Exclusive: The Gotham Film & Media Institute and So’B Productions have set the participants and mentors for the inaugural edition of the Gotham Edu Executive Leadership Program.
The new initiative is designed to help undergrad students of color, who identify as women or nonbinary, advance to careers in communications, marketing, and development within the film and media industry. It’s funded with support from So’B Productions — the production company of award-winning journalist, documentarian and producer Soledad O’Brien.
The students named to the program’s first cohort are Ashleigh Brabham (Winston Salem State University), Neema Griffin (Spelman College) and Madysen Scott (Hampton University). They were selected from a pool of 28 students, repping 13 colleges and universities. Senior industry execs who will serve as mentors to the trio are Neon/Super’s Darcy Heusel, Netflix’s Nyle Washington and Firelight Media’s Chloë Walters-Wallace.
The Gotham Edu Executive Leadership Program kicks off...
The new initiative is designed to help undergrad students of color, who identify as women or nonbinary, advance to careers in communications, marketing, and development within the film and media industry. It’s funded with support from So’B Productions — the production company of award-winning journalist, documentarian and producer Soledad O’Brien.
The students named to the program’s first cohort are Ashleigh Brabham (Winston Salem State University), Neema Griffin (Spelman College) and Madysen Scott (Hampton University). They were selected from a pool of 28 students, repping 13 colleges and universities. Senior industry execs who will serve as mentors to the trio are Neon/Super’s Darcy Heusel, Netflix’s Nyle Washington and Firelight Media’s Chloë Walters-Wallace.
The Gotham Edu Executive Leadership Program kicks off...
- 1/10/2023
- by Matt Grobar
- Deadline Film + TV
Neon is getting in bed with “Sanctuary.”
Super, the boutique distribution label from Neon, has officially whipped up the distribution rights to dominatrix drama “Sanctuary” starring Margaret Qualley and Christopher Abbott.
Penned by “Homecoming” co-creator Micah Bloomberg and directed by SXSW “The Heart Machine” helmer Zachary Wigon, “Sanctuary” takes place over the course of one night in a hotel room where Rebecca (Qualley) seduces her elite client Hal (Abbott) to disastrous ends. Hal attempts to terminate his relationship with Rebecca, as he is poised to inherit his late father’s professional position and fortune, but Rebecca has other ideas in store for how to punish him for daring to cross her. What’s the safe word, again?
Super beat out three other distribution banners for “Sanctuary” after its critically acclaimed premiere at 2022 TIFF.
“Sanctuary” is a Rumble Films Production in association with Charades, Mosaic Films and Hype Studios. The film...
Super, the boutique distribution label from Neon, has officially whipped up the distribution rights to dominatrix drama “Sanctuary” starring Margaret Qualley and Christopher Abbott.
Penned by “Homecoming” co-creator Micah Bloomberg and directed by SXSW “The Heart Machine” helmer Zachary Wigon, “Sanctuary” takes place over the course of one night in a hotel room where Rebecca (Qualley) seduces her elite client Hal (Abbott) to disastrous ends. Hal attempts to terminate his relationship with Rebecca, as he is poised to inherit his late father’s professional position and fortune, but Rebecca has other ideas in store for how to punish him for daring to cross her. What’s the safe word, again?
Super beat out three other distribution banners for “Sanctuary” after its critically acclaimed premiere at 2022 TIFF.
“Sanctuary” is a Rumble Films Production in association with Charades, Mosaic Films and Hype Studios. The film...
- 9/23/2022
- by Samantha Bergeson
- Indiewire
Super, the boutique distribution label from Neon, has acquired the U.S. rights to “Sanctuary,” a thriller about a dominatrix starring Margaret Qualley that made its world premiere at this year’s Toronto International Film Festival.
Zachary Wigon directs the film that also stars Christopher Abbott; it is Super’s second acquisition out of TIFF after it also picked up Alice Diop’s “Saint Omer,” which first premiered at Venice.
