Strictly Personal (1933) Poster

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7/10
It starts out slow, but give it time
AlsExGal23 June 2013
Warning: Spoilers
Soapy Gibson (Edward Ellis) and his wife Annie (Marjorie Rambeau) run a lonely hearts club in a small town. Even during the Depression years these were often "clip joints" - places where people with money but no mate got taken by someone offering the promise of companionship. However, Soapy and Annie are strictly on the level - and they have more than one reason to want to stay on the level. You see Soapy escaped from the law years ago, had some plastic surgery and changed his name, and has been living on the lam with his wife ever since. The film opens with a weekly meeting of the lonely hearts club in progress, and the only real complaint anybody can make is that the neighbors hate the volume and singing voice of one member of the club. The Gibsons are saving up to buy a farm, which has always been their dream.

Then something upsets their lifestyle completely. The mother of one of Soapy's old gang is dying and sends a letter asking if Soapy and his wife will take care of the gang member's daughter. You see, the daughter has been told her father is dead when he has been in jail for many years, plus the daughter has no memory of her father at all. At first the Gibsons balk about this, and are afraid that the cops might figure Soapy's real identity if the old gang member's daughter is living with them. But the girl (Dorothy Jordan as Mary) steals their hearts. They change her name to Gibson so that nobody will get wise to her real identity, and the three begin to gel into a family unit in the MGM tradition, although this is a Paramount film. Eddie Quillan plays Andy, a young reporter who takes an interest in Mary, and the Gibsons approve of their dating.

Up to now things have been rather slow, and I was actually beginning to get a little bored with this film. But things liven up pretty quickly. Louis Calhern as Magruder, a violent con-man, enters the scene. The plastic surgeon who did Soapys surgery told Magruder about Soapy before he died, and Magruder uses that information to muscle in on the Gibsons' lonely hearts club and make it a real clip joint. The Gibsons have a real dilemma on their hands. If Magruder hangs around and clips the wrong person, it puts them in the headlights of the police. If they say no to Magruder, he'll tip them off to Soapy's real identity.

To complicate matters, Magruder has his eye on having Mary for himself. What follows is a murder, a frame up, and three people all rushing to the airport on a rainy night to gun down Magruder. All three get there at the same time - one succeeds. But who succeeded? Apparently the police don't know and this movie is impossible to spoil because the audience never knows either! It seems that society is better off without this guy and the movie leaves it at that. As the city desk editor says when young reporter Andy calls in and says Magruder's been shot and killed - "Good!".

The whole thing has a precode ending as a murderer unknown goes unpunished with Soapy apparently in the clear for his past misdeeds. If Edward Ellis looks familiar, he's the original "Thin Man" in 1934's "The Thin Man" - the guy whose disappearance is at the heart of the mystery in the first place. I thought Dorothy Jordan was very good here as the teenage girl. She showed much more range than she did in those early sound musicals over at MGM. She's still playing it sweet and straight, but there is some genuine mischief and playfulness being demonstrated. Marjorie Rambeau is just perfect as an aging flapper, loyal wife to Soapy, surrogate mom to Mary, astute, tough, and tender depending on what's called for. Louis Calhern is pitch perfect as always as a villain with perfect manners - unless you cross him.

This is a good film, well worth your time in spite of a lack of big name stars - in fact there's not one contract Paramount player in the cast. Recommended.
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6/10
Strong characterizations because they aren't written. They just are.
mark.waltz19 August 2020
Warning: Spoilers
Sometimes when watching a movie when there is too much detail about particular characters, I wonder what they would do if they had to deal with their situations in real life and just react as quickly as they could. That is the case in this 1930's melodrama which features excellent performances by Marjorie Rambeau and Edward Ellis as a married couple who run a lonely hearts club group and have to deal with blackmail thanks to the nefarious Louis Calhern who knows the truth about Ellis's past.

His appearance turns their life upside down especially when he begins to go out with their surrogate daughter, the lovely Dorothy Jordan, the daughter of an old friend of Ellis's who had a criminal past. Fortunately Jordan sensibly begins to see the truth about Calhern and falls for reporter Eddie Quillan who is out to get the scoop on the murder of Dorothy Burgess, one of Rambeau and Ellis's clients. As the walls begin to cave in on the villain, interesting twists are made as Ellis tries to fight being recognized so he can go on with his life as best as he can.

With the story revolving around mature characters Rambeau and Ellis, this film is very theatrical as if it was a carefully plotted stage play and never seems forced or overly careful in its plotting and structure. The speech isn't perfect which makes it real to life and nobody acts as if they are sure which direction to go in which makes it all the more believable. Had this been cast with major Paramount contract players, that aspect of it may not have worked as well. It's a little slow in spots but everything comes together in a way is that the audience can accept rather than realize how convenient it was for the writer to twist situations to end it in the way that it does.
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8/10
Great Acting, And Leaves The Subtext In The Subtext
boblipton17 May 2019
Edward Ellis escaped from prison years ago. Now he and Marjorie Rambeau run a lonely hearts club where shy people can meet each other. Ellis is trying to save $5000 so he can buy a fox farm and watches every penny, just as he watches out lest he be identified and sent back to prison. When Dorothy Jordan shows up, he's angry and worried. Her father is Rollo Lloyd, a prison mate of his, sent out to stay with them after her mother died -- she thinks he is dead. They're adjusting to the new situation, and Ellis seems to be melting under his hard veneer when Louis Calhern shows up. He's a racketeer, has the number on Ellis, and proposes to turn the club into a racket, where he and Dorothy Burgess can trim rich suckers.

It's a terrific movie, mostly because of the performances. Ellis and Rambeau play off against each other beautifully, and Rollo Lloyd has a wonderful short scene where he shows up, hungry for a glimpse of the daughter who can never know who he is.

A lot of pre-code movies made a point of the difficulty of rehabilitating criminals. Some of them put it in big titles at the beginning of the movie, intent that the audience should not miss this important message. This one does what a movie is supposed to do: it doesn't tell you, it shows you. It's all the more telling for that.
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8/10
Magruder is not a particularly sweet fellow!
planktonrules4 September 2018
Soapy and Annie Gibson (Edward Ellis and Marjorie Rambeau) are loners and don't like guests. You soon realize why....Soapy escaped from prison many years before and he's been living a respectable life ever since. But when an old gang member's daughter is homelss, the Gibsons agree to take her in and treat her like kin. Life this way is great...until an evil grifter, Magruder (Louis Calhern) ,arrives. He knows who Soapy is and threatens to turn him in to the law unless they agree to let him use their house to attract wealthy women....so Magruder can cheat them. However, when one of his potential marks turns out poorly, he panics and kills her! What are the Gibsons to do? After all, they know what Magruder did but if they go to the cops, Soapy is sure to be returned to the pokey. What's next? Well, considering how awful Magruder is, it won't be good!!

I read through the only other review for this film up to now. I noticed that the other review (a very well written one, by the way) that they felt the film started slowly and they nearly turned it off....but were glad they didn't. Well, that's exactly how I felt...it turned out to be a good movie but sure started off slowly. Once the plot got moving and Magruder showed up, it improved dramatically. Well worth seeing...and Calhern was marvelous as a complete and total heel.
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