The Way of All Flesh (1927) User Reviews

The Way of All Flesh

[CinemaSerf · 6/10 · 12 September 2022]

Nowadays, it beggars belief that a mere two fragments amounting to less than two minutes of this film survive. Perhaps someone, somewhere, has a dusty film can stored in an out-building on the Paramount lot? As it is, what we still have illustrates a soupçon of the talents of the Oscar winning Jannings and of a violinist he watches from the seats of a theatre in this tale of a man who suffers hard times after falling victim to a gal and a crook depriving him of his job, his family and his dignity. It is a good story, and I really do hope someone turns up a copy one day if only for the benefit cinema posterity.

An early Victor Fleming trimph!

[JohnHowardReid · 8/10 · 14 May 2018]

Emil Jannings (August Schiller), Belle Bennett (Mrs Schiller), Phyllis Haver (Mayme), Donald Keith (August junior), Fred Kohler (tough), Philippe De Lacey (August as a child), Mickey McBan (Evald), Betsy Ann Lisle (Charlotte), Carmencita Johnson (Elizabeth), Gordon Thorpe (Karl), Jackie Coombs (Heinrich), and Dean Harrell, Anne Sheridan, Dorothy Kitchen {aka Nancy Drexel).

Director: VICTOR FLEMING. Screenplay: Jules Furthman. Titles: Julian Johnson. Adapted by Lajos Biro from the novel by Perley Poore Sheehan. Photography: Victor Milner. Executive producers: Adolph Zukor, Jesse L. Lasky.

Copyright 1 October 1927 by Paramount Famous Lasky Corp. Presented by Adolph Zukor and Jesse L. Lasky. New York opening at the Rialto, 25 June 1927. U.S. release: 1 October 1927. 9 reels. 8,486 feet.

SYNOPSIS: Bank cashier falls from grace.

NOTES: Academy Award, Best Actor, Emil Jannings (shared with his The Last Command), defeating Richard Barthelmess in both The Noose and The Patent Leather Kid and Charles Chaplin in The Circus. Also nominated for Best Picture (Wings). Number 4 on The Film Daily annual poll of U.S. film critics (after Beau Geste, The Big Parade and What Price Glory?). Emil Jannings' first Hollywood film.

COMMENT: An extraordinarily gripping performance by Emil Jannings adds luster to this atmospherically photographed, well-paced film. True the story's theme is familiar, but it is given a good work-out here by all concerned.

the last part of the movie The Way of all Flesh

[omakdon32 · 7 May 2006]

I saw this movie when I was a very young boy prior to WW2 I believe that I was nine at the time. For some reason this movie has followed throughout my life, it made a great impression on me. Especially the last scene when the dad was watching his family through the window of their home at Xmas time and it was snowing, the local cop caught him went to the door and asked the mans wife {whom she did not recognize] what she wanted him to do with the man. She then asked the man if he would like to come in and have some {I think it was a pudding or something like that} and he stated no thank you I had a wife that used to make that. he then walked away and disappeared walking off into the snowy night. The movie was great to bad it no longer exists.

Emil Jannings Goes the Way of All Celluloid

[wes-connors · 9/10 · 13 January 2012]

Twenty years ago, Milwaukee bank clerk Emil Jannings (as August Schiller) is blissfully happy with dear wife Belle Bennett and their six children. Dedicated to both work and family, Mr. Jannings carefully watches his bank's securities, and teaches son Philippe De Lacy (as August Jr.) to play the violin. When a crisis occurs, Jannings is the problem-solver. An amazingly punctual and structured man, Jannings is reluctant when asked to transport $1,000 to Chicago for his bank, but goes. On the train, Jannings is sitting across from bleached blonde Phyllis Haver (as Mayme) when the conductor arrives to check passengers' tickets. When Jennings produces his ticket, Ms. Haver catches a glimpse of the bank's $1,000 securities, and is enthralled. She succeeds in seducing Jennings, assisted by champagne. He wakes up in a strange bedroom, minus both blonde and bucks. Jennings tracks Haver to a saloon and accidentally kills her tough boyfriend Fred Kohler in a struggle...

Wracked with guilt over his actions, Jannings decides to go along with the story, after the criminal's body is mistaken for his own, to spare his family embarrassment and scandal. Twenty years pass...

Presently, Jannings is still estranged from his family. He heavily carries the weight of shame as he works picking up trash in a park. Wandering tramp-like, he sees grown-up son Donald Keith (as August Jr.) has becomes a successful concert violinist. Jannings manages to attend Mr. Keith's performance. Taught by Jannings, young Keith handles the violin expertly, shedding a tear when playing one of his father's favorites. Keith does not know his father is alive, watching in the audience. Jennings shadows his family when they place flowers on the grave of the eldest sibling, who died serving in World War I. During a Christmas snowstorm, Jannings encounters son Keith, who pities the old tramp with a silver dollar. Keith enters his warm family home as father Jannings walks off into the cold evening, alone...

Unfortunately, "The Way of All Flesh" is a LOST film… but portions of the film have turned up. Two surviving excerpts are from the last act, when Jannings is a haggard old tramp. The first part is from a documentary; mainly, it includes Jannings discovering son Keith. The second part is, fortunately, the film's emotional closing sequence, when Jannings and Keith meet. With the documentary's narration included, the available footage forms its own "short" story and is a good sample of the film's worth. It is available on "Fragments: Surviving Pieces of Lost Films" (2011) released by "Flicker Alley" and has been shown on "Turner Classic Movies" (TCM). In fact, the stellar Jannings performance is the highlight of "Fragments"...

Jannings' performance was one of the two for which he won the first "Academy Award" as "Best Actor". The award was for his roles in both "The Way of All Flesh" and "The Last Command" (1928). Due to the former's foray into over-sentimentality, the award was seen by critics as something better remembered as for the latter film. Comparing "Best Picture" standings, "Film Daily" placed "Way of All Flesh" at #4 and "Last Command" at #3 for their years. "The New York Times" had the latter at #5 while the former in the earlier year's top ten (exact position not given). Some of Oscar's early awards are puzzling, but awarding Jannings' still obviously superb characterizations is easy to applaud.

********* The Way of All Flesh (6/25/27) Victor Fleming ~ Emil Jannings, Belle Bennett, Donald Keith, Phyllis Haver

Lost Film - Except for 8-1/2 Minute Fragment

[Tulsa90 · 28 February 2005]

Supposedly all that is left of this film is an eight-and-a-half minute fragment. I have never seen this short fragment, but wish that this entire film still existed. I do not know why this film is lost. It may have disintegrated in storage or been nearly completely destroyed in a fire or something, I just do not know. I believe that Emil Jannings won the Best Actor Award at the first Academy Awards in 1927. If you want to check out and early Emil Jannings film, The Lost Command still exists in its entirety and is definitely worth a look. New Yorker magazine has referred to Emil Jannings career as one that must be studied for any serious historian of early Hollywood films.