The British Film Institute has partnered with film animation studio Laika to start its event series Stop Motion: Celebrating Hand-Crafted Animation On The Big Screen, which will offer free screenings for children under 16 and include Laika’s five films to date: “Coraline” (2009), “Paranorman” (2012), “The Boxtrolls” (2014), “Kubo and the Two Strings” (2016) and “Missing Link” (2019), all of which were nominated for the Academy Award for outstanding animated feature.
The season, curated by BFI Southbank Lead Programmer Justin Johnson, will take place from Aug. 1 through Oct. 9. Additional titles playing on the big screen throughout the season will include “King Kong” (1933), “Jason and the Argonauts” (1963), “Chicken Run” (2001), “Corpse Bride” (2005), “Coraline” (2009), “Fantastic Mr. Fox” (2009) and “Anomalisa” (2015).
A free exhibition at BFI Southbank, Laika: Frame x Frame, will also run and showcase the art, science and innovation of the studio’s films. The exhibition will allow visitors an exclusive look at puppets, sets and artifacts from...
The season, curated by BFI Southbank Lead Programmer Justin Johnson, will take place from Aug. 1 through Oct. 9. Additional titles playing on the big screen throughout the season will include “King Kong” (1933), “Jason and the Argonauts” (1963), “Chicken Run” (2001), “Corpse Bride” (2005), “Coraline” (2009), “Fantastic Mr. Fox” (2009) and “Anomalisa” (2015).
A free exhibition at BFI Southbank, Laika: Frame x Frame, will also run and showcase the art, science and innovation of the studio’s films. The exhibition will allow visitors an exclusive look at puppets, sets and artifacts from...
- 5/15/2024
- by Jazz Tangcay, Lexi Carson, Jack Dunn and Selena Kuznikov
- Variety Film + TV
Exclusive: Gilmore Girls star Lauren Graham and The Nightingale‘s Aisling Franciosi have joined the cast of Three Point Capital and David Permut Production’s movie Twinless. They will star opposite previously announced Dylan O’Brien and James Sweeney.
Sweeney is also writing and directing the pic which follows two young men who meet in a twin bereavement support group, and form an unlikely bromance.
O’Brien and Miky Lee are EPs. Alex Astrachan, Director of Development at Permut Presentations is co-producer. Republic Pictures has worldwide rights to the film.
Three Point Capital is financing the feature with Ali Jazayeri, David Gendron and Liz Destro also serving as executive producers.
Graham is known for playing Lorelai Gilmore on the hit CW series, Gilmore Girls. She’s also starred in such movies as Flash of Genius, The Answer Man with Jeff Daniels, Evan Almighty with Steve Carell, Because I Said So opposite Diane Keaton and Mandy Moore,...
Sweeney is also writing and directing the pic which follows two young men who meet in a twin bereavement support group, and form an unlikely bromance.
O’Brien and Miky Lee are EPs. Alex Astrachan, Director of Development at Permut Presentations is co-producer. Republic Pictures has worldwide rights to the film.
Three Point Capital is financing the feature with Ali Jazayeri, David Gendron and Liz Destro also serving as executive producers.
Graham is known for playing Lorelai Gilmore on the hit CW series, Gilmore Girls. She’s also starred in such movies as Flash of Genius, The Answer Man with Jeff Daniels, Evan Almighty with Steve Carell, Because I Said So opposite Diane Keaton and Mandy Moore,...
- 5/11/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Legendary film editor Thelma Schoonmaker is honoring the films of filmmaking duo Michael Powell and Emeric Pressburger with an upcoming retrospective at MoMA.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
Titled “Cinema Unbound: The Creative Worlds of Powell and Pressburger,” the screening series is presented in collaboration with the BFI and will take place from June 21 to July 31. The program includes more than 50 films — many of which are new restorations — and was curated by conservation experts, archivists, and curators at the BFI National Archive.
Oscar-winning editor Schoonmaker will open the series on June 21 with an introduction to the new digital restoration of “Black Narcissus” (1947). Schoonmaker was married to British director Powell from 1984 until his death in 1990.
Powell and Pressburger’s cultural legacy is most notably recognized in their film “The Red Shoes” (1948), which has inspired sequences in films such as Luca Guadagnino’s “Challengers,” Darren Aronofsky’s “Black Swan,” and Martin Scorsese’s “Raging Bull,” which Schoonmaker edited.
- 5/1/2024
- by Samantha Bergeson
- Indiewire
A ballooning number of repertory groups dedicated to cinema in its original medium are springing up across the UK. They explain its uphill thrills
As staff read out fire safety precautions and evacuation procedures before a 35mm nitrate print screening of Black Narcissus at the BFI, the packed crowd titter in excitement and anticipation. How often do you go to the cinema with an awareness that the film you are watching is being physically unspooled, live, with a possibility of actual combustion due to the ultra-flammable material it contains?
The desire to watch films projected on film is on the rise across the UK – and the number of repertory film clubs dedicated to analogue screenings is ballooning. Sheffield-based Reel Steel seek out rare gems – “doing the detective work to find 35mm prints in a screen-worthy condition can be a year-round task”, says founder Joseph Harris. Manchester-based Certificate X Cult Film...
As staff read out fire safety precautions and evacuation procedures before a 35mm nitrate print screening of Black Narcissus at the BFI, the packed crowd titter in excitement and anticipation. How often do you go to the cinema with an awareness that the film you are watching is being physically unspooled, live, with a possibility of actual combustion due to the ultra-flammable material it contains?
The desire to watch films projected on film is on the rise across the UK – and the number of repertory film clubs dedicated to analogue screenings is ballooning. Sheffield-based Reel Steel seek out rare gems – “doing the detective work to find 35mm prints in a screen-worthy condition can be a year-round task”, says founder Joseph Harris. Manchester-based Certificate X Cult Film...
- 4/18/2024
- by Steph Green
- The Guardian - Film News
Following the best movie of last year, 2024 brings a lesson in cinema history from Martin Scorsese. He’s narrated a new documentary on two of the greatest directors of all time, Michael Powell and Emeric Pressburger, the duo responsible for The Red Shoes, Black Narcissus, A Matter of Life and Death, and The Life and Death of Colonel Blimp. Considering Scorsese’s close connection to their work, from being captivated at a young age and much later becoming friends with Michael Powell (who was married to Scorsese’s long-time editor Thelma Schoonmaker), he’s the perfect guide through their filmography.
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
Following the Berlinale premiere of David Hinton’s Made in England: The Films of Powell and Pressburger, it’ll now get a U.K. and Ireland release on May 10 from Altitude and the first trailer has arrived. With U.S. distribution coming from Cohen Media Group, Mubi has also...
- 4/15/2024
- by Jordan Raup
- The Film Stage
You’d be absolved for thinking that Immaculate – Michael Mohan’s buzzy new religious horror film about a young American novitiate (Sydney Sweeney) discovering pure evil in a secluded Italian convent – might shape up to be something classier than it is. True, nunsploitation is one of cinema’s most disreputable genres, but for every Killer Nun or Nun II there’s a The Devils or Benedetta: cloistered entertainments that have weightier themes to go with all the cross-humping blasphemy. God only knows what drove Sweeney to resurrect the project she auditioned for ten years prior, because Immaculate is a mostly silly genre affair with an ending that edges the film painfully close to something more divine.
Sweeney stars as Cecilia, who arrives at the convent where she will take her vows armed only with an Italian phrasebook and a pretty face that the other sisters (and immigration agents) can’t stop commenting on.
Sweeney stars as Cecilia, who arrives at the convent where she will take her vows armed only with an Italian phrasebook and a pretty face that the other sisters (and immigration agents) can’t stop commenting on.
- 3/13/2024
- by Rocco T. Thompson
- DailyDead
The Abandons, Kurt Sutter’s Western action drama for Netflix, has added six as series regulars: Lucas Till (MacGyver), Nick Robinson (Maid), Diana Silvers (Booksmart), Lamar Johnson (The Last of Us), Aisling Franciosi (The Nightingale), and Natalia del Riego (Hail Mary).
