Directed by
Harry Keller |
Writing Credits
Maurice Geraghty | ... | (written by) |
Maurice Geraghty | ... | (original screenplay) (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
Edward L. Alperson Jr. | ... | associate producer |
Edward L. Alperson | ... | producer (uncredited) |
Music by
Edward L. Alperson Jr. | ||
Raoul Kraushaar | ||
Mort Glickman | ... | (uncredited) |
Cinematography by
Karl Struss | ... | director of photography |
Editing by
Arthur Roberts |
Production Design by
Boris Leven |
Art Direction by
Boris Leven | ... | (uncredited) |
Set Decoration by
George Milo | ... | (uncredited) |
Makeup Department
Gene Hibbs | ... | makeup artist |
Hazel Keithley | ... | hair stylist |
Production Management
Ben Chapman | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Ben Chapman | ... | assistant director |
Gordon McLean | ... | second assistant director |
Herbert E. Mendelson | ... | second assistant director (uncredited) |
Sound Department
Earl Crain Sr. | ... | sound (as Earl Crane Sr.) |
Special Effects by
Norman O'Skeete | ... | special effects (uncredited) |
Stunts
Polly Burson | ... | riding double: Mala Powers (uncredited) |
David Sharpe | ... | stunts (uncredited) |
Tom Steele | ... | stunts (uncredited) |
Tex Terry | ... | stunts (uncredited) |
Costume and Wardrobe Department
Norma Koch | ... | wardrobe designer (as Norma) |
S. Kring | ... | wardrobe: mens |
Fay Moore | ... | wardrobe: womens |
Editorial Department
Wilton R. Holm | ... | color consultant |
Clifford D. Shank | ... | color consultant |
Script and Continuity Department
Joan Eremin | ... | script supervisor (as Joan Erimen) |
Additional Crew
Edward L. Alperson | ... | presenter |
Richard L. Rosenfeld | ... | presenter: Johnar Film Productions |
Al Zimbalist | ... | executive assistant |
Ernest Baldwin | ... | utility stand-in (uncredited) |
Patricia Marlowe | ... | stand-in: Mala Powers (uncredited) |