As Neon was justly feted this weekend for a fifth consecutive Cannes Palme d’Or winner (Anora), it also had a nice showing at home with a terrific expansion for indie Babes.
The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic box office with an estimated $1.06 million three-day weekend and cume of circa $1.29 million. Over the four days, including the Memorial Day holiday, the gross approaches $1.23 million and the cume $1.46 million.
The film follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau) who grew up together in NYC but are now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their complex friendship faces its greatest challenge. Co-written by Glazer and Josh Rabinowitz.
Noting that Neon’s La Chimera, Alice Rohrwacher...
The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic box office with an estimated $1.06 million three-day weekend and cume of circa $1.29 million. Over the four days, including the Memorial Day holiday, the gross approaches $1.23 million and the cume $1.46 million.
The film follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau) who grew up together in NYC but are now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their complex friendship faces its greatest challenge. Co-written by Glazer and Josh Rabinowitz.
Noting that Neon’s La Chimera, Alice Rohrwacher...
- 5/26/2024
- by Jill Goldsmith
- Deadline Film + TV
Jane Schoenbrun wants weirdness to know no genre boundary. Following their breakout Sundance hit film “I Saw the TV Glow” and the long publicity tour that followed, Schoenbrun is looking forward to taking a bit of a break, but that doesn’t mean they don’t have ideas in the tank, ready to go when called upon. Speaking with friend and collaborator Brigette Lundy-Paine for the A24 podcast, Schoenbrun shared some of the concepts percolating in their mind as well as some failed pitches that pushed them to explore new mediums.
“I think I’d really like to make an Apatow style comedy,” Schoenbrun said to Lundy-Paine somewhat seriously, later adding, “I want to make a stoner comedy for reals. And I feel like I’m always trying to think of a movie concept worthy of Conor O’Malley. I’ve got a couple of good ones, but here’s one.
“I think I’d really like to make an Apatow style comedy,” Schoenbrun said to Lundy-Paine somewhat seriously, later adding, “I want to make a stoner comedy for reals. And I feel like I’m always trying to think of a movie concept worthy of Conor O’Malley. I’ve got a couple of good ones, but here’s one.
- 5/24/2024
- by Harrison Richlin
- Indiewire
When the first season of The Oa dropped on Netflix without any warning eight years ago, there was little to prepare viewers. The duo who created, wrote, and directed the series, Brit Marling and Zal Batmanglij, had made a few interesting films, but were almost unknown outside of Sundance.
Their style of filmmaking in The Oa hypnotized, puzzled, and unsettled the viewers. It was a mixture of a dozen genres, switching from sci-fi thriller to teen drama.
However, the fact that the project did not fit into any framework apparently forced Netflix to cancel The Oa after two seasons, leaving fans without one of the most innovative sci-fi projects of the 21st century. Many viewers still hope to see the story continue in some form – a new season, a game or a comic book.
Recently, the attention of The Oa fans was drawn to a new horror movie that will...
Their style of filmmaking in The Oa hypnotized, puzzled, and unsettled the viewers. It was a mixture of a dozen genres, switching from sci-fi thriller to teen drama.
However, the fact that the project did not fit into any framework apparently forced Netflix to cancel The Oa after two seasons, leaving fans without one of the most innovative sci-fi projects of the 21st century. Many viewers still hope to see the story continue in some form – a new season, a game or a comic book.
Recently, the attention of The Oa fans was drawn to a new horror movie that will...
- 5/24/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
Get in touch to send in cinephile news and discoveries. To keep up with our latest features, sign up for the Weekly Edit newsletter and follow us @mubinotebook on Twitter and Instagram.NEWSThe Little Mermaid.A generative AI start-up has been accused of stealing the voices of actors for its subscription service.IATSE expects to schedule additional days of bargaining with AMPTP in June, but has vowed not to extend its contract past July 31.With Incaa defunded by Argentine president Javier Milei, Ventana Sur is in talks to relocate from Buenos Aires to Uruguay for its sixteenth edition.As the Italian film industry continues to wait on a divided government to make production tax credits available, anticipating modest cuts, a new law in the Czech Parliament would more than double the existing cap on their incentives. Meanwhile, industry insiders in Poland urge a newly elected government to increase their rebate...
- 5/22/2024
- MUBI
Fresh out of its world premiere in competition at the Cannes Film Festival, Yorgos Lanthimos’s “Kinds of Kindness” is one of the titles headed to this year’s Mediterrane Film Festival, taking place in Malta between June 22-30.
Other highlights in the festival’s first wave of programming include Jane Schoenbrun’s Sundance breakout “I Saw the TV Glow” and Meryam Joobeur’s Berlinale competition entry “Who Do I Belong To.”
The festival’s sophomore edition marks the first under the curatorial guise of Artistic Director Teresa Cavina, appointed earlier in the year. Cavina reorganized the festival’s program into four strands: In Competition, featuring films from across the Mediterranean; Out of Competition, featuring films from the rest of the world; Mare Nostrum or Our Sea, showcasing films dedicated to sustainability and the environment; and Future Visions, focusing on experimental VR projects.
In a statement, Cavina said that this...
Other highlights in the festival’s first wave of programming include Jane Schoenbrun’s Sundance breakout “I Saw the TV Glow” and Meryam Joobeur’s Berlinale competition entry “Who Do I Belong To.”
The festival’s sophomore edition marks the first under the curatorial guise of Artistic Director Teresa Cavina, appointed earlier in the year. Cavina reorganized the festival’s program into four strands: In Competition, featuring films from across the Mediterranean; Out of Competition, featuring films from the rest of the world; Mare Nostrum or Our Sea, showcasing films dedicated to sustainability and the environment; and Future Visions, focusing on experimental VR projects.
In a statement, Cavina said that this...
- 5/20/2024
- by Rafa Sales Ross
- Variety Film + TV
The summer box office is supposed to be the time of year when popular movies can flourish, but this May has not been an ideal start to the season, with another highly anticipated film falling below expectations. Read on for the weekend box office report.
With the general lack of family films in theaters — allowing movies like “Kung Fu Panda 4” and even “Godzilla x Kong” to do very well — Paramount Pictures had very high hopes for John Krasinski‘s “If,” opening it in 4,041 theaters nationwide. Starring Ryan Reynolds and Cailey Fleming (with Krasinski in a small role as the latter’s father), the movie received poor to mixed reviews with just 49% on Rotten Tomatoes, critics not having been swayed by the film’s sweet family-friendly sentimentality.
SEEKevin Costner’s ‘Horizon’ gets epic new trailer [Watch]
“If” only made $1.8 million in previews, which were pulled into its opening Friday number of $10.3 million.
With the general lack of family films in theaters — allowing movies like “Kung Fu Panda 4” and even “Godzilla x Kong” to do very well — Paramount Pictures had very high hopes for John Krasinski‘s “If,” opening it in 4,041 theaters nationwide. Starring Ryan Reynolds and Cailey Fleming (with Krasinski in a small role as the latter’s father), the movie received poor to mixed reviews with just 49% on Rotten Tomatoes, critics not having been swayed by the film’s sweet family-friendly sentimentality.
SEEKevin Costner’s ‘Horizon’ gets epic new trailer [Watch]
“If” only made $1.8 million in previews, which were pulled into its opening Friday number of $10.3 million.
- 5/19/2024
- by Edward Douglas
- Gold Derby
Okay, we know that Cannes is the big thing at the moment and that everyone’s waiting for the premiere of Furiosa next week, but if you don’t know what to do in between, we might just have a very interesting proposal for all of you horror fans out there. The queer psychological horror I Saw the TV Glow was quietly released in theaters last Friday, after having its premiere at Sundance in January and after its limited release on May 3. Distributed by A24, the movie might not become a box office record-breaker, but it seems that the critics love it, and that might motivate people to go see the movie.
The movie is based on an original screenplay by Jane Schoenbrun, who also directed the movie. The non-binary filmmaker is best known for their earlier horror We’re All Going to the World’s Fair, which was also an indie...