Till plays Garret Van Ness, with Robinson as Elias Teller, Silvers as Dahlia Teller, Johnson as Albert Mason, Franciosi as Trisha Van Ness, and Del Riego as Lilla Belle. As previously announced, Lena Heady and Gillian Anderson lead the cast, as Fiona Nolan and Constance Van Ness, respectively.
Created and exec produced by Sutter, who also serves as showrunner, The Abandons follows a group of diverse, outlier families pursuing their Manifest Destiny in 1850s Oregon, as a corrupt force of wealth and power, coveting their land, tries to force them out. These abandoned souls, the kind of lost souls living on the fringe of society,...
Till plays Garret Van Ness, with Robinson as Elias Teller, Silvers as Dahlia Teller, Johnson as Albert Mason, Franciosi as Trisha Van Ness, and Del Riego as Lilla Belle. As previously announced, Lena Heady and Gillian Anderson lead the cast, as Fiona Nolan and Constance Van Ness, respectively.
Created and exec produced by Sutter, who also serves as showrunner, The Abandons follows a group of diverse, outlier families pursuing their Manifest Destiny in 1850s Oregon, as a corrupt force of wealth and power, coveting their land, tries to force them out. These abandoned souls, the kind of lost souls living on the fringe of society,...
- 3/1/2024
- by Matt Grobar
- Deadline Film + TV
In the narrator’s seat for David Hinton’s eloquent documentary on the filmmaking duo Michael Powell and Emeric Pressburger, Martin Scorsese is the ultimate fan. Tracing his all-around movie obsession to his first viewing of the U.K.-based pair’s 1948 tour de force, The Red Shoes, he leads us through a dozen of their features and a few of Powell’s solo efforts, connecting key sequences to memorable scenes in his own work. But beyond its clear explication of the films’ imaginative and technical power, Made in England is also a testament to mentorship and friendship; Scorsese was close to Powell, who died in 1990, for the last decade and a half of the British director’s life, and Powell married Scorsese’s longtime editor, Thelma Schoonmaker, in 1984.
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
The documentary ignites a longing to see the movies, whether for the first time or the umpteenth (many are available on...
- 2/24/2024
- by Sheri Linden
- The Hollywood Reporter - Movie News
The 74th Berlin International Film Festival announced the winners of the fest at the awards ceremony held at the Berlinale Palast on February 24.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
20 films competed for the awards in this year’s competition with Lupita Nyong’o heading the International Jury alongside Ann Hui, Christian Petzold, Albert Serra, Jasmine Trinca and Oksana Zabuzhko. The Encounters Jury, Lisandro Alonso, Denis Côté and Tizza Covi choose the winners for Best Film, Best Director and the Special Jury Award.
The Golden Bear for Best Film was awarded to Dahomey by Mati Diop. Emily Watson won The Silver Bear for Best Supporting Performance for her role in Small Things Like These, while Sebastian Stan received The Silver Bear for Best Leading Performance in A Different Man. Nelson Carlo De Los Santos Arias was honored with The Silver Bear for Best Director for his film Pepe, and the Silver Bear Jury Prize went to Bruno Dumont for Empire.
- 2/22/2024
- by Robert Lang
- Deadline Film + TV
For any film lovers who grew up on, generationally depending, the cinema of Michael Powell and Emeric Pressburger, or the essential ’90s cinephile primer “A Personal Journey with Martin Scorsese Through American Movies” — or both, as for this writer — “Made in England: The Films of Powell and Pressburger” arrives as an unmitigated treat.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
A straightforwardly constructed documentary trawl through the dizzy highs and sporadic lows of the most iridescently fabulous filmography in British cinema, David Hinton’s film would be plenty pleasurable as a mere feature-length clip reel. That it gets longtime Powell and Pressburger champion Martin Scorsese to narrate the proceedings, with the same blend of scholarly authority and avuncular enthusiasm he brought to “Personal Journey,” makes the doc more than the sum of its already attractive parts: a movingly sincere valentine from a filmmaker now due his own equivalent tributes, shortening the distance between youthful discovery and senior nostalgia.
- 2/21/2024
- by Guy Lodge
- Variety Film + TV
Exclusive: Ahead of its world premiere today at the Berlin Film Festival, Cohen Media Group has secured all North American distribution rights to Made In England: The Films Of Powell And Pressburger.
Martin Scorsese narrates the film, which is directed by Emmy winner David Hinton.
Cmg negotiated exclusive theatrical and ancillary rights in North America with a planned release in 2024 in an exclusive window prior to TCM’s subsequent TV premiere.
The film puts a spotlight on Brit filmmakers Powell and Pressburger who created some of the most revered films of the British golden age, including The Red Shoes, Black Narcissus, A Matter of Life and Death and The Life and Death of Colonel Blimp. In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.”
You can check out an exclusive clip of the film here and read our...
Martin Scorsese narrates the film, which is directed by Emmy winner David Hinton.
Cmg negotiated exclusive theatrical and ancillary rights in North America with a planned release in 2024 in an exclusive window prior to TCM’s subsequent TV premiere.
The film puts a spotlight on Brit filmmakers Powell and Pressburger who created some of the most revered films of the British golden age, including The Red Shoes, Black Narcissus, A Matter of Life and Death and The Life and Death of Colonel Blimp. In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.”
You can check out an exclusive clip of the film here and read our...
- 2/21/2024
- by Andreas Wiseman
- Deadline Film + TV
Without Michael Powell and Emeric Pressburger, the films and career of Martin Scorsese would be very different. “Mean Streets” would be less red (thank those titular “Red Shoes”), the title fight in “Raging Bull” wouldn’t have been preceded by that thrilling oner (thank the duel in “Colonel Blimp”), and we wouldn’t have that audacious flash of yellow in “The Age of Innocence,” an idea swiped from the red-hot climax of “Black Narcissus.”
Scorsese has always been admirably honest about his tendency to steal from the best, and “Made in England: The Films of Powell and Pressburger” is at its most fun when Marty talks the audience through how the ironic filmmaking duo’s most striking images reshaped the canon. And what — to him — ultimately made them worth stealing.
These seemingly spontaneous moments are well-illustrated by director David Hinton, a BAFTA-winning documentarian who also made an episode of the...
Scorsese has always been admirably honest about his tendency to steal from the best, and “Made in England: The Films of Powell and Pressburger” is at its most fun when Marty talks the audience through how the ironic filmmaking duo’s most striking images reshaped the canon. And what — to him — ultimately made them worth stealing.
These seemingly spontaneous moments are well-illustrated by director David Hinton, a BAFTA-winning documentarian who also made an episode of the...
- 2/21/2024
- by Adam Solomons
- Indiewire
Martin Scorsese, who helped rescue the British film-makers’ work from obscurity, is the perfect person to discuss their unique and now beloved work
The work of film-makers Michael Powell and Emeric Pressburger is discussed with passion and authority by Martin Scorsese in this richly enjoyable documentary, for which he presents his thoughts and recollections directly to camera. When the British establishment shamed itself by turning its back on these homegrown masters, it took this Italian American film-maker to rediscover them in the 1970s – and now the Powell/Pressburger films almost cannot be seen except through the medium of Scorsese’s glorious evangelism; their movies and his have virtually become intertextual events.
As he takes us through the great Powell/Pressburger films such as The Life and Death of Colonel Blimp, I Know Where I’m Going!, Black Narcissus, Red Shoes and The Tales of Hoffmann, Scorsese also plays clips of his own films,...
The work of film-makers Michael Powell and Emeric Pressburger is discussed with passion and authority by Martin Scorsese in this richly enjoyable documentary, for which he presents his thoughts and recollections directly to camera. When the British establishment shamed itself by turning its back on these homegrown masters, it took this Italian American film-maker to rediscover them in the 1970s – and now the Powell/Pressburger films almost cannot be seen except through the medium of Scorsese’s glorious evangelism; their movies and his have virtually become intertextual events.
As he takes us through the great Powell/Pressburger films such as The Life and Death of Colonel Blimp, I Know Where I’m Going!, Black Narcissus, Red Shoes and The Tales of Hoffmann, Scorsese also plays clips of his own films,...