In “Sanctuary,” a dominatrix (Qualley) and her wealthy client (Abbott) engage in a battle of wills inside a luxury hotel suite after he tries to end their relationship. Over the course of one emotionally fraught night, the balance of power swings back and forth as each seeks to gain the upper hand. Is he hopelessly overmatched? Or is her wildly unpredictable behavior all part of an elaborate game? Micah Bloomberg wrote the script.
Also Read:
Venice Prizewinner ‘Saint Omer’ Acquired...
Zachary Wigon directs the film that also stars Christopher Abbott; it is Super’s second acquisition out of TIFF after it also picked up Alice Diop’s “Saint Omer,” which first premiered at Venice.
In “Sanctuary,” a dominatrix (Qualley) and her wealthy client (Abbott) engage in a battle of wills inside a luxury hotel suite after he tries to end their relationship. Over the course of one emotionally fraught night, the balance of power swings back and forth as each seeks to gain the upper hand. Is he hopelessly overmatched? Or is her wildly unpredictable behavior all part of an elaborate game? Micah Bloomberg wrote the script.
Also Read:
Venice Prizewinner ‘Saint Omer’ Acquired...
- 9/23/2022
- by Brian Welk
- The Wrap
Super, the boutique distribution label from Neon, has bought U.S. rights to “Sanctuary,” Zachary Wigon’s much-buzzed-about thriller starring Margaret Qualley as a dominatrix who becomes entangled with a wealthy client, played by Christopher Abbott.
The movie world premiered at Toronto, where it earned strong reviews (it currently holds a 93 “fresh” rating on Rotten Tomatoes). The acquisition of “Sanctuary” underscores Neon’s ambition to scale up its Super label with higher-profile titles. The company beat out three other distribution banners that bid for the movie, according to a source close to the production.
The film unfolds over the course of one night in a luxury hotel suite. “Sanctuary” tells the story of Rebecca and her client, Hal, who is about to inherit his late father’s position and fortune. When Hal’s attempt to cut ties backfires, the two find themselves in a struggle for control as each seeks to gain the upper hand.
The movie world premiered at Toronto, where it earned strong reviews (it currently holds a 93 “fresh” rating on Rotten Tomatoes). The acquisition of “Sanctuary” underscores Neon’s ambition to scale up its Super label with higher-profile titles. The company beat out three other distribution banners that bid for the movie, according to a source close to the production.
The film unfolds over the course of one night in a luxury hotel suite. “Sanctuary” tells the story of Rebecca and her client, Hal, who is about to inherit his late father’s position and fortune. When Hal’s attempt to cut ties backfires, the two find themselves in a struggle for control as each seeks to gain the upper hand.
- 9/23/2022
- by Elsa Keslassy and Brent Lang
- Variety Film + TV
Neon’s boutique label Super has secured U.S. rights to Alice Diop’s acclaimed drama Saint Omer, following its world premiere earlier this month at the Venice Film Festival, where the film won the Silver Lion Grand Jury Prize, as well as the Luigi De Laurentiis Lion of the Future Award for Best Debut Feature.
Inspired by a true story, Saint Omer is billed as a contemporary version of the Medea myth. The film follows the novelist Rama (Kayije Kagame) as she attends the trial of Laurence Coly (Guslagie Malanga), a young woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. As the trial continues, the words of the accused and witness testimonies will shake Rama’s convictions and call into question our own judgment.
One of just four films selected to competition this year at the Venice,...
Inspired by a true story, Saint Omer is billed as a contemporary version of the Medea myth. The film follows the novelist Rama (Kayije Kagame) as she attends the trial of Laurence Coly (Guslagie Malanga), a young woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. As the trial continues, the words of the accused and witness testimonies will shake Rama’s convictions and call into question our own judgment.
One of just four films selected to competition this year at the Venice,...