The movie is based on an original screenplay by Jane Schoenbrun, who also directed the movie. The non-binary filmmaker is best known for their earlier horror We’re All Going to the World’s Fair, which was also an indie...
- 5/19/2024
- by Arthur S. Poe
- Fiction Horizon
Premiering out of Critics’ Week in Cannes, Alexis Langlois’ debut feature “Queens of Drama” is a musical blast of queer culture euphoria, telling a decades-spanning, impossible love story between a pair of pop idols who begin as fans and then become lovers, who climb the charts and permeate the culture as enemies, and who end up forgotten, as time moves forward and a new generation of teenage fans claim new idols for themselves.
The film’s familiar rise-and-fall rhythms struck a chord with filmmaker Alexis Langlois, who cites Vincente Minnelli and George Cukor as inspiration. “I wanted to offer a great, romantic story,” says Langlois. “Really, to give all these queer characters – and the queer actors who play them — a sense of grand romance by mixing the codes and memories of classic cinema with something much more modern.”
“And I like idea of the wheel of fortune,” they continue. “As...
The film’s familiar rise-and-fall rhythms struck a chord with filmmaker Alexis Langlois, who cites Vincente Minnelli and George Cukor as inspiration. “I wanted to offer a great, romantic story,” says Langlois. “Really, to give all these queer characters – and the queer actors who play them — a sense of grand romance by mixing the codes and memories of classic cinema with something much more modern.”
“And I like idea of the wheel of fortune,” they continue. “As...
- 5/18/2024
- by Ben Croll
- Variety Film + TV
Jane Schoenbrun’s “I Saw the TV Glow” is a singular work of cinema, a film that earned rave reviews for committing to its distinct aesthetic and exploration of the ways that our attachments to pop culture that feel disposable to others can be linked to trans identity. But despite many hailing it as a perfect standalone movie, the filmmaker believes there might be even more stories to tell in the world of Owen and “The Pink Opaque.”
In a new interview with USA Today, Schoenbrun refused to rule out the possibility of making a sequel to “I Saw the TV Glow,” explaining that they’d be open to approaching the story again from a different perspective.
“I’ve been thinking about it for quite a while. I always ask myself, ‘Where do the characters go? Is there anywhere else after this?'” Schoenbrun said. “Sometimes there’s not an answer that deserves further exploration,...
In a new interview with USA Today, Schoenbrun refused to rule out the possibility of making a sequel to “I Saw the TV Glow,” explaining that they’d be open to approaching the story again from a different perspective.
“I’ve been thinking about it for quite a while. I always ask myself, ‘Where do the characters go? Is there anywhere else after this?'” Schoenbrun said. “Sometimes there’s not an answer that deserves further exploration,...
- 5/18/2024
- by Christian Zilko
- Indiewire
The entertainment company A24 is no stranger to delivering memorable movies to audiences. A24 is behind Everything Everywhere All At Once, Talk to Me, Uncut Gems, Midsommar, Lady Bird, Moonlight, HBO’s Euphoria, Netflix’s Beef. The company’s latest release “I Saw The TV Glow” is getting rave reviews on the Internet.
“I Saw The TV Glow” plays in select theaters nationwide. The film follows a teenager named Owen. Owen is introduced to a mysterious late-night TV show—a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
The film was written and directed by Jane Schoenbrun. It stars Justice Smith and Brigette Lundy-Paine, with Ian Foreman, Helena Howard, Fred Durst , and Danielle Deadwyler in supporting roles. I Saw the TV Glow premiered in the Midnight section at the 2024 Sundance Film Festival on January 18, 2024.[It also screened at the 74th Berlin International Film Festival in the Panorama section on February 20, 2024 and South by Southwest on March 10, 2024. It was released in limited theaters on May 3, 2024, playing in New York and Los Angeles, before a nationwide expansion on May 17.
Check...
“I Saw The TV Glow” plays in select theaters nationwide. The film follows a teenager named Owen. Owen is introduced to a mysterious late-night TV show—a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.
The film was written and directed by Jane Schoenbrun. It stars Justice Smith and Brigette Lundy-Paine, with Ian Foreman, Helena Howard, Fred Durst , and Danielle Deadwyler in supporting roles. I Saw the TV Glow premiered in the Midnight section at the 2024 Sundance Film Festival on January 18, 2024.[It also screened at the 74th Berlin International Film Festival in the Panorama section on February 20, 2024 and South by Southwest on March 10, 2024. It was released in limited theaters on May 3, 2024, playing in New York and Los Angeles, before a nationwide expansion on May 17.
Check...
- 5/18/2024
- by Stephen Nepa
- Age of the Nerd
Babes by Pamela Adlon, co-written and starring Ilana Glazer, debuts in limited release with films by Hang Song-soo and Bertrand Bonello and docs on a controversial Venice Biennale, ground-breaking female clerics, and the Blue Angels Navy Squadron. A trio of festival favorites expand. While eyes now are on fare at Cannes — where Neon has been making high-profile moves — each week Stateside remains a test of indie film’s theatrical boundaries in a post-Covid, streaming-centric marketplace.
There have been notable hits. A24’s I Saw The TV Glow by Jane Schoenbrun is having a nice run so far as is Evil Does Not Exist — Sideshow/Janus Films’ second outing with Ryusuke Hamaguchi after Oscar-winning Drive My Car. (That 2021 Japanese film about a...
There have been notable hits. A24’s I Saw The TV Glow by Jane Schoenbrun is having a nice run so far as is Evil Does Not Exist — Sideshow/Janus Films’ second outing with Ryusuke Hamaguchi after Oscar-winning Drive My Car. (That 2021 Japanese film about a...
- 5/17/2024
- by Jill Goldsmith
- Deadline Film + TV
Okay, the big Summer blockbusters are coming in “hot”, but there’s no reason for the offbeat “indies” to sit on the sidelines till the Fall. At least that must be the intent of the fine folks at A24, who are still basking in the box office of their biggest hit, Civil War. Ah, but this one is a true “test” for the studio’s fervent fans. It’s a truly “out there” ode to several small screen touchstones for ” 90’s kids”. In fact, you could probably have an interesting game of “checking off” winks and nods to some “cult faves”. Oh, but there’s much more happening in this exploration of suburban teen life as its young hero seems to be energized by the tube’s warmth as he swears that I Saw The TV Glow.
That “hero” is the main focus, twelve-year-old Owen (Ian Foreman), who lives a...
That “hero” is the main focus, twelve-year-old Owen (Ian Foreman), who lives a...
- 5/17/2024
- by Jim Batts
- WeAreMovieGeeks.com
Jane Schoenbrun’s I Saw The TV Glow, released in limited theaters, is a profound narrative about teenagers Maddy (Brigette Lundy-Paine) and Owen (Justice Smith), who form a deep bond over their mutual obsession with a Buffy the Vampire Slayer-inspired TV show, The Pink Opaque. As they plunge deeper into the show’s lore, reality merges with fiction significantly affecting their lives. Schoenbrun has often referred to Buffy as a cornerstone of their adolescence. Creating The Pink Opaque felt like gifting their 13-year-old self with an intricate, nostalgic experience. The set design aimed to capture not just the look, but also the
The post I Saw the TV Glow captures VHS nostalgia and Buffy reruns in an existential tale first appeared on TVovermind.
The post I Saw the TV Glow captures VHS nostalgia and Buffy reruns in an existential tale first appeared on TVovermind.
- 5/16/2024
- by Steve Delikson
- TVovermind.com
How ‘I Saw the TV Glow’ Is the Culmination of Jane Schoenbrun’s “Self-Induced Hallucination” Trilogy
“I know how it’s going to end now. I’m going inside the video, through the computer, into the screen.” – Casey, We’re All Going to the World’s Fair.
“What if I really was someone else? Very far away on the other side of the television screen” – Maddy, I Saw the TV Glow.