- 2/21/2024
- by Peter Bradshaw
- The Guardian - Film News
Mubi has snapped up rights across multiple territories on Made In England: The Films Of Powell And Pressburger, the Martin Scorsese-narrated doc set to debut this week at the Berlin Film Festival.
Under the deal, the global film distributor, production company, and streaming service will retain all rights in Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latam, Turkey and India. Altitude is releasing in UK and Irish cinema on May 10.
The deal was done between Altitude and Mubi. The streamer said it will announce specific details about the doc’s release in the coming months.
Directed by two-time BAFTA and Emmy-winning David Hinton, the film is narrated by Scorsese and is described as the filmmaker’s “personal and moving look at two of British cinema’s greatest filmmakers.”
Producing, writing, and directing, Powell and Pressburger created some of the most revered films of the British golden age, including The Red Shoes,...
Under the deal, the global film distributor, production company, and streaming service will retain all rights in Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latam, Turkey and India. Altitude is releasing in UK and Irish cinema on May 10.
The deal was done between Altitude and Mubi. The streamer said it will announce specific details about the doc’s release in the coming months.
Directed by two-time BAFTA and Emmy-winning David Hinton, the film is narrated by Scorsese and is described as the filmmaker’s “personal and moving look at two of British cinema’s greatest filmmakers.”
Producing, writing, and directing, Powell and Pressburger created some of the most revered films of the British golden age, including The Red Shoes,...
- 2/19/2024
- by Zac Ntim
- Deadline Film + TV
‘Made in England: The Films of Powell and Pressburger,’ the documentary executive produced and narrated by Matin Scorsese, has been acquired by Mubi ahead of the film’s world premiere at the Berlin Film Festival.
The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.
Directed by two-time BAFTA and Emmy winner David Hinton, ‘Made in England: The Films of Powell and Pressburger’ is described as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.”
Powell and Pressburger created some of the great classics of the British golden age, including “The Red Shoes,” “Black Narcissus,” “A Matter of Life and Death” and “The Life and Death of Colonel Blimp.” In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.
The arthouse streamer, distributor and production company has bought all rights for Germany, Austria, Switzerland, Italy, France, Belgium, Netherlands, Luxembourg, Latin America, Turkey and India.
Directed by two-time BAFTA and Emmy winner David Hinton, ‘Made in England: The Films of Powell and Pressburger’ is described as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.”
Powell and Pressburger created some of the great classics of the British golden age, including “The Red Shoes,” “Black Narcissus,” “A Matter of Life and Death” and “The Life and Death of Colonel Blimp.” In the words of Scorsese, their films were “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.
- 2/19/2024
- by Alex Ritman
- Variety Film + TV
The European Film Market is heating up as it winds to a close, with several major deals coming out of chilly Berlin. On Monday, art house streamer Mubi announced its first big buy of EFM, snatching up David
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
Hinton’s Martin Scorsese-narrated documentary, Made in England: The Films of Powell and Pressburger, for much of the world.
Mubi has acquired all rights in German-speaking Europe, Italy, France and Benelux for the doc, as well as Latin America, Turkey and India. The film has its world premiere in Berlin this week as part of the Berlinale Special. The deal was done between Mubi and Altitude Film Sales.
The latest from the BAFTA and Emmy-award winner Hinton (The South Bank Show, All This Can Happen) explores the life and work of British filmmaking duo Michael Powell and Emeric Pressburger, who together created some of the greatest films of the British golden age,...
- 2/19/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Exclusive: Martin Scorsese is returning to the Berlin Film Festival tomorrow for the first time in a decade. The cinema legend, currently on the awards circuit with latest epic Killers Of The Flower Moon, will be feted with the Berlinale’s highest honor, its lifetime achievement Golden Bear.
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
Ahead of the ceremony, the indefatigable Scorsese (81) found time to speak to us. In answer to ‘Deadline’s Five Burning Questions’, the filmmaker discussed a new project he has playing at the festival, some of the career collaborations he is most proud of, the importance of film festivals, his expectations for the future of cinema, and what might be next for him.
Scorsese has been to the Berlinale a number of times before, including with Raging Bull, Gangs of New York and Shutter Island, all of which screened out of competition, and with Berlinale competition entry Cape Fear in 1992. His Rolling Stones...
- 2/19/2024
- by Andreas Wiseman
- Deadline Film + TV
Martin Scorsese will narrate and present Made In England: The Films Of Powell And Pressburger, a documentary about the legendary filmmaking duo. It’s out in May.
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
In the 1940s and early 50s, filmmakers Michael Powell and Emeric Pressburger made some of the best and most important films to emerge from the UK. Among their most admired works are The Life And Death Of Colonel Blimp (1943), Black Narcissus (1947) and The Red Shoes (1948).
Whether they were wartime romances, comedies or dramas with a hint of the fantastical, the duo’s films were beautifully shot uniquely their own, largely because – unusually – they wrote, directed and produced their movies, with almost no studio interference, under their company banner, The Archers.
Narrated by Martin Scorsese, Made In England: The Films Of Powell And Pressburger will explore the pair’s singular life and work, with the feature-length documentary running to a generous 129 minutes. Fittingly, given...
- 2/14/2024
- by Ryan Lambie
- Film Stories
Nominations voting is from January 11–16, 2024, with official Oscar nominations announced on January 23, 2024. Final voting is February 22–27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10, and air live on ABC at 8 p.m. Et/ 5 p.m. Pt. We update predictions throughout awards season, so keep checking IndieWire for all our 2024 Oscar picks.
The State of the Race
“Poor Things” prevailed over “Barbie” in the fantasy production design category at the 28th Art Directors Guild Awards and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, Oscar-nominated “Oppenheimer” took period honors over Oscar-nominated “Killers of the Flower Moon” and “Napoleon,” along with “Asteroid City” and “Maestro.”
In Yargos Lanthimos’ twisted “Frankenstein” gender-bender, “Poor Things,” Bella (Best Actress nominee Emma Stone) is reanimated from the dead...
The State of the Race
“Poor Things” prevailed over “Barbie” in the fantasy production design category at the 28th Art Directors Guild Awards and is now in the driver’s seat to win the Oscar. Throughout the season, it has been a race between these two big feminist films constructed around rebirth and unconventional world-building.
Meanwhile, Oscar-nominated “Oppenheimer” took period honors over Oscar-nominated “Killers of the Flower Moon” and “Napoleon,” along with “Asteroid City” and “Maestro.”
In Yargos Lanthimos’ twisted “Frankenstein” gender-bender, “Poor Things,” Bella (Best Actress nominee Emma Stone) is reanimated from the dead...
- 2/12/2024
- by Bill Desowitz
- Indiewire
In Yorgos Lanthimos’ “Poor Things,” 19th-century scientist Baxter (Willem Dafoe) restores Bella (Emma Stone) to life with the brain of her unborn child — and the surreal visual design reflects her wild imagination as she progresses from infant to liberated woman.
To achieve that, the director instructed production designers James Price (“Paddington 2” art director) and Shona Heath (a collaborator of fashion photographer Tim Walker making her film debut) to create a fantastical world that was a throwback to the old-school style of Michael Powell and Emeric Pressburger’s “Black Narcissus,” with miniatures, painted backdrops, and rear screen projection (high-tech LED screens created the oceans and skies).
“My experience in film is zero,” Heath said in an on-set interview in the video above, “so this wouldn’t be standing if it wasn’t for James.”
What they conjured — to Arts Director Guild- and Academy Award-nominated success — was a retro-futuristic fantasy influenced by...
To achieve that, the director instructed production designers James Price (“Paddington 2” art director) and Shona Heath (a collaborator of fashion photographer Tim Walker making her film debut) to create a fantastical world that was a throwback to the old-school style of Michael Powell and Emeric Pressburger’s “Black Narcissus,” with miniatures, painted backdrops, and rear screen projection (high-tech LED screens created the oceans and skies).
“My experience in film is zero,” Heath said in an on-set interview in the video above, “so this wouldn’t be standing if it wasn’t for James.”
What they conjured — to Arts Director Guild- and Academy Award-nominated success — was a retro-futuristic fantasy influenced by...