- 9/16/2022
- by Matt Grobar
- Deadline Film + TV
Super, the boutique distribution label from Neon, has acquired U.S. rights to Alice Diop’s “Saint Omer” after it won the Silver Lion Grand Jury prize in Venice along with the Luigi De Laurentiis Lion of the Future award.
“Saint Omer” was recently shortlisted for France’s submission to the Academy Awards and will premiere at the New York Film Festival and play the BFI London Festival. Neon plans a theatrical release.
“Saint Omer” is Diop’s debut fiction feature, which she co-wrote with Amrita David and Marie NDiaye, and it stars Kayije Kagame, Guslagie Malanda, Valérie Dréville and Aurélia Petit. Toufik Ayadi and Christophe Barral of Srab Films produced alongside Arte France Cinéma and Pictanovo Hauts-de-France.
Inspired by a true story, “Saint Omer” revolves around Rama, a young novelist who attends the trial of a women who is accused of killing her 15-month-old daughter by abandoning her on a beach.
“Saint Omer” was recently shortlisted for France’s submission to the Academy Awards and will premiere at the New York Film Festival and play the BFI London Festival. Neon plans a theatrical release.
“Saint Omer” is Diop’s debut fiction feature, which she co-wrote with Amrita David and Marie NDiaye, and it stars Kayije Kagame, Guslagie Malanda, Valérie Dréville and Aurélia Petit. Toufik Ayadi and Christophe Barral of Srab Films produced alongside Arte France Cinéma and Pictanovo Hauts-de-France.
Inspired by a true story, “Saint Omer” revolves around Rama, a young novelist who attends the trial of a women who is accused of killing her 15-month-old daughter by abandoning her on a beach.
- 9/16/2022
- by Pat Saperstein
- Variety Film + TV
Super has taken North American rights to Colm Bairéad’s award-winning drama The Quiet Girl (An Cailín Ciúin), which was recently announced as Ireland’s entry for Best International Feature Film at the 95th Academy Awards and selected for the 2022 European Film Awards.
The film is based on the story “Foster” by Irish author Claire Keegan, who has just been shortlisted for the Booker Prize. It’s set in rural Ireland in 1981 and follows the quiet, neglected girl, Cáit (Catherine Clinch), who is sent away from her overcrowded, dysfunctional family to live with her mother’s relatives for the summer. She blossoms in their care, but in this house where there are meant to be no secrets, she discovers one painful truth.
The Quiet Girl premiered at this year’s Berlin Film Festival, where it won the Grand Prix of the Generation Kplus International Jury for Best Film. It then...
The film is based on the story “Foster” by Irish author Claire Keegan, who has just been shortlisted for the Booker Prize. It’s set in rural Ireland in 1981 and follows the quiet, neglected girl, Cáit (Catherine Clinch), who is sent away from her overcrowded, dysfunctional family to live with her mother’s relatives for the summer. She blossoms in their care, but in this house where there are meant to be no secrets, she discovers one painful truth.
The Quiet Girl premiered at this year’s Berlin Film Festival, where it won the Grand Prix of the Generation Kplus International Jury for Best Film. It then...
- 9/8/2022
- by Matt Grobar
- Deadline Film + TV
Think of it as the boutique label’s boutique label.
Super Ltd., the distributor of the Oscar-nominated “Quo Vadis, Aida?,” is an offshoot of “Parasite” producer Neon, and was launched to handle more experimental work. It’s not that Neon, which has made a name for itself with indie hits like “I, Tonya” and “Border,” is in the business of backing franchise fare, but Darcy Heusel and Dan O’Meara, Super Ltd.’s founders, say the label’s small size has helped them provide a personalized touch for movies that might struggle to find an audience. In the case of “Quo Vadis, Aida?,” a searing drama about a U.N. translator who works to save a family during the Bosnian war, that meant conceiving a distribution plan and launching an awards season strategy within six weeks of the film being acquired.
“We’re lean and mean,” says O’Meara. “Because...