A tulpa is a mystical concept that’s rooted in Tibetan Buddhism where an imaginary entity becomes real and gains sentience if enough people validate its existence and give it power. It’s an idea that runs rampant in horror, albeit typically with individuals and monsters, rather than planes of existence. Tulpas always involve fiction being brought into reality once they gain enough agency. Humanity has a natural curiosity and appetite for delusion, whether it’s something like Santa Claus or the Tooth Fairy, or a more sinister idea like Slenderman. However, who’s to...
“What if I really was someone else? Very far away on the other side of the television screen” – Maddy, I Saw the TV Glow.
A tulpa is a mystical concept that’s rooted in Tibetan Buddhism where an imaginary entity becomes real and gains sentience if enough people validate its existence and give it power. It’s an idea that runs rampant in horror, albeit typically with individuals and monsters, rather than planes of existence. Tulpas always involve fiction being brought into reality once they gain enough agency. Humanity has a natural curiosity and appetite for delusion, whether it’s something like Santa Claus or the Tooth Fairy, or a more sinister idea like Slenderman. However, who’s to...
- 5/16/2024
- by Daniel Kurland
- bloody-disgusting.com
Alex G has shared his original score for A24’s coming-of-age horror film I Saw the TV Glow. Stream it below.
Featuring 20 tracks, the score marks Alex G’s first full-length instrumental release. It’s a companion project to the film’s star-studded original soundtrack, which features contributions from Sloppy Jane featuring Phoebe Bridgers, Caroline Polachek, Bartees Strange, Jay Som, and more.
Get Alex G Tickets Here
Helmed by We’re All Going to the World’s Fair director Jane Schoenbrun, I Saw the TV Glow revolves around two teenagers — portrayed by Justice Smith and Brigitte Lundy-Paine — who bond over their shared obsession with a Buffy the Vampire Slayer-inspired TV series titled The Pink Opaque.
The cast of I Saw the TV Glow also includes Fred Durst and Snail Mail’s Lindsey Jordan alongside Ian Foreman, Helena Howard, and Danielle Deadwyler. The film opened in select cities on May...
Featuring 20 tracks, the score marks Alex G’s first full-length instrumental release. It’s a companion project to the film’s star-studded original soundtrack, which features contributions from Sloppy Jane featuring Phoebe Bridgers, Caroline Polachek, Bartees Strange, Jay Som, and more.
Get Alex G Tickets Here
Helmed by We’re All Going to the World’s Fair director Jane Schoenbrun, I Saw the TV Glow revolves around two teenagers — portrayed by Justice Smith and Brigitte Lundy-Paine — who bond over their shared obsession with a Buffy the Vampire Slayer-inspired TV series titled The Pink Opaque.
The cast of I Saw the TV Glow also includes Fred Durst and Snail Mail’s Lindsey Jordan alongside Ian Foreman, Helena Howard, and Danielle Deadwyler. The film opened in select cities on May...
- 5/16/2024
- by Eddie Fu
- Consequence - Music
When one writes about movies, one often runs the risk of hyperbole. Cinema can often be so overwhelming, so unique, that your first impression can often be one of exalted rapture. Lord knows I've witnessed films in some settings that seem like bonafide masterpieces, only to revisit them with a cooler head and find that they're simply just fine. Not terrible, not bad — just okay. So I am trying to tread cautiously when I tell you that Jane Schoenbrun's "I Saw the TV Glow" (read our review here) is a masterpiece. Schoenbrun, who burst onto the scene with the excellent, disquieting "We're All Going to the World's Fair," is one of the most interesting filmmakers working right now, and with "I Saw the TV Glow," their sophomore effort, Schoenbrun showcases a jaw-dropping command of their material. This film feels so singular, so special, so unlike anything I've seen recently.
- 5/15/2024
- by Chris Evangelista
- Slash Film
Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Jane Schoenbrun’s I Saw the TV Glow with special guest Katie Rife.
Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K Uhd or Blu-ray upon joining.
Subscribe on iTunes, Spotify, and Overcast, or stream below.
The Film Stage Show is supported by Mubi, a curated streaming service showcasing exceptional films from around the globe. Every day, Mubi premieres a new film. Whether it’s a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.
Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. All new Patreon supporters receive a free 4K Uhd or Blu-ray upon joining.
Subscribe on iTunes, Spotify, and Overcast, or stream below.
The Film Stage Show is supported by Mubi, a curated streaming service showcasing exceptional films from around the globe. Every day, Mubi premieres a new film. Whether it’s a timeless classic, a cult favorite, or an acclaimed masterpiece — it’s guaranteed to be either a movie you’ve been dying to see or one you’ve never heard of before and there will always be something new to discover. Try it for free for 30 days at mubi.com/filmstage.
- 5/15/2024
- by Brian Roan
- The Film Stage
Chicago – Patrick McDonald of HollywoodChicago.com audio film review for the “I Saw the TV Glow,” written and directed by Jane Schoenbrun (“We’re all Going to the World’s Fair”). Currently playing in Chicago, opening wider nationwide on May 17th, 2024. See local listings.
Rating: 3.5/5.0
Owen is just trying to make it through life in the suburbs when his classmate Maddy (Bridgette Lundy-Paine) introduces him to a mysterious late-night cable TV show, “The Pink Opaque” … a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack, even after a number of years go by.
“I Saw TV Glow” is in Chicago theaters now, opening wider nationwide on May 17th. See local listings. Featuring Justice Smith, Bridgette Lundy-Paine, Fred Durst, Danielle Deadwyler and Ian Foreman. Written and directed by Jane Schoenbrun. Rated “PG-13”
Click Here for Patrick McDonald’s audio...
Rating: 3.5/5.0
Owen is just trying to make it through life in the suburbs when his classmate Maddy (Bridgette Lundy-Paine) introduces him to a mysterious late-night cable TV show, “The Pink Opaque” … a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack, even after a number of years go by.
“I Saw TV Glow” is in Chicago theaters now, opening wider nationwide on May 17th. See local listings. Featuring Justice Smith, Bridgette Lundy-Paine, Fred Durst, Danielle Deadwyler and Ian Foreman. Written and directed by Jane Schoenbrun. Rated “PG-13”
Click Here for Patrick McDonald’s audio...
- 5/15/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Godzilla and King Kong bring their latest fight home this week, and they’ll be joined by a new Tubi Original slasher, a wide release for an A24 hit, and the return of The Strangers to theaters.
Here’s all the new horror releasing May 13 – May 19, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
A box office powerhouse, director Adam Wingard’s Godzilla x Kong: The New Empire has raked in $558 million at the worldwide box office since its debut in theaters back in March, and you can now rent or own the film on Digital at home beginning today, May 14.
Godzilla x Kong: The New Empire sees the legendary Titans Godzilla and Kong team up to face a world-ending threat so terrifying that neither of them could survive it alone.
Meagan wrote in her review of the new movie for Bloody Disgusting, “Wingard continues the...
Here’s all the new horror releasing May 13 – May 19, 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
A box office powerhouse, director Adam Wingard’s Godzilla x Kong: The New Empire has raked in $558 million at the worldwide box office since its debut in theaters back in March, and you can now rent or own the film on Digital at home beginning today, May 14.
Godzilla x Kong: The New Empire sees the legendary Titans Godzilla and Kong team up to face a world-ending threat so terrifying that neither of them could survive it alone.
Meagan wrote in her review of the new movie for Bloody Disgusting, “Wingard continues the...
- 5/14/2024
- by John Squires
- bloody-disgusting.com
In the opening image of “I Saw the TV Glow” the camera moves slowly down the middle of a suburban street. Dusk, it’s dark, but the sky has a hint of electric blue, as the camera passes over children’s chalk drawings that pop from the pavement like incandescent lights toward a neon-lit ice cream truck playing a slowed down children’s tune. This establishing shot embodies the magical, but slightly eery tone of the first half of the film and the childhood world of Owen, who we cut to watching television in the dark.
