Movie News
The Sundance Film Festival may kick the snow off its boots once and for all.
The annual celebration of independent film announced on Wednesday that it is open for pitches from cities across the United States on becoming the new permanent home of the festival starting in 2027.
Sundance has taken place in the luxury mountain haven of Park City, Utah since 1981 (except for two virtual years during the pandemic). It started off as the Utah/U.S. Film Festival in Salt Lake City in 1978. It will remain the host and headquarters of Sundance for two more years, at which point Park City’s contract with the Sundance Institute is up for renewal. Utah will remain in the mix as a continued home for Sundance.
“We are in a unique moment for our festival and our global film community, and with the contract up for renewal, this exploration allows us to...
The annual celebration of independent film announced on Wednesday that it is open for pitches from cities across the United States on becoming the new permanent home of the festival starting in 2027.
Sundance has taken place in the luxury mountain haven of Park City, Utah since 1981 (except for two virtual years during the pandemic). It started off as the Utah/U.S. Film Festival in Salt Lake City in 1978. It will remain the host and headquarters of Sundance for two more years, at which point Park City’s contract with the Sundance Institute is up for renewal. Utah will remain in the mix as a continued home for Sundance.
“We are in a unique moment for our festival and our global film community, and with the contract up for renewal, this exploration allows us to...
- 4/17/2024
- by Matt Donnelly
- Variety - Film News
Tribeca Festival has revealed its feature film lineup for its 2024 festival, which includes films from actors Lily Gladstone and Michael Cera and documentaries featuring Prince, Carlos Santana and Dolly Parton.
The opening night film is documentary “Diane von Furstenberg: Woman in Charge,” directed by Tribeca alumna Sharmeen Obaid-Chinoy and Trish Dalton.
This year’s festival, which runs from June 5-16 in New York City, has a program of 103 feature films from 114 filmmakers spanning 48 countries. The lineup features 86 world premieres, two international premieres, six North American premieres and eight New York premieres.
The final selections were chosen from a record-breaking pool of 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of all feature films are directed by Bipoc filmmakers. There are 30 films directed by first-time filmmakers and 25 directors are making their return to the annual New York film festival.
“In a year of record high submissions, despite industry-wide challenges,...
The opening night film is documentary “Diane von Furstenberg: Woman in Charge,” directed by Tribeca alumna Sharmeen Obaid-Chinoy and Trish Dalton.
This year’s festival, which runs from June 5-16 in New York City, has a program of 103 feature films from 114 filmmakers spanning 48 countries. The lineup features 86 world premieres, two international premieres, six North American premieres and eight New York premieres.
The final selections were chosen from a record-breaking pool of 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of all feature films are directed by Bipoc filmmakers. There are 30 films directed by first-time filmmakers and 25 directors are making their return to the annual New York film festival.
“In a year of record high submissions, despite industry-wide challenges,...
- 4/17/2024
- by Jack Dunn
- Variety - Film News
The documentary “Outstanding: A Comedy Revolution” is set to premiere globally on June 18 on Netflix. The feature-length documentary, the first of its kind to address this topic, examines the history of queer stand-up comedy as — according to its logline — “an instrument for social change over the past five decades, actively reflecting and challenging cultural norms and values.”
The film combines stand-up performances and talking head interviews, as well as archival materials featuring LGBTQ+ comedians, and includes Lily Tomlin, Sandra Bernhard, Wanda Sykes, Suzy Izzard, Hannah Gadsby, Tig Notaro, Rosie O’Donnell, Margaret Cho, Bob The Drag Queen and Trixie Mattel.
Historians interviewed for the documentary include Dave Holmes, Roger Mason, Shar Jossell, Susan Stryker and Kate Aurthur, Variety‘s Editor-at-Large.
“Outstanding: A Comedy Revolution” is written and directed by Page Hurwitz. “I’m excited for the film to premiere, particularly at this time, because comedy has the power to unite, and...
The film combines stand-up performances and talking head interviews, as well as archival materials featuring LGBTQ+ comedians, and includes Lily Tomlin, Sandra Bernhard, Wanda Sykes, Suzy Izzard, Hannah Gadsby, Tig Notaro, Rosie O’Donnell, Margaret Cho, Bob The Drag Queen and Trixie Mattel.
Historians interviewed for the documentary include Dave Holmes, Roger Mason, Shar Jossell, Susan Stryker and Kate Aurthur, Variety‘s Editor-at-Large.
“Outstanding: A Comedy Revolution” is written and directed by Page Hurwitz. “I’m excited for the film to premiere, particularly at this time, because comedy has the power to unite, and...
- 4/17/2024
- by Selena Kuznikov
- Variety - Film News
The Cannes Film Festival will award legendary Japanese anime house Studio Ghibli with its honorary Palme d’Or this year, the first time Cannes has given its highest award to a company instead of an individual.
“For the first time in our history, it’s not a person but an institution that we have chosen to celebrate,” said Cannes Festival president Iris Knobloch and general delegate Thierry Frémaux, announcing the honor on Wednesday. They praised Ghibli’s animated features as filled with characters who “populate our imaginations with prolific, colorful universes and sensitive, engaging narrations. With Ghibli, Japanese animation stands as one of the great adventures of cinephilia, between tradition and modernity.”
Founded in 1985 by Hayao Miyazaki, Isao Takahata, Toshio Suzuki, and Yasuyoshi Tokuma, Studio Ghibli has in the past 40 years, “achieved what seemed to be an impossible feat: Independently producing pure masterpieces and conquering the mass market,” the festival said.
“For the first time in our history, it’s not a person but an institution that we have chosen to celebrate,” said Cannes Festival president Iris Knobloch and general delegate Thierry Frémaux, announcing the honor on Wednesday. They praised Ghibli’s animated features as filled with characters who “populate our imaginations with prolific, colorful universes and sensitive, engaging narrations. With Ghibli, Japanese animation stands as one of the great adventures of cinephilia, between tradition and modernity.”
Founded in 1985 by Hayao Miyazaki, Isao Takahata, Toshio Suzuki, and Yasuyoshi Tokuma, Studio Ghibli has in the past 40 years, “achieved what seemed to be an impossible feat: Independently producing pure masterpieces and conquering the mass market,” the festival said.
- 4/17/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Talk about nepotism. “Abigail,” a blood-sucking thriller about the daughter of Dracula, arguably the most famous vampire in history, is poised to lead at the domestic box office.
The R-rated movie, from Universal Pictures, is aiming for $12 million to $15 million from 3,300 North American theaters in its first weekend of release. But “Abigail” first has to fend off last weekend’s champion, A24’s “Civil War,” before taking the box office crown. The provocative thriller debuted last weekend with $25.8 million and looks to bring in $10 million to $12 million in its sophomore outing.
Based on projections, “Abigail” will, however, dance circles around two fellow newcomers, director Guy Ritchie’s “The Ministry of Ungentlemanly Warfare” and Crunchyroll’s anime adventure “Spy x Family Code: White.” Those films are targeting $5 million to $6 million, though rivals have pegged ticket sales ever-so-slightly higher at $8 million.
“Abigail” is based on Universal’s classic 1936 monster film “Dracula’s Daughter...
The R-rated movie, from Universal Pictures, is aiming for $12 million to $15 million from 3,300 North American theaters in its first weekend of release. But “Abigail” first has to fend off last weekend’s champion, A24’s “Civil War,” before taking the box office crown. The provocative thriller debuted last weekend with $25.8 million and looks to bring in $10 million to $12 million in its sophomore outing.
Based on projections, “Abigail” will, however, dance circles around two fellow newcomers, director Guy Ritchie’s “The Ministry of Ungentlemanly Warfare” and Crunchyroll’s anime adventure “Spy x Family Code: White.” Those films are targeting $5 million to $6 million, though rivals have pegged ticket sales ever-so-slightly higher at $8 million.
“Abigail” is based on Universal’s classic 1936 monster film “Dracula’s Daughter...
- 4/17/2024
- by Rebecca Rubin
- Variety Film + TV
Pamela Anderson is dressing up for Naked Gun.
The actor has signed on to star opposite Liam Neeson in Paramount Pictures’ untitled remake of Naked Gun, based on the crime spoof comedies that were released in the late 1980s and early 1990s.
Akiva Schaffer is directing the comedy, which has a script by Dan Gregor, Doug Mand and Schaffer. The trio were behind the popular and Emmy-winning Disney+ movie Chip ‘n Dale: Rescue Rangers.
The original movie, written and directed by Jerry Zucker, Jim Abrahams and David Zucker and based on their television series Police Squad! that lasted only six episodes, spoofed the tropes of police shows and films that had ingrained themselves into audience’s minds over the decades. It centered on an inept and clueless detective named Frank Drebin, played by Leslie Nielsen, who still somehow managed to solve the crime and save the day.
Plot details are...
The actor has signed on to star opposite Liam Neeson in Paramount Pictures’ untitled remake of Naked Gun, based on the crime spoof comedies that were released in the late 1980s and early 1990s.
Akiva Schaffer is directing the comedy, which has a script by Dan Gregor, Doug Mand and Schaffer. The trio were behind the popular and Emmy-winning Disney+ movie Chip ‘n Dale: Rescue Rangers.
The original movie, written and directed by Jerry Zucker, Jim Abrahams and David Zucker and based on their television series Police Squad! that lasted only six episodes, spoofed the tropes of police shows and films that had ingrained themselves into audience’s minds over the decades. It centered on an inept and clueless detective named Frank Drebin, played by Leslie Nielsen, who still somehow managed to solve the crime and save the day.
Plot details are...
- 4/16/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
Studiocanal’s Amy Winehouse biopic “Back to Black” debuted atop the U.K and Ireland box office with £2.77 million ($3.4 million), according to numbers from Comscore.
It was neck-and-neck for the second spot. Entertainment Film Distributors’ “Civil War,” directed by Alex Garland and starring Kirsten Dunst, debuted with £1.82 million, including previews. In its third weekend, Universal’s “Kung Fu Panda 4” collected £1.75 million over the three-day weekend for a running total of £17.29 million.
In fourth place, in its third weekend, Warner Bros.’ “Godzilla x Kong: The New Empire” took in £1.18 million for a total of £11.89 million. Rounding off the top five, in its fourth weekend, Sony’s “Ghostbusters: Frozen Empire” earned £787,000 for a total of £14.06 million.
There were two debuts in the top 10, both from India. Rft Films’ Malayalam-language “Aavesham,” starring Fahadh Faasil, opened in ninth place with £207,300, while Yash Raj Films’ Bollywood film “Bade Miyan Chote Miyan,” with Akshay Kumar,...
It was neck-and-neck for the second spot. Entertainment Film Distributors’ “Civil War,” directed by Alex Garland and starring Kirsten Dunst, debuted with £1.82 million, including previews. In its third weekend, Universal’s “Kung Fu Panda 4” collected £1.75 million over the three-day weekend for a running total of £17.29 million.
In fourth place, in its third weekend, Warner Bros.’ “Godzilla x Kong: The New Empire” took in £1.18 million for a total of £11.89 million. Rounding off the top five, in its fourth weekend, Sony’s “Ghostbusters: Frozen Empire” earned £787,000 for a total of £14.06 million.
There were two debuts in the top 10, both from India. Rft Films’ Malayalam-language “Aavesham,” starring Fahadh Faasil, opened in ninth place with £207,300, while Yash Raj Films’ Bollywood film “Bade Miyan Chote Miyan,” with Akshay Kumar,...
- 4/16/2024
- by Naman Ramachandran
- Variety - Film News
Like most things in Hollywood, “Quiet on Set: The Dark Side of Kids TV” began with a promise.
After years of whispered complaints about the sometimes-shady world of children’s entertainment, an investigative team set out to expose Dan Schneider’s Nickelodeon and the years of alleged abuse endured by the kids who worked there from 1994 to 2018. Others had tried to tell this story, but this time serious journalists planned to expose the industry’s seamy underbelly — documenting past wrongs, giving voice to victims, and charting tangible change.
Ex-kid actors and “Quiet on Set” subjects Raquel Lee Bolleau and Alexa Nikolas told IndieWire they were presented with a plan for an honest look at the issues and suffering borne out by their childhoods. Lee Bolleau (“The Amanda Show”) talked to the “Quiet on Set” producers about her passion for healing and protecting young performers still in the industry; Nikolas (“Zoey...
After years of whispered complaints about the sometimes-shady world of children’s entertainment, an investigative team set out to expose Dan Schneider’s Nickelodeon and the years of alleged abuse endured by the kids who worked there from 1994 to 2018. Others had tried to tell this story, but this time serious journalists planned to expose the industry’s seamy underbelly — documenting past wrongs, giving voice to victims, and charting tangible change.
Ex-kid actors and “Quiet on Set” subjects Raquel Lee Bolleau and Alexa Nikolas told IndieWire they were presented with a plan for an honest look at the issues and suffering borne out by their childhoods. Lee Bolleau (“The Amanda Show”) talked to the “Quiet on Set” producers about her passion for healing and protecting young performers still in the industry; Nikolas (“Zoey...
- 4/18/2024
- by Alison Foreman
- Indiewire
Thomas Pickering blends approachable narration with well-presented information in a welcome reminder of the Michael Moore method
Here is an ebullient, confident campaign documentary from Thomas Pickering, the kind of punchy and straightforward film-making that we used to see all the time in the 00s that was effectively made popular by Michael Moore. Clear ideas, sympathetic (if choir-preaching) interviews, approachable narration and presentation, strong graphics – and all of it leading to a website on the final credits where you can go to get involved and find out more.
Pickering is a vegan who was brought up by vegans and sets out to answer the anti-vegan remarks he hears from his friends all the time; they could never go vegan because meat is too delicious, or because climate change isn’t real, or because plant-based diets don’t deliver the protein, or because these days free range or organic meat industries make animals’ lives better.
Here is an ebullient, confident campaign documentary from Thomas Pickering, the kind of punchy and straightforward film-making that we used to see all the time in the 00s that was effectively made popular by Michael Moore. Clear ideas, sympathetic (if choir-preaching) interviews, approachable narration and presentation, strong graphics – and all of it leading to a website on the final credits where you can go to get involved and find out more.
Pickering is a vegan who was brought up by vegans and sets out to answer the anti-vegan remarks he hears from his friends all the time; they could never go vegan because meat is too delicious, or because climate change isn’t real, or because plant-based diets don’t deliver the protein, or because these days free range or organic meat industries make animals’ lives better.
- 4/18/2024
- by Peter Bradshaw
- The Guardian - Film News
The world premiere of Trish Dalton and Sharmeen Obaid-Chinoy’s documentary Diane von Furstenberg: Woman In Charge chronicling the life of the fashion designer will open Tribeca Festival, running June 5-16 in New York.
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Michael Cera, Angarano, and Kristen Stewart; Andrew McCarthy’s documentary Brats in which the filmmaker catches up with fellow Brat-Packers Rob Lowe,...
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Michael Cera, Angarano, and Kristen Stewart; Andrew McCarthy’s documentary Brats in which the filmmaker catches up with fellow Brat-Packers Rob Lowe,...
- 4/18/2024
- ScreenDaily
From the moment the film was announced a year ago, “Abigail” has been marketed as a remake of “Dracula’s Daughter,” the 1936 Universal Pictures curio. So it’s no spoiler to say that the title character of “Abigail” is…Dracula’s daughter. Yet if you went in not knowing that, it might be the only real surprise in the movie, apart from what a brutally monotonous blood-vomiting genre mashup it is.
For a while, we think we’re watching a standard kidnap thriller. It opens with Abigail (Alisha Weir), who is 12, on the ballet stage rehearsing “Swan Lake,” a most definite vampire homage, since Tchaikovsky’s gorgeous heart-swelling score is the same music that played over the opening credits of the 1931 Bela Lugosi “Dracula.” That lyrical entré ends in about three minutes, as the kidnappers, all overstated profane synthetic crudeness, jam themselves into a van and abscond with Abigail, who they...
For a while, we think we’re watching a standard kidnap thriller. It opens with Abigail (Alisha Weir), who is 12, on the ballet stage rehearsing “Swan Lake,” a most definite vampire homage, since Tchaikovsky’s gorgeous heart-swelling score is the same music that played over the opening credits of the 1931 Bela Lugosi “Dracula.” That lyrical entré ends in about three minutes, as the kidnappers, all overstated profane synthetic crudeness, jam themselves into a van and abscond with Abigail, who they...
