As 2021 mercifully winds down, the Criterion Channel have a (November) lineup that marks one of their most diverse selections in some time—films by the new masters Ryusuke Hamaguchi and Garrett Bradley, Dan Sallitt’s Fourteen (one of 2020’s best films) couched in a fantastic retrospective, and Criterion editions of old favorites.
Fourteen is featured in “Between Us Girls: Bonds Between Women,” which also includes Céline and Julie, The Virgin Suicides, and Yvonne Rainer’s Privilege. Of equal note are Criterion editions for Ghost World, Night of the Hunter, and (just in time for del Toro’s spin) Nightmare Alley—all stacked releases in their own right.
See the full list of October titles below and more on the Criterion Channel.
300 Nassau, Marina Lameiro, 2015
5 Card Stud, Henry Hathaway, 1968
Alone, Garrett Bradley, 2017
Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015
America, Garrett Bradley, 2019
Angel Face, Otto Preminger, 1953
Angels Wear White,...
Fourteen is featured in “Between Us Girls: Bonds Between Women,” which also includes Céline and Julie, The Virgin Suicides, and Yvonne Rainer’s Privilege. Of equal note are Criterion editions for Ghost World, Night of the Hunter, and (just in time for del Toro’s spin) Nightmare Alley—all stacked releases in their own right.
See the full list of October titles below and more on the Criterion Channel.
300 Nassau, Marina Lameiro, 2015
5 Card Stud, Henry Hathaway, 1968
Alone, Garrett Bradley, 2017
Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015
America, Garrett Bradley, 2019
Angel Face, Otto Preminger, 1953
Angels Wear White,...
- 10/25/2021
- by Leonard Pearce
- The Film Stage
How does Hollywood sell a gritty, realistic western? With a sexy shot of star Tina Louise! Viewers will be surprised: this fine western is a showcase for the elemental ruthlessness we associate with director André de Toth — its convincing snowbound setting is so intense, we can almost feel the cold. Slick writer Philip Yordan sets up an impossible conflict as a blizzard moves in on a tiny town… Robert Ryan must sort out his feelings for the town beauty Tina Louise, as he negotiates with the he-boss of the killer crooks, Burl Ives. It looks as if Ryan has no choice but to volunteer for a suicide journey — but nature has the last word.
Day of the Outlaw
Blu-ray
Kl Studio Classics
1959 / B&w / 1:85 widescreen / 92 min. / Street Date August 27, 2019 / available through Kino Lorber / 29.95
Starring: Robert Ryan, Burl Ives, Tina Louise, Alan Marshal, Venetia Stevenson, David Nelson, Nehemiah Persoff, Jack Lambert,...
Day of the Outlaw
Blu-ray
Kl Studio Classics
1959 / B&w / 1:85 widescreen / 92 min. / Street Date August 27, 2019 / available through Kino Lorber / 29.95
Starring: Robert Ryan, Burl Ives, Tina Louise, Alan Marshal, Venetia Stevenson, David Nelson, Nehemiah Persoff, Jack Lambert,...
- 8/20/2019
- by Glenn Erickson
- Trailers from Hell
Tab Hunter as seen in documentary Tab Hunter Confidential
Tab Hunter, actor, singer, producer and Hollywood legend, has died just three days before what would have been his 87th birthday, it emerged today. The star of Damn Yankees, The Virginian and Polyester had previously survived a heart attack and stroke, but died from a blood clot.
Hunter first came to public attention in 1955 when he appeared alongside Robert Mitchum in Track Of The Cat. In 1956, he had a number one hit record with Young Love.
A committed Catholic, Hunter was uncomfortable with press interest in his sexuality at a time when homosexuality was strictly taboo in Hollywood, and considered marrying a woman but didn't feel he could make it work. He had a long term relationship with fellow actor Anthony Perkins which was recently announced as the subject of a new film being made by Zachary Quinto. Despite the challenges he faced,...
Tab Hunter, actor, singer, producer and Hollywood legend, has died just three days before what would have been his 87th birthday, it emerged today. The star of Damn Yankees, The Virginian and Polyester had previously survived a heart attack and stroke, but died from a blood clot.