While on the Toolkit podcast, writer/director Jane Schoenbrun told IndieWire they drew inspiration from the sense of “controlled chaos” they felt watching ‘90s Nickelodeon programming geared to older kids — remember Snick? That line between feeling “scared, but not in danger” watching teen genre shows when you are a touch too young. While Schoenbrun...
While on the Toolkit podcast, writer/director Jane Schoenbrun told IndieWire they drew inspiration from the sense of “controlled chaos” they felt watching ‘90s Nickelodeon programming geared to older kids — remember Snick? That line between feeling “scared, but not in danger” watching teen genre shows when you are a touch too young. While Schoenbrun...
- 5/14/2024
- by Chris O'Falt
- Indiewire
Jane Schoenbrun’s I Saw Then TV Glow is looking at an estimated $195k+ on 21 screens, a great week-two expansion for the A24 film. The number is driven by a passionate fan base for the gender-bending supernatural thriller that’s been skewing very young, male and heavily LGBTQ+. Will continue a rollout in coming weeks. It’s not clear where the screen count will max out, but so far so good.
The director of We’re All Going To The World’s Fair was honored with a Breakthrough Artist award at the Coolidge Corner theater in Boston at a sold out screening with cast Justice Smith and Brigette Lundy-Paine, who play queer teens coming of age in the 1990s suburbs, obsessed with a late-night sci-fi television show.
Sideshow/Janus Films’ release of Evil Does Not Exist by Ryusuke Hamaguchi (Drive My Car) grossed about $102.7k on 34 screens in week 2 for a come of $165k.
The director of We’re All Going To The World’s Fair was honored with a Breakthrough Artist award at the Coolidge Corner theater in Boston at a sold out screening with cast Justice Smith and Brigette Lundy-Paine, who play queer teens coming of age in the 1990s suburbs, obsessed with a late-night sci-fi television show.
Sideshow/Janus Films’ release of Evil Does Not Exist by Ryusuke Hamaguchi (Drive My Car) grossed about $102.7k on 34 screens in week 2 for a come of $165k.
- 5/12/2024
- by Jill Goldsmith
- Deadline Film + TV
The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity
For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.
“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”
Continue reading.
For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.
“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”
Continue reading.
- 5/11/2024
- by Veronica Esposito
- The Guardian - Film News
‘I Saw the TV Glow’ Director Jane Schoenbrun Shares a Theory for Why We’re So Nostalgic for the ’90s
There’s a moment late in “I Saw the TV Glow” when Owen (Justice Smith), now an adult, watches an episode of “The Pink Opaque,” the ’90s TV series that obsessed him in high school. The supernatural teen genre series now looks and feels completely different to him: Gone is the supernatural mystery, the seductive production values, that magical glow of a vicarious world.
In the cinematic world of Jane Schoenbrun’s film, Owen and Maddy (Brigette Lundy-Paine) are cosmically linked to “The Pink Opaque” lead characters Tara (Lindsey Jordan) and Isabel (Helena Howard), so it’s possible the series has actually altered, but this scene of Owen re-watching it as an adult also speaks to something Schoenbrun experienced.
“There was always this idea of the way that a field that you played in as a kid looked and felt giant, but when you go back, it’s just this...
In the cinematic world of Jane Schoenbrun’s film, Owen and Maddy (Brigette Lundy-Paine) are cosmically linked to “The Pink Opaque” lead characters Tara (Lindsey Jordan) and Isabel (Helena Howard), so it’s possible the series has actually altered, but this scene of Owen re-watching it as an adult also speaks to something Schoenbrun experienced.
“There was always this idea of the way that a field that you played in as a kid looked and felt giant, but when you go back, it’s just this...
- 5/10/2024
- by Chris O'Falt
- Indiewire
It’s an indie grab bag and a fun one this weekend with the widely pummeled TIFF-premiering Poolman, (the people will decide), Jamie Foxx in comedy Not Another Church Movie, and Eric Bana’s Force of Nature: The Dry 2 sequel. Mubi and Strand Releasing are testing the market with limited openings Gasoline Rainbow and A Prince. A24 begins a slow rollout of I Saw The TV Glow.
The widest release on 1,180+ screens is Briarcliff’s Not Another Church Movie directed by Johnny Mack, starring Jamie Foxx, Vivica A. Fox, Kevin Daniels and Mickey Rourke. Daniels is Taylor Pherry (silent p), an ambitious young man on a holy mission from God (Foxx) — to tell his family’s stories and inspire his community. But the Devil (Rourke) has plans of his own.
Vertical’s Poolman at 160+ locations is Pine’s directorial debut andhe also stars as Darren, a native Angeleno who...
The widest release on 1,180+ screens is Briarcliff’s Not Another Church Movie directed by Johnny Mack, starring Jamie Foxx, Vivica A. Fox, Kevin Daniels and Mickey Rourke. Daniels is Taylor Pherry (silent p), an ambitious young man on a holy mission from God (Foxx) — to tell his family’s stories and inspire his community. But the Devil (Rourke) has plans of his own.
Vertical’s Poolman at 160+ locations is Pine’s directorial debut andhe also stars as Darren, a native Angeleno who...
- 5/10/2024
- by Jill Goldsmith
- Deadline Film + TV
The soundtrack for Jane Schoenbrun’s new coming-of-age horror film I Saw the TV Glow has arrived, with songs by Sloppy Jane (featuring Phoebe Bridgers), Caroline Polachek, Bartees Strange, Jay Som, and more.
First announced in February, the soundtrack and its stacked lineup comes via A24 Music, and is available on a thematically-appropriate pink opaque vinyl. Atmospheric and diverse in style, the songs allude to the film’s emotional depth, and even contribute to the world of its narrative.
In the film, Bridgers and Sloppy Jane’s Haley Dahl appear as themselves, as do Kristina Esfandiari and her band King Woman. Also appearing in the film are Limp Bizkit’s Fred Durst, Justice Smith, Brigette Lundy-Paine, Conner O’Malley, and Snail Mail’s Lindsey Jordan (who contributed a bonus track to vinyl editions of the soundtrack).
Polachek’s song, “Starburned and Unkissed” dropped earlier this month as the soundtrack’s lead single.
First announced in February, the soundtrack and its stacked lineup comes via A24 Music, and is available on a thematically-appropriate pink opaque vinyl. Atmospheric and diverse in style, the songs allude to the film’s emotional depth, and even contribute to the world of its narrative.
In the film, Bridgers and Sloppy Jane’s Haley Dahl appear as themselves, as do Kristina Esfandiari and her band King Woman. Also appearing in the film are Limp Bizkit’s Fred Durst, Justice Smith, Brigette Lundy-Paine, Conner O’Malley, and Snail Mail’s Lindsey Jordan (who contributed a bonus track to vinyl editions of the soundtrack).
Polachek’s song, “Starburned and Unkissed” dropped earlier this month as the soundtrack’s lead single.
- 5/10/2024
- by Jo Vito
- Consequence - Film News
The soundtrack for Jane Schoenbrun’s new coming-of-age horror film I Saw the TV Glow has arrived, with songs by Sloppy Jane (featuring Phoebe Bridgers), Caroline Polachek, Bartees Strange, Jay Som, and more.
First announced in February, the soundtrack and its stacked lineup comes via A24 Music, and is available on a thematically-appropriate pink opaque vinyl. Atmospheric and diverse in style, the songs allude to the film’s emotional depth, and even contribute to the world of its narrative.
In the film, Bridgers and Sloppy Jane’s Haley Dahl appear as themselves, as do Kristina Esfandiari and her band King Woman. Also appearing in the film are Limp Bizkit’s Fred Durst, Justice Smith, Brigette Lundy-Paine, Conner O’Malley, and Snail Mail’s Lindsey Jordan (who contributed a bonus track to vinyl editions of the soundtrack).
Polachek’s song, “Starburned and Unkissed” dropped earlier this month as the soundtrack’s lead single.