- 4/18/2024
- by Owen Gleiberman
- Variety - Film News
Clara Bow was a movie star by the age of 20 — and washed up by 28. Now she’s poised to win over a new generation of fans as the title of the last track on Taylor Swift’s “The Tortured Poets Department.”
Known as the “It Girl” for both her starring role in the silent comedy “It” and her place as one of the pre-eminent sexy symbols of ’20s Hollywood, Bow wasn’t washed up because her box office slipped. She was washed up because her scandal-plagued life made her a liability, both for the studios and for her own mental health. In David Stenn’s masterful biography “Runnin’ Wild,” he sums up the tragedy of Bow’s life with two quotes from the former Brooklyn girl who found her unaffected zest for living slowly beaten out of her. “Marriage means the fulfillment of everythin’ to me,” Bow said in 1933. “This sounds like the bunk,...
Known as the “It Girl” for both her starring role in the silent comedy “It” and her place as one of the pre-eminent sexy symbols of ’20s Hollywood, Bow wasn’t washed up because her box office slipped. She was washed up because her scandal-plagued life made her a liability, both for the studios and for her own mental health. In David Stenn’s masterful biography “Runnin’ Wild,” he sums up the tragedy of Bow’s life with two quotes from the former Brooklyn girl who found her unaffected zest for living slowly beaten out of her. “Marriage means the fulfillment of everythin’ to me,” Bow said in 1933. “This sounds like the bunk,...
- 4/18/2024
- by Mark Peikert
- Indiewire
The award-winning Turner Classic Movies podcast “The Plot Thickens” is ready to take on the Manifest Destiny of filmmaker John Ford.
The new fifth season, titled “Decoding John Ford,” centers on the legendary auteur best known for Westerns like “The Searchers.” Host Ben Mankiewicz dives into the mythology behind Ford’s filmography.
The seven-part podcast also examines Ford’s shelved WWII film that was commissioned by the U.S. military in 1944. Host Ben Mankiewicz travels to Europe to trace the mystery of whether the D-Day movie exists. The season debuts on June 6, the 80th anniversary of D-Day.
The season features never-before-heard archival interviews with stars like John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and director Ford himself.
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” TCM Host Ben Mankiewicz said in a release. “This is a man defined...
The new fifth season, titled “Decoding John Ford,” centers on the legendary auteur best known for Westerns like “The Searchers.” Host Ben Mankiewicz dives into the mythology behind Ford’s filmography.
The seven-part podcast also examines Ford’s shelved WWII film that was commissioned by the U.S. military in 1944. Host Ben Mankiewicz travels to Europe to trace the mystery of whether the D-Day movie exists. The season debuts on June 6, the 80th anniversary of D-Day.
The season features never-before-heard archival interviews with stars like John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and director Ford himself.
“John Ford is a mercurial figure. Not surprisingly given his stature, the stereotypes about Ford are incomplete,” TCM Host Ben Mankiewicz said in a release. “This is a man defined...
- 4/18/2024
- by Samantha Bergeson
- Indiewire
As Samuel L. Jackson's bounty hunter says in "The Hateful Eight," "Let's slow it down. Let's slow it wayyyyy down." That's the vibe right now when it comes to what was originally going to be filmmaker Quentin Tarantino's 10th and final movie, "The Movie Critic." Although it initially seemed that the film was on a smooth, steady track to getting made fairly soon, Tarantino has changed his mind and decided to drop it altogether, according to Deadline.
As reported earlier this year, "The Movie Critic" would have re-teamed Tarantino with "Inglourious Basterds" and "Once Upon a Time... in Hollywood" star Brad Pitt as well as that film's distribution studio Sony. It would've been a film about "Travis Bickle if he were a film critic," according to comments the filmmaker made last year about the script.
Even though a rewrite of the script delayed the initial production schedule, right...
As reported earlier this year, "The Movie Critic" would have re-teamed Tarantino with "Inglourious Basterds" and "Once Upon a Time... in Hollywood" star Brad Pitt as well as that film's distribution studio Sony. It would've been a film about "Travis Bickle if he were a film critic," according to comments the filmmaker made last year about the script.
Even though a rewrite of the script delayed the initial production schedule, right...
- 4/17/2024
- by Bill Bria
- Slash Film
Quentin Tarantino is going back to the drawing board for what will be his 10th and final film. Tarantino is stepping away from “The Movie Critic” as his 10th feature and will no longer be making it, IndieWire has confirmed.
The news is a major shock, as the project had Brad Pitt in talks for the lead role and even rumors that Sony was circling the project to release it after previously releasing his prior film, 2019’s “Once Upon a Time In Hollywood.” The film even secured a California tax credit to shoot in Los Angeles and was meant to begin shooting earlier this year, but was delayed due to Tarantino reportedly rewriting his script.
But a source says Tarantino has now had a change of heart and moved on from the film entirely. It’s now unclear what he intends for his next film, presumably still meant to be his last.
The news is a major shock, as the project had Brad Pitt in talks for the lead role and even rumors that Sony was circling the project to release it after previously releasing his prior film, 2019’s “Once Upon a Time In Hollywood.” The film even secured a California tax credit to shoot in Los Angeles and was meant to begin shooting earlier this year, but was delayed due to Tarantino reportedly rewriting his script.
But a source says Tarantino has now had a change of heart and moved on from the film entirely. It’s now unclear what he intends for his next film, presumably still meant to be his last.
- 4/17/2024
- by Brian Welk
- Indiewire
Quentin Tarantino is no longer planning to make “The Movie Critic,” which he had earlier said would be his final film as a director. It was confirmed Wednesday that the director had given the project a thumbs down.
“The Movie Critic” would have been Tarantino’s tenth feature film, but sources say he won’t be looking to rewrite the script or revive the project, instead making plans to move on to something new.
Brad Pitt had been cast in a lead role in the film. At one point, Tarantino had said the 1977-set film was abouta small-time movie critic who wrote smart reviews for a porn magazine. It was also rumored that Pitt would play some form of his “Once Upon a Time… in Hollywood” character Cliff Booth, who in Tarantino’s novelization of the feature was a big movie buff.
Tarantino talked briefly about “The Movie Critic” before...
“The Movie Critic” would have been Tarantino’s tenth feature film, but sources say he won’t be looking to rewrite the script or revive the project, instead making plans to move on to something new.
Brad Pitt had been cast in a lead role in the film. At one point, Tarantino had said the 1977-set film was abouta small-time movie critic who wrote smart reviews for a porn magazine. It was also rumored that Pitt would play some form of his “Once Upon a Time… in Hollywood” character Cliff Booth, who in Tarantino’s novelization of the feature was a big movie buff.
Tarantino talked briefly about “The Movie Critic” before...
- 4/17/2024
- by Pat Saperstein
- Variety - Film News
Well, this is an interesting about-face, and so much for the rumors about the recent start dates. Filmmaker Quentin Tarantino has decided to scrap “The Movie Critic” as his final film. He’s changed his mind; he won’t make it, and what he will substitute for his supposed tenth and final film is unclear.
According to Deadline, the rumors are true that Brad Pitt was going to star, and apparently, many of the previous members of Tarantino’s repertory company were eyeing roles, but it’s all moot now, and the film has been scrapped.
Continue reading Quentin Tarantino Scraps ’The Movie Critic’; Brad Pitt Would Have Reprised Cliff Booth Role From ‘Once Upon A Time In Hollywood’ at The Playlist.
According to Deadline, the rumors are true that Brad Pitt was going to star, and apparently, many of the previous members of Tarantino’s repertory company were eyeing roles, but it’s all moot now, and the film has been scrapped.
Continue reading Quentin Tarantino Scraps ’The Movie Critic’; Brad Pitt Would Have Reprised Cliff Booth Role From ‘Once Upon A Time In Hollywood’ at The Playlist.
- 4/17/2024
- by Rodrigo Perez
- The Playlist
Quentin Tarantino is reported to have abandoned The Movie Critic as his tenth and final film after changing his mind and is going back to square one.
The project was being set up to start production later this year in California and would have received $20.2m from the state’s Film and TV Tax Credit Program 3.0.