- 2/5/2024
- by Bill Desowitz
- Indiewire
With the New Year upon us, it’s time for our annual tradition of looking at the cinematic horizon. Having highlighted 30 films we guarantee are worth seeing this year and those we hope get U.S. distribution, we now venture into the unknown. We dug deep to chart the 100 films we’re most looking forward to, from debuts to documentaries to the return of some of our most-beloved auteurs, along with a small batch of studio films worth giving attention.
Though the majority lack a set release––let alone a confirmed festival premiere––most have wrapped production and will likely debut at some point in 2024. Be sure to check back for updates over the next twelve months (and beyond).
100. Civil War (Alex Garland; April 26)
A storm brewed across social media with the trailer for Alex Garland’s Civil War. Garland, who last invigorated and disgusted audiences with Men, still boasts...
Though the majority lack a set release––let alone a confirmed festival premiere––most have wrapped production and will likely debut at some point in 2024. Be sure to check back for updates over the next twelve months (and beyond).
100. Civil War (Alex Garland; April 26)
A storm brewed across social media with the trailer for Alex Garland’s Civil War. Garland, who last invigorated and disgusted audiences with Men, still boasts...
- 1/8/2024
- by The Film Stage
- The Film Stage
Jeremy Thomas on Martin Scorsese giving gravitas to Michael Powell and Emeric Pressburger films: “I mean, The Red Shoes, unbelievable! Of course they’re period, Blimp, very period. And Black Narcissus, which I recently saw restored in a square in Bologna with thousands of people.” Photo: Anne-Katrin Titze
In the third instalment with producer Jeremy Thomas we discuss Nicolas Roeg’s Bad Timing leading to a conversation with David Cronenberg wanting to film William Burroughs’s Naked Lunch; Cronenberg’s adaptation of Jg Ballard’s Crash and the author’s reaction; Martin Scorsese reintroducing us to Michael Powell and Emeric Pressburger’s masterpieces, which include The Red Shoes, The Life And Death Of Colonel Blimp, and Black Narcissus.
Jeremy Thomas on David Cronenberg’s adaptation of Naked Lunch by William Burroughs: “It’s magnificent, original work.”
The Cohen Media Group and Posteritati at their gallery hosted a reception for Jeremy...
In the third instalment with producer Jeremy Thomas we discuss Nicolas Roeg’s Bad Timing leading to a conversation with David Cronenberg wanting to film William Burroughs’s Naked Lunch; Cronenberg’s adaptation of Jg Ballard’s Crash and the author’s reaction; Martin Scorsese reintroducing us to Michael Powell and Emeric Pressburger’s masterpieces, which include The Red Shoes, The Life And Death Of Colonel Blimp, and Black Narcissus.
Jeremy Thomas on David Cronenberg’s adaptation of Naked Lunch by William Burroughs: “It’s magnificent, original work.”
The Cohen Media Group and Posteritati at their gallery hosted a reception for Jeremy...
- 11/10/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Thelma Schoonmaker at the Karlovy Vary International Film Festival, 2010. Photo by Petr Novák.At 83 years old, Thelma Schoonmaker has no intention of slowing down. Best known for her career-long collaboration with Martin Scorsese, the three-time Oscar-winning editor is still juggling multiple projects. As we sat down for our conversation in London, the press juggernaut for her latest film with Scorsese, Killers of the Flower Moon, was in full swing, while back in New York, her editing consoles were whirring away, already at work on the duo’s next feature: a documentary on the films of Michael Powell and Emeric Pressburger. It’s a film close to the legendary editor’s heart. Schoonmaker was married to Powell from 1984 until his death in 1990. She was introduced to the filmmaker—one of the greatest in the history of British cinema—by Scorsese, a lifelong admirer who had set out to rehabilitate Powell’s critical reputation.
- 11/6/2023
- MUBI
The Lost Boys
The spooky season is here again, so we’re looking at the sinister cinema events happening across the UK. From treats you can shre with the kids to hardcore all-nighters, there’s plenty here to provide you with Halloween chills and thrills.
Aberdeen 28th - The Nightmare Before Christmas, Ashdale Hall, 14:30 31st - Scooby-Doo, the Four One Two Film Club, Robert Gordon University, 17:30 31st - The Rocky Horror Picture Show, Belmont Filmhouse, 18:10
Belfast 27th - A Nightmare On Elm Street & Scary Movie, Let’s Go Hydro drive-in, 19:00 27th - The Lost Boys, The Strand, 20:00 28th - Hocus Pocus & Insidious, Let’s Go Hydro drive-in, 19:00 29th - Hocus Pocus & The Conjuring, Let’s Go Hydro drive-in, 19:00 29th - The Invisible Man (1933) & Black Narcissus, The Strand, 18:00 30th - Hocus Pocus & The Exorcist, Let’s Go Hydro drive-in, 19:00 31st - Halloween,...
The spooky season is here again, so we’re looking at the sinister cinema events happening across the UK. From treats you can shre with the kids to hardcore all-nighters, there’s plenty here to provide you with Halloween chills and thrills.
Aberdeen 28th - The Nightmare Before Christmas, Ashdale Hall, 14:30 31st - Scooby-Doo, the Four One Two Film Club, Robert Gordon University, 17:30 31st - The Rocky Horror Picture Show, Belmont Filmhouse, 18:10
Belfast 27th - A Nightmare On Elm Street & Scary Movie, Let’s Go Hydro drive-in, 19:00 27th - The Lost Boys, The Strand, 20:00 28th - Hocus Pocus & Insidious, Let’s Go Hydro drive-in, 19:00 29th - Hocus Pocus & The Conjuring, Let’s Go Hydro drive-in, 19:00 29th - The Invisible Man (1933) & Black Narcissus, The Strand, 18:00 30th - Hocus Pocus & The Exorcist, Let’s Go Hydro drive-in, 19:00 31st - Halloween,...
- 10/26/2023
- by Jennie Kermode
- eyeforfilm.co.uk
One of the most unassuming filmmakers of Britain’s early period, Michael Powell entered the golden age of his career with The Edge of the World. Though he had already made over 20 films by 1937, it represented one of his first successfully realized and self-actualized stabs at what would become one of his chief directorial strengths: the ability to film a very specific and localized environment in a manner that emphasizes its otherworldly fantasias and, paradoxically, remains faithful to the area’s ethnographical features.
To watch the film is to bear witness to Powell’s unique alchemy. Throughout, he infuses a weather-battered island community off the coast of Scotland on the verge of abandonment with off-kilter camera angles, dreamily gauzy cinematography, and a becalmed detachment that lets the characters and scenario do the work for him.
Which isn’t to say that Powell occasionally indulges in a few melodramatic flourishes that...
To watch the film is to bear witness to Powell’s unique alchemy. Throughout, he infuses a weather-battered island community off the coast of Scotland on the verge of abandonment with off-kilter camera angles, dreamily gauzy cinematography, and a becalmed detachment that lets the characters and scenario do the work for him.
Which isn’t to say that Powell occasionally indulges in a few melodramatic flourishes that...
- 10/20/2023
- by Eric Henderson
- Slant Magazine
Martin Scorsese and his longtime editor Thelma Schoonmaker have seen more movies than you. Both of them have long been champions of independent and international cinema, and they have each done their part to amplify titles and filmmakers that might be lost in the sea of the commercial American film market. When they're not making movies, they're likely overseeing the restorations of lost classics or recommending great movies you've never heard of on Turner Classic Movies. But they're also constantly incorporating nods and tips of the cap to those films in their own work.
Schoonmaker was in a relationship with celebrated British filmmaker Michael Powell, the co-director (with Emeric Pressburger) of such classics as "The Life and Death of Colonel Blimp," "I Know Where I'm Going!," "Black Narcissus," and "The Red Shoes." Their romance spanned a decade, starting in 1980 and sadly ending in 1990 when Powell died. In a recent interview with Little White Lies,...
Schoonmaker was in a relationship with celebrated British filmmaker Michael Powell, the co-director (with Emeric Pressburger) of such classics as "The Life and Death of Colonel Blimp," "I Know Where I'm Going!," "Black Narcissus," and "The Red Shoes." Their romance spanned a decade, starting in 1980 and sadly ending in 1990 when Powell died. In a recent interview with Little White Lies,...