First announced in February, the soundtrack and its stacked lineup comes via A24 Music, and is available on a thematically-appropriate pink opaque vinyl. Atmospheric and diverse in style, the songs allude to the film’s emotional depth, and even contribute to the world of its narrative.
In the film, Bridgers and Sloppy Jane’s Haley Dahl appear as themselves, as do Kristina Esfandiari and her band King Woman. Also appearing in the film are Limp Bizkit’s Fred Durst, Justice Smith, Brigette Lundy-Paine, Conner O’Malley, and Snail Mail’s Lindsey Jordan (who contributed a bonus track to vinyl editions of the soundtrack).
Polachek’s song, “Starburned and Unkissed” dropped earlier this month as the soundtrack’s lead single.
- 5/10/2024
- by Jo Vito
- Consequence - Music
Jane Schoenbrun’s “I Saw The TV Glow,” out in limited theaters now, is about teenagers Maddy (Brigette Lundy-Paine) and Owen (Justice Smith), who bond over a “Buffy the Vampire Slayer”-style TV show, “The Pink Opaque.” As they continue to get more into the lore of the television show, the edges blur between the reality of their lives and “The Pink Opaque.”
Schoenbrun has described “Buffy” as a pivotal show for them while they were growing up, so creating their version of that felt like giving their 13-year-old self a gift. So getting “The Pink Opaque” just right was monumental.
The premise of “The Pink Opaque,” like most ’90s shows, is perfectly silly and immediately nostalgic. Isabel (Helena Howard) and Tara (Snail Mail’s Lindsay Jordan) meet at summer camp and realize they have an ancient, psychic connection. When camp ends, the two are able to meet on a...
Schoenbrun has described “Buffy” as a pivotal show for them while they were growing up, so creating their version of that felt like giving their 13-year-old self a gift. So getting “The Pink Opaque” just right was monumental.
The premise of “The Pink Opaque,” like most ’90s shows, is perfectly silly and immediately nostalgic. Isabel (Helena Howard) and Tara (Snail Mail’s Lindsay Jordan) meet at summer camp and realize they have an ancient, psychic connection. When camp ends, the two are able to meet on a...
- 5/9/2024
- by Kerensa Cadenas
- Indiewire
Exploring the Depths of Adolescence and Nostalgia in I Saw the TV Glow In 2024, I Saw the TV Glow emerges as a profound narrative that resonates deeply, unveiling the complexities of youth and nostalgia. Directed by Jane Schoenbrun, known for their distinctive narrative style, this film encapsulates the haunting and often misleading lenses of childhood memories accentuated by television. The narrative focuses around Owen and Maddy, portrayed by Justice Smith and Brigette Lundy-Paine respectively, who find solace in a mysterious TV show. Within its spectral glow, they confront issues far beyond their adolescent stirrings, exploring deep-seated gender identity and
The post Review of I Saw the TV Glow Movie first appeared on TVovermind.
The post Review of I Saw the TV Glow Movie first appeared on TVovermind.
- 5/8/2024
- by Steve Delikson
- TVovermind.com
With We’re All Going to the World’s Fair, Jane Schoenbrun crafted an unsettling yet deeply affecting portrayal of alienation in the internet age.
Backed by A24, their sophomore feature, I Saw the TV Glow, explores similar themes of dysphoria through a wider scope without sacrificing the personal resonance.
I spoke with Schoenbrun about how the movies complement one another, recreating the 1990s on film, their love of Buffy the Vampire Slayer, and more.
Bloody Disgusting: In your own words, what’s I Saw the TV Glow about?
It’s a movie about these two kids [played by Justice Smith and Brigette Lundy-Paine] stuck in the suburbs who are obsessed with the kind of TV I was obsessed with when I was a kid stuck in the suburbs, which was a trend specific to maybe the era that the movie takes place in, which is the 1990s. It’s a TV show [titled The Pink Opaque] in...
Backed by A24, their sophomore feature, I Saw the TV Glow, explores similar themes of dysphoria through a wider scope without sacrificing the personal resonance.
I spoke with Schoenbrun about how the movies complement one another, recreating the 1990s on film, their love of Buffy the Vampire Slayer, and more.
Bloody Disgusting: In your own words, what’s I Saw the TV Glow about?
It’s a movie about these two kids [played by Justice Smith and Brigette Lundy-Paine] stuck in the suburbs who are obsessed with the kind of TV I was obsessed with when I was a kid stuck in the suburbs, which was a trend specific to maybe the era that the movie takes place in, which is the 1990s. It’s a TV show [titled The Pink Opaque] in...
- 5/8/2024
- by Alex DiVincenzo
- bloody-disgusting.com
“I Saw the TV Glow” is a film that will have you searching for the soundtrack on your ride home from the theater. It’s an assembly of incredible tracks that collectively capture the emotional journey of Owen (Justice Smith) growing up in a suburban world where he can’t be his true self.
“Music was such a formative part of my teenage years and remains such a formative part of my life,” director Jane Schoenbrun said when they were on an upcoming episode of the Filmmaker Toolkit podcast to discuss “I Saw the TV Glow.” “It just made sense that this very teenage movie needed a classic teenage soundtrack.”
The writer/director started with an ambitious plan: Ask their favorite modern bands to write songs for the film’s fictional 1990s TV show, “The Pink Opaque,” which becomes Owen’s obsession after new friend Maddy (Brigette Lundy-Paine) introduces it to him.
“Music was such a formative part of my teenage years and remains such a formative part of my life,” director Jane Schoenbrun said when they were on an upcoming episode of the Filmmaker Toolkit podcast to discuss “I Saw the TV Glow.” “It just made sense that this very teenage movie needed a classic teenage soundtrack.”
The writer/director started with an ambitious plan: Ask their favorite modern bands to write songs for the film’s fictional 1990s TV show, “The Pink Opaque,” which becomes Owen’s obsession after new friend Maddy (Brigette Lundy-Paine) introduces it to him.
- 5/8/2024
- by Chris O'Falt
- Indiewire
Writer/Director Jane Schoenbrun’s I Saw the TV Glow is one of this year’s most talked-about horror movies, and we want you to be a part of the discourse. A24 is offering early sneak previews in select cities across the country ahead of its nationwide release on May 17th.
Screenings are taking place in the following cities…
Austin, TX Boston, Ma Chicago, Il Los Angeles, CA New York City, NY San Francisco, CA
Reserve your tickets while they’re still available.
Meagan Navarro wrote in her Sundance review for Bd, “I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.” Meagan continues, “Schoenbrun delivers a singular vision of arthouse horror that entrances for its fevered dream style and insanely cool imagery.”
Justice Smith (Jurassic World Dominion) and Brigette Lundy-Paine (Bill & Ted Face the Music,...
Screenings are taking place in the following cities…
Austin, TX Boston, Ma Chicago, Il Los Angeles, CA New York City, NY San Francisco, CA
Reserve your tickets while they’re still available.
Meagan Navarro wrote in her Sundance review for Bd, “I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.” Meagan continues, “Schoenbrun delivers a singular vision of arthouse horror that entrances for its fevered dream style and insanely cool imagery.”
Justice Smith (Jurassic World Dominion) and Brigette Lundy-Paine (Bill & Ted Face the Music,...
- 5/8/2024
- by Michael Roffman
- bloody-disgusting.com
I Saw the TV Glow.Jane Schoenbrun understands the cursed records of suburban memory. Their films—A Self-Induced Hallucination (2018), We’re All Going to the World’s Fair (2021), and now I Saw the TV Glow (2024)—construct imagined archives from cultural ephemera, like internet lore, YouTube videos, and television shows. These pieces of world-building distort the concept of the transition timeline—a series of images that tracks the effects of Hormone Replacement Therapy—by undercutting the sincerity of the so-called transition “journey” with displays of disappointment and dysphoria. Whether searching for information about ghosts, ghouls, or gender, Schoenbrun’s characters struggle to self-actualize. In I Saw the TV Glow (2024), the cul-de-sacs are covered in chalk hieroglyphs for a séance with the people we might have been. Around every corner lies a new monster of the week: longing, loneliness, horniness.Other artists have used imagined archives as a way to examine desire, projection, and gender.
