Búsqueme a esa chica (1964) Poster

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5/10
Also known as LOS NOVIOS DE MARISOL
bijou-215 May 2005
Marisol and her dad are travelling in seaside Spain earning their daily meals from tourist tips. She sings and he does a phony blind man routine. They find competition from El Duo Dinamico, two young pop singers, who compete with them while falling for Marisol.

Isabel Garces, playing an American tourist, steals this film from everyone with her magnificent comic timing. "Oh my goodness!" she exclaims in English, whenever Marisol pulls a stunt, the only real sign that her character is not just another rich German.

The scenario provides many opportunities for songs and the usual "let's put on a show" ending when Marisol is discovered by a rich producer and separated from her father.

This good Marisol vehicle was designed for the local market although Marisol was already an international star.
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6/10
Agreeable and sympathetic film with the girl prodigy Marisol well accompanied by the likable Isabel Garcés
ma-cortes22 November 2017
In Palma De Mallorca , a wonderful seaside town , Marisol and her daddy (José Bódalo) are buskers raising some coins from tourists . The musician streets Marisol and her father perform their cunning activities in wise manners , as Marisol dances while her dad does a phony blind man to raise their daily meals from tourist tips . As Marisol sings splendidly throughout the streets and squares . They find competition from El Duo Dinamico (Ramón Arcusa and Manuel De la Calva) , two young pop singers , who compete with them while both of whom falling for her . Shortly after , there is a massive convention of ¨Morrison Hotels company¨ , a wealthy international enterprise of Hotels run by Mr John Morrison (Robert Hutton) who is assisted by Miss Nelly (Isabel Garcés) . Later on , Morrison meets Marisol and he attempts to get her international success around the world by singing and dancing.

This is a joyful as well as entertaining Spanish musical movie , nicely realized by Fernando Palacios . This an enjoyable and feeling movie with attractive musical set pieces and in final takes places the ordinary happy end . This is an attractive story proceeded in simplicity and delicacy and the sunny , shinning exteriors provide a lot of chances of dancing and singing . The main role "Marisol" is played by herself in a phenomenal way , can be said that she is perfectly adequate to his measure . Of course , Marisol steals the show as the splendid singer and dancer teen girl . Marisol is well supported by a fine secondary cast , plenty of familiar faces . And special mention for Isabel Garcés with her hilarious timing . The scenarios in which develops the deeds are perfectly designed . Musical score by Augusto Algueró responds appropriately to the ambient , originating a careful atmosphere . Luminous and glimmer cinematography by Antonio L. Ballesteros . The filmmaker Palacios as well as the famous producer Goyanes succeed in this picture , obtaining a great achievement , managing perfectly to the performers and taking advantage of them , giving the best of their acting . It's worthwhile mingle of music , spectacular choreography , comedy , sentimentalism and good feeling .

Marisol was an appealing Spanish actress and singer . Spanish film studios were looking for a new child star to follow the steps of Pablito Calvo, and make popular and populist folkloric movies and they found Marisol . She was discovered by her future producer Manuel J. Goyanes in an exhibition of the "Coros y Danzas de Málaga" in TVE in 1959 . Her debut in cinema was in 1960 and she complemented her activity in cinema with records , recitals and TV-shows . ¨Búsqueme Esa Chica¨ produced by Manuel J Goyanes , in fact , she was introduced to the movie business and discovered by this powerful producer in ¨Un Rayo De Luz¨ (1960) by Luis Lucia , who directed her in this first feature , where earned his famous name . He was widely known in Spain when she became a widely successful child star , following ¨Ha LLegado Un Angel¨, ¨Tombola¨, ¨Marisol Rumbo a Rio¨ which were big box-office hits in Spain during Franco's dictatorship , and she became Spain's most famous girl actress , outstanding his highly expressive face and eyes , charming eyes and innocent , angelical face . She was a milestone in Spanish "child prodigies" under Franco along with Joselito , Pili and Mili , Ana Belén and especially Pablito Calvo . And the producers trying to keep them as little kids for as long as possible . Due to false advertising by the studios that made their movies, and which wanted to make them appear younger than they really were , an obsession that haunted them through the whole of their careers . After the national and international hits as ¨La Nueva Cenicienta¨ , ¨La Historia De Bienvenido¨ and ¨Cabriola¨, and following other successful films as ¨4 Bodas Marisol¨, ¨Carola De Dia , Carola De Noche¨ . In her films she often sings Flamenco Cante , Saetas , Soleadas and other Folkloric songs . After several movies and records , and already a big star as a singer and an actress in Europe, the next move was trying to triumph in America, there she also played , sang and danced to grant local box-office . His success even reached around the world . However, life was not too glamorous for Marisol, as she was treated almost as a sideshow act by his managers , not allowing him to become an ordinary teenager . She was forced to keep his childlike image up to the seventies ; however , thanks to Juán Antonio Bardém changed his acting style , playing thrillers as ¨La Corrupción de Chris Miller¨ and ¨Poder Del Deseo¨ , and subsequently directed by prestigious filmmakers as Carlos Saura in ¨Carmen¨ , ¨Bodas de Sangre¨ and Mario Camus¨ in ¨Dias Del Pasado¨. Her last movies were the notorious TV series ¨Proceso a Mariana Pineda¨ and ¨Caso Cerrado¨ and she was not successful anymore . Marisol married two times , to Carlos Goyanes and Antonio Gades . Fidel Castro was the best man at her wedding to Antonio Gades . She has three daughters from her marriage to Antonio Gades , on of them the known actress Maria Esteve . Disappearing from public life in 1985, when she was still high in her career, she left everything , returned to her homeland, Malaga, and has lived as a housewife since then for her own choice . Has received many invitations to return, but has declined all of them, even simple interviews on TV. Retired In Malaga from acting at early age to become a discreet person and was then discovered much later that she had become a housewife and is now a social and humanitarian activist.
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Visually stunning musical masterpiece, ruined only by animal cruelty
muratmihcioglu18 March 2023
I don't know why this film has such a low score. If for the lame story, I'd argue that for this kind of a cinematic experience the function of the story is to provide us with fun and hope, which this one does, so I have no problem with the scipt.

However, if people of today have been voting the score down because of the bull fighting scene in which the slaughter of baby animals is treated as business as usual, well, I must say I am highly bothered by that, too. Even though I am all for judging art by the metrics of its era, I just don't believe such a fine movie couldn't be made without that kind of a scene.

Other than that:

Marisol carries the whole movie. To see a pretty teen girl sing and dance and ACT in the most purified form is amazing. The mood of this film is not just rare, but even impossible to create nowadays.

There's a minute or so in which lights have gone in the house, which was fascinating lighting-wise: Despite they act as if in total darkness, they have dimmed the set only 50% or so. Yet, Marisol and the guy light up matchsticks one after another, and when there is that small light, the lighting is up dramatically, something improbabe. I love to see such weird tricks in old movies! They make you think if the audience bought it, or there was some mental agreement between them and the filmmakers on what was acceptable as covered by the suspension of disbelief.

I'm just so glad I came across this on tve of Spain tonight, because everything contemporary cinema severely lacks but actually needs (except for animal cruelty!) is alive and well in this colorful, joyful classic.
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