The great acting legend Sidney Poitier died in January at age 94. He did not live to see the thrilling new documentary on his life and career, Sidney, which had its world premiere Saturday night at the Toronto Film Festival. However, it had its blessing, and that of his family, for a film that has been percolating and in development and then production for five years. And although Poitier himself didn’t get to see the finished work, everyone else will beginning on September 23 when it begins streaming on Apple TV+ and playing in selected theaters.
With Oprah Winfrey on board as a producer (with Derik Murray) and Reginald Hudlin as director, Poitier gets an extraordinarily comprehensive and wide-ranging look at his life told in linear fashion and narrated by himself through the use of eight hours of interview footage done in 2012 with Winfrey, as well as other archival interviews. This...
With Oprah Winfrey on board as a producer (with Derik Murray) and Reginald Hudlin as director, Poitier gets an extraordinarily comprehensive and wide-ranging look at his life told in linear fashion and narrated by himself through the use of eight hours of interview footage done in 2012 with Winfrey, as well as other archival interviews. This...
- 9/11/2022
- by Pete Hammond
- Deadline Film + TV
1. “In the Heat of the Night” (1967)
Why Should I Watch? Director Norman Jewison crafts one of the tautest crime dramas of the 1960s that, on top of the suspense, should have nabbed leading man Sidney Poitier an Oscar. The film follows detective Virgil Tibbs (Poitier) as he investigates a murder in a Southern town. The movie was groundbreaking, at the time, for its depiction of Poitier as a Black cop entering the South. One of the film’s most memorable moments sees Poitier slap a white man who hurls a racial slur at him. In 1967, that was the slap heard round the world. Alongside that, you have an Oscar-winning performance by Rod Steiger as Tibbs’ reluctant partner and a searing performance from Lee Grant. “In the Heat of the Night” airs February 4.
2. Dog Day Afternoon (1975)
Why Should I Watch? I’m jealous of those experiencing “Dog Day Afternoon” for the...
Why Should I Watch? Director Norman Jewison crafts one of the tautest crime dramas of the 1960s that, on top of the suspense, should have nabbed leading man Sidney Poitier an Oscar. The film follows detective Virgil Tibbs (Poitier) as he investigates a murder in a Southern town. The movie was groundbreaking, at the time, for its depiction of Poitier as a Black cop entering the South. One of the film’s most memorable moments sees Poitier slap a white man who hurls a racial slur at him. In 1967, that was the slap heard round the world. Alongside that, you have an Oscar-winning performance by Rod Steiger as Tibbs’ reluctant partner and a searing performance from Lee Grant. “In the Heat of the Night” airs February 4.
2. Dog Day Afternoon (1975)
Why Should I Watch? I’m jealous of those experiencing “Dog Day Afternoon” for the...
- 2/3/2021
- by Kristen Lopez
- Indiewire
Here's the original trailer for director Norman Jewison's Best Picture Oscar winner for 1967. "In the Heat of the Night" also won Rod Steiger a Best Actor Oscar. Sidney Poitier's Virgil Tibbs proved to be so popular that United Artists brought him back in the sequels "They Call Me Mister Tibbs!" and "The Organization".
Click Here To Order Criterion Blu-ray Special Edition From Amazon...
Click Here To Order Criterion Blu-ray Special Edition From Amazon...
- 9/8/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
It’s about time that two-time supporting actor Oscar winner Mahershala Ali (“Green Book” and “Moonlight”) got a lead role, and his troubled Arkansas cop, Wayne Hays, was a game-changer for Season 3’s “True Detective” on HBO.
The fact that Ali got to play Hays at three different stages of his life: his thirties, forties, and seventies, made it a more remarkable achievement as we got to witness the personal impact of the macabre murder mystery. The three faces of Hays became a study in hope, futility, and dementia as he is consumed by the case. And the masterful makeup and hair work aided in Ali’s powerful performance.
Beginning with his grandfather as a point of reference, Ali collaborated with makeup artists Debi Young and Mike Marino and hairstylist Lawrence Davis to create a unified look that suited him best. “He asked me to come do this project with...
The fact that Ali got to play Hays at three different stages of his life: his thirties, forties, and seventies, made it a more remarkable achievement as we got to witness the personal impact of the macabre murder mystery. The three faces of Hays became a study in hope, futility, and dementia as he is consumed by the case. And the masterful makeup and hair work aided in Ali’s powerful performance.
Beginning with his grandfather as a point of reference, Ali collaborated with makeup artists Debi Young and Mike Marino and hairstylist Lawrence Davis to create a unified look that suited him best. “He asked me to come do this project with...
- 5/17/2019
- by Bill Desowitz
- Indiewire
In the Heat of the Night
Blu ray
Criterion
1967 / 1.85:1 / 110 Min. / Street Date – January 29, 2019
Starring Sidney Poitier, Rod Steiger, Warren Oates
Cinematography by Haskell Wexler
Directed by Norman Jewison
The racial animus that roiled recent elections in Mississippi was a reminder of segregation’s cockroach-like resiliency in that state – it wasn’t until 2013 that its Secretary of State officially ratified the 13th amendment.