Super Ltd., the distributor of the Oscar-nominated “Quo Vadis, Aida?,” is an offshoot of “Parasite” producer Neon, and was launched to handle more experimental work. It’s not that Neon, which has made a name for itself with indie hits like “I, Tonya” and “Border,” is in the business of backing franchise fare, but Darcy Heusel and Dan O’Meara, Super Ltd.’s founders, say the label’s small size has helped them provide a personalized touch for movies that might struggle to find an audience. In the case of “Quo Vadis, Aida?,” a searing drama about a U.N. translator who works to save a family during the Bosnian war, that meant conceiving a distribution plan and launching an awards season strategy within six weeks of the film being acquired.
“We’re lean and mean,” says O’Meara. “Because...
- 4/21/2021
- by Brent Lang
- Variety Film + TV
Super Ltd, Neon’s boutique label, has acquired the North American rights to “Quo Vadis, Aida?,” which is Bosnia and Herzegovina’s official submission into the Oscar race.
The film made the shortlist for Best International Feature and was also nominated for an Independent Spirit Award. Jasmila Zbanic directed “Quo Vadis, Aida?,” which first premiered at Venice and won three prizes out of the festival before next playing at Toronto.
The movie is based on real events and is set in the Bosnian summer of 1995 during the Serbian occupation of Srebrenica, declared to be safe zone by the United Nations. Aida works as a translator for the Un peacekeeping task force in charge of a camp where her husband and two sons are being held along with thousands of other Bosnian citizens. Aida quickly gains access to crucial information she needs to translate, while the Serbian army gets closer to overtaking the camp.
The film made the shortlist for Best International Feature and was also nominated for an Independent Spirit Award. Jasmila Zbanic directed “Quo Vadis, Aida?,” which first premiered at Venice and won three prizes out of the festival before next playing at Toronto.
The movie is based on real events and is set in the Bosnian summer of 1995 during the Serbian occupation of Srebrenica, declared to be safe zone by the United Nations. Aida works as a translator for the Un peacekeeping task force in charge of a camp where her husband and two sons are being held along with thousands of other Bosnian citizens. Aida quickly gains access to crucial information she needs to translate, while the Serbian army gets closer to overtaking the camp.
- 2/19/2021
- by Brian Welk
- The Wrap
Neon’s boutique label Super Ltd has picked up North American rights to buzzy Bosnian drama Quo Vadis, Aida?, which is on this year’s shortlist for the International Oscar.
Directed by Jasmila Žbanić, the movie debuted at Venice and also screened at Toronto. It stars Jasna Djuricic and is set in the Bosnian summer of 1995 during the Serbian occupation of Srebrenica, declared to be safe zone by the United Nations. Aida works as a translator for the Un peacekeeping task force in charge of a camp where her husband and two sons are being held along with thousands of other Bosnian citizens. The pic is also nominated for an Independent Spirit Award.
Dan O’Meara and Darcy Heusel negotiated the deal for Super Ltd with Nicolas Eschbach and Simon Gabriele of Indie Sales.
Movie was produced by Sarajevo-based Deblokada, in co-production with coop99 filmproduktion (Austria), Digital Cube (Romania), N...
Directed by Jasmila Žbanić, the movie debuted at Venice and also screened at Toronto. It stars Jasna Djuricic and is set in the Bosnian summer of 1995 during the Serbian occupation of Srebrenica, declared to be safe zone by the United Nations. Aida works as a translator for the Un peacekeeping task force in charge of a camp where her husband and two sons are being held along with thousands of other Bosnian citizens. The pic is also nominated for an Independent Spirit Award.
Dan O’Meara and Darcy Heusel negotiated the deal for Super Ltd with Nicolas Eschbach and Simon Gabriele of Indie Sales.
Movie was produced by Sarajevo-based Deblokada, in co-production with coop99 filmproduktion (Austria), Digital Cube (Romania), N...
- 2/19/2021
- by Tom Grater
- Deadline Film + TV
Bosnia and Herzegovina’s Oscar submission revisits events leading up to Srebrenica massacre.
