Could this be retitled “Dial ‘F’ for Fog?” Jean Simmon’s greedy maid blackmails her employer Stewart Granger with proof that he murdered his wife, kicking off a criminal ‘deadlock’ in a London household. The cold-fish schemer Granger ponders his next murderous move while Simmons enjoys playing the lady of the house — having dared to leapfrog two social classes, she hopes that her victim will respond with kindness, not homicide. This gothic domestic murder tale should be required reading for marriage counselors.
Footsteps in the Fog
Blu-ray
Powerhouse Indicator
1955 / Color / 1:75 widescreen / 90 min. / Street Date July 30, 2018 / available from Powerhouse Films UK / £14.99
Starring: Stewart Granger, Jean Simmons, Bill Travers, Belinda Lee, Ronald Squire, Finlay Currie, William Hartnell, Percy Marmont, Margery Rhodes, Barry Keegan, Victor Maddern, Erik Chitty.
Cinematography: Christopher Challis
Film Editor: Alan Osbiston
Original Music: Benjamin Frankel
Written by Dorothy Reid, Lenore Coffee, adapted by Arthur Pierson from a short...
Footsteps in the Fog
Blu-ray
Powerhouse Indicator
1955 / Color / 1:75 widescreen / 90 min. / Street Date July 30, 2018 / available from Powerhouse Films UK / £14.99
Starring: Stewart Granger, Jean Simmons, Bill Travers, Belinda Lee, Ronald Squire, Finlay Currie, William Hartnell, Percy Marmont, Margery Rhodes, Barry Keegan, Victor Maddern, Erik Chitty.
Cinematography: Christopher Challis
Film Editor: Alan Osbiston
Original Music: Benjamin Frankel
Written by Dorothy Reid, Lenore Coffee, adapted by Arthur Pierson from a short...
- 7/31/2018
- by Glenn Erickson
- Trailers from Hell
By Sean O’Connell
Hollywoodnews.com: Have you ever wanted to raid a studio’s vault and order the movies you want on DVD, instead of waiting for execs to decide which titles they were going to release? Well, we’re a little closer to that dream becoming a reality.
Sony Pictures Home Entertainment just opened the Columbia vault, offering to consumers a selection of films never before released on DVD. The studio’s new program, dubbed “Screen Classics by Request,” lets you purchase authentic, high-quality DVDs of more than 100 classic movie titles covering a 75-year span from the Columbia Film Library. Those who visit www.Columbia-Classics.com make their selection and, upon purchase, receive a made-to-order DVD showcased with original theatrical art, when available. It’s like custom-ordering the DVD you want … when you want it.
Additional titles will be made available monthly through the Web site, and will retail at $19.94, plus shipping.
Hollywoodnews.com: Have you ever wanted to raid a studio’s vault and order the movies you want on DVD, instead of waiting for execs to decide which titles they were going to release? Well, we’re a little closer to that dream becoming a reality.
Sony Pictures Home Entertainment just opened the Columbia vault, offering to consumers a selection of films never before released on DVD. The studio’s new program, dubbed “Screen Classics by Request,” lets you purchase authentic, high-quality DVDs of more than 100 classic movie titles covering a 75-year span from the Columbia Film Library. Those who visit www.Columbia-Classics.com make their selection and, upon purchase, receive a made-to-order DVD showcased with original theatrical art, when available. It’s like custom-ordering the DVD you want … when you want it.
Additional titles will be made available monthly through the Web site, and will retail at $19.94, plus shipping.
- 9/17/2010
- by Sean O'Connell
- Hollywoodnews.com
British actress Jean Simmons earned an Oscar nomination early in her career for her portrayal of Ophelia in Laurence Olivier’s 1948 production of Hamlet. Years later she starred as Elizabeth Collins Stoddard in the 1991 remake of the Gothic horror soap opera Dark Shadows.
Simmons was born in Crouch Hill, London, England, on January 31, 1929. She began studying dance in the early 1940s, and made her film debut in 1944. She made an impression as Estrella, the spoiled young lady, in David Lean’s 1946 film adaptation of Dickens’ Great Expectation, and her performance in Hamlet (1948) established her as a star.