- 10/19/2023
- by Witney Seibold
- Slash Film
With six Oscar bids to her name, Scottish-born thespian Deborah Kerr is one of the most celebrated performers of all time. However, she never actually won one of those little gold statuettes, giving her the dubious distinction of tying Thelma Ritter and Glenn Close as the most nominated actress without a victory. Still, she must’ve done something right to rack up all that Academy recognition. Let’s take a look back at 15 of her greatest films, ranked worst to best.
Born in 1921, Kerr got her start on the London stage before appearing in her first film when she was just 20-years-old: “Major Barbara” (1941). She had her big break two years later in Michael Powell and Emeric Pressburger‘s epic “The Life and Death of Colonel Blimp” (1943). Kerr reunited with the filmmaking duo for “Black Narcissus” (1946), which brought her the first of three Best Actress victories at the New York Film Critics Circle.
Born in 1921, Kerr got her start on the London stage before appearing in her first film when she was just 20-years-old: “Major Barbara” (1941). She had her big break two years later in Michael Powell and Emeric Pressburger‘s epic “The Life and Death of Colonel Blimp” (1943). Kerr reunited with the filmmaking duo for “Black Narcissus” (1946), which brought her the first of three Best Actress victories at the New York Film Critics Circle.
- 9/22/2023
- by Zach Laws and Chris Beachum
- Gold Derby
Way back in 2011, long before he was cast in the TV adaptation of Good Omens, actor Michael Sheen (Aziraphale) told MTV that his favourite film was Powell and Pressburger’s 1945 masterpiece A Matter of Life and Death. That was still the case in 2019, as confirmed on social media. For someone currently appearing as an angel, it’s an incredibly appropriate favourite film – and the makers of Good Omens must have been listening, because there are several Easter eggs nodding to the film appearing in the fantasy-comedy’s second season.
An Unusual Origin
Michael Powell and Emeric Pressburger were British film-makers who started a production company called The Archers in 1939, just a few years after Pressburger came to Britain having fled the Nazis. As well as producing, they wrote and directed several very well-known and hugely influential films during the 1940s, including The Life and Death of Colonel Blimp, Black Narcissus,...
An Unusual Origin
Michael Powell and Emeric Pressburger were British film-makers who started a production company called The Archers in 1939, just a few years after Pressburger came to Britain having fled the Nazis. As well as producing, they wrote and directed several very well-known and hugely influential films during the 1940s, including The Life and Death of Colonel Blimp, Black Narcissus,...
- 7/30/2023
- by Louisa Mellor
- Den of Geek
Trainspotting producer Andrew Macdonald has been appointed as the new Chair of the Edinburgh International Film Festival (Eiff).
As part of the role, Macdonald will lead the formation of a new organization that will deliver Eiff from 2024. Macdonald will now recruit a board and executive team to lead the Festival’s development from September 2023.
Like many Scottish film professionals, Macdonald is an Eiff alum. He worked at the festival in 1992, during which he made a video diary about raising cash to produce his first feature film, Shallow Grave. The film was finally made in 1993 and had its world premiere at Eiff in 1994.
Written by John Hodge and directed by Danny Boyle, the film was a box office success and won the BAFTA for Best British Film. Macdonald went on to produce several films with Boyle, including Trainspotting, A Life Less Ordinary, The Beach, and T2 Trainspotting. Since 1997 he’s headed DNA Films,...
As part of the role, Macdonald will lead the formation of a new organization that will deliver Eiff from 2024. Macdonald will now recruit a board and executive team to lead the Festival’s development from September 2023.
Like many Scottish film professionals, Macdonald is an Eiff alum. He worked at the festival in 1992, during which he made a video diary about raising cash to produce his first feature film, Shallow Grave. The film was finally made in 1993 and had its world premiere at Eiff in 1994.
Written by John Hodge and directed by Danny Boyle, the film was a box office success and won the BAFTA for Best British Film. Macdonald went on to produce several films with Boyle, including Trainspotting, A Life Less Ordinary, The Beach, and T2 Trainspotting. Since 1997 he’s headed DNA Films,...
- 7/25/2023
- by Zac Ntim
- Deadline Film + TV
The BFI has set a major U.K.-wide film celebration of one of the greatest and most enduring filmmaking partnerships in the history of cinema: Michael Powell (1905-1990) and Emeric Pressburger (1902-1988).
The du are best known for iconic films including “The Red Shoes” (1948), “A Matter of Life and Death” (1946) and “Black Narcissus” (1947), the latter of which premiered on Wednesday at Bologna’s Piazza Maggiore as part of Il Cinema Ritrovato, screening from a new 35mm print made by the BFI.
From Martin Scorsese to Matthew Bourne, Kate Bush to Tilda Swinton, Powell and Pressburger have influenced creatives for decades and this is the largest and most wide-ranging exploration ever undertaken about the work of the legendary writer-producer-director team. The celebration will kick off this fall with the BFI Distribution re-release of “I Know Where I’m Going” (1945), recently restored by the BFI National Archive and The Film Foundation.
The du are best known for iconic films including “The Red Shoes” (1948), “A Matter of Life and Death” (1946) and “Black Narcissus” (1947), the latter of which premiered on Wednesday at Bologna’s Piazza Maggiore as part of Il Cinema Ritrovato, screening from a new 35mm print made by the BFI.
From Martin Scorsese to Matthew Bourne, Kate Bush to Tilda Swinton, Powell and Pressburger have influenced creatives for decades and this is the largest and most wide-ranging exploration ever undertaken about the work of the legendary writer-producer-director team. The celebration will kick off this fall with the BFI Distribution re-release of “I Know Where I’m Going” (1945), recently restored by the BFI National Archive and The Film Foundation.
- 6/29/2023
- by Naman Ramachandran
- Variety Film + TV
Blanchett in imperious zealot mode is hard to resist, but Warwick Thornton’s story of orphans and evangelists in the 40s outback never quite fulfils its promise
Cate Blanchett gives it the full wimple as cantankerous alcoholic nun Sister Eileen in Warwick Thornton’s woozily mystical and slightly unfocused drama set in a remote outback Catholic orphanage in 1940s wartime Australia - and really only a period setting would give us the spectacle of Blanchett in the complete picturesque nun outfit, now a rarity in the modern age.
Blanchett brings to it a fierce authority born of repressed emotion in the time honoured nuns-on-film manner - although she can’t match Kathleen Byron’s troubled nun in Powell and Pressburger’s Black Narcissus.
Cate Blanchett gives it the full wimple as cantankerous alcoholic nun Sister Eileen in Warwick Thornton’s woozily mystical and slightly unfocused drama set in a remote outback Catholic orphanage in 1940s wartime Australia - and really only a period setting would give us the spectacle of Blanchett in the complete picturesque nun outfit, now a rarity in the modern age.
Blanchett brings to it a fierce authority born of repressed emotion in the time honoured nuns-on-film manner - although she can’t match Kathleen Byron’s troubled nun in Powell and Pressburger’s Black Narcissus.
- 5/19/2023
- by Peter Bradshaw in Cannes
- The Guardian - Film News
Betty Gilpin in Mrs. Davis (Photo by: Colleen Hayes/Peacock) Background: Sally Field in The Flying Nun (Photo by ABC Photo Archives/Disney General Entertainment Content via Getty Images), Whoopi Goldberg in Sister Act (Afro Newspaper/Gado/Contributor), Black Narcissus (John Kobal Foundation/Contributor), Siobahn McSweeney in Derry Girls (Netflix...
- 5/18/2023
- by Drew Gillis
- avclub.com
Director Mike Newell has set an August shoot at U.K. locations for “China Court.”
The film will be directed by Newell from a script by Brian Kinsey, based on the 1961 novel “China Court: The Hours of a Country House” by Rumer Godden.
The film centers around a house, China Court, and the family that inhabits it. The film follows generations of the family over a century, up to the death of the matriarch in 1961. Characters move seamlessly in and out of each other’s timelines as they grow up, fall in love, fall out with each other and – always – pass on to those who follow them the consequences of their actions.
