Measuring just 5ft 0 (152.4 cm), AnnaSophia Robb is much shorter than the average American woman. She wears a shoe size 5 (US), which translates to a UK size 2.5 or 3, a European size 35, and a Japanese size 21.
Anna Sophia Robb looks tiny standing next to Gherardo Felloni at the 37th Annual Footwear News Achievement Awards at Cipriani South Street on November 29, 2023, in New York City (Credit: Media Punch / INSTARimages)
AnnaSophia’s Perspective on Height and Perception
“Everyone always says that guys are intimidated by me,” she told Teen Vogue in 2013, “but I seriously doubt it. I mean, I’m five-foot-nothing!”
“I think I must make a stank face,” she joked. “I loved high school,” AnnaSophia added.
“Everyone always asks me if the other kids treated me differently because of my career, but they didn’t. If you act weird, people are going to treat you weird, but if you’re just yourself, people respond to that.
Anna Sophia Robb looks tiny standing next to Gherardo Felloni at the 37th Annual Footwear News Achievement Awards at Cipriani South Street on November 29, 2023, in New York City (Credit: Media Punch / INSTARimages)
AnnaSophia’s Perspective on Height and Perception
“Everyone always says that guys are intimidated by me,” she told Teen Vogue in 2013, “but I seriously doubt it. I mean, I’m five-foot-nothing!”
“I think I must make a stank face,” she joked. “I loved high school,” AnnaSophia added.
“Everyone always asks me if the other kids treated me differently because of my career, but they didn’t. If you act weird, people are going to treat you weird, but if you’re just yourself, people respond to that.
- 5/14/2024
- by Roselle Kwan Mariano
- Your Next Shoes
Exclusive: IFC Films has picked up worldwide rights to writer-director Nicole Riegel’s sophomore feature Dandelion. A theatrical release is planned for next year. Cameras roll this week on the romantic drama.
Dandelion stars KiKi Layne, who will executive produce. She plays a struggling but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s eclectic and nomadic group of struggling musicians, the kindred spirits make music together and strike up an intoxicating whirlwind romance that moves Dandelion from an obsession with results and a narrow view of success to a deeper appreciation of her artistic journey and the discovery of a voice that is authentically her own.
“I’m very excited to bring forth a story about the resilience of...
Dandelion stars KiKi Layne, who will executive produce. She plays a struggling but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s eclectic and nomadic group of struggling musicians, the kindred spirits make music together and strike up an intoxicating whirlwind romance that moves Dandelion from an obsession with results and a narrow view of success to a deeper appreciation of her artistic journey and the discovery of a voice that is authentically her own.
“I’m very excited to bring forth a story about the resilience of...
- 10/19/2022
- by Anthony D'Alessandro
- Deadline Film + TV
2022 Film Independent Spirit Awards: ‘The Lost Daughter’ Takes the Top Prize (Complete Winners List)
The 37th annual Film Independent Spirit Awards were handed out Sunday at the Santa Monica Pier, with comedy power couple Nick Offerman and Megan Mullally serving as hosts.
There weren’t too many surprises throughout the night. Troy Kotsur won the first award of the evening, Best Supporting Male Actor for “Coda,” very much as predicted. Taylour Paige took home Best Female Lead Actor, for “Zola,” while Simon Rex, of “Red Rocket,” walked away with Best Male Lead. Ruth Negga won Best Supporting Female Actor for “Passing,” beating out Jessie Buckley from “The Lost Daughter.”
But Maggie Gyllenhaal’s adaptation of the Elena Ferrante book won the three other categories in which it was nominated — Best Screenplay, Best Director, Best Feature — and was the night’s biggest victor. Gyllenhaal gave three effusive thank you speeches, spreading her appreciation around to her cast, crew, financiers, publicist, husband and mother. “Women in film!
There weren’t too many surprises throughout the night. Troy Kotsur won the first award of the evening, Best Supporting Male Actor for “Coda,” very much as predicted. Taylour Paige took home Best Female Lead Actor, for “Zola,” while Simon Rex, of “Red Rocket,” walked away with Best Male Lead. Ruth Negga won Best Supporting Female Actor for “Passing,” beating out Jessie Buckley from “The Lost Daughter.”
But Maggie Gyllenhaal’s adaptation of the Elena Ferrante book won the three other categories in which it was nominated — Best Screenplay, Best Director, Best Feature — and was the night’s biggest victor. Gyllenhaal gave three effusive thank you speeches, spreading her appreciation around to her cast, crew, financiers, publicist, husband and mother. “Women in film!
- 3/6/2022
- by Missy Schwartz
- The Wrap
IFC Films has acquired the North American rights to “Holler,” a coming-of-age drama starring Jessica Barden (“End of the F***ing World”) that premiered at the Toronto International Film Festival in 2020.
Nicole Riegel made her directorial debut on “Holler,” which also stars Gus Halper, Pamela Adlon, Becky Ann Baker and Austin Amelio and is executive produced by Paul Feig.
IFC Films plans to release “Holler” in June 2021. Here’s the synopsis:
Riegel also wrote the film, which centers on Barden as a young woman from a small Southern Ohio town where manufacturing and opportunities have tried up. After winning acceptance to college, she joins her older brother on a dangerous scrap metal crew seeking to pay her tuition. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the aging factories at night.
The producers are Katie McNeill and Jamie Patricof of Hunting Lane Films,...
Nicole Riegel made her directorial debut on “Holler,” which also stars Gus Halper, Pamela Adlon, Becky Ann Baker and Austin Amelio and is executive produced by Paul Feig.
IFC Films plans to release “Holler” in June 2021. Here’s the synopsis:
Riegel also wrote the film, which centers on Barden as a young woman from a small Southern Ohio town where manufacturing and opportunities have tried up. After winning acceptance to college, she joins her older brother on a dangerous scrap metal crew seeking to pay her tuition. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the aging factories at night.
The producers are Katie McNeill and Jamie Patricof of Hunting Lane Films,...
- 2/4/2021
- by Brian Welk
- The Wrap
IFC Films has acquired “Holler,” a drama about a woman who joins a dangerous scrap metal crew in order to pay for her college education.
The deal is for North American right. IFC will release the film in June 2021. “Holler” received critical claim both for Nicole Riegel’s work behind the camera and for the lead performance of Jessica Barden. Variety’s Peter Debruge praised the movie’s grit, writing, “‘Holler’ is honest, which is not always what people want from movies, but it isn’t your typical poverty porn. Riegel avoids the melodramatic gimmicks that tellers of such working-class stories love to pull, trusting that audiences understand that the only happy ending — the only hopeful ending — is one that sees Ruth on her way out of Jackson.”
Riegel wrote the screenplay for the movie and is making her directorial debut. Barden starred in “End of the F*cking World...
The deal is for North American right. IFC will release the film in June 2021. “Holler” received critical claim both for Nicole Riegel’s work behind the camera and for the lead performance of Jessica Barden. Variety’s Peter Debruge praised the movie’s grit, writing, “‘Holler’ is honest, which is not always what people want from movies, but it isn’t your typical poverty porn. Riegel avoids the melodramatic gimmicks that tellers of such working-class stories love to pull, trusting that audiences understand that the only happy ending — the only hopeful ending — is one that sees Ruth on her way out of Jackson.”
Riegel wrote the screenplay for the movie and is making her directorial debut. Barden starred in “End of the F*cking World...
- 2/4/2021
- by Brent Lang
- Variety Film + TV
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