Hunter first came to public attention in 1955 when he appeared alongside Robert Mitchum in Track Of The Cat. In 1956, he had a number one hit record with Young Love.
A committed Catholic, Hunter was uncomfortable with press interest in his sexuality at a time when homosexuality was strictly taboo in Hollywood, and considered marrying a woman but didn't feel he could make it work. He had a long term relationship with fellow actor Anthony Perkins which was recently announced as the subject of a new film being made by Zachary Quinto. Despite the challenges he faced,...
- 7/9/2018
- by Jennie Kermode
- eyeforfilm.co.uk
Everyone notices the eyes first, languid, those of a somnambulist. Robert Mitchum, calm and observant, is a presence that, through passivity, enamors a viewer. His face is as effulgent as moonlight. The man smolders, with that boozy, baritone voice, seductive and soporific, a cigarette perched between wispy lips below which is a chin cleft like a geological fault. He’s slithery with innuendo. There’s an effortless allure to it all, a mix of malaise and braggadocio, a cocksure machismo and a hint of fragility. He’s ever-cool, a paradox, “radiating heat without warmth,” as Richard Brody said. A poet, a prodigious lover and drinker, a bad boy; his penchant for marijuana landed him in jail, and in the photographs from his two-month stay he looks like a natural fit. He sits, wrapped in denim, legs spread wide, hair shiny and slick, holding a cup of coffee. His mouth is...
- 9/29/2017
- MUBI
The latter part of William "Wild Bill" Wellman's distinguished career is a little patchy, as much due to studio interference as anything else, but a fair bit of positive attention has focused on Track of the Cat (1954) a sweaty family melodrama about the hunt for a rapacious wildcat in the snowy wilds near Aspen, daringly filmed in color but with almost no actual color (the snow was crucial here).We've been looking at the wrong film. An almost exact opposite of Track of the Cat exists, one which trades that film's showy ambition for a quieter, but equally radical aesthetic. Where Robert Mitchum and his kin snarl at each other in Track of the Cat, in Good-bye, My Lady all is peaceful between old-timer Walter Brennan and his young nephew Brandon DeWilde (the kid from Shane). Where Track of the Cat uses a daring palette and widescreen compositions, Goodbye, My...
- 9/1/2016
- MUBI
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2015?Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2015—in theatres or at a festival—and creatively pair it with an old film they also saw in 2015 to create a unique double feature.All the contributors were given the option to write some text explaining their 2015 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/4/2016
- by Notebook
- MUBI
Germany's Explosive Media company has a serious itch for American westerns, and they have a trio of new releases. One is a minor Hollywood classic with major graces, from the late 1950s. A second sees an American producer based in England filming in Italy with a rising international star, and for the third an established American star goes European to stay in the game. The best thing for Yankee buyers? The discs are Region-free.
Gunman's Walk, Land Raiders, A Man Called Sledge Three Westerns from Explosive Media Blu-ray Separate Releases 1958-1970 / Color Starring Van Heflin, Tab Hunter; George Maharis, Telly Savalas; James Garner
Reviewed by Glenn Erickson
The majority of American studios now choose not to market their libraries for digital disc, and license them out instead. Collectors unwilling to settle for whatever's on Netflix or concerned about the permanence of Cloud Cinema, find themselves increasingly tempted by discs from Europe,...
Gunman's Walk, Land Raiders, A Man Called Sledge Three Westerns from Explosive Media Blu-ray Separate Releases 1958-1970 / Color Starring Van Heflin, Tab Hunter; George Maharis, Telly Savalas; James Garner
Reviewed by Glenn Erickson
The majority of American studios now choose not to market their libraries for digital disc, and license them out instead. Collectors unwilling to settle for whatever's on Netflix or concerned about the permanence of Cloud Cinema, find themselves increasingly tempted by discs from Europe,...