- 5/7/2024
- MUBI
Four months of horror releases down, eight to go! With our 2024 Horror Preview, we’re looking ahead at some of the other horror movies we can’t wait to check out this year. For now, we’re only including movies that have a known release date, so films like the remakes/reboots of The Toxic Avenger and Witchboard are currently absent because they don’t have a release date yet, even though they’re likely to show up at some point in 2024. Here we go:
I Saw The TV Glow – Now Playing
JoBlo’s own Chris Bumbray wasn’t a fan of I Saw the TV Glow (which is coming our way from A24 and We’re All Going to the World’s Fair director Jane Schoenbrun) when he saw it at the Sundance Film Festival, giving it a 5/10 review (you can read it at This Link) where he said the movie...
I Saw The TV Glow – Now Playing
JoBlo’s own Chris Bumbray wasn’t a fan of I Saw the TV Glow (which is coming our way from A24 and We’re All Going to the World’s Fair director Jane Schoenbrun) when he saw it at the Sundance Film Festival, giving it a 5/10 review (you can read it at This Link) where he said the movie...
- 5/7/2024
- by Cody Hamman
- JoBlo.com
The Transgender Film Center has unveiled the first-ever Career Development Lab cohort.
Eight creatives working in film and TV were selected by the nonprofit, which focuses on advancing the work of transgender film creators, to participate in this intensive 12-week career accelerator supported by Netflix’s Fund for Creative Equity. “Our mission is to bring more trans-made stories to the world, and we designed the lab to address the root of the opportunity, by helping more transgender creators find career success in TV and film,” said Tfc executive director Sav Rodgers in a statement.
The 2024 class is comprised of Amanda Cruz Gonzalez, Elliott Feliciano, Alexandra Grey, Sir Lex Kennedy, Sepi Mashiahof, Xoai Pham, Ingrid Raphaël and Georden West. They were selected from a pool of hundreds of initial applications through a process that evaluated their potential, readiness, need and values alongside work samples, career histories and personal essays.
“We had...
Eight creatives working in film and TV were selected by the nonprofit, which focuses on advancing the work of transgender film creators, to participate in this intensive 12-week career accelerator supported by Netflix’s Fund for Creative Equity. “Our mission is to bring more trans-made stories to the world, and we designed the lab to address the root of the opportunity, by helping more transgender creators find career success in TV and film,” said Tfc executive director Sav Rodgers in a statement.
The 2024 class is comprised of Amanda Cruz Gonzalez, Elliott Feliciano, Alexandra Grey, Sir Lex Kennedy, Sepi Mashiahof, Xoai Pham, Ingrid Raphaël and Georden West. They were selected from a pool of hundreds of initial applications through a process that evaluated their potential, readiness, need and values alongside work samples, career histories and personal essays.
“We had...
- 5/6/2024
- by Abbey White
- The Hollywood Reporter - Movie News
Plot: An awkward teen (Justice Smith) and his friend (Brigette Lundy-Paine) become obsessed with a teen drama called The Pink Opaque. But, years after it gets cancelled, the lines between reality and fiction start to blur as they begin to wonder if perhaps they are part of the show they love.
Review: I Saw the TV Glow seems bound to be a conversation starter for horror fans once A24 puts it out later this year. By design, it’s a movie that’s meant to be dissected, with it defying genre expectations to the point that, for some folks, this will be a genuinely tedious experience. At the same time, others will love director Jane Schoenbrun’s stab at what the Sundance programmers have called “emo-horror.”
I’m sorry to say that I found this a difficult sit, as within ten minutes, I was looking at my watch and realizing...
Review: I Saw the TV Glow seems bound to be a conversation starter for horror fans once A24 puts it out later this year. By design, it’s a movie that’s meant to be dissected, with it defying genre expectations to the point that, for some folks, this will be a genuinely tedious experience. At the same time, others will love director Jane Schoenbrun’s stab at what the Sundance programmers have called “emo-horror.”
I’m sorry to say that I found this a difficult sit, as within ten minutes, I was looking at my watch and realizing...
- 5/6/2024
- by Chris Bumbray
- JoBlo.com
L-r: We’re All Going To The World’s Fair; Jane Schoenbrun; I Saw The TV GlowScreenshot: Utopia/YouTube, Photo: Kristina Bumphrey/Shutterstock, A24
“This isn’t the Midnight Realm, Maddy. It’s just the suburbs.”
I didn’t watch We’re All Going To The World’s Fair—I felt it.
“This isn’t the Midnight Realm, Maddy. It’s just the suburbs.”
I didn’t watch We’re All Going To The World’s Fair—I felt it.
- 5/6/2024
- by Emma Keates
- avclub.com
When Universal decided to jump on the first weekend of May, a slot normally taken up by Marvel’s popular superhero movies, they were hoping the combo of “Barbenheimer” stars, Ryan Gosling and Emily Blunt, would make “The Fall Guy” a huge early summer hit. That’s not what happened. Read on for the weekend box office report.
Going into the weekend, “The Fall Guy” had everything going for it, from two of the biggest Oscar-nominated stars from 2023’s biggest blockbusters – one who recently hosted “Saturday Night Live” to great success – plus reviews had been great going back to its premiere at the SXSW Film and TV Festival. Universal even screened the movie for exhibitors (i.e. theater owners) at the annual CinemaCon to get excitement going for the start of the summer movie season.
On Friday, Universal opened “The Fall Guy” nationwide into 4,002 theaters, another indicator that many were expecting a huge hit,...
Going into the weekend, “The Fall Guy” had everything going for it, from two of the biggest Oscar-nominated stars from 2023’s biggest blockbusters – one who recently hosted “Saturday Night Live” to great success – plus reviews had been great going back to its premiere at the SXSW Film and TV Festival. Universal even screened the movie for exhibitors (i.e. theater owners) at the annual CinemaCon to get excitement going for the start of the summer movie season.
On Friday, Universal opened “The Fall Guy” nationwide into 4,002 theaters, another indicator that many were expecting a huge hit,...
- 5/5/2024
- by Edward Douglas
- Gold Derby
The Fall Guy, Universal’s romantic action comedy starring Ryan Gosling as a stunt man and Emily Blunt as a tentpole director, kicked off summer slightly below expectations on an estimated $28.5m to lead North American box office.
The film had been forecast to open in the low $30m range and Universal executives are looking at the long play and will hope it gathers momentum powered by word of mouth and an A- CinemaScore result.
Costing a reported $130m, it will need to pick up speed, just as director and former stuntman David Leitch’s previous film Bullet Train did...
The film had been forecast to open in the low $30m range and Universal executives are looking at the long play and will hope it gathers momentum powered by word of mouth and an A- CinemaScore result.
Costing a reported $130m, it will need to pick up speed, just as director and former stuntman David Leitch’s previous film Bullet Train did...
- 5/5/2024
- ScreenDaily
A24’s I Saw The TV Glow beamed out one of the best limited openings of the year as the specialty market shows signs of life after a dreary April.
The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun. It’s the helmer’s second outing after We’re All Going To The World’s Fair established them as an edgy new voice. The film, which premiered at Sundance, saw multiple sold-out Q&As over the weekend with strong reviews and exit polls. Expands into selected top markets this weekend with a continued rollout to follow.
Produced by Emma Stone under her Fruit Tree Banner, it follows a teenager named Owen (Justice Smith) trying to make it through life in the suburbs. The weirdness starts when his older classmate (Brigette Lundy-Paine) introduces him...
The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun. It’s the helmer’s second outing after We’re All Going To The World’s Fair established them as an edgy new voice. The film, which premiered at Sundance, saw multiple sold-out Q&As over the weekend with strong reviews and exit polls. Expands into selected top markets this weekend with a continued rollout to follow.