Super Ltd has acquired North American rights from Indie Sales to Jasmila Zbanic’s Oscar shortlisted award-winning drama Quo Vadis, Aida?
Bosnia and Herzegovina’s Oscar submission revisits events leading up to the Srebrenica massacre during the Bosnian War in 1995.
Jasna Duricic stars as a local teacher-turned-interpreter for the Un on a desperate mission to save her two sons and husband when the Serbian army rolls into town.
Dan O’Meara and Darcy Heusel negotiated the deal for Neon’s boutique division and incubator Super Ltd with...
Super Ltd has acquired North American rights from Indie Sales to Jasmila Zbanic’s Oscar shortlisted award-winning drama Quo Vadis, Aida?
Bosnia and Herzegovina’s Oscar submission revisits events leading up to the Srebrenica massacre during the Bosnian War in 1995.
Jasna Duricic stars as a local teacher-turned-interpreter for the Un on a desperate mission to save her two sons and husband when the Serbian army rolls into town.
Dan O’Meara and Darcy Heusel negotiated the deal for Neon’s boutique division and incubator Super Ltd with...
- 2/19/2021
- by Jeremy Kay
- ScreenDaily
Theo Anthony’s documentary All Light, Everywhere, which took home the Special Jury Prize for Non-Fiction Experimentation at this year’s Sundance Film Festival, has been picked by Neon’s boutique division Super Ltd. The distributor has taken the pic’s North American rights.
Written, directed and edited by Anthony, All Light, Everywhere explores the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.
All Light, Everywhere reps Anthony’s second feature after Rat Film, which received critical acclaim following its premiere at the Locarno and True/ False Film Festivals, and was nominated for a 2017 Gotham Award for Best Documentary Feature film as well as Cinema Eye Honors for Best Debut Feature.
Ayo Kepher-Maat and Jeff Deutchman negotiated the deal...
Written, directed and edited by Anthony, All Light, Everywhere explores the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.
All Light, Everywhere reps Anthony’s second feature after Rat Film, which received critical acclaim following its premiere at the Locarno and True/ False Film Festivals, and was nominated for a 2017 Gotham Award for Best Documentary Feature film as well as Cinema Eye Honors for Best Debut Feature.
Ayo Kepher-Maat and Jeff Deutchman negotiated the deal...
- 2/17/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Neon’s boutique division and incubator Super Ltd has acquired the North American rights to “All Lights, Everywhere,” a documentary that premiered at Sundance about the history of police body cameras and surveillance and their roles in justice.
The documentary directed by Theo Anthony won the Special Jury Prize for Non-Fiction Experimentation at this year’s Sundance. Anthony wrote, directed and edited the film, and “All Lights, Everywhere” is a production of Memory in association with Sandbox Films.
“All Light, Everywhere” is an exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.
This is Anthony’s second feature following 2017’s “Rat Film” that was nominated for a Gotham Award and uses a rat problem in Baltimore in...
The documentary directed by Theo Anthony won the Special Jury Prize for Non-Fiction Experimentation at this year’s Sundance. Anthony wrote, directed and edited the film, and “All Lights, Everywhere” is a production of Memory in association with Sandbox Films.
“All Light, Everywhere” is an exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.
This is Anthony’s second feature following 2017’s “Rat Film” that was nominated for a Gotham Award and uses a rat problem in Baltimore in...
- 2/17/2021
- by Brian Welk
- The Wrap
Neon has made its second acquisition of the Sundance Film Festival with Jamila Wignot’s Ailey, about dance legend Alvin Ailey.
The film debuted at the festival yesterday in the U.S. Documentary Competition section. The documentary explores Ailey’s life and his connection to the present dance company that bears his name with never-before-heard audio interviews recorded in the last year of his life and rare dance performances by the Ailey Company. Ailey found salvation through dance and he pioneered choreography centering on African American experiences. He endured racism and homophobia; addiction and mental illness.