In February it emerged the filmmaker was reuniting with Brad Pitt, who starred for him in 2009’s Inglourious Basterds and more recently won the supporting actor Oscar for portraying Cliff Booth, the stuntman who was not to be messed with in 2019’s Once Upon A Time…...
The project was being set up to start production later this year in California and would have received $20.2m from the state’s Film and TV Tax Credit Program 3.0.
In February it emerged the filmmaker was reuniting with Brad Pitt, who starred for him in 2009’s Inglourious Basterds and more recently won the supporting actor Oscar for portraying Cliff Booth, the stuntman who was not to be messed with in 2019’s Once Upon A Time…...
- 4/17/2024
- ScreenDaily
What’s the best destination for spring TV? IndieWire doesn’t have a definitive answer, but as we do every month we’ll help you weigh the options with a breakdown of everything coming to your favorite streaming platforms in May.
The month is a prime time to have Disney+, what with the ongoing and buzzy success of “X-Men 97” and upcoming “Marvel Studios’ Assembled” going behind the scenes of the reboot series. May is of course the month of Star Wars, and the House of Mouse will celebrate with “Star Wars: Tales of the Empire” on May 4. Disney is also home to BBC America’s “Doctor Who,” which returns for a highly-anticipated 14th season with Ncuti Gatwa stepping into the Tardis as the new Doctor (he stepped into the role in December 2023 as part of the series’ beloved Christmas special tradition).
Meanwhile, Hulu will continue airing episodes of FX’s...
The month is a prime time to have Disney+, what with the ongoing and buzzy success of “X-Men 97” and upcoming “Marvel Studios’ Assembled” going behind the scenes of the reboot series. May is of course the month of Star Wars, and the House of Mouse will celebrate with “Star Wars: Tales of the Empire” on May 4. Disney is also home to BBC America’s “Doctor Who,” which returns for a highly-anticipated 14th season with Ncuti Gatwa stepping into the Tardis as the new Doctor (he stepped into the role in December 2023 as part of the series’ beloved Christmas special tradition).
Meanwhile, Hulu will continue airing episodes of FX’s...
- 4/17/2024
- by Proma Khosla
- Indiewire
Sydney Sweeney caught a stray last week when veteran Hollywood producer Carol Baum said at an event that Sweeney is “not pretty” and “can’t act” — and that her hit rom-com “Anyone but You” was “unwatchable.”
A representative for Sweeney has now fired back at Baum, saying in a statement shared with Variety: “How sad that a woman in the position to share her expertise and experience chooses instead to attack another woman. If that’s what she’s learned in her decades in the industry and feels is appropriate to teach to her students, that’s shameful. To unjustly disparage a fellow female producer speaks volumes about Ms. Baum’s character.”
Baum, a longtime Hollywood producer and executive behind films including “Dead Ringers,” “Father of the Bride” and “Buffy the Vampire Slayer,” made the disparaging comments about Sweeney during a discussion in Pleasantville, N.Y., with New York Times film critic Janet Maslin.
A representative for Sweeney has now fired back at Baum, saying in a statement shared with Variety: “How sad that a woman in the position to share her expertise and experience chooses instead to attack another woman. If that’s what she’s learned in her decades in the industry and feels is appropriate to teach to her students, that’s shameful. To unjustly disparage a fellow female producer speaks volumes about Ms. Baum’s character.”
Baum, a longtime Hollywood producer and executive behind films including “Dead Ringers,” “Father of the Bride” and “Buffy the Vampire Slayer,” made the disparaging comments about Sweeney during a discussion in Pleasantville, N.Y., with New York Times film critic Janet Maslin.
- 4/17/2024
- by Ethan Shanfeld
- Variety - Film News
Joseph Quinn is joining the Marvel Cinematic Universe as Johnny Storm/Human Torch in the upcoming tentpole “The Fantastic Four,” starring opposite Pedro Pascal (Reed Richards/Mr. Fantastic), Vanessa Kirby (Sue Storm/The Invisible Woman), Ebon Moss-Bachrach (Ben Grimm/The Thing) and Julia Garner (the Silver Surfer named Shalla-Bal). It’s a pivotal time for the MCU as debates over “superhero fatigue” rage on following the onslaught of 2023 comic book movie flops, which included Marvel’s own “Ant-Man and the Wasp: Quantumania” and “The Marvels.”
Is Quinn worried about Marvel superhero fatigue as he gears up to shoot “The Fantastic Four” and enter the MCU? He shrugged off any concerns in an interview with Entertainment Weekly.
“I think that with the story of the Fantastic Four, it feels like we want to get this right,” Quinn said about superhero fatigue concerns. “There are aspects of it that are very different to other Marvel films.
Is Quinn worried about Marvel superhero fatigue as he gears up to shoot “The Fantastic Four” and enter the MCU? He shrugged off any concerns in an interview with Entertainment Weekly.
“I think that with the story of the Fantastic Four, it feels like we want to get this right,” Quinn said about superhero fatigue concerns. “There are aspects of it that are very different to other Marvel films.
- 4/17/2024
- by Zack Sharf
- Variety - Film News
This post contains spoilers for "X-Men '97" up to and including episode 6.
"X-Men '97" has been fantastic. There's nostalgia in there, sure, but also some stunning storytelling — a desire to use this opportunity to tell new stories that go harder and further on certain elements that the Fox Network couldn't touch back in the '90s.
Case in point: how episode 5 weaponized nostalgia to shatter the hearts of the audience with a devastating attack on Genosha that killed a bunch of fan favorites in what the head writer calls a cataclysmic event meant to change everything for the show. This is the moment mutants realize that things are in fact dangerous (and not just in alternate futures).
It was a bold, bloody choice to adapt one of the darkest Marvel storylines, "X-Men: E is For Extinction." This was the opening storyline of Grant Morrison's run with "New X-Men," and in the comics,...
"X-Men '97" has been fantastic. There's nostalgia in there, sure, but also some stunning storytelling — a desire to use this opportunity to tell new stories that go harder and further on certain elements that the Fox Network couldn't touch back in the '90s.
Case in point: how episode 5 weaponized nostalgia to shatter the hearts of the audience with a devastating attack on Genosha that killed a bunch of fan favorites in what the head writer calls a cataclysmic event meant to change everything for the show. This is the moment mutants realize that things are in fact dangerous (and not just in alternate futures).
It was a bold, bloody choice to adapt one of the darkest Marvel storylines, "X-Men: E is For Extinction." This was the opening storyline of Grant Morrison's run with "New X-Men," and in the comics,...
- 4/17/2024
- by Rafael Motamayor
- Slash Film
“In-home antennas are the fastest-growing way Americans are accessing television today,” according to CivicScience. However, the group that has led the push are millennials — those between ages 25-44.
The research company found that nearly one-third of U.S. adults have a digital or traditional TV antenna, which allows a household to receive signals from local broadcast stations for free. Of that general population, 17 percent use their digital antenna often — the other 13 percent, not so much. Additionally, 15 percent of the respondents to CivicScience’s survey who do not own a digital antenna are interested in getting one.
While Americans aged 45-54 — let’s call them young Gen X-ers — are the biggest over-the-air users (23 percent use an antenna), millennials (25-44) tie the 45-to-54-year-olds as the group most likely to own an antenna. Both are at 35 percent.
Gen Z is the most interested in converting (17 percent) to an antenna; adults 55+ are the least interested.
The research company found that nearly one-third of U.S. adults have a digital or traditional TV antenna, which allows a household to receive signals from local broadcast stations for free. Of that general population, 17 percent use their digital antenna often — the other 13 percent, not so much. Additionally, 15 percent of the respondents to CivicScience’s survey who do not own a digital antenna are interested in getting one.
While Americans aged 45-54 — let’s call them young Gen X-ers — are the biggest over-the-air users (23 percent use an antenna), millennials (25-44) tie the 45-to-54-year-olds as the group most likely to own an antenna. Both are at 35 percent.
Gen Z is the most interested in converting (17 percent) to an antenna; adults 55+ are the least interested.
- 4/17/2024
- by Tony Maglio
- Indiewire
It’s not always easy to find out which movies are hitting theaters each week, especially after the Hollywood strikes led to many release date changes. With the WGA and actors strikes resolved and summer blockbusters starting to roll in, April is filled with both big budget flicks and new indie releases.
