Yes, this is a one shot film that lasts less than a minute; but the beauty in the film is the result of the composition. Three men in a large rowboat set out to sea as the choppy water rocks the boat and makes beautifully defined ripples in the shallows near us. A rock quay juts out into the water from some out-of-site location along the shoreline to our right. The several women and the child on the end of the quay are totally isolated from us and we do not know their relationship to the men in the boat. It is the closest thing you will see to a black-and-white painting in motion.
10 Reviews
simplistic by design
framptonhollis30 July 2017
Back in 1895, most films being released were mere experiments, recordings of daily life, one minute documentaries serving mainly as a device used to kickstart cinematic history. This particular film is among the more fascinating works of this era mainly due to its beautiful ocean imagery. It is made up of only one take that only clocks in at about fifty seconds, and yet it s more complicated than many of the other Lumiere films. There are many moving parts (the men, their boat, the wavy sea), the camera stays steady, but the visuals do not. The waves rock fearlessly, and the film ends before your conscious that it has begun. This is an interesting visual experiment crafted during the dawn of film, and should be judged as such. In comparison to many other Lumiere films, this is certainly a treat for the eyes and is a treasure of early cinema.
A Pleasing, Lyrical Feature
Snow Leopard15 March 2005
This is a pleasing little feature from the earliest years of cinema, with a nicely planned camera field that catches action both in and out of the water. The motion of the waves, and to a lesser extent the strokes of the oarsmen, result in action that is lyrical, almost rhythmic.
As with so many of the pioneering Lumière features, it displays a very nice choice of material, whether by careful design, by a good intuitive feel. or by a combination of both. The motion of the boat on the water is balanced very nicely by the movements of the small group of women and children at the water's edge. As, again, with a good number of these very early features, it bears watching a couple of times. The boat is what grabs all of the attention at first, but the other half of the scene is also worth noticing.
The artistic-looking setting would have made a worthwhile subject for one of the great French Impressionist painters of the era. It is also the kind of nicely photographed little scene that would not have seemed out of place if it were used as footage in the middle of a feature made in a much later era, since it holds up very well. The very brief footage also leaves you with a little curiosity, since it has shown you a small, simple, but far from dull piece of the lives of these persons. It accomplishes its aim, and is pleasing to watch.
As with so many of the pioneering Lumière features, it displays a very nice choice of material, whether by careful design, by a good intuitive feel. or by a combination of both. The motion of the boat on the water is balanced very nicely by the movements of the small group of women and children at the water's edge. As, again, with a good number of these very early features, it bears watching a couple of times. The boat is what grabs all of the attention at first, but the other half of the scene is also worth noticing.
The artistic-looking setting would have made a worthwhile subject for one of the great French Impressionist painters of the era. It is also the kind of nicely photographed little scene that would not have seemed out of place if it were used as footage in the middle of a feature made in a much later era, since it holds up very well. The very brief footage also leaves you with a little curiosity, since it has shown you a small, simple, but far from dull piece of the lives of these persons. It accomplishes its aim, and is pleasing to watch.
The title says it all
Horst_In_Translation12 October 2013
Warning: Spoilers
We see a boat that includes three men. Two of them are rowing with all their force, while another just sits there and maybe instructs them. It's a rough day at the sea and they have to give it their everything to move forward. While they're moving further and further away from the port, we see several people still standing there at the background at the post and looking at those in the boat. One of them is a well-dressed woman, possibly the wife from one of those leaving. In any case, it's one of the less interesting Lumière short films. It's rather long though for that time, over 48 seconds, but it almost begins to drag a little towards the end. Not really recommended. Even silent film enthusiasts can find much better choices than this one.
The first art-film?
the red duchess12 September 2000
this is possibly the most beautiful of the early Lumiere shorts. A boat rows from the front of the screen away from the audience to the back, while to the right, women wait on the port. The camera, as usual, does not move, but the play of sunlight on the waves are gorgeous, and the rippling movement is so vibrant, especially within such a static frame, that it looks like one is watching an actual scene behind glass.