Darcy Heusel, Neon’s Head of Impact and Audience Engagement, remarked “Ailey is a searing and inspirational account of a visionary artistic genius who used his gift of dance and movement to express the Black American experience. Jamila Wignot has created an indelible portrait of both the artist and his work and Neon is...
The film debuted at the festival yesterday in the U.S. Documentary Competition section. The documentary explores Ailey’s life and his connection to the present dance company that bears his name with never-before-heard audio interviews recorded in the last year of his life and rare dance performances by the Ailey Company. Ailey found salvation through dance and he pioneered choreography centering on African American experiences. He endured racism and homophobia; addiction and mental illness.
Darcy Heusel, Neon’s Head of Impact and Audience Engagement, remarked “Ailey is a searing and inspirational account of a visionary artistic genius who used his gift of dance and movement to express the Black American experience. Jamila Wignot has created an indelible portrait of both the artist and his work and Neon is...
- 2/1/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Neon has acquired its second film out of the 2021 Sundance Film Festival: Jamila Wignot’s “Ailey,” about dance legend Alvin Ailey.
The film, which debuted at the festival on Saturday to critical acclaim, includes never-before-heard audio interviews recorded in the last year of his life, with rare dance performances by the Ailey Company.
Ailey was a visionary artist who founded one of the world’s most renowned dance companies — the Alvin Ailey American Dance Theater — at age 27.
“Ailey is a searing and inspirational account of a visionary artistic genius who used his gift of dance and movement to express the Black American experience,” Darcy Heusel, Neon’s head of impact and audience engagement, said in a statement. “Jamila Wignot has created an indelible portrait of both the artist and his work and Neon is thrilled to be part of continuing his legacy by bringing this remarkable film to theaters across the country.
The film, which debuted at the festival on Saturday to critical acclaim, includes never-before-heard audio interviews recorded in the last year of his life, with rare dance performances by the Ailey Company.
Ailey was a visionary artist who founded one of the world’s most renowned dance companies — the Alvin Ailey American Dance Theater — at age 27.
“Ailey is a searing and inspirational account of a visionary artistic genius who used his gift of dance and movement to express the Black American experience,” Darcy Heusel, Neon’s head of impact and audience engagement, said in a statement. “Jamila Wignot has created an indelible portrait of both the artist and his work and Neon is thrilled to be part of continuing his legacy by bringing this remarkable film to theaters across the country.
- 2/1/2021
- by Beatrice Verhoeven
- The Wrap
Amazon Studios opened Sundance premiere Late Night, starring Emma Thompson and Mindy Kaling, in four New York and L.A. locations Friday to a robust start. Directed by Nisha Ganatra from a script by Kaling, Late Night grossed an estimated $249,654 this weekend, for a $62,414 per-theater average.
That is the second-highest debut PTA of the year, following Avengers: Endgame, with a $76,601 average, though that title was in several thousand theaters. Greenwich Entertainment doc Echo In the Canyon had a $58,826 opening three-day PTA last month.
“I am excited because the market has been tough in general,” said Amazon Studios Head of Marketing & Distribution, Bob Berney Sunday morning. “I was at a lot of the screenings [in L.A.] this weekend and the reaction was very good. We moved the wide release back one week to give it an extra week of publicity and word-of-mouth and I think that was a good decision.”
Late Night, which...
That is the second-highest debut PTA of the year, following Avengers: Endgame, with a $76,601 average, though that title was in several thousand theaters. Greenwich Entertainment doc Echo In the Canyon had a $58,826 opening three-day PTA last month.
“I am excited because the market has been tough in general,” said Amazon Studios Head of Marketing & Distribution, Bob Berney Sunday morning. “I was at a lot of the screenings [in L.A.] this weekend and the reaction was very good. We moved the wide release back one week to give it an extra week of publicity and word-of-mouth and I think that was a good decision.”
Late Night, which...
- 6/9/2019
- by Brian Brooks
- Deadline Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.