A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
Patsy Brand is a chorus girl at the Pleasure Garden music hall. She meets Jill Cheyne who is down on her luck and gets her a job as a dancer. Jill meets adventurer Hugh Fielding and they ... See full summary »
During the first world war, novelist Edgar Brodie is sent to Switzerland by the Intelligence Service. He has to kill a German agent. During the mission he meets a fake general first and then Elsa Carrington who helps him in his duty. Written by
Claudio Sandrini <email@example.com>
The General (Peter Lorre) drops his hat in the church and then he runs upstairs together with Edgar Brodie (John Gielgud). When they get there he has his hat on again. See more »
Oh, I'm to have an assistant, am I?
Yes, and in the circumstances, a very useful one. We call him the "Hairless Mexican".
Well, chiefly because he's got a lot of curly hair and isn't a Mexican. You can call him The General. He isn't a general, but he'll appreciate the compliment.
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Though definitely one of the better films of Hitchcock's British Primitive period, it's still hard to see the hand of the master craftsman who would make "Rebecca" in this interesting but clumsy spy melodrama. The two major problems in this film are John Gielgud, looking distinctly uncomfortable in a dashing leading man role that would have gone down much better with Robert Donat or Laurence Oliver, and Peter Lorre, not able to do much with the grotesque, embarrassing Mexican blackface minstrel routine the film forces on him. The film's saving graces are Robert Young as Gielgud's unsettlingly suave American rival, and Madeline Carroll, looking and sounding uncannily like Miranda Richardson as perhaps the most uncharacteristically vivacious of Hitchcock's cool blonde heroines.
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