It’s safe to assume that volatile climate was even more combustible in 1966 when Sidney Poitier refused to venture south of the Mason-Dixon Line for the Mississippi-set In the Heat of the Night – less precarious locations were found but the actor still kept a gun under his pillow during production.
A hardboiled policier with Ray Charles on the soundtrack and the headlong urgency of politically-charged Euro thrillers like Z and Queimada, Norman Jewison’s countrified crime story stars Poitier as Virgil Tibbs, a Philadelphia detective waylaid at...
Blu ray
Criterion
1967 / 1.85:1 / 110 Min. / Street Date – January 29, 2019
Starring Sidney Poitier, Rod Steiger, Warren Oates
Cinematography by Haskell Wexler
Directed by Norman Jewison
The racial animus that roiled recent elections in Mississippi was a reminder of segregation’s cockroach-like resiliency in that state – it wasn’t until 2013 that its Secretary of State officially ratified the 13th amendment.
It’s safe to assume that volatile climate was even more combustible in 1966 when Sidney Poitier refused to venture south of the Mason-Dixon Line for the Mississippi-set In the Heat of the Night – less precarious locations were found but the actor still kept a gun under his pillow during production.
A hardboiled policier with Ray Charles on the soundtrack and the headlong urgency of politically-charged Euro thrillers like Z and Queimada, Norman Jewison’s countrified crime story stars Poitier as Virgil Tibbs, a Philadelphia detective waylaid at...
- 1/29/2019
- by Charlie Largent
- Trailers from Hell
In The Heat Of The Night (1967) screens at Webster University’s Moore Auditorium (470 East Lockwood) Saturday, September 15th. The movie starts at 7:30.
The racism in the Deep South is given the once-over in In The Heat Of The Night. The winner of five Oscars, including Best Picture and Best Actor for Poitier’s costar Rod Steiger, In The Heat Of The Night is set in a small Mississippi town where an unusual murder has been committed. Steiger played sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Poitier), a well-dressed black man, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie’s investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions.
The racism in the Deep South is given the once-over in In The Heat Of The Night. The winner of five Oscars, including Best Picture and Best Actor for Poitier’s costar Rod Steiger, In The Heat Of The Night is set in a small Mississippi town where an unusual murder has been committed. Steiger played sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Poitier), a well-dressed black man, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie’s investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions.
- 9/11/2018
- by Tom Stockman
- WeAreMovieGeeks.com
Jason from Mnpp here - Sidney Poitier is turning 91 years old tomorrow, and so let's devote this week's episode of "Beauty vs Beast" to Norman Jewison's 1967 classic police drama In the Heat of the Night, which won five Oscars including ones for Best Picture, for Rod Steiger as Best Actor, and for Hal Ashby for Editing. Shockingly Poitier wasn't even nominated for the film, but he did already have his 1963 statue for Lilies in the Field at that point.
Ithotn is nominally a film about a murder in a small town, but it's the tension between the Mississippian police chief Gillespie (Steiger) and the usurping fancy-man Philadelphian detective Virgil Tibbs (Poitier) that gives the film its drama, as we watch their animosity give way to something like respect. Still it's very much of its time, up to and including those Oscar nominations - imagine Steiger winning the statue while Poitier's not even nominated today.
Ithotn is nominally a film about a murder in a small town, but it's the tension between the Mississippian police chief Gillespie (Steiger) and the usurping fancy-man Philadelphian detective Virgil Tibbs (Poitier) that gives the film its drama, as we watch their animosity give way to something like respect. Still it's very much of its time, up to and including those Oscar nominations - imagine Steiger winning the statue while Poitier's not even nominated today.
- 2/19/2018
- by JA
- FilmExperience
By Lee Pfeiffer
The decline and decay of American urban centers in the 1960s- along with the inevitable soaring crime rates- inspired Hollywood studios to reflect the general mood of society. It was clearly a tumultuous period, perhaps the most divisive era in American history since the Civil War a hundred years before. Race riots, Vietnam War protests, assassinations of high profile figures and soaring poverty rates combined to provide a perfect storm of social unrest. Always a barometer of where society was at at any particular point in time, the major studio releases begat a tidal wave of urban crime movies. Many of these centered on a single "lone wolf" protagonist...the "dirty cop", if you will, who generally had disdain for following constitutional rights in his quest to fight crime, often within the very police department he worked for. From the late 1960s through the 1970s, we saw...
The decline and decay of American urban centers in the 1960s- along with the inevitable soaring crime rates- inspired Hollywood studios to reflect the general mood of society. It was clearly a tumultuous period, perhaps the most divisive era in American history since the Civil War a hundred years before. Race riots, Vietnam War protests, assassinations of high profile figures and soaring poverty rates combined to provide a perfect storm of social unrest. Always a barometer of where society was at at any particular point in time, the major studio releases begat a tidal wave of urban crime movies. Many of these centered on a single "lone wolf" protagonist...the "dirty cop", if you will, who generally had disdain for following constitutional rights in his quest to fight crime, often within the very police department he worked for. From the late 1960s through the 1970s, we saw...
- 5/9/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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