Premiering April 19 is Universal’s “Abigail,” a horror thriller about a young vampire ballerina who preys on a group of unsuspecting criminals starring Melissa Barrera, Dan Stevens, Alisha Weir and William Catlett. Also hitting theaters is “The Ministry of Ungentlemanly Warfare,” a war-time action flick about a small group of highly skilled soldiers recruited by the British military to operate behind enemy lines during World War II starring Henry Cavill, Alan Ritchson, Alex Pettyfer and Eiza González. Two films getting limited releases this week are “The Coffee Table,” a horror comedy about a struggling couple who purchases a sinister piece of home decor,...
Premiering April 19 is Universal’s “Abigail,” a horror thriller about a young vampire ballerina who preys on a group of unsuspecting criminals starring Melissa Barrera, Dan Stevens, Alisha Weir and William Catlett. Also hitting theaters is “The Ministry of Ungentlemanly Warfare,” a war-time action flick about a small group of highly skilled soldiers recruited by the British military to operate behind enemy lines during World War II starring Henry Cavill, Alan Ritchson, Alex Pettyfer and Eiza González. Two films getting limited releases this week are “The Coffee Table,” a horror comedy about a struggling couple who purchases a sinister piece of home decor,...
- 4/17/2024
- by Pat Saperstein and Jack Dunn
- Variety - Film News
Gkids has acquires North American rights to Mamoru Oshii’s Ghost In The Shell 2: Innocence and will release a new 4K restoration this summer.
First released in 2004, Oshii’s cyberpunk mystery centred on the character Batou from his 1995 classic Ghost In The Shell and is imagined as a stand-alone return to the world established in the original.
It is now the year 2032 and the line between humans and machines has become blurred as cyber-bodied agent Batou and his human partner Togusa investigate a string of murders committed by a prototype android model.
Prior to the film’s nationwide release,...
First released in 2004, Oshii’s cyberpunk mystery centred on the character Batou from his 1995 classic Ghost In The Shell and is imagined as a stand-alone return to the world established in the original.
It is now the year 2032 and the line between humans and machines has become blurred as cyber-bodied agent Batou and his human partner Togusa investigate a string of murders committed by a prototype android model.
Prior to the film’s nationwide release,...
- 4/17/2024
- ScreenDaily
Henry Cavill nodded to his tumultuous history with post-credits scenes during a recent screening of his new Guy Ritchie-directed movie “The Ministry of Ungentlemanly Warfare.” As reported by Insider, Cavill made some introductory remarks before the film and references his other Ritchie films, including his leading turn in the 2015 spy film “The Man from U.N.C.L.E” and his appearance “in a post-credits scene” for the director’s 2017 box office disappointment “King Arthur: Legend of the Sword.”
“Turns out, I don’t have much luck with post-credit scenes,” Cavill then wisecracked to much audience laughter. “So, I may give up on those.”
Cavill is likely referring to how “King Arthur” did not get a sequel because it flopped at the box, but also a debacle ensued years later when he showed up as Superman in the post-credits scene of the 2022 comic book tentpole “Black Adam,” headlined by Dwayne Johnson. The moment...
“Turns out, I don’t have much luck with post-credit scenes,” Cavill then wisecracked to much audience laughter. “So, I may give up on those.”
Cavill is likely referring to how “King Arthur” did not get a sequel because it flopped at the box, but also a debacle ensued years later when he showed up as Superman in the post-credits scene of the 2022 comic book tentpole “Black Adam,” headlined by Dwayne Johnson. The moment...
- 4/17/2024
- by Zack Sharf
- Variety - Film News
With a string of mysterious murders at its center, "The Acolyte" is set to be the "Star Wars" equivalent of detective fiction -- although the show's first trailer also makes it clear that it won't forfeit any action for the sake of its mysteries. That first look features a martial arts-inspired face-off, a Force-fueled knife fight, and a forest showdown that begins with an ominous red lightsaber cutting through the trees.
According to series star Dafne Keen, who spoke with Entertainment Weekly about the new show earlier this month, "The Acolyte" isn't just trying to match the action sequences of past "Star Wars" shows; it's trying to beat them. "It was very much: We want to top the Darth Maul fight — the most iconic fight, I think, in the 'Star Wars' cinematic universe," Keen told EW. There's a good reason the climactic Darth Maul battle is a reference point for...
According to series star Dafne Keen, who spoke with Entertainment Weekly about the new show earlier this month, "The Acolyte" isn't just trying to match the action sequences of past "Star Wars" shows; it's trying to beat them. "It was very much: We want to top the Darth Maul fight — the most iconic fight, I think, in the 'Star Wars' cinematic universe," Keen told EW. There's a good reason the climactic Darth Maul battle is a reference point for...
- 4/17/2024
- by Valerie Ettenhofer
- Slash Film
A group of documentary filmmakers, producers, and archivists has written a series of guidelines on how they believe filmmakers should — and should not — use generative AI in their documentary movies.
While the AI guidelines for many entertainment folks may go something like this: “never, ever, a billion times no,” the reality is that generative AI has already crept into documentary filmmaking and is likely here to stay. An organization called the Archival Producers Alliance has outlined its best practices for filmmakers when it comes to handling consent, being transparent, and preserving history and truth.
“We recognize that AI is here, and it is here to stay. And we recognize that it brings with it potential for amazing creative opportunities,” APA co-founder Jennifer Petrucelli (“Crip Camp”) said at the IDA’s Getting Real event on Wednesday. “At the same time, we want to really encourage people to take a collective breath...
While the AI guidelines for many entertainment folks may go something like this: “never, ever, a billion times no,” the reality is that generative AI has already crept into documentary filmmaking and is likely here to stay. An organization called the Archival Producers Alliance has outlined its best practices for filmmakers when it comes to handling consent, being transparent, and preserving history and truth.
“We recognize that AI is here, and it is here to stay. And we recognize that it brings with it potential for amazing creative opportunities,” APA co-founder Jennifer Petrucelli (“Crip Camp”) said at the IDA’s Getting Real event on Wednesday. “At the same time, we want to really encourage people to take a collective breath...
- 4/17/2024
- by Brian Welk
- Indiewire
"La, la, la, laaaa, la. La, la, la, laaaa, la."
Great news for the sardonic, sarcastic, and rejected members of the Esteemers, because Mondo is releasing the first-ever, official, on-model figures based on the hit MTV show and cultural institution, "Daria." The adult animated sitcom created by Glenn Eichler and Susie Lewis Lynn was famously a spin-off of Mike Judge's "Beavis and Butt-Head," with Tracy Grandstaff reprising her role as the intelligent, cynical Daria Morgendorffer as she navigates her new high school in Lawndale.
"Daria" was a satirical look at suburban America and the high school experience, with the titular character and best friend Jane Lane's borderline misanthropic criticisms doubling as the vocalized interior thoughts of Gen X and elder millennials as they came of age. While Beavis and Butt-Head were oblivious idiots whose existence provided a commentary on the way the world mistakenly viewed teenagers because they didn't understand them,...
Great news for the sardonic, sarcastic, and rejected members of the Esteemers, because Mondo is releasing the first-ever, official, on-model figures based on the hit MTV show and cultural institution, "Daria." The adult animated sitcom created by Glenn Eichler and Susie Lewis Lynn was famously a spin-off of Mike Judge's "Beavis and Butt-Head," with Tracy Grandstaff reprising her role as the intelligent, cynical Daria Morgendorffer as she navigates her new high school in Lawndale.
"Daria" was a satirical look at suburban America and the high school experience, with the titular character and best friend Jane Lane's borderline misanthropic criticisms doubling as the vocalized interior thoughts of Gen X and elder millennials as they came of age. While Beavis and Butt-Head were oblivious idiots whose existence provided a commentary on the way the world mistakenly viewed teenagers because they didn't understand them,...
- 4/17/2024
- by BJ Colangelo
- Slash Film
Jerrod Carmichael appeared on a recent episode of “The Breakfast Club” (via Rolling Stone) and said: “I deeply regret saying anything about Dave Chappelle to the press. I want to say that I’m sorry for that.” Carmichael previously gave interviews to Esquire and GQ in which he criticized Chappelle’s legacy of making jokes about transgender people. Carmichael now noted that his frustration with Chappelle had only to do with the comedian repeatedly making jokes about the same topic and not the morality of the jokes themselves.