Simmons continued her career as the passionate slave girl Kanchi in 1947’s Black Narcissus, and was Caroline Ruthyn in the 1947 Gothic horror Uncle Silas (aka The Inheritance). She starred in the 1952 screen adaptation of George Bernard Shaw’s Androcles and the Lion with Alan Young and Victor Mature, and co-starred with Richard Burton...
Simmons was born in Crouch Hill, London, England, on January 31, 1929. She began studying dance in the early 1940s, and made her film debut in 1944. She made an impression as Estrella, the spoiled young lady, in David Lean’s 1946 film adaptation of Dickens’ Great Expectation, and her performance in Hamlet (1948) established her as a star.
Simmons continued her career as the passionate slave girl Kanchi in 1947’s Black Narcissus, and was Caroline Ruthyn in the 1947 Gothic horror Uncle Silas (aka The Inheritance). She starred in the 1952 screen adaptation of George Bernard Shaw’s Androcles and the Lion with Alan Young and Victor Mature, and co-starred with Richard Burton...
- 2/12/2010
- by Harris Lentz
- FamousMonsters of Filmland
Cinema lost another lovely and classic face over the weekend, as actress Jean Simmons passed away, according to the New York Times. She was 80.
Simmons' career often reads like a lesson in what might have been. She rose to early success in films such as David Lean's Great Expectations and Laurence Olivier's Hamlet (which earned her an Oscar nomination) before running afoul of her contract holder, Howard Hughes. After rejecting his advances, he attempted to ruin her career and cost her the lead in Roman Holiday. Simmons held out, and managed success with roles in Young Bess, Footsteps in the Fog, Guys and Dolls, and The Actress.
Due to financial strain, she quietly accepted any role offered, and Simmons became known as the quiet lady who supported great men in films like The Robe, The Egyptian, Desiree, Elmer Gantry, and Spartacus. She always rose above the material, and...
Simmons' career often reads like a lesson in what might have been. She rose to early success in films such as David Lean's Great Expectations and Laurence Olivier's Hamlet (which earned her an Oscar nomination) before running afoul of her contract holder, Howard Hughes. After rejecting his advances, he attempted to ruin her career and cost her the lead in Roman Holiday. Simmons held out, and managed success with roles in Young Bess, Footsteps in the Fog, Guys and Dolls, and The Actress.
Due to financial strain, she quietly accepted any role offered, and Simmons became known as the quiet lady who supported great men in films like The Robe, The Egyptian, Desiree, Elmer Gantry, and Spartacus. She always rose above the material, and...
- 1/26/2010
- by Elisabeth Rappe
- Cinematical
British-born film star known for her roles in Great Expectations and Spartacus
Jean Simmons, who has died aged 80, had a bounteous moment, early in her career, when she seemed the likely casting for every exotic or magical female role. It passed, as she got out of her teens, but then for the best part of 15 years, in Britain and America, she was a valued actress whose generally proper, if not patrician, manner had an intriguing way of conflicting with her large, saucy eyes and a mouth that began to turn up at the corners as she imagined mischief – or more than her movies had in their scripts. Even in the age of Vivien Leigh and Elizabeth Taylor, she was an authentic beauty. And there were always hints that the lady might be very sexy. But nothing worked out smoothly, and it is somehow typical of Simmons that her most astonishing...
Jean Simmons, who has died aged 80, had a bounteous moment, early in her career, when she seemed the likely casting for every exotic or magical female role. It passed, as she got out of her teens, but then for the best part of 15 years, in Britain and America, she was a valued actress whose generally proper, if not patrician, manner had an intriguing way of conflicting with her large, saucy eyes and a mouth that began to turn up at the corners as she imagined mischief – or more than her movies had in their scripts. Even in the age of Vivien Leigh and Elizabeth Taylor, she was an authentic beauty. And there were always hints that the lady might be very sexy. But nothing worked out smoothly, and it is somehow typical of Simmons that her most astonishing...
- 1/24/2010
- by David Thomson
- The Guardian - Film News
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