The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's a... Read allThe Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.
- Awards
- 2 wins
- Col. Ben Cameron aka The Little Colonel
- (as Henry Walthall)
- Silas Lynch - Mulatto Lieut. Governor
- (as George Seigmann)
- Jeff - The Blacksmith
- (as Wallace Reed)
- Abraham Lincoln
- (as Jos. Henabery)
- Wade Cameron - The Second Son
- (as J.A. Beringer)
- Duke Cameron - The Youngest Son
- (as John French)
Storyline
Did you know
- TriviaWhen it opened in New York City, ticket prices were $2.00 each, which was considered astronomical at the time. In modern-day currency, accounting for inflation, that would be about $17-$20. The exorbitant ticket prices greatly inflated the box office revenue of the film.
- GoofsCar tire tracks are visible in the KKK segment.
- Quotes
intertitle: This is an historical presentation of the Civil War and Reconstruction Period, and is not meant to reflect on any race or people of today.
- Crazy creditsThe following was listed in the opening credits: A PLEA FOR THE ART OF THE MOTION PICTURE: We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceeded to the art of the written word - that art to which we owe the Bible and the works of Shakespeare.
- Alternate versionsIn both 1921 and 1927, edited versions of the film were released to reflect current political viewpoints.
- ConnectionsEdited into The Revenge of Pancho Villa (1932)
This movie is not anti-Union, it is not pro-Antebellum south. It is anti-Black. The movie frames the ending of slavery as the beginning of the end for civilized society in the south, brought about by a conspiracy of carpet-baggers and scheming mulattos and blacks. The answers to this issue are redemptive violence by the Klu Klux Klan and a return to the master-servant relationship of slavery. The movie frames "the loyal soul" blacks who accepted their ownership and didn't want slavery to end as the redeemable memebers, while those that welcomed the end of slavery did so entirely to then turn that systemic violence back against the whites.
I genuinely do not believe that you can understand how malicious and hateful this movie is if you haven't seen it. One can have it described to them, one can know the individual scenes of hatred within, but until one has experienced the slow, pernicious leaking of racial hatred firsthand, it can't sink in how contemptible this movie is.
Technically important? Yes, nobody is denying that. Even as the movie's message becomes more and more evil, it is shot with a competency and ambition that it would take the rest of the industry decades to catch up to. It is worthy of preservation in that regard. But it is also entirely indicitave of the era that a movie which makes such strides (and was the first film to see great success in America and be played in the white house) is a movie which frames the idea of a white man being expected to shake a black man's hand as an indignity which exceeds lynchings and enslavement.
- cerwiggle
- Jan 20, 2022
Details
- Release date
- Country of origin
- Language
- Also known as
- In the Clutches of the Ku Klux Klan
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $110,000 (estimated)
- Runtime3 hours 15 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1