Carmichael called Chappelle “brilliant” and “a bright light in a dying industry,” noting that Chappelle is “more important than ever before” because stand-up comedy is dominated by comedians “just posting clips of them doing crowd work online and calling it art, and it’s not art.”
“Dave Chappelle is an artist — he’s one of the few artists that we have — and...
Carmichael called Chappelle “brilliant” and “a bright light in a dying industry,” noting that Chappelle is “more important than ever before” because stand-up comedy is dominated by comedians “just posting clips of them doing crowd work online and calling it art, and it’s not art.”
“Dave Chappelle is an artist — he’s one of the few artists that we have — and...
- 4/17/2024
- by Zack Sharf
- Variety - Film News
Two new cash prizes introduced this year in Swiss film festival Visions du Reel’s industry section, VdR-Industry, were among a flurry of awards handed out as the program wrapped in Nyon, Switzerland, on Wednesday.
The Eurimages Co-production Development Award, created to promote the fund’s role in encouraging international co-production from the initial stages of a project, and which comes with a cash prize of €20,000, went to “The Last Days of the Hospital” by Mehran Tamadon.
Set in a psychiatric hospital on the outskirts of Paris, it tells the story of a group of patients invited to take over the wards as the health personnel gradually leave amid a crisis in the health sector.
A visibly moved Tamadon picked up the award, thanking the entire VdR-Industry team for organizing “such amazing pitching sessions.” The Franco-Iranian director was thrilled with the prize which he told Variety was a great stepping...
The Eurimages Co-production Development Award, created to promote the fund’s role in encouraging international co-production from the initial stages of a project, and which comes with a cash prize of €20,000, went to “The Last Days of the Hospital” by Mehran Tamadon.
Set in a psychiatric hospital on the outskirts of Paris, it tells the story of a group of patients invited to take over the wards as the health personnel gradually leave amid a crisis in the health sector.
A visibly moved Tamadon picked up the award, thanking the entire VdR-Industry team for organizing “such amazing pitching sessions.” The Franco-Iranian director was thrilled with the prize which he told Variety was a great stepping...
- 4/17/2024
- by Lise Pedersen
- Variety - Film News
There is a lot of drag content circling on your device in 2024, but one thing you can’t ignore is any opportunity to watch Derrick Barry on television. Perhaps the most well-known Britney Spears impersonator in the world, Barry has been television gold on multiple “RuPaul’s Drag Race” seasons including the shortlived 2020 reality series, “RuPaul’s Drag Race: Vegas Revue.” Now, Barry and a number of their co-stars from the “Drag Race Live” show in Las Vegas are back with a new spin on that concept, “RuPaul’s Drag Race Live: Untucked.” And, no, surprise, Barry is so entertaining, they genuinely deserve some sort of producer credit.
Continue reading Derrick Barry Is Ready For A Producer Credit On ‘Drag Race Live Untucked’ at The Playlist.
Continue reading Derrick Barry Is Ready For A Producer Credit On ‘Drag Race Live Untucked’ at The Playlist.
- 4/17/2024
- by Gregory Ellwood
- The Playlist
The rumors are true. After 40 years, the Sundance Film Festival may (and an emphasis on “may”) be leaving the confines of Park City, Utah. Today, acting CEO Amanda Kelso and Festival Director Eugene Hernandez reached out to the larger “Sundance Industry Community” to inform them that a process to potentially relocate the festival was underway.
Read More: Sundance announces dates for the 2025 Film Festival
Beginning today, a Request for Information (Rfi) for potential new cities is open until May 1.
Continue reading Sundance Film Festival Opens The Door To Leaving Park City In 2027 at The Playlist.
Read More: Sundance announces dates for the 2025 Film Festival
Beginning today, a Request for Information (Rfi) for potential new cities is open until May 1.
Continue reading Sundance Film Festival Opens The Door To Leaving Park City In 2027 at The Playlist.
- 4/17/2024
- by Gregory Ellwood
- The Playlist
First-time feature director Theda Hammel looks straight into the sun of the Covid summer of 2020 — PPE, GrubHub, lazy liberal gesturing, and all — with “Stress Positions.”
The Brooklyn screwball comedy, set around the Fourth of July weekend that year, asks us to relive the days of sheltering in place and banging pots and pans in solidarity with healthcare workers while doing little else but navel-gazing at our own misfortune indoors. With a chatty ensemble led by John Early as Terry, a gaping wound of an idler reeling from a herniated disc and an ongoing breakup with his husband, “Stress Positions” sounds on paper like the coronavirus indie we’d like to ignore so as not to re-traumatize ourselves. But where many of the Covid-reacting films we saw spin out of 2020 were tethered to Zoom, “Stress Positions” goes straight into the “hell mouth” of the moments lived off Zoom.
IndieWire spoke with Early and Thammel over,...
The Brooklyn screwball comedy, set around the Fourth of July weekend that year, asks us to relive the days of sheltering in place and banging pots and pans in solidarity with healthcare workers while doing little else but navel-gazing at our own misfortune indoors. With a chatty ensemble led by John Early as Terry, a gaping wound of an idler reeling from a herniated disc and an ongoing breakup with his husband, “Stress Positions” sounds on paper like the coronavirus indie we’d like to ignore so as not to re-traumatize ourselves. But where many of the Covid-reacting films we saw spin out of 2020 were tethered to Zoom, “Stress Positions” goes straight into the “hell mouth” of the moments lived off Zoom.
IndieWire spoke with Early and Thammel over,...
- 4/17/2024
- by Ryan Lattanzio
- Indiewire
Zendaya is causing quite a racket — with racquets! — in Luca Guadagnino’s sexy tennis drama “Challengers.”
Chatter around the film’s steamy appeal started as soon as the first teaser dropped, which showed stars Zendaya, Mike Faist, and Josh O’Connor engaging in what looked like the prelude to a threesome. We’ve since learned after seeing the movie that this ménage à trois isn’t exactly the fantasy some audiences have in mind.
At the Los Angeles premiere, the trio served their own takes to IndieWire on what kind of story this film wants to tell about sexuality and the fickle game of love. Zendaya, who plays tennis prodigy Tashi Donaldson, explained further: “What’s really special about this movie is that it is incredibly sexy, but there surprisingly [are] no sex scenes,” she said. “I’ve been asked a lot about sex scenes from people who have seen the movie,...
Chatter around the film’s steamy appeal started as soon as the first teaser dropped, which showed stars Zendaya, Mike Faist, and Josh O’Connor engaging in what looked like the prelude to a threesome. We’ve since learned after seeing the movie that this ménage à trois isn’t exactly the fantasy some audiences have in mind.
At the Los Angeles premiere, the trio served their own takes to IndieWire on what kind of story this film wants to tell about sexuality and the fickle game of love. Zendaya, who plays tennis prodigy Tashi Donaldson, explained further: “What’s really special about this movie is that it is incredibly sexy, but there surprisingly [are] no sex scenes,” she said. “I’ve been asked a lot about sex scenes from people who have seen the movie,...
- 4/17/2024
- by Veronica Flores
- Indiewire
It’s been a minute since we’ve heard from “Orphan Black: Echoes,” the series spin-off of AMC’s hit series, “Orphan Black,” which ran for five seasons between 2013 and 2017 and turned Tatiana Maslany into a star. Last we heard, “Orphan Black: Echoes” had a Tbd 2024 date, but recently, a new trailer revealed a June 23, 2024 release date on AMC.
Continue reading ‘Orphan Black: Echoes’ Teaser: New Series Starring Krysten Ritter Premieres June 23 on AMC at The Playlist.
Continue reading ‘Orphan Black: Echoes’ Teaser: New Series Starring Krysten Ritter Premieres June 23 on AMC at The Playlist.
- 4/17/2024
- by The Playlist
- The Playlist
Tribeca Festival will premiere new fims from Lily Gladstone, Jenna Ortega, Michael Cera, and Andrew McCarthy when it runs in New York from June 5-16.