Produced by Emma Stone under her Fruit Tree Banner, it follows a teenager named Owen (Justice Smith) trying to make it through life in the suburbs. The weirdness starts when his older classmate (Brigette Lundy-Paine) introduces him...
- 5/5/2024
- by Jill Goldsmith
- Deadline Film + TV
Being an independent film fan is full of surprises, as each slate of festival releases brings a new wave of emerging filmmakers, breakout stars, and established actors playing against type in bold films. But it’s hard to imagine that even the biggest cultural omnivore could have predicted that 2024 would spark a renaissance in Fred Durst’s acting career.
The Limp Bizkit frontman, who helped pioneer the nu metal genre throughout the ’90s by combining hip-hop and rock on albums with poetic titles like “Three Dollar Bill, Y’all,” and “Chocolate Starfish and the Hot Dog Flavored Water,” has been a sporadic presence in movies for the past quarter century. Aside from a handful of small roles in the 2000s, he’s best known to cinephiles as the director of “The Fanatic,” the infamous 2019 stalker thriller starring John Travolta as an autistic man named Moose that somehow manages to be more offensive than it sounds.
The Limp Bizkit frontman, who helped pioneer the nu metal genre throughout the ’90s by combining hip-hop and rock on albums with poetic titles like “Three Dollar Bill, Y’all,” and “Chocolate Starfish and the Hot Dog Flavored Water,” has been a sporadic presence in movies for the past quarter century. Aside from a handful of small roles in the 2000s, he’s best known to cinephiles as the director of “The Fanatic,” the infamous 2019 stalker thriller starring John Travolta as an autistic man named Moose that somehow manages to be more offensive than it sounds.
- 5/5/2024
- by Christian Zilko
- Indiewire
“I’d direct an Agent Smith origin story,” Jane Schoenbrun tossed out on X, formerly known as Twitter, on the morning of April 3. The shout-out to the AI antagonist of “The Matrix” was posted in the hours after Warner Bros. announced a fifth film in the science-fiction franchise, with writer-director Drew Goddard taking the reins from series creators Lana and Lilly Wachowski, who both came out as trans after the release of the original trilogy.
“I was always kind of like, ‘Oh, they would probably let me do a “Matrix” movie, if I asked.’ Because trans,” jokes Schoenbrun, who identifies as nonbinary and uses they/them pronouns. The director keeps a casual tone, but their interest in Agent Smith is enthusiastic and thoughtful.
“‘The Matrix’ is very in conversation with trans themes that my work is also interested in: this feeling of unreality that can be a potent metaphor for...
“I was always kind of like, ‘Oh, they would probably let me do a “Matrix” movie, if I asked.’ Because trans,” jokes Schoenbrun, who identifies as nonbinary and uses they/them pronouns. The director keeps a casual tone, but their interest in Agent Smith is enthusiastic and thoughtful.
“‘The Matrix’ is very in conversation with trans themes that my work is also interested in: this feeling of unreality that can be a potent metaphor for...
- 5/4/2024
- by J. Kim Murphy
- Variety Film + TV
Chicago – The 2024 Chicago Critics Film Festival is off and running, and the third day – Sunday, May 5th – screens and the 30th Anniversary of a modern classic and a highly anticipated upcoming release. “I Saw the TV Glow” by Jane Schoenbrun and “Little Women” (the 1994 version) anchor a full day of cinema heroics. For the full schedule, info and tickets, click Ccff May 5th. For individual films, click titles below.
30th Anniversary, Little Women
Little Women
Photo credit: ChicagoCriticsFilmFestival.com
Based on the classic 1868 novel about love, family and the female spirit, Louisa May Alcott tells the domestic saga of the March family in post-Civil War America with a cast that includes Winona Ryder, Susan Sarandon, Clare Danes, Christian Bale, Kirsten Dunst, Gabriel Byrne, Samantha Mathis, Eric Stoltz and Trini Alvarado.
Capsule Review: Greta Gerwig’s 2019 re-imagining aside, the 1994 version – directed by Gillian Armstrong – of the oft-filmed classic combines the elements...
30th Anniversary, Little Women
Little Women
Photo credit: ChicagoCriticsFilmFestival.com
Based on the classic 1868 novel about love, family and the female spirit, Louisa May Alcott tells the domestic saga of the March family in post-Civil War America with a cast that includes Winona Ryder, Susan Sarandon, Clare Danes, Christian Bale, Kirsten Dunst, Gabriel Byrne, Samantha Mathis, Eric Stoltz and Trini Alvarado.
Capsule Review: Greta Gerwig’s 2019 re-imagining aside, the 1994 version – directed by Gillian Armstrong – of the oft-filmed classic combines the elements...
- 5/4/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Unveiling the Engrossing World of I Saw the TV Glow The captivating allure of I Saw the TV Glow, helmed by the visionary director Jane Schoenbrun, has taken cinema by storm. Utilizing an evocative 1990s backdrop, Schoenbrun crafted a film that not only resonates deeply with audiences but also explores the nostalgia and escapism through its emotionally charged narrative. In I Saw the TV Glow, viewers follow Owen, depicted brilliantly by Justice Smith, and Maddie, played by Brigette Lundy-Paine. These two suburban strangers find solace and understanding through a fictional supernatural series called The Pink Opaque. Mirroring real-life struggles and
The post I Saw the TV Glow Explored: A Cinematic Journey into Escapism and Nostalgia first appeared on TVovermind.
The post I Saw the TV Glow Explored: A Cinematic Journey into Escapism and Nostalgia first appeared on TVovermind.
- 5/4/2024
- by Steve Delikson
- TVovermind.com
This article contains I Saw the TV Glow spoilers.
Jane Schoenbrun’s I Saw the TV Glow is a unique, neon-colored, melancholic analysis. It’s a complex work determined to show you might find yourself through art and the joys of escapism. Instead of depicting this coming-of-age story with promise, as is often cinema’s wont, Schoenbrun presents a haunting, Kaufman-esque diversion, illustrating the consequences of avoiding one’s embracement of oneself and the repression that bottles throughout the years. Most remarkably, Schoenbrun provides a significant, one-of-a-kind trans allegory; a raw psychedelic vision unlike almost anything previously put on the screen. In fact, the closest comparison I can think of is to say it’s I’m Thinking of Ending Things for non-cis folks.
The setup seems at first straightforward. In 1996, 13-year-old Owen (Ian Foreman) imprinted his soul onto a YA Goosebumps-meets-Buffy-styled horror TV series called The Pink Opaque. The series follows two chosen girls,...
Jane Schoenbrun’s I Saw the TV Glow is a unique, neon-colored, melancholic analysis. It’s a complex work determined to show you might find yourself through art and the joys of escapism. Instead of depicting this coming-of-age story with promise, as is often cinema’s wont, Schoenbrun presents a haunting, Kaufman-esque diversion, illustrating the consequences of avoiding one’s embracement of oneself and the repression that bottles throughout the years. Most remarkably, Schoenbrun provides a significant, one-of-a-kind trans allegory; a raw psychedelic vision unlike almost anything previously put on the screen. In fact, the closest comparison I can think of is to say it’s I’m Thinking of Ending Things for non-cis folks.
The setup seems at first straightforward. In 1996, 13-year-old Owen (Ian Foreman) imprinted his soul onto a YA Goosebumps-meets-Buffy-styled horror TV series called The Pink Opaque. The series follows two chosen girls,...
- 5/3/2024
- by David Crow
- Den of Geek
It’s been a rough few weeks for indies but May is here with a handful of hopefuls looking to rev up the market — from A24’s buzzy I Saw The TV Glow to Ryusuke Hamaguchi’s Venice award-winning Evil Does Not Exist. A documentary about Anita Pallenberg featuring Scarlett Johansson hits theaters, with a French animated sci-fi set on Mars, and a Flannery O’Conner biopic by Ethan Hawke.
