Man at Large (1941) Poster

(1941)

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4/10
They know all there is to know about the spying game.
mark.waltz7 November 2017
Warning: Spoilers
This innocuous B comedy was out before the American involvement in World War II and takes an unrelenting look at what was happening right under our notices even without war declared. Marjorie Weaver is a jumpy as a cat journalistic photographer, trying to scoop reporter rival George Reeves, who is actually a government Superman. Interfering in each other's work from the beginning they meet, it isn't long before the sparks fly in spite of the fact that Weaver is an annoying buttinsky, careless and silly.

The attempts to unmask the spying ring involve a piece of music (obviously ripped off from "The Lady Vanishes") and character performers like Steven Geray, Elisha Cook Jr., Minerva Urecal and Ethel Griffies. I've seen a dozen similarly themed war films, and they've ranked from great to reek, and this up there with the weakest, even stealing from Hitchcock again with the mind reading act from "The 39 Steps" ripped off. This doesn't hold a candle to the Bogart spy comedy "All through the Night", the very first one I've seen and watched a dozen times over since first seeing it. "Man at Large" may just indeed remain a one shot deal.
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8/10
Fun, Interesting 40s espionage spy-comedy
armansyal6 January 2022
Warning: Spoilers
'Man at Large' follows an enthusiastic reporter (Majorie Weaver) who runs into trouble when she meets a mischievous, to her eyes, FBI agent (George Reeves) who is currently trying to capture an escaped Nazi. Throughout the film, there is a likeable chemistry between Weaver and Reeves- building along as they encounter each other and eventually end up working together to capture the villain. This is somewhat similar to a Hitchcock movie; in which a character who starts off as a completely normal person is thrown into a world of danger and fear. Of course, this is much less serious than Hitchcock considering it's comedic value- yet the similarities do appear in terms of Majorie Weaver's character. The final 20 minutes of the film are quite enjoyable, the protagonists go under disguise in a club occupied by Nazis (Majorie looks amazing!) The last encounter, an intense duel which I found to be quite intriguing and unique! Satisfying ending, I highly recommend to any 40s B movie fan.
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