As with 'Demolition d'un mur', the real frisson of the film comes from the unexpected. The scene proceeds as expected, the boat moving steadily along. But, just as it turns, a stronger wave lunges, and almost capsizes the boat. Before we discover what will happen, the reel, and the film, ends. These early films made no precautions for the necessity of extra reels.
But the effect is quite shocking. The unexpected violence is unsettling enough, but with the film over, and loose ends nowhere near being tied up - indeed, just initiated a narrative, in the dying seconds - the audience is left agonising in the dark. What happened next? Inadvertently, the audience is required to imagine for itself, imagine what's not capable of being represented by the cinema, something the Hollywood generic system to come will stamp out. With its daring use of ellipsis, is this the first art-film, the first 'Cat People'?
As with 'Demolition d'un mur', the real frisson of the film comes from the unexpected. The scene proceeds as expected, the boat moving steadily along. But, just as it turns, a stronger wave lunges, and almost capsizes the boat. Before we discover what will happen, the reel, and the film, ends. These early films made no precautions for the necessity of extra reels.
But the effect is quite shocking. The unexpected violence is unsettling enough, but with the film over, and loose ends nowhere near being tied up - indeed, just initiated a narrative, in the dying seconds - the audience is left agonising in the dark. What happened next? Inadvertently, the audience is required to imagine for itself, imagine what's not capable of being represented by the cinema, something the Hollywood generic system to come will stamp out. With its daring use of ellipsis, is this the first art-film, the first 'Cat People'?
Interesting for its framing and motion
bob the moo27 February 2008
I watched this film on a DVD that was rammed with short films from the period. I didn't watch all of them as the main problem with these type of things that their value is more in their historical novelty value rather than entertainment. So to watch them you do need to be put in the correct context so that you can keep this in mind and not watch it with modern eyes. With the Primitives & Pioneers DVD collection though you get nothing to help you out, literally the films are played one after the other (the main menu option is "play all") for several hours. With this it is hard to understand their relevance and as an educational tool it falls down as it leaves the viewer to fend for themselves, which I'm sure is fine for some viewers but certainly not the majority. What it means is that the DVD saves you searching the web for the films individually by putting them all in one place but that's about it.
At once this film is interesting but yet frustrating in seeing things being worked on that are now commonplace. The interesting aspect is the framing of the shot, which is reminiscent of a painting in the way it sets the foreground (the jetty) and a background (the sloping hill on the horizon). However as a film it has the boat moving through one towards the other, which is an interesting development that provides plenty to look at. The women on the pier are worth watching as is the boat, so the viewer is held by both.
However it was here that the film annoyed me by just "ending". I had expected the planned film to see the boat move out of shot around the jetty, which would be a logical end, leaving the viewer wit only the static fore and back grounds to contemplate. It did annoy that the film just stopped instead of ending. That said though, it is yet again interesting to watch as part of Lumière's development.
At once this film is interesting but yet frustrating in seeing things being worked on that are now commonplace. The interesting aspect is the framing of the shot, which is reminiscent of a painting in the way it sets the foreground (the jetty) and a background (the sloping hill on the horizon). However as a film it has the boat moving through one towards the other, which is an interesting development that provides plenty to look at. The women on the pier are worth watching as is the boat, so the viewer is held by both.
However it was here that the film annoyed me by just "ending". I had expected the planned film to see the boat move out of shot around the jetty, which would be a logical end, leaving the viewer wit only the static fore and back grounds to contemplate. It did annoy that the film just stopped instead of ending. That said though, it is yet again interesting to watch as part of Lumière's development.
whale watchers
catpantry13 February 2020
Lumiere Tests the Energy of Mother Nature
PCC092111 September 2023
This film can also be found in its original French title, Barque sortant du port (1895). Most film historians put the start of movies at the end of 1895, when the father of the Lumiere brothers showed ten of their films to a paying audience, in France, in late December, 1895. However, the Lumiere's had produced a couple of other films they made throughout 1895, that would be shown later that year to test audiences, but in all reality, probably weren't released for paying consumption until winter of 1896. In any event, Boat Leaving the Port (1895), remains part of the small group of motion pictures, that came from the year 1895. I saw some colorized versions and restorations of this film on YouTube, that looked pretty good.
