A tragic picture taken on a flower ranch in California and full of beauty, of scenery naturally; but of human things also. Jane Wolff is the story's heroine, the flower girl whose heart is piteously wounded. Miss Wolff has usually played older roles and it is with agreeable surprise that one finds her so adequately filling a part that needed youth and comeliness. We have long been noticing her work and have seen it as the saving grace of more than one picture. She is most certainly among that not too numerous group of players of distinctive talent. The story is of the simplest, but in those scenes in which Miss Wolff shows a young girl's sorrow, it is deeply significant. She has indeed accomplished something more than a portrayal, at least in the best part of her work; she has almost identified herself with the flower girl whose love had been wakened by a man already engaged and who later sees how matters stand and is compelled to gather flowers for the wedding. The picture is not wholly comprehensible, chiefly because the hero's character is shown in only a sketchy manner. He is drawn as distinctly not a villain and yet is shown as making love to the girl. For the first half of the picture we felt that perhaps the producer was going to make the fiancée turn out to be only a sister. We had been seeing many other pictures and perhaps owe the producer an apology although it was the producer's weakness that sent us searching for some explanation. Again, we cannot help feeling that to cut off the last two hundred feet would help the offering. The last three scenes consciously asked our pity for the heroine whereas those that immediately preceded them were content merely to show us these reasons for pity, They were sincere, true and very effective and were followed by a distinct anti-climax. As an offering the picture is desirable. The people will like it. Wm. Herman West plays the girl's father; Carlyle Blackwell the man, and Neva Gerber, a very pretty girl, very acceptable in this role, the man's fiancée. - The Moving Picture World, December 7, 1912