efira), a Parisian high school teacher who feels a sudden and unrealized desire for maternity when she falls in love with a recent divorcé – and with him, his four-year-old daughter. Tinged in bittersweet tones, the film tracks the ecstasies of a new and all-enveloping love affair and the tradeoffs that arrive with mid-life relationships. Because in this particular love-triangle...
Filling in the missing pieces, Zlotowski’s romantic drama follows Rachel (Virginie Efira), a Parisian high school teacher who feels a sudden and unrealized desire for maternity when she falls in love with a recent divorcé – and with him, his four-year-old daughter. Tinged in bittersweet tones, the film tracks the ecstasies of a new and all-enveloping love affair and the tradeoffs that arrive with mid-life relationships. Because in this particular love-triangle...
- 9/4/2022
- by Ben Croll
- Variety Film + TV
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