“White Noise” producer Uri Singer has joined forces with Echo Lake’s Mike Marcus (“The Ward”) and U.K.-based Pippa Cross to produce the film.
Fortitude International’s Nadine de Barros and Singer’s Passage Pictures are financing the film.
The film will be directed by Newell from a script by Brian Kinsey, based on the 1961 novel “China Court: The Hours of a Country House” by Rumer Godden.
The film centers around a house, China Court, and the family that inhabits it. The film follows generations of the family over a century, up to the death of the matriarch in 1961. Characters move seamlessly in and out of each other’s timelines as they grow up, fall in love, fall out with each other and – always – pass on to those who follow them the consequences of their actions.
“White Noise” producer Uri Singer has joined forces with Echo Lake’s Mike Marcus (“The Ward”) and U.K.-based Pippa Cross to produce the film.
Fortitude International’s Nadine de Barros and Singer’s Passage Pictures are financing the film.
- 4/5/2023
- by Naman Ramachandran
- Variety Film + TV
The actor and producer on the joy of clowning around in her new comedy Funny Woman, how female solidarity has changed her professional life, and her top choice for a karaoke belter
Gemma Arterton, 37, was born in Gravesend and trained at Rada. Aged 21, she made her professional stage debut at Shakespeare’s Globe and her film debut in St Trinian’s. The following year, she landed the coveted role of Strawberry Fields in the Bond film Quantum of Solace. On TV, she has starred in Tess of the D’Urbervilles and Black Narcissus; stage highlights include Made in Dagenham, Nell Gwynn and Saint Joan. She now produces and plays the lead role in Funny Woman, the TV adaptation of Nick Hornby’s novel Funny Girl, about a beauty queen from Blackpool who moves to swinging 60s London to break into the comedy scene. Arterton lives in East Sussex with her husband,...
Gemma Arterton, 37, was born in Gravesend and trained at Rada. Aged 21, she made her professional stage debut at Shakespeare’s Globe and her film debut in St Trinian’s. The following year, she landed the coveted role of Strawberry Fields in the Bond film Quantum of Solace. On TV, she has starred in Tess of the D’Urbervilles and Black Narcissus; stage highlights include Made in Dagenham, Nell Gwynn and Saint Joan. She now produces and plays the lead role in Funny Woman, the TV adaptation of Nick Hornby’s novel Funny Girl, about a beauty queen from Blackpool who moves to swinging 60s London to break into the comedy scene. Arterton lives in East Sussex with her husband,...
- 3/19/2023
- by Michael Hogan
- The Guardian - Film News
This very traditional chamber murder mystery starring David Farrar and Geraldine Fitzgerald has been beautifully restored by Studiocanal and bears the original U.K. title The Late Edwina Black. When the sickly wife Edwina dies in bed the bitter housekeeper accuses the husband and another very attractive servant; all the Scotland Yard Inspector need do is stir the pot, and paranoid suspicions take over. Is Edwina’s spirit still present in the house? The housekeeper thinks she communicates through a wind chime by the window . . .
Obsessed
Blu-ray
ClassicFlix
1951 / B&w / 1:37 Academy / 78 min. / Street Date February 28, 2023 / The Late Edwina Black / Available from / 29.99
Starring: David Farrar, Geraldine Fitzgerald, Roland Culver, Jean Cadell, Mary Merrall, Harcourt Williams, Charles Heslop, Ronald Adam.
Cinematography: Stephen Dade
Art Direction: George Provis
Costume Designer: Elizabeth Haffenden
Film Editor: Douglas Myers
Original Music: Allan Gray
Screenplay by Charles Frank, David Evans from the play by William Dinner, William Morum...
Obsessed
Blu-ray
ClassicFlix
1951 / B&w / 1:37 Academy / 78 min. / Street Date February 28, 2023 / The Late Edwina Black / Available from / 29.99
Starring: David Farrar, Geraldine Fitzgerald, Roland Culver, Jean Cadell, Mary Merrall, Harcourt Williams, Charles Heslop, Ronald Adam.
Cinematography: Stephen Dade
Art Direction: George Provis
Costume Designer: Elizabeth Haffenden
Film Editor: Douglas Myers
Original Music: Allan Gray
Screenplay by Charles Frank, David Evans from the play by William Dinner, William Morum...
- 3/7/2023
- by Glenn Erickson
- Trailers from Hell
“Consecration” is something you hardly see anymore: a Catholic horror movie that isn’t about exorcism. Yet after decades of “Exorcist” knockoffs, moviegoers have been conditioned to anticipate the clichés of demonic possession. We expect them to be delivered, and in a certain way they always are. For moviemakers have been conditioned that way too.
Set in a remote seaside convent in the Scottish highlands, “Consecration” presents the audience with a sinister Mother Superior (Janet Suzman) who talks about God as if he were the devil. She leads a batch of young nuns who smile with too much cultish devotion (one wears an eyepatch because she dug her own eye out after she thought she saw Satan). We keep waiting for the other demonic shoe to drop — to see a nun possessed, or a group of them gathered in a secret ceremony to conjure the Beelzebub of their dreams. All...
Set in a remote seaside convent in the Scottish highlands, “Consecration” presents the audience with a sinister Mother Superior (Janet Suzman) who talks about God as if he were the devil. She leads a batch of young nuns who smile with too much cultish devotion (one wears an eyepatch because she dug her own eye out after she thought she saw Satan). We keep waiting for the other demonic shoe to drop — to see a nun possessed, or a group of them gathered in a secret ceremony to conjure the Beelzebub of their dreams. All...
- 2/11/2023
- by Owen Gleiberman
- Variety Film + TV
There is nothing quite like the shades of red in a Michael Powell and Emeric Pressburger movie. The color absolutely radiates from the screen in their Technicolor masterpieces, fully immersing us in the passions of the characters. You have the rouge on Kim Hunter's heart-shaped lips in "A Matter of Life and Death," like a premonition of a love so pure and strong it can bring David Niven's dashing airman back from the afterlife. At the other end of the scale, you have the ominous red in the closing scenes of "Black Narcissus," enveloping us in a spurned nun's murderous jealousy.
Then, of course, you have the titular footwear in "The Red Shoes," the film often considered the writer-producer-director duo's greatest work. Along with Jean Renoir's "The River," Powell and Pressburger superfan, Martin Scorsese, considers it to be one of the two most beautiful movies ever shot in color,...
Then, of course, you have the titular footwear in "The Red Shoes," the film often considered the writer-producer-director duo's greatest work. Along with Jean Renoir's "The River," Powell and Pressburger superfan, Martin Scorsese, considers it to be one of the two most beautiful movies ever shot in color,...
- 12/18/2022
- by Lee Adams
- Slash Film
The act of watching goes hand in hand with cinema, and one filmmaker who examined the mix of voyeurism and violence that makes cinema so enrapturing was Michael Powell. Powell's 1960 film "Peeping Tom" focuses on Mark Lewis (Karlheinz Boehm), a documentarian serial killer. Mark films his victims, all young women, at their moment of death to capture primal fear in celluloid.
Powell's film was soundly rejected in its day and ended his sterling reputation in the UK; he only directed five largely forgotten films in the next three decades. But thanks to championing by figures such as Martin Scorsese, "Peeping Tom" found its audience and is now remembered as a classic. Why was the film so panned upon release, and how did its reputation recover? Let's dig in.
Who Was Michael Powell?
Powell rose to fame in the British film industry throughout the 1940s and 50s, but he didn't do it alone.
Powell's film was soundly rejected in its day and ended his sterling reputation in the UK; he only directed five largely forgotten films in the next three decades. But thanks to championing by figures such as Martin Scorsese, "Peeping Tom" found its audience and is now remembered as a classic. Why was the film so panned upon release, and how did its reputation recover? Let's dig in.
Who Was Michael Powell?
Powell rose to fame in the British film industry throughout the 1940s and 50s, but he didn't do it alone.
- 9/11/2022
- by Devin Meenan
- Slash Film
How do you ensure authenticity so that your designs don’t look like sets and props? What film of TV series do you hold up as a gold standard in production design?