- 12/30/2015
- by Glenn Erickson
- Trailers from Hell
Chis Marker's Chat écoutant la musiqueThere are dog people and there are cat people, this we know, and there are even people who claim to be of both—though latent sympathies remain unspoken, like with a parent and which child is their favorite. With the Vienna Film Festival welcoming me with a tumbling collection of dog and cat short films spanning cinema's history—the Austrian Film Museum, an essential destination each year collaborating with the Viennale, is hosting a “a brief zoology of cinema” throughout the festivities—it is clear that filmmakers, too, have their preference. Silent cinema decidedly prefers the more easily trained and exhibited canine, with 1907’s surreal favorite Les chiens savants as a certain kind of cruel pinnacle. For the cats, Chris Marker, already the presiding figure over so much in 20th century art, I think we can easily claim is the cine-laureate. One need not know...
- 11/8/2015
- by Daniel Kasman
- MUBI
Like all superheroes (or anyone else who uses a secret identity), there came a moment when someone finally cracked the code and published my real name. To be fair, my identity was a pretty poorly-kept secret by that point. The first time I went to an actual press event, I used my real name, and anytime I met someone, I used my real name. "Moriarty" was a fun identity to slip into, and especially in the early days of the site, we played up the mythology of things. My friends all got their own spy names and would show up in the reports in the form of Henchman Mongo and Segue Zagnut and Harry Lime and more. From my end, it was silly and fun, and not something to be taken seriously. But when Film Threat ran a fairly vicious hit piece on Harry, I was also a target, and...
- 6/18/2015
- by Drew McWeeny
- Hitfix
Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,...
- 3/15/2015
- by Andre Soares
- Alt Film Guide
Teresa Wright and Matt Damon in 'The Rainmaker' Teresa Wright: From Marlon Brando to Matt Damon (See preceding post: "Teresa Wright vs. Samuel Goldwyn: Nasty Falling Out.") "I'd rather have luck than brains!" Teresa Wright was quoted as saying in the early 1950s. That's understandable, considering her post-Samuel Goldwyn choice of movie roles, some of which may have seemed promising on paper.[1] Wright was Marlon Brando's first Hollywood leading lady, but that didn't help her to bounce back following the very public spat with her former boss. After all, The Men was released before Elia Kazan's film version of A Streetcar Named Desire turned Brando into a major international star. Chances are that good film offers were scarce. After Wright's brief 1950 comeback, for the third time in less than a decade she would be gone from the big screen for more than a year.
- 3/11/2015
- by Andre Soares
- Alt Film Guide
Looking back at 2012 on what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2012—in theaters or at a festival—and creatively pair it with an old film they also saw in 2012 to create a unique double feature.
All the contributors were asked to write a paragraph explaining their 2012 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How would you program some...
All the contributors were asked to write a paragraph explaining their 2012 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch in that perfect world we know doesn't exist but can keep dreaming of every time we go to the movies.
How would you program some...
- 1/9/2013
- by Daniel Kasman
- MUBI
I saw Peter Bogdanovich's At Long Last Love (1975) at Anthology Film Archives as part of its Hollywood Musicals of the 1970s series and had that uncanny experience of falling in love with a movie that everyone else seems to hate. The movie is almost universally panned. Its Tomatometer score is just 10%, Pauline Kael called it "stillborn" and "vapid," and even my favorite critic, Jonathan Rosenbaum, called it "probably Peter Bogdanovich's worst film." But I couldn't help myself: I loved it.
Some people aren't interested in film criticism because opinions are subjective. To a certain extent, we'll always be imposing our own values onto works of art rather than drawing out the ideas and attitudes that we suspect rightfully belong there. But since our emotional response to a film often derives—even subconsciously—from our interpretation of it, our evaluations are trapped in a circular loop, since we're judging movies...
Some people aren't interested in film criticism because opinions are subjective. To a certain extent, we'll always be imposing our own values onto works of art rather than drawing out the ideas and attitudes that we suspect rightfully belong there. But since our emotional response to a film often derives—even subconsciously—from our interpretation of it, our evaluations are trapped in a circular loop, since we're judging movies...
- 7/19/2011
- MUBI
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