The event will open with the world premiere of Trish Dalton and Sharmeen Obaid-Chinoy’s documentary Diane von Furstenberg: Woman In Charge chronicling the life of the fashion designer.
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Cera,...
The event will open with the world premiere of Trish Dalton and Sharmeen Obaid-Chinoy’s documentary Diane von Furstenberg: Woman In Charge chronicling the life of the fashion designer.
Some 103 features – including 86 world premieres – from 114 filmmakers in 48 countries were selected from a record 13,016 submissions. Half of the films in competition are directed by women and 35% (36) of the selection hails from Bipoc filmmakers.
This year’s selection includes world premieres of Michael Angarano’s road movie Sacramento starring Cera,...
- 4/17/2024
- ScreenDaily
Following his first foray into television with 2018’s “The Little Drummer Girl,” Korean filmmaker Park Chan-Wook returns to Western television this month with the espionage thriller series “The Sympathizer” on HBO (read our review). And the director is already quickly putting together another project for the small screen, a series adaptation of his 2003 revenge masterpiece “Oldboy.” Variety reports that Chan-Wook is partnering with Lionsgate Television on the adaptation of the English-language series based on his film of the same name.
Continue reading ‘Oldboy’: Park Chan-Wook & Lionsgate TV Team For English-Language Series Remake Of Genre Classic at The Playlist.
Continue reading ‘Oldboy’: Park Chan-Wook & Lionsgate TV Team For English-Language Series Remake Of Genre Classic at The Playlist.
- 4/17/2024
- by Christopher Marc
- The Playlist
For 40 years, the Sundance Film Festival has been the United States' preeminent market and showcase for independent film. Over this span, the festival has become famous not just for the groundbreaking movies it's premiered, but its wintry Park City, Utah setting. January is peak ski season in the once-sleepy resort town, which gives Hollywood execs, producers and artists extra incentive to skip town and squeeze in some time on the slopes while watching loads of new movies from some of the most talented and excitingly unconventional filmmakers on the planet.
This annual tradition could be coming to an end.
Today, the Sundance Institute announced that it is soliciting bids to relocate the 10-day festival. According to festival director Eugene Hernandez:
"We are in a unique moment for our festival and our global film community, and with the contract up for renewal, this exploration allows us to responsibly consider how...
This annual tradition could be coming to an end.
Today, the Sundance Institute announced that it is soliciting bids to relocate the 10-day festival. According to festival director Eugene Hernandez:
"We are in a unique moment for our festival and our global film community, and with the contract up for renewal, this exploration allows us to responsibly consider how...
- 4/17/2024
- by Jeremy Smith
- Slash Film
Back in March, Pixar Animation invited /Film to check out 35 minutes of their upcoming animated sequel "Inside Out 2." Along with the screening of the film's promising, clever, and hilarious first act, a series of presentations from the many filmmakers working on the movie took us behind the scenes to learn all about how the next chapter of Riley's life came together.
In "Inside Out 2," the core emotions find themselves overwhelmed when the now 13-year-old Riley enters puberty and begins experiencing some new emotions. Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear, and Disgust are confronted with some drastic changes in how Riley approaches life when Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adèle Exarchopoulos), and Embarrassment (Paul Walter Hauser) show up and start messing with the console inside their girl's min.
Acting as the leader of the new emotions, Anxiety is the one who creates the biggest concern for Joy,...
In "Inside Out 2," the core emotions find themselves overwhelmed when the now 13-year-old Riley enters puberty and begins experiencing some new emotions. Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear, and Disgust are confronted with some drastic changes in how Riley approaches life when Anxiety (Maya Hawke), Envy (Ayo Edebiri), Ennui (Adèle Exarchopoulos), and Embarrassment (Paul Walter Hauser) show up and start messing with the console inside their girl's min.
Acting as the leader of the new emotions, Anxiety is the one who creates the biggest concern for Joy,...
- 4/17/2024
- by Ethan Anderton
- Slash Film
Sundance Institute has begun the process of exploring potential host locations in the United States for its flagship festival starting in 2027, after residing in Park City, Utah, for nearly 40 years.
While the 2025 (January 23-February 2) and 2026 iterations of Sundance Film Festival will remain in Park City and Salt Lake City, Institute executives are moving to address concerns before the current 13-year contract expires in 2027.
The high cost of travelling to and staying in or around Park City has been cited on numerous occasions by Sundance filmmakers as a drawback, with prohibitive hotel rates often forcing them to say further out of town.
While the 2025 (January 23-February 2) and 2026 iterations of Sundance Film Festival will remain in Park City and Salt Lake City, Institute executives are moving to address concerns before the current 13-year contract expires in 2027.
The high cost of travelling to and staying in or around Park City has been cited on numerous occasions by Sundance filmmakers as a drawback, with prohibitive hotel rates often forcing them to say further out of town.
- 4/17/2024
- ScreenDaily
By 2027, the Sundance Film Festival headquarters may no longer be in Park City, Utah, the festival’s home since 1985.
Sundance Institute has launched an open call for American cities to raise their hands as potential hosting grounds as of 2027. The request for Information (Rfi) process, which begins today, will include Utah. The Rfi does not mean Sundance has made a decision to move.
The Rfi closes May 1, with a Request for Proposal (Rfp) to run May 7-June 21. The Institute will announce its selection — whether in Utah or elsewhere — in the final quarter of 2024 or first quarter of 2025. The Rfi/Rfp process will target the usual January dates for the festival in 2027.
The 2025-2026 editions of the festival will take place in Park City. However, if Sundance wants to extend its contract with Park City beyond 2026, the deadline is October 2024. That already represents an extension of the original deadline, which was in March.
Sundance Institute has launched an open call for American cities to raise their hands as potential hosting grounds as of 2027. The request for Information (Rfi) process, which begins today, will include Utah. The Rfi does not mean Sundance has made a decision to move.
The Rfi closes May 1, with a Request for Proposal (Rfp) to run May 7-June 21. The Institute will announce its selection — whether in Utah or elsewhere — in the final quarter of 2024 or first quarter of 2025. The Rfi/Rfp process will target the usual January dates for the festival in 2027.
The 2025-2026 editions of the festival will take place in Park City. However, if Sundance wants to extend its contract with Park City beyond 2026, the deadline is October 2024. That already represents an extension of the original deadline, which was in March.
- 4/17/2024
- by Ryan Lattanzio
- Indiewire
Kristen Stewart continues her 2024 indie reign following the Sundance premieres of “Love Lies Bleeding” and “Love Me.”
Now, Stewart has a supporting role in “Sacramento,” directed by “Minx” star Michael Angarano, his second feature behind the camera after 2017’s “Avenues.” The road trip buddy comedy premieres at the 2024 Tribeca Festival in the U.S. Narrative Competition alongside Morrisa Maltz’s “The Unknown Country” follow-up “Jazzy,” Mark Duplass-produced “The Knife,” and more.
Stewart co-stars alongside Angarano, Michael Cera, and “PEN15” co-creator and “Mr. and Mrs. Smith” star Maya Erskine, who is also Angarano’s real-life partner.
The official logline reads: “When free-spirited Ricky suddenly reappears in father-to-be Glenn’s life, the two former best friends embark on a spontaneous road trip from LA to Sacramento in Michael Angarano’s original take on the buddy comedy.”
Actor/director Angarano co-wrote the script with Chris Smith, with the duo also producing along with Stephen Braun,...
Now, Stewart has a supporting role in “Sacramento,” directed by “Minx” star Michael Angarano, his second feature behind the camera after 2017’s “Avenues.” The road trip buddy comedy premieres at the 2024 Tribeca Festival in the U.S. Narrative Competition alongside Morrisa Maltz’s “The Unknown Country” follow-up “Jazzy,” Mark Duplass-produced “The Knife,” and more.
Stewart co-stars alongside Angarano, Michael Cera, and “PEN15” co-creator and “Mr. and Mrs. Smith” star Maya Erskine, who is also Angarano’s real-life partner.
The official logline reads: “When free-spirited Ricky suddenly reappears in father-to-be Glenn’s life, the two former best friends embark on a spontaneous road trip from LA to Sacramento in Michael Angarano’s original take on the buddy comedy.”
Actor/director Angarano co-wrote the script with Chris Smith, with the duo also producing along with Stephen Braun,...
