Dani Leventhal's PlatonicThis review, I think, might best be understood as an example of “slow criticism.” This is a term coined by Filmkrant editor Dana Linssen to describe “wayward articles,” ones that have a personal or political element that is somehow not timely. We can imagine that the reverse of this is “fast criticism,” the up-to-the-minute report from a film festival, the 140-character response tweeted out the minute the first press screening is over. These thoughts are not timely. The Whitney Biennial closed on June 11th, and the film program screened its final program on May 21st. So although I expect many of these films to have a life long after their appearance at the Whitney, I am not providing any kind of late-breaking news flash from the film or art world by writing about these works in this forum.But in a way, that is the point. Even...
- 8/1/2017
- MUBI
“You know, we sort of let Kim and Dan do whatever they wanted,” said Tim Griffin, the director of the Kitchen, and that explained why the people who come to galas found themselves picking at a raspberry tart as little-known British female punk duo the Raincoats wailed away onstage, because “Kim” was Kim Gordon and “Dan” was Dan Graham. As he stood off to the side of the cavernous old bank on Wall Street that’s now a Cipriani, he looked particularly pleased with this situation, with punks filling in for the usual bland crooners who entertain the tables at these things.This is one of the better galas, I told Griffin. Or, as Kim Gordon put it in her speech, “It’s the most kickass gala. It’s the fuckin’ best gala.” (She was less caustic earlier in the evening. At the bar, I felt a hand on my shoulder,...
- 5/22/2015
- by Nate Freeman
- Vulture
The 8th annual Wndx Festival of Moving Image is another epic celebration of experimental and avant-garde film held in Winnipeg, Canada, but this year the festival as an even epic-er retrospective of one of the giants of the field: Wndx fellow countryman Michael Snow.
Wndx is screening multiple works by Snow throughout the fest, which runs Sept. 25-29, including his classic and breakthrough films like Back and Forth and La Région Centrale; plus, other experimental works such as To Lavoisier, Who Died in the Reign of Terror, Sstoorrty, Triage and Prelude. However, most exciting is the 12-hour continuous loop of “Wvlnt” (Wavelength for Those Who Don’t Have the Time), a superimposed reworking of Snow’s groundbreaking and legendary Wavelength.
The festival isn’t limited to one filmmaker clearly and there are loads of experimental short film programs during the week that feature work by filmmakers such as Aaron Zeghers,...
Wndx is screening multiple works by Snow throughout the fest, which runs Sept. 25-29, including his classic and breakthrough films like Back and Forth and La Région Centrale; plus, other experimental works such as To Lavoisier, Who Died in the Reign of Terror, Sstoorrty, Triage and Prelude. However, most exciting is the 12-hour continuous loop of “Wvlnt” (Wavelength for Those Who Don’t Have the Time), a superimposed reworking of Snow’s groundbreaking and legendary Wavelength.
The festival isn’t limited to one filmmaker clearly and there are loads of experimental short film programs during the week that feature work by filmmakers such as Aaron Zeghers,...
- 9/25/2013
- by Mike Everleth
- Underground Film Journal
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
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