‘Unsung Hero’ Review: The Family That Prays Together, Plays Together in Uplifting Faith-Based Biopic
The heartrending hook behind “Unsung Hero” isn’t solely discovering how one tight knit family birthed two chart-topping contemporary Christian musical acts, although that is an interesting draw. It’s not necessarily learning how the Aussie expats survived a slew of hardships through togetherness and fortitude. The fascinating angle it adopts is similar to the way Steven Spielberg explored a tumultuous time in his childhood with “The Fablemans,” as Joel Smallbone (who co-wrote and directed with Richard L. Ramsey) also engages with family history, portraying his father grappling with financial and personal crises. The co-directors re-contextualize character-building circumstances, crafting a soul-stirring testament to the power of family and faith in the process.
David Smallbone (Joel Smallbone) is at the top of his game in early 1991. He’s got a great support system at work as one of Australia’s top Christian artist concert promoters, luring in such performers as the heavy metal hair band Stryper.
David Smallbone (Joel Smallbone) is at the top of his game in early 1991. He’s got a great support system at work as one of Australia’s top Christian artist concert promoters, luring in such performers as the heavy metal hair band Stryper.
- 4/25/2024
- by Courtney Howard
- Variety Film + TV
Titans of the faith-based filmmaking industrial complex they helped to create, Kingdom Story Company founders Andrew and Jon Erwin built their brand on the Christian rock biopics “I Still Believe” and “I Can Only Imagine,” ultra-benign stories of faith, loss, and profit that rely on powerful songwriting to compensate for sermon-like storytelling, and frame their subject’s artistic success as both a testament to their faith and a megaphone for the word of Jesus Christ. Absent the rigor or artistry of secular comps like “Love & Mercy” and “Coal Miner’s Daughter” (but also absent the Wikipedia-driven ghoulishness of more recent examples like “Bohemian Rhapsody” and “I Wanna Dance with Somebody”), these movies are happy to function as feature-length commercials for the musicians they were made to honor, just as they’re happy to offer halos to the people who inspired them.
That’s a key feature of cinematic evangelism,...
That’s a key feature of cinematic evangelism,...
- 4/25/2024
- by David Ehrlich
- Indiewire
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