- 4/17/2024
- by Samantha Bergeson
- Indiewire
What’s next for director Zack Snyder after his upcoming “Rebel Moon” part two sci-fi sequel? While the genre filmmaker has teased a possible third installment in the series, Snyder still has various projects in the oven and is still mulling over what gets made from that pack of contenders, including a sequel to his “Army Of The Dead” zombie movie. During a recent chat with Games Radar to promote the second half of “Rebel Moon,” Snyder was asked about some of the previous projects he had in development, such as a film inspired by the King Arthur mythology (Snyder is a big fan of John Boorman’s R-rated “Excalibur”), Horse Latitudes (a long-gestating Afghan War pic formerly known as “The Last Photograph”), and his sexualized take on Alexander The Great in “Blood & Ashes” too (Snyder once mused about making a George Washington action film).
Continue reading Zack Snyder Teases...
Continue reading Zack Snyder Teases...
- 4/17/2024
- by Christopher Marc
- The Playlist
Henry Cavill leads a ragtag group on an unlikely mission in this shaggy, exaggerated account of Operation Postmaster
Guy Ritchie’s inevitable graduation from London to Hollywood has had its moments – the rambunctious zip of the first Sherlock Holmes, the stylish homoeroticism of The Man from Uncle – but it soon felt as if the once electrifying film-maker had been swallowed up by the system. A middling Sherlock sequel, a pointless King Arthur non-starter and a soulless Aladdin remake seemed like enough to push not just fans away but Ritchie himself. He’s since found a happier medium, making films for a broad, commercial audience with easily marketable stars yet on, what seem like, his own terms, wrestling some control back from the money men.
He’s barely stopped ever since, with five films made over five years and two more slotted into the next, and there is an expectedly solid,...
Guy Ritchie’s inevitable graduation from London to Hollywood has had its moments – the rambunctious zip of the first Sherlock Holmes, the stylish homoeroticism of The Man from Uncle – but it soon felt as if the once electrifying film-maker had been swallowed up by the system. A middling Sherlock sequel, a pointless King Arthur non-starter and a soulless Aladdin remake seemed like enough to push not just fans away but Ritchie himself. He’s since found a happier medium, making films for a broad, commercial audience with easily marketable stars yet on, what seem like, his own terms, wrestling some control back from the money men.
He’s barely stopped ever since, with five films made over five years and two more slotted into the next, and there is an expectedly solid,...
- 4/17/2024
- by Benjamin Lee
- The Guardian - Film News
On Wednesday, “Fixing the War,” about news fixers in Ukraine, won the Special Eurimages Co-production Development Award at Swiss documentary festival Visions du Réel. It was one of 15 projects selected in this year’s edition of VdR-Pitching, the event’s international co-production and financing platform. Variety accompanied the team as they pitched to potential partners.
The film’s producers Gary Lennon of Plainsong Films and Olga Kravchenko of Moon Man were in Nyon to pitch the film, which is directed by Clare Stronge and Vadym Ikov. “Fixing the War” was pitched as the first film to show the vital role of the news fixers, who are locals hired to help a journalist working in a foreign country navigate everything from logistics to translations or safety issues.
The pair started with a 12-minute pitch to a room full of industry professionals, during which they outlined their project and illustrated it with a clip.
The film’s producers Gary Lennon of Plainsong Films and Olga Kravchenko of Moon Man were in Nyon to pitch the film, which is directed by Clare Stronge and Vadym Ikov. “Fixing the War” was pitched as the first film to show the vital role of the news fixers, who are locals hired to help a journalist working in a foreign country navigate everything from logistics to translations or safety issues.
The pair started with a 12-minute pitch to a room full of industry professionals, during which they outlined their project and illustrated it with a clip.
- 4/17/2024
- by Lise Pedersen
- Variety - Film News
Filmmaker Steven Spielberg always moves fluidly from genre to genre, and perhaps there’s no better example than the recent 30th anniversary of 1993’s “Schindler’s List,” which was released the same year as the couldn’t-be-totally-different “Jurassic Park.” And so, coming off his grounded and very personal family drama, “The Fabelmans,” for his next film, Spielberg might be going back to the sci-fi genre again.
Continue reading Steven Spielberg Developing Original UFO Film With ‘War Of The Worlds’ Screenwriter David Koepp at The Playlist.
Continue reading Steven Spielberg Developing Original UFO Film With ‘War Of The Worlds’ Screenwriter David Koepp at The Playlist.
- 4/17/2024
- by Christopher Marc
- The Playlist
Guillermo del Toro is voicing his lifelong admiration for animation auteur Hayao Miyazaki.
The director was tasked with penning the tribute to Miyazaki as part of Miyazaki earning a spot on the Time 100. In his writeup, del Toro praised the Oscar-winning “The Boy and the Heron” writer/director for crafting his own filmic tastes. Del Toro has announced that he is looking to focus on animated projects going forward.
“I discovered Hayao Miyazaki’s Toei Animation films as a child — films like ‘The Wonderful World of Puss ’n Boots’ and series like ‘Heidi and Marco,’ in which his style and influence became increasingly identifiable,” del Toro wrote. “Encountering ‘My Neighbor Totoro’ as an adult, my mind snapped back to those earlier works, and I recognized how much this man had shaped my childhood.”
Del Toro continued that Miyazaki is a “one-of-a-kind creator who exists fully in his art,” with an...
The director was tasked with penning the tribute to Miyazaki as part of Miyazaki earning a spot on the Time 100. In his writeup, del Toro praised the Oscar-winning “The Boy and the Heron” writer/director for crafting his own filmic tastes. Del Toro has announced that he is looking to focus on animated projects going forward.
“I discovered Hayao Miyazaki’s Toei Animation films as a child — films like ‘The Wonderful World of Puss ’n Boots’ and series like ‘Heidi and Marco,’ in which his style and influence became increasingly identifiable,” del Toro wrote. “Encountering ‘My Neighbor Totoro’ as an adult, my mind snapped back to those earlier works, and I recognized how much this man had shaped my childhood.”
Del Toro continued that Miyazaki is a “one-of-a-kind creator who exists fully in his art,” with an...
- 4/17/2024
- by Samantha Bergeson
- Indiewire
The Tribeca Film Festival, which runs from June 5 – 16 in New York City, announced today its 2024 feature film lineup. As always there are many buzzy celebrity-focused films, from Trish Dalton and Sharmeen Obaid-Chinoy’s opening night doc, Diane von Furstenberg: Woman in Charge to Liza: A Truly Terrific Absolutely True Story, directed by Bruce David Klein, to music docs featuring Sting, Prince, Linda Perry, Avicii and Detroit techno pioneer Carl Craig. And then there’s Brats, Andrew McCarthy’s road trip doc as he reconnects with fellow members of the ’80s Brat Pack, Rob Lowe, Demi Moore, Ally Sheedy and Emilio […]
The post Jeremy O. Harris and Slave Play, UFOs, Diane von Furstenberg, Anti-Putin Activists and More: The Tribeca Film Festival Announces Its 2024 Edition first appeared on Filmmaker Magazine.
The post Jeremy O. Harris and Slave Play, UFOs, Diane von Furstenberg, Anti-Putin Activists and More: The Tribeca Film Festival Announces Its 2024 Edition first appeared on Filmmaker Magazine.
- 4/17/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
"For All Mankind" is one of the best shows of the streaming era, as well as one of the best science-fiction shows of all time. The series takes place in an alternate reality where the Soviet Union lands on the Moon first, which kickstarts an escalating chain of events that puts humanity on a path to the stars. It serves as a grounded bridge between our reality and the sci-fi future of shows like "The Expanse" or "Star Trek." In just four seasons, the show's characters have gone from dealing with the complications of landing a craft on the Moon to the first armed conflict on the Moon, colonizing Mars, and even lassoing an asteroid.
It is a stunning achievement, though not a hugely surprising one considering the show comes from Ronald D. Moore, who already contributed greatly to the genre with his work on "Star Trek: The Next Generation,...
It is a stunning achievement, though not a hugely surprising one considering the show comes from Ronald D. Moore, who already contributed greatly to the genre with his work on "Star Trek: The Next Generation,...
- 4/17/2024
- by Rafael Motamayor
- Slash Film
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