On the surface, David Cronenberg’s 1996 adaptation of J.G. Ballard’s 1973 novel Crash is a drama about an unlikely group of people who come together over their shared fascination with car crashes.
The novel is written in the first person from the point of view of Ballard’s proxy, James Ballard. He’s a successful film producer in an open marriage to wife Catherine; both partners routinely engage in casual sex with co-workers and strangers alike, seemingly in pursuit of upending their relationship ennui.
The sex, which is captured by Ballard in incredibly specific and laborious prose, is cold, dispassionate, and almost clinical. The novel is often described as a work of science-fiction; despite containing virtually none of the tropes of the genre, Crash reads like a warning of a dystopian future in which citizens have become so desensitized that they will be pushed to pursue more and more extreme...
The novel is written in the first person from the point of view of Ballard’s proxy, James Ballard. He’s a successful film producer in an open marriage to wife Catherine; both partners routinely engage in casual sex with co-workers and strangers alike, seemingly in pursuit of upending their relationship ennui.
The sex, which is captured by Ballard in incredibly specific and laborious prose, is cold, dispassionate, and almost clinical. The novel is often described as a work of science-fiction; despite containing virtually none of the tropes of the genre, Crash reads like a warning of a dystopian future in which citizens have become so desensitized that they will be pushed to pursue more and more extreme...
- 6/27/2023
- by Joe Lipsett
- bloody-disgusting.com
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