Directed by
Frank Tashlin |
Writing Credits
Frank Tashlin | ... | (screen story) |
Frank Tashlin | ... | (screenplay) |
Rudy Makoul | ... | (story) |
Cast (in credits order)
Produced by
Ernest D. Glucksman | ... | associate producer |
Jerry Lewis | ... | producer |
Music by
Walter Scharf |
Cinematography by
Haskell B. Boggs |
Editing by
Alma Macrorie |
Casting By
Edward R. Morse |
Art Direction by
Tambi Larsen | ||
Hal Pereira |
Set Decoration by
Robert R. Benton | ||
Sam Comer |
Costume Design by
Sy Devore | ... | (costumes: men) |
Edith Head |
Makeup Department
Dean Cole | ... | hair stylist |
Nellie Manley | ... | hair stylist |
Harry Ray | ... | makeup artist |
Frank Westmore | ... | makeup artist |
Wally Westmore | ... | makeup artist |
Production Management
Frank Caffey | ... | production manager |
William Davidson | ... | unit production manager |
Curtis Mick | ... | assistant production manager |
Second Unit Director or Assistant Director
Lloyd Allen | ... | assistant director |
Ralph Axness | ... | assistant director |
Charles C. Coleman | ... | assistant director (as C.C. 'Buddy' Coleman) |
Nat Merman | ... | assistant director |
Hal W. Polaire | ... | assistant director |
Art Department
Eugene Acker | ... | standby painter |
Cline Jones | ... | prop shop |
Robert McCrellis | ... | props |
Barnard Schoefelt | ... | props |
Sound Department
Charles Grenzbach | ... | sound |
Gene Merritt | ... | sound |
Bud Parman | ... | boom operator |
Glen Porter | ... | sound recordist |
Keith Stafford | ... | sound editor |
Howard Beals | ... | supervising sound editor (uncredited) |
John Smirch | ... | mike grip (uncredited) |
Ted Wasserman | ... | sound cableman (uncredited) |
Visual Effects by
Farciot Edouart | ... | process photography |
John P. Fulton | ... | special photographic effects |
Camera and Electrical Department
Mal Bulloch | ... | still photographer |
James Grant | ... | assistant camera |
Ken Hunter | ... | assistant camera |
Howard Kelly | ... | gaffer |
Joe Schuster | ... | best boy |
Darrell Turnmire | ... | company grip |
Leonard J. South | ... | camera operator (uncredited) |
Casting Department
Alice Moriarty | ... | casting secretary |
Costume and Wardrobe Department
Bud Clark | ... | costumes: men |
Ruth Stella | ... | costumes: women |
Editorial Department
Richard Mueller | ... | color consultant: Technicolor |
Music Department
Robert Oates | ... | whistler |
Israel Baker | ... | musician: violin (uncredited) |
Arnold Belnick | ... | musician: violin (uncredited) |
Mahlon Clark | ... | musician: clarinet (uncredited) |
James Getzoff | ... | musician: violin (uncredited) |
Justin Gordon | ... | musician: clarinet (uncredited) |
Lily Mahler | ... | musician: violin (uncredited) |
Gale Robinson | ... | musician: french horn (uncredited) |
Walter Scharf | ... | conductor (uncredited) |
Harry Sukman | ... | musician: piano (uncredited) |
Script and Continuity Department
Marvin Weldon | ... | script supervisor |
Additional Crew
Lionel Comport | ... | rabbit trainer |
Rudy Makoul | ... | dialogue director |
Jack Mintz | ... | assistant to producer |
Art Sarno | ... | publicist |
Yasushi Taguchi | ... | technical advisor |
Snag Werris | ... | technical advisor |
Al Peterson | ... | craft service (uncredited) |