These were some of the questions answered by six of today’s top TV production designers when they joined Gold Derby’s special “Meet the Experts” group roundtable panel with 2022 Emmy contenders: Tony Fanning (“The First Lady”), Stephan Olson (“Live in Front of a Studio Audience”), Bill Groom (“The Marvelous Mrs. Maisel”), Laurence Bennett (“The Offer”), Kave Quinn (“Pistol”) and Aiyana Trotter (“The Wonder Years”). Watch our full group chat above and click on each name above to view each person’s individual interview.
See over 350 interviews with 2022 Emmy contenders
“For me, realism is the number one,” Olsen says about ensuring a level of authenticity on set. “I mean, that’s what I try to go for, even...
These were some of the questions answered by six of today’s top TV production designers when they joined Gold Derby’s special “Meet the Experts” group roundtable panel with 2022 Emmy contenders: Tony Fanning (“The First Lady”), Stephan Olson (“Live in Front of a Studio Audience”), Bill Groom (“The Marvelous Mrs. Maisel”), Laurence Bennett (“The Offer”), Kave Quinn (“Pistol”) and Aiyana Trotter (“The Wonder Years”). Watch our full group chat above and click on each name above to view each person’s individual interview.
See over 350 interviews with 2022 Emmy contenders
“For me, realism is the number one,” Olsen says about ensuring a level of authenticity on set. “I mean, that’s what I try to go for, even...
- 6/7/2022
- by Rob Licuria
- Gold Derby
For as long as movies have depicted nuns, movies have subverted nuns. Go back to the Powell and Pressburger thriller “Black Narcissus” (1947), and you’ll find filmmakers interested in the same themes of temptation, revulsion, and liberation captured in today’s Be Reel category. Granted, do “Sister Act” (1992), “The Nun” (2018), and “Benedetta” (2021) live up to the painterly standards of P&p?
Continue reading Fun With Nuns: ‘Sister Act’ at 30, ‘Benedetta’ and ‘The Nun’ [Be Reel Podcast] at The Playlist.
Continue reading Fun With Nuns: ‘Sister Act’ at 30, ‘Benedetta’ and ‘The Nun’ [Be Reel Podcast] at The Playlist.
- 5/27/2022
- by Chance Solem-Pfeifer
- The Playlist
Six top TV production designers will reveal secrets behind their projects when they join Gold Derby’s special “Meet the Experts” Q&a event with 2022 Emmy Awards contenders. They will participate in two video discussions to premiere on Thursday, June 2, at 4:00 p.m. Pt; 7:00 p.m. Et. We’ll have a one-on-one with our senior editor Rob Licuria and a roundtable chat with all of the group together.
RSVP today to our entire ongoing Emmy contenders panel series by clicking here to book your free reservation. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2022 contenders:
The First Lady (Showtime)
Synopsis: Many of history’s most impactful and world-changing decisions have been hidden from view, made by America’s charismatic, complex and dynamic first ladies.
Bio: Tony Fanning was an Emmy winner for “The West Wing.
RSVP today to our entire ongoing Emmy contenders panel series by clicking here to book your free reservation. We’ll send you a reminder a few minutes before the start of the show.
This “Meet the Experts” panel welcomes the following 2022 contenders:
The First Lady (Showtime)
Synopsis: Many of history’s most impactful and world-changing decisions have been hidden from view, made by America’s charismatic, complex and dynamic first ladies.
Bio: Tony Fanning was an Emmy winner for “The West Wing.
- 5/26/2022
- by Chris Beachum and Rob Licuria
- Gold Derby
Nine thousand feet in the air may sound like a low-flying plane altitude, but in "Black Narcissus," it's where the nuns go to set up a convent in a wind-swept locale that becomes the setting for a superb, sophisticated psychodrama.
The nuns, led by Deborah Kerr's Sister Clodagh, have sworn yearly vows, rather like contract workers instead of lifelong devotees. Not all of them are cut out for this line of work. Nor is Mopu, the old Indian palace they inhabit, the best fixer-upper for a convent, since it used to be a "house of women," or harem, and there are...
The post At 75, Black Narcissus Is Still a Work of Stunning Visuals and Rich Psychological Depth appeared first on /Film.
The nuns, led by Deborah Kerr's Sister Clodagh, have sworn yearly vows, rather like contract workers instead of lifelong devotees. Not all of them are cut out for this line of work. Nor is Mopu, the old Indian palace they inhabit, the best fixer-upper for a convent, since it used to be a "house of women," or harem, and there are...
The post At 75, Black Narcissus Is Still a Work of Stunning Visuals and Rich Psychological Depth appeared first on /Film.
- 5/4/2022
- by Joshua Meyer
- Slash Film
Martin Scorsese is boarding a documentary about some of his favorite filmmakers, with plans to both narrate and executive produce a movie about the lives of the British duo Powell & Pressburger.
Michael Powell and Emeric Pressburger, under their production company The Archers, directed some of the finest films of Britain’s golden age of cinema – and often in ravishing color – such as “The Red Shoes,” “Black Narcissus,” “A Matter of Life Or Death” (also known as “Stairway to Heaven”) and “The Life and Death of Colonel Blimp.”
Scorsese has often cited their influence, and has referred to their movies as “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.”
David Hinton, a BAFTA and Emmy winner, will direct the untitled feature, which will be something of a personal journey for Scorsese as he reflects on how he was captivated by their films at a young age,...
Michael Powell and Emeric Pressburger, under their production company The Archers, directed some of the finest films of Britain’s golden age of cinema – and often in ravishing color – such as “The Red Shoes,” “Black Narcissus,” “A Matter of Life Or Death” (also known as “Stairway to Heaven”) and “The Life and Death of Colonel Blimp.”
Scorsese has often cited their influence, and has referred to their movies as “grand, poetic, wise, adventurous, headstrong, enraptured by beauty, deeply romantic, and completely uncompromising.”
David Hinton, a BAFTA and Emmy winner, will direct the untitled feature, which will be something of a personal journey for Scorsese as he reflects on how he was captivated by their films at a young age,...
- 5/4/2022
- by Brian Welk
- The Wrap
Talk about legends colliding.
Martin Scorsese is set to narrate and executive produce a feature documentary about the hugely influential British filmmaking duo of Michael Powell and Emeric Pressburger.
Directed by two-time BAFTA and Emmy-winning helmer David Hinton, the doc is billed as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.” London-based sales agent Altitude is handling international sales and will release the film in the U.K. and Ireland.
Powell and Pressburger — who together ran production company The Archers — worked together over the course of 18 years and are highly regarded for their innovative use of editing, special effects and color, which at the time was very forward-looking. They made some of the great classics of the British golden age, including “The Red Shoes” (1948), “Black Narcissus” (1947), “A Matter of Life and Death” (1946) and “The Life and Death of Colonel Blimp” (1943). Pressburger died at the...
Martin Scorsese is set to narrate and executive produce a feature documentary about the hugely influential British filmmaking duo of Michael Powell and Emeric Pressburger.
Directed by two-time BAFTA and Emmy-winning helmer David Hinton, the doc is billed as “Scorsese’s personal and moving look at two of British cinema’s greatest filmmakers.” London-based sales agent Altitude is handling international sales and will release the film in the U.K. and Ireland.
Powell and Pressburger — who together ran production company The Archers — worked together over the course of 18 years and are highly regarded for their innovative use of editing, special effects and color, which at the time was very forward-looking. They made some of the great classics of the British golden age, including “The Red Shoes” (1948), “Black Narcissus” (1947), “A Matter of Life and Death” (1946) and “The Life and Death of Colonel Blimp” (1943). Pressburger died at the...
- 5/4/2022
- by Manori Ravindran
- Variety Film + TV
Martin Scorsese will pay personal homage to influential British filmmaking duo Michael Powell and Emeric Pressburger in an upcoming feature doc. Altitude is attached to handle sales of the as-yet untitled doc and has secured a release in the UK and Ireland.
The Mean Streets, Goodfellas and Casino director will narrate the doc, which is from from Bafta- and Emmy-winning director David Hinton. Scorsese will explain how the makers of classics such as Black Narcissus and A Matter of Life and Death captivated him from a young age and recalls his powerful personal friendship with Powell, who passed in 1990.
