Black Midnight (1949) Poster

User Reviews

Review this title
5 Reviews
Sort by:
Filter by Rating:
7/10
And we will be friends for life.
ulicknormanowen16 April 2022
I've always liked Roddy Mc Dowall :like his good friend Liz Taylor ,he was a child actor whose career would still be thriving when he grew up : a teenager in such works as "Lassie come home" and "how green was my valley" , a young man in "Cleopatra" ,a middle-age man in " dead of winter" , one of his rare parts of a villain (and terrifying at that).

"Black Midnight" ( it's the name of his stallion ) is suitable for the whole family and for people who like horses ,although the violent mistreatment of the stallion may be hard to bear for the very young audience .

Scott ,an orphan who lives in his uncle's farm is a nice but clumsy boy ( count the times he falls into the duck pond, into the eggs or elsewhere);he does not approve of cousin Daniel's taming of his stallion and buys the wild horse ;"we will pals " ;and pals they become . But he has to reckon with cousin Daniel's and his shady companion's ominous plan.

Very pleasant scene of the country ball ,with the infectious "come along home Cindy " song ....A fete .which Scott will sheepishly finish.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
A "MUST" Movie for Connoisseurs
JohnHowardReid24 September 2012
Warning: Spoilers
Although hampered by a corny script, an unpromising opening, some atrociously padded dialogue and the presence of an untalented youngster (Damian O'Flynn), this is one of the most interesting of cult director Boetticher's early films. (The name is pronounced "Betty-cur").

True, the opening sequence in which O'Flynn and McDowall take pratfalls in and out of season, can induce a rush to the nearest exit. But don't follow the mob. Stay with it. The film has nowhere to go but up! And that it does.

Indeed, some fine location photography by William Sickner, plus Boetticher's inspired use of these natural backgrounds lend the movie a sweep and grandeur that is matched by few (if any) other Monogram productions.

Lyn Thomas, Kirby Grant and Gordon Jones rise to the occasion. And even Edward J. Kay's music score is a cut above his usual efforts.

In all, despite its faults, Black Midnight is "must" viewing for connoisseurs.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
21 years old...and starring in and producing his own movie!
planktonrules12 December 2022
Less than a year ago, I traveled to remote Lone Pine, California to see the Alabama Hills and Mount Whitney. Why? Because many of my favorite old movies were filmed there because of its gorgeous scenery. Hundreds of B-westerns and a bunch of features (such as GUNGA DIN and many John Wayne pictures) were filmed in this area...as was "Black Midnight".

"Black Midnight" is interesting because it not only stars Roddy McDowell, but he actually produced it as well...which is impressive for a 21 year-old. It also is a major change of pace from his usual roles...which I appreciate. It also helped that the movie was directed by Budd Boetticher, a man who excelled with westerns and got a lot out of B-movie scripts.

Scott (Roddy McDowell) lives with his Uncle Bill (Damian O'Flynn) on a ranch out west. A neighbor has a horse he hates and cannot control...so he plans on shooting it. Scott sees this about to happen and stops him...begging Daniel to sell him the horse. Scott plans on trying to tame this 'untamable' horse. Can he do it or will it break his neck in the process? And, what will happen when an idiot later tries to harm Midnight?

The film is a typical boy and his (dog, horse, etc.) sort of movie. But it's well directed and acted and they managed to make a much better than usual B-movie. With a limited budget and time, they managed to make a dandy little family movie.
1 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
A teenage boy and his horse find solace in their troubled world.
mark.waltz29 January 2019
Warning: Spoilers
This touching drama deals with how love and patience can guide a troubled animal back to trust, and how one person's determination to clear n apparent bad animal's reputation can save its life. Having already gone from Lassie to Flicka, young Roddy McDowall goes from child star to teenage heartthrob and will win over your heart just as he does the dangerous horse he purchases only to find out that it was an abused animal. When Midnight, the raging scallion, kills an abuser, it's up to McDowell to prove to the locals who want to have the horse put down that Midnight was compelled to kill to save his life. Even his own uncle, Damian O'Flynn, must be persuaded.

As the film opens, we are witnessing McDowell and O'Flynn starting their day at the crack of dawn, and it is very apparent that McDowell is weary of the country life, obviously having been brought up elsewhere. While the arrival of old friend Lyn Brooks and her mother Fay Baker brings McDowell and O'Flynn some comfort, it is McDowell's purchase of midnight that truly brings him back to life. It also turns out that there is an illegal horse selling racket in the area and that puts McDowell up against a local bully which leads to legal problems.

Combining drama with like comedy and some music in the form of a lively square dance, this Monogram programmer is a delight from start to finish. The print I saw this is absolutely superb and shows that even on a low budget, Monogram could make films that looked much more expensive than they most likely were. Both McDowell and O'Flynn are excellent, with McDowell one of those rare child stars who could go from young actor to teenager two adult actor (mainly in character parts) and retain his dignity. This film is a must in showing its respect for nature, whether the farmer who works from sunrise to sunset, or man's relationships with horses which is often equal to man's relationships with dogs.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
The Prodigal Son Returns
boblipton8 April 2022
Everyone is pleased when Rand Brooks returns, especially his brother, Roddy McDowall. Brooks has turned his wanderjahr into a profitable trading venture, swapping his old plug into a string of half a dozen handsome horses. McDowall takes a shine to the stallion, and trains him, naming him 'Midnight.' However, there are problems that come out eventually.

It's one of seven movies McDowall produced for him to star in, and it's a handsome production, particularly when the shooting heads up to Lone Pine for DP William Sickner to shoot the Alabama Hills. McDowall is too monotonously nice in this coming-of-age story: hard working, clueless as to what's going on, and so forth, but director Budd Boetticher keeps things on an innocuous keel.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed