Directed by
Michael Gordon |
Writing Credits
Stanley Shapiro | ... | (screenplay) and |
Maurice Richlin | ... | (screenplay) |
Russell Rouse | ... | (story) and |
Clarence Greene | ... | (story) |
Cast (in credits order) verified as complete
Produced by
Ross Hunter | ... | producer |
Martin Melcher | ... | producer |
Edward Muhl | ... | executive producer (uncredited) |
Music by
Frank De Vol |
Cinematography by
Arthur E. Arling | ... | director of photography |
Editing by
Milton Carruth |
Art Direction by
Richard H. Riedel |
Set Decoration by
Russell A. Gausman | ... | (set decorations) |
Ruby R. Levitt | ... | (set decorations) |
Costume Design by
Bill Thomas | ... | (uncredited) |
Makeup Department
Larry Germain | ... | hair stylist |
Bud Westmore | ... | makeup artist |
Nick Marcellino | ... | makeup artist (uncredited) |
Connie Nichols | ... | hair stylist (uncredited) |
Production Management
Edward Muhl | ... | in charge of production |
Edward Dodds | ... | unit production manager (uncredited) |
Ernest B. Wehmeyer | ... | unit production manager (uncredited) |
Second Unit Director or Assistant Director
Phil Bowles | ... | assistant director |
Carl Beringer | ... | assistant director (uncredited) |
Jack Cunningham | ... | assistant director (uncredited) |
John Sherwood | ... | second unit director (uncredited) |
Art Department
William Laraby | ... | props (uncredited) |
Solly Martino | ... | props (uncredited) |
H. John Ramos | ... | props (uncredited) |
Sound Department
Leslie I. Carey | ... | sound |
Robert Pritchard | ... | sound |
Frank Morehead | ... | sound (uncredited) |
James F. Rogers | ... | sound (uncredited) |
Harold Tucker | ... | sound (uncredited) |
Kenneth Wilson | ... | sound (uncredited) |
Special Effects by
Roswell A. Hoffmann | ... | special photography (as Roswell Hoffmann) |
Clifford Stine | ... | special photography |
Camera and Electrical Department
Frank J. Calabria | ... | additional photographer (uncredited) |
Edward T. Estabrook | ... | still photographer (uncredited) |
Russ Franks | ... | grip (uncredited) |
Al Harris | ... | grip (uncredited) |
Harold Haselbusch | ... | best boy (uncredited) |
Michael Moramarco | ... | assistant camera (uncredited) |
Tom Ouellette | ... | gaffer (uncredited) |
John Thoeny | ... | assistant camera (uncredited) |
K.K. Towers | ... | camera operator (uncredited) |
Costume and Wardrobe Department
Jean Louis | ... | gowns for: Doris Day |
Rosamonde Lytele | ... | wardrobe (uncredited) |
Marie Pickering | ... | wardrobe (uncredited) |
Bucky Rous | ... | wardrobe (uncredited) |
Editorial Department
Henri Jaffa | ... | color consultant |
William L. Stevenson | ... | assistant film editor (uncredited) |
Music Department
Joseph Gershenson | ... | music supervisor |
Maurice De Packh | ... | orchestrator (uncredited) |
Frank De Vol | ... | conductor (uncredited) |
Milt Franklyn | ... | orchestrator (uncredited) |
Ethmer Roten | ... | musician: flute (uncredited) |
Albert Woodbury | ... | orchestrator (uncredited) |
Script and Continuity Department
Dorothy Hughes | ... | script supervisor (uncredited) |
Additional Crew
Leon Charles | ... | dialogue coach (uncredited) |
John Faltis | ... | Props (uncredited) |
Wayne Fitzgerald | ... | title designer (uncredited) |
Betty Mitchell | ... | unit publicist (uncredited) |
Dan Thomas | ... | unit publicist (uncredited) |