I Saw The TV Glow is written and directed by Jane Schoenbrun (We’re All Going To The World’s Fair) and produced by Emma Stone under her Fruit Tree Banner. The horror-thriller that gripped Sundance (Deadline review called it a “trippy gut punch”) then SXSW follows a teenager named Owen trying to make it through life in the suburbs. The weirdness starts when his classmate introduces him to a mysterious late-night TV show, a vision of a supernatural world beneath their own.
I Saw The TV Glow is written and directed by Jane Schoenbrun (We’re All Going To The World’s Fair) and produced by Emma Stone under her Fruit Tree Banner. The horror-thriller that gripped Sundance (Deadline review called it a “trippy gut punch”) then SXSW follows a teenager named Owen trying to make it through life in the suburbs. The weirdness starts when his classmate introduces him to a mysterious late-night TV show, a vision of a supernatural world beneath their own.
- 5/3/2024
- by Jill Goldsmith
- Deadline Film + TV
Watch the full episode above or listen to it below.
On this week’s “Screen Talk,” co-hosts Ryan Lattanzio and Anne Thompson review new releases “The Fall Guy” (Universal), “Wildcat” (Oscilloscope), and “I Saw the TV Glow” (A24). While they both enjoyed David Leitch’s latest stunt-fest, starring Ryan Gosling as a movie stuntman and Emily Blunt as his director and ex-girlfriend, Thompson said the movie set in Sydney was well-mounted but a tad shallow and cartoony, while Lattanzio said it was not a challenging movie in any way, and that a series of showdowns and battles pile on at the end. Box office projections are all over the map, from $25-50 million. Upbeat word of mouth should carry the day.
Despite lukewarm Sundance reactions to Ethan Hawke’s “Wildcat” — which the actor-director-writer (“Blaze”) crafted specifically for his daughter, actress Maya Hawke, who plays Southern writer Flannery O’Connor — both Lattanzio and Thompson admired the movie,...
On this week’s “Screen Talk,” co-hosts Ryan Lattanzio and Anne Thompson review new releases “The Fall Guy” (Universal), “Wildcat” (Oscilloscope), and “I Saw the TV Glow” (A24). While they both enjoyed David Leitch’s latest stunt-fest, starring Ryan Gosling as a movie stuntman and Emily Blunt as his director and ex-girlfriend, Thompson said the movie set in Sydney was well-mounted but a tad shallow and cartoony, while Lattanzio said it was not a challenging movie in any way, and that a series of showdowns and battles pile on at the end. Box office projections are all over the map, from $25-50 million. Upbeat word of mouth should carry the day.
Despite lukewarm Sundance reactions to Ethan Hawke’s “Wildcat” — which the actor-director-writer (“Blaze”) crafted specifically for his daughter, actress Maya Hawke, who plays Southern writer Flannery O’Connor — both Lattanzio and Thompson admired the movie,...
- 5/3/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
Writer/Director Jane Schoenbrun’s feature debut, We’re All Going to the World’s Fair, captured the isolating nature of online culture via creepypasta horror through non-narrative, visual storytelling. Schoenbrun continues that core theme of dysphoria in their sophomore effort, I Saw the TV Glow, now armed with a bigger budget that allows the filmmaker to get even more personal while evolving their voice and visual style to an intoxicating degree. I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.
I Saw the TV Glow charts the life of Owen (Justice Smith) over multiple decades, initially introduced as an early teen (Ian Foreman) in 1996. Owen is a dysphoric and friendless outcast until he bumps into a slightly older student and fellow outcast, Maddy (Brigette Lundy-Paine), at his high school. The pair quickly bond...
I Saw the TV Glow charts the life of Owen (Justice Smith) over multiple decades, initially introduced as an early teen (Ian Foreman) in 1996. Owen is a dysphoric and friendless outcast until he bumps into a slightly older student and fellow outcast, Maddy (Brigette Lundy-Paine), at his high school. The pair quickly bond...
- 5/3/2024
- by Meagan Navarro
- bloody-disgusting.com
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy Cinema
Our House of Tolerance 35mm presentation returns Friday; prints of Night Tide and Eddie Murphy: Raw show Saturday; The Last of the Mohicans and Thief play on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has begun, this weekend bringing Fassbinder, Rivette, Buñuel, Duras, and more.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective begins (watch our exclusive trailer debut); The Abyss screens on Sunday.
Anthology Film Archives
A new Marguerite Duras retrospective begins, while “Cinema of Palestinian Return” continues.
Bam
“Uncharted Territories” highlights Black British cinema from 1963 to 1986.
Film at Lincoln Center
“Seeing the City” presents an avant-garde vision of New York.
Metrograph
“’90s Noir” brings Bound and Deep Cover, while Euro-Heists, a Jane Schoenbrun curation, Dream with Your Eyes Open, Ethics of Care, and Animal Farm all start; meanwhile,...
Roxy Cinema
Our House of Tolerance 35mm presentation returns Friday; prints of Night Tide and Eddie Murphy: Raw show Saturday; The Last of the Mohicans and Thief play on 35mm this Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has begun, this weekend bringing Fassbinder, Rivette, Buñuel, Duras, and more.
Museum of the Moving Image
America’s largest-ever Hiroshi Shimizu retrospective begins (watch our exclusive trailer debut); The Abyss screens on Sunday.
Anthology Film Archives
A new Marguerite Duras retrospective begins, while “Cinema of Palestinian Return” continues.
Bam
“Uncharted Territories” highlights Black British cinema from 1963 to 1986.
Film at Lincoln Center
“Seeing the City” presents an avant-garde vision of New York.
Metrograph
“’90s Noir” brings Bound and Deep Cover, while Euro-Heists, a Jane Schoenbrun curation, Dream with Your Eyes Open, Ethics of Care, and Animal Farm all start; meanwhile,...
- 5/3/2024
- by Nick Newman
- The Film Stage
What was done many years ago may find its way back to the modern cinema, and brand new movies and shows drawing their inspiration from the cult classic don’t cease to prove it.
With all numerous and versatile horror films hitting cinemas every month, it doesn’t come as a surprise that literally all of them borrowed something very peculiar from other thrilling, yet successful stories.
It’s not exactly the case of Jane Schoenbrun’s upcoming A24 horror-thriller I Saw The TV Glow, there’s something in there that actually derives from the 1997 cult supernatural drama. You still may not notice it though.
Speaking to IndieWire ahead of the movie’s theatrical release, Schoenbrun revealed that the storyline of the upcoming thriller’s main character Owen was partially inspired by Buffy the Vampire Slayer’s season 6 episode called Once More With Feeling.
In there, the famous supernatural show...
With all numerous and versatile horror films hitting cinemas every month, it doesn’t come as a surprise that literally all of them borrowed something very peculiar from other thrilling, yet successful stories.
It’s not exactly the case of Jane Schoenbrun’s upcoming A24 horror-thriller I Saw The TV Glow, there’s something in there that actually derives from the 1997 cult supernatural drama. You still may not notice it though.
Speaking to IndieWire ahead of the movie’s theatrical release, Schoenbrun revealed that the storyline of the upcoming thriller’s main character Owen was partially inspired by Buffy the Vampire Slayer’s season 6 episode called Once More With Feeling.
In there, the famous supernatural show...
- 5/2/2024
- by benjamin-patel@startefacts.com (Benjamin Patel)
- STartefacts.com
Have you ever loved a TV show? Like, really loved it, to the point where your identity became wrapped up in it, where you engaged in life-or-death debates over characters and story arcs, strongest seasons and best episodes? Where the minutiae and the mythology of it became something between a shorthand language and a shared secret?
Jane Schoenbrun has; judging from their new film I Saw the TV Glow, their small-screen obsession of choice was the exact same as ours in the late ’90s, Buffy the Vampire Slayer. (Big up Sunnydale,...
Jane Schoenbrun has; judging from their new film I Saw the TV Glow, their small-screen obsession of choice was the exact same as ours in the late ’90s, Buffy the Vampire Slayer. (Big up Sunnydale,...
- 5/2/2024
- by David Fear
- Rollingstone.com
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.