The Little Witch (Die Kleine Hexe) will star German actress Karoline Herfurth and reunite the production team behind local box office hit Heidi.
Studiocanal is to co-produce and handle world sales on the first German live-action film adaptation of Otfried Preussler’s children’s classic The Little Witch (Die Kleine Hexe).
Published in 1957, Preussler’s tale centres on a witch who is a mere one hundred and twenty-seven years old and thus deemed too young to be allowed to dance with the others on the Hill of Witches during Walpurgis Night (30 April).
Before she can prove to the chief witch that she has what it takes to become a good witch, she must hone her magic skills, but she hadn’t reckoned with the mean weather witch Rumpumpel using every means to prevent her reaching her goal.
Studiocanal’s German production arm, Studiocanal Film, will co-produce with Munich-based Claussen+Putz Filmproduktion and Switzerland’s Zodiac Pictures after last...
Studiocanal is to co-produce and handle world sales on the first German live-action film adaptation of Otfried Preussler’s children’s classic The Little Witch (Die Kleine Hexe).
Published in 1957, Preussler’s tale centres on a witch who is a mere one hundred and twenty-seven years old and thus deemed too young to be allowed to dance with the others on the Hill of Witches during Walpurgis Night (30 April).
Before she can prove to the chief witch that she has what it takes to become a good witch, she must hone her magic skills, but she hadn’t reckoned with the mean weather witch Rumpumpel using every means to prevent her reaching her goal.
Studiocanal’s German production arm, Studiocanal Film, will co-produce with Munich-based Claussen+Putz Filmproduktion and Switzerland’s Zodiac Pictures after last...
- 4/29/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
As our coverage from this year’s Marrakech International Film Festival continues to flow in, they’ve begun providing videos that give some sense of what it’s like to be on the ground. Following a look at Park Chan-wook’s master class, we now have excerpts from a live talk with Fatih Akin — something the writer-director, feeling he’s “not a master,” would prefer to call an interview. The moderator — who looks so much like Dean Stockwell that I’m unable to focus on much else when it cuts to him — complies, and so what follows isn’t a hoity-toity handing-down of wisdom to those who are so lucky to be in his presence, but instead an illustration of process and intent.
It’s also worth noting that, while at Marrakech, Akin told THR about his next feature, Why We Took the Car. Although the feature (known as Tschick...
It’s also worth noting that, while at Marrakech, Akin told THR about his next feature, Why We Took the Car. Although the feature (known as Tschick...
- 12/9/2015
- by Nick Newman
- The Film Stage
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