The framing for Boat Leaving the Port (1895), is charmingly interesting. It makes the women on the dock look like they are out floating in the water with the men in the boat. The dock looks like it's cut off from the land, but then the women walk off of it, off camera. At the same time, waves make it difficult for the men in the boat (apparently all the actors in this documentary-like recreation are members from the Lumiere family). After the camera stopped rolling, history does not mention, if anybody fell out of the boat. This film shows the ability, that the camera had in capturing the energy of our world. It also shows the beauty of framing, that these pioneers were already mastering. It also shows how far we have come, in our attempts to tame Mother Nature. It is a beautiful moment in history.
9.5 (A MyGrade) = 9 IMDB.
The framing for Boat Leaving the Port (1895), is charmingly interesting. It makes the women on the dock look like they are out floating in the water with the men in the boat. The dock looks like it's cut off from the land, but then the women walk off of it, off camera. At the same time, waves make it difficult for the men in the boat (apparently all the actors in this documentary-like recreation are members from the Lumiere family). After the camera stopped rolling, history does not mention, if anybody fell out of the boat. This film shows the ability, that the camera had in capturing the energy of our world. It also shows the beauty of framing, that these pioneers were already mastering. It also shows how far we have come, in our attempts to tame Mother Nature. It is a beautiful moment in history.
9.5 (A MyGrade) = 9 IMDB.
Bland but has some great cinematography
Tornado_Sam19 October 2017
This Lumiere film is not one of their very well known efforts, but it's included on the "Movies Begin" set. The commentator on the soundtrack of the set explains that when the Lumiere's shot their first subjects they used 50-ft lengths, thus the films would "end" very suddenly. This explains why we actually never see the boat disappear from the screen. Instead we are left in suspense when a large wave tosses it.
This is fairly bland to watch but as some other reviewers have pointed out the photography is great and the movement of the waves is effective looking. If you saw this on a large movie screen you very well might feel as though you are right there watching. It helps also that the footage survives wonderfully and the picture is extremely sharp. If you're new to the Bros then this is a nice place to start because of the photography. It's pretty bland all-in-all but looks great anyway.
This is fairly bland to watch but as some other reviewers have pointed out the photography is great and the movement of the waves is effective looking. If you saw this on a large movie screen you very well might feel as though you are right there watching. It helps also that the footage survives wonderfully and the picture is extremely sharp. If you're new to the Bros then this is a nice place to start because of the photography. It's pretty bland all-in-all but looks great anyway.
Barque sortant du port (1895)
Michael_Elliott21 December 2016
Barque sortant du port (1895)
This Lumiere Brothers film is quite interesting o watch today thanks in large part to some terrific images and some fine camera-work. Three men are in a rowboat heading out into some violent and crashing waves while a group of women watch on a pier. Yeah, there's obviously nothing ground-breaking here but I must say that I was highly impressed with the camera-work. I'm not sure where the camera was placed but it really captured some beautiful images and especially the waves and the boat being thrown around. Another major plus is that the camera stays still and gives us a perfect look at the events.
This Lumiere Brothers film is quite interesting o watch today thanks in large part to some terrific images and some fine camera-work. Three men are in a rowboat heading out into some violent and crashing waves while a group of women watch on a pier. Yeah, there's obviously nothing ground-breaking here but I must say that I was highly impressed with the camera-work. I'm not sure where the camera was placed but it really captured some beautiful images and especially the waves and the boat being thrown around. Another major plus is that the camera stays still and gives us a perfect look at the events.
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