The doc is brought to life through a treasure trove of rare archival material from the personal collections of Powell, Pressburger and Scorsese, telling the story through diaries, audio recordings, home movies, personal snapshots and the British duos’ films.
Altitude has boarded sales ahead of the Cannes Film Festival and will...
The Mean Streets, Goodfellas and Casino director will narrate the doc, which is from from Bafta- and Emmy-winning director David Hinton. Scorsese will explain how the makers of classics such as Black Narcissus and A Matter of Life and Death captivated him from a young age and recalls his powerful personal friendship with Powell, who passed in 1990.
The doc is brought to life through a treasure trove of rare archival material from the personal collections of Powell, Pressburger and Scorsese, telling the story through diaries, audio recordings, home movies, personal snapshots and the British duos’ films.
Altitude has boarded sales ahead of the Cannes Film Festival and will...
- 5/4/2022
- by Jesse Whittock
- Deadline Film + TV
Altitude is handling international sales and will release the film in the UK and Ireland.
Martin Scorsese is to narrate an as yet untitled feature documentary on British filmmaking duo Michael Powell and Emeric Pressburger, with David Hinton directing.
UK-based sales outfit Altitude is handling international sales and will release the film in the UK and Ireland.
The film is produced by Nick Varley for Ten Thousand 86 and Matt Wells for Ice Cream Films. Martin Scorsese will executive produce.
It is financed by BBC Film, and the National Lottery and Scottish government through Screen Scotland.
Powell and Pressburger were responsible...
Martin Scorsese is to narrate an as yet untitled feature documentary on British filmmaking duo Michael Powell and Emeric Pressburger, with David Hinton directing.
UK-based sales outfit Altitude is handling international sales and will release the film in the UK and Ireland.
The film is produced by Nick Varley for Ten Thousand 86 and Matt Wells for Ice Cream Films. Martin Scorsese will executive produce.
It is financed by BBC Film, and the National Lottery and Scottish government through Screen Scotland.
Powell and Pressburger were responsible...
- 5/4/2022
- by Mona Tabbara
- ScreenDaily
Gemma Arterton has joined the cast of J Blakeson’s upcoming Disney+ heist series Culprits alongside Eddie Izzard and a string of other big names, with principal photography kicking off this week.
Cruella’s Kirby Howell-Baptiste also has boarded along with Deceit’s Niamh Algar, The Insult’s Kamel El Basha, newcomer Tara Abboud, Ned Dennehy (Good Omens) and Kevin Vidal (Strays).
The King’s Man and Black Narcissus star Arterton will play Dianne, a member of a heist crew which is being targeted one-by-one by a killer after each went their separate ways.
Generation’s Nathan Stewart-Jarrett was revealed in the lead role of Joe when the show was announced as one of Disney vertical Star’s debut UK originals last year, alongside Sally Wainwright’s The Ballad of Renegade Nell and Emma Moran’s Extraordinary.
Principal photography began this week.
Culprits creator Blakeson has come off the back...
Cruella’s Kirby Howell-Baptiste also has boarded along with Deceit’s Niamh Algar, The Insult’s Kamel El Basha, newcomer Tara Abboud, Ned Dennehy (Good Omens) and Kevin Vidal (Strays).
The King’s Man and Black Narcissus star Arterton will play Dianne, a member of a heist crew which is being targeted one-by-one by a killer after each went their separate ways.
Generation’s Nathan Stewart-Jarrett was revealed in the lead role of Joe when the show was announced as one of Disney vertical Star’s debut UK originals last year, alongside Sally Wainwright’s The Ballad of Renegade Nell and Emma Moran’s Extraordinary.
Principal photography began this week.
Culprits creator Blakeson has come off the back...
- 2/15/2022
- by Max Goldbart
- Deadline Film + TV
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repertory offerings. While many theaters are still focused on a selection of new releases, there’s a handful of worthwhile repertory screenings taking place.
Metrograph
Deemed “essential viewing” by Martin Scorsese, a six-film retrospective of the Hungarian master Miklós Jancsó continues. A series of literary adaptations includes Adaptation, Mishima, and Crumb, while the staff of Kim’s Video program films by Lang, Murnau, Griffith and more.
Museum of Modern Art
“To Save and Project,” one of the most eye-opening series in any given year, makes its triumphant return.
Film at Lincoln Center
Almost never screened in the US, films by Márta Mészáros are now playing in a series of restorations by Janus.
Film Forum
A new 35mm print...
Metrograph
Deemed “essential viewing” by Martin Scorsese, a six-film retrospective of the Hungarian master Miklós Jancsó continues. A series of literary adaptations includes Adaptation, Mishima, and Crumb, while the staff of Kim’s Video program films by Lang, Murnau, Griffith and more.
Museum of Modern Art
“To Save and Project,” one of the most eye-opening series in any given year, makes its triumphant return.
Film at Lincoln Center
Almost never screened in the US, films by Márta Mészáros are now playing in a series of restorations by Janus.
Film Forum
A new 35mm print...
- 1/20/2022
- by Nick Newman
- The Film Stage
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repertory offerings. While many theaters are still focused on a selection of new releases, there’s a handful of worthwhile repertory screenings taking place.
Film Forum
A new 35mm print of The Conversation begins a run, while My Neighbor Totoro plays Sunday.
Metrograph
Deemed “essential viewing” by Martin Scorsese, a six-film retrospective of the Hungarian master Miklós Jancsó is underway, while the Kurt Russell series—featuring Big Trouble in Little China, The Thing, and more—is underway.
Roxy Cinema
A nun series brings Rivette’s The Nun, Japanese pinku, and a print of Powell & Pressburger’s Black Narcissus.
Anthology Film Archives
Derek Jarman’s Blue and others play in a series on “imageless films.”
IFC Center
A Clockwork Orange...
Film Forum
A new 35mm print of The Conversation begins a run, while My Neighbor Totoro plays Sunday.
Metrograph
Deemed “essential viewing” by Martin Scorsese, a six-film retrospective of the Hungarian master Miklós Jancsó is underway, while the Kurt Russell series—featuring Big Trouble in Little China, The Thing, and more—is underway.
Roxy Cinema
A nun series brings Rivette’s The Nun, Japanese pinku, and a print of Powell & Pressburger’s Black Narcissus.
Anthology Film Archives
Derek Jarman’s Blue and others play in a series on “imageless films.”
IFC Center
A Clockwork Orange...
- 1/13/2022
- by Nick Newman
- The Film Stage
The only sales pitch needed is “The Red Shoes has been encoded in 4K.” Michael Powell & Emeric Pressburger’s 1947 masterpiece conquered America as had no previous English film. This is one artsy dance show that captivates nearly everybody: audiences can be counted on to ooh and ahh the film’s dazzling hues, striking dance artistry and endless visual creativity. Cameraman Jack Cardiff took first position as the world master of Technicolor, and Moira Shearer’s dancing is recorded forever, celebrated as with no other ballet artist. Criterion’s 4K remaster includes all the extras of their 2010 restored Blu-ray.
The Red Shoes
4K Ultra HD + Blu-ray
The Criterion Collection 44
1947 / Color / 1:37 Academy / 133 min. / available through The Criterion Collection / Street Date December 14, 2021 / 49.95
Starring: Moira Shearer, Anton Walbrook, Marius Goring, Léonide Massine, Ludmilla Tchérina, Robert Helpmann, Albert Basserman.
Cinematography: Jack Cardiff
Production Design and Costumes: Hein Heckroth
Film Editor: Reginald Mills
Original Music: Brian Easdale
Written,...
The Red Shoes
4K Ultra HD + Blu-ray
The Criterion Collection 44
1947 / Color / 1:37 Academy / 133 min. / available through The Criterion Collection / Street Date December 14, 2021 / 49.95
Starring: Moira Shearer, Anton Walbrook, Marius Goring, Léonide Massine, Ludmilla Tchérina, Robert Helpmann, Albert Basserman.
Cinematography: Jack Cardiff
Production Design and Costumes: Hein Heckroth
Film Editor: Reginald Mills
Original Music: Brian Easdale
Written,...
- 12/18/2021
- by Glenn Erickson